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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F36FF9 it is the complementary color #0C9006. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F36FF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F36FF9 shade: #F86FF4, #FF81FF, #FF93FF, #FFA5FF and #FFB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F36FF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F36FF9 shade: #F36FF9, #E25DE6, #D14BD3, #C039C0 and #AF27AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F36FF9 shade: #F371F9, #F971DA, #F971B6, #F97191 and #F97171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F36FF9 shade: #F371F9, #CE71F9, #AA71F9, #8571F9 and #7171F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F36FF9 shade matches the following richer shades: #F371F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F36FF9 shade: #F371F9, #E87DED, #DD89E1, #D295D5 and #C7A1C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F36FF9 shade: #AA71F9, #CE71F9, #F271F9, #F971DC and #F971B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F36FF9 shade: #ED22F6, #F049F7, #F371F9, #F699FB and #FAC0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F36FF9 shade: #F36FF9, #F98571 and #71F9BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F36FF9 shade: #F36FF9, #F9F271 and #71F9F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F36FF9 shade: #F36FF9, #F98571, #78F971 and #71E5F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F36FF9 shade: #F36FF9, #F9AE71, #78F971 and #71BCF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 55 / 0 / 2

HEX #F36FF9

RGB 243 111 249

HSL 297.39, 0.92%, 0.71%

LAB 67.47, 68.51, -46.29

 

Complementary color

CMYK 92 / 0 / 96 / 44

HEX #0C9006

RGB 12 144 6

HSL 117.39, 0.92%, 0.29%

LAB 51.88, -55.31, 53.41

 

CMYK 0 / 55 / 2 / 3

HEX #F86FF4

RGB 248 111 244

HSL 301.75, 0.91%, 0.7%

LAB 67.92, 68.94, -42.8

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 2 / 55 / 0 / 2

HEX #F36FF9

RGB 243 111 249

HSL 297.39, 0.92%, 0.71%

LAB 67.47, 68.51, -46.29

 

CMYK 2 / 60 / 0 / 10

HEX #E25DE6

RGB 226 93 230

HSL 298.25, 0.73%, 0.63%

LAB 61.4, 68.81, -45.49

 

CMYK 1 / 64 / 0 / 17

HEX #D14BD3

RGB 209 75 211

HSL 299.12, 0.61%, 0.56%

LAB 55.37, 68.83, -44.47

 

CMYK 0 / 70 / 0 / 25

HEX #C039C0

RGB 192 57 192

HSL 300, 0.54%, 0.49%

LAB 49.42, 68.42, -43.14

 

CMYK 0 / 78 / 1 / 31

HEX #AF27AD

RGB 175 39 173

HSL 300.88, 0.64%, 0.42%

LAB 43.63, 67.34, -41.37

 

CMYK 2 / 55 / 0 / 2

HEX #F371F9

RGB 243 113 249

HSL 297.35, 0.92%, 0.71%

LAB 67.8, 67.62, -45.77

 

CMYK 0 / 55 / 12 / 2

HEX #F971DA

RGB 249 113 218

HSL 313.68, 0.92%, 0.71%

LAB 67.29, 64.2, -29.38

 

CMYK 0 / 55 / 27 / 2

HEX #F971B6

RGB 249 113 182

HSL 329.56, 0.92%, 0.71%

LAB 66, 59.16, -11.1

 

CMYK 0 / 55 / 42 / 2

HEX #F97191

RGB 249 113 145

HSL 345.88, 0.92%, 0.71%

LAB 64.96, 54.89, 8.42

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 2 / 55 / 0 / 2

HEX #F371F9

RGB 243 113 249

HSL 297.35, 0.92%, 0.71%

LAB 67.8, 67.62, -45.77

 

CMYK 17 / 55 / 0 / 2

HEX #CE71F9

RGB 206 113 249

HSL 281.03, 0.92%, 0.71%

LAB 63.15, 58.25, -53.42

 

CMYK 32 / 55 / 0 / 2

HEX #AA71F9

RGB 170 113 249

HSL 265.15, 0.92%, 0.71%

LAB 59.16, 49.44, -60.04

 

CMYK 47 / 55 / 0 / 2

HEX #8571F9

RGB 133 113 249

HSL 248.82, 0.92%, 0.71%

LAB 55.72, 41.12, -65.74

 

CMYK 55 / 55 / 0 / 2

HEX #7171F9

RGB 113 113 249

HSL 240, 0.92%, 0.71%

LAB 54.2, 37.15, -68.27

 

CMYK 2 / 55 / 0 / 2

HEX #F371F9

RGB 243 113 249

HSL 297.35, 0.92%, 0.71%

LAB 67.8, 67.62, -45.77

 

CMYK 2 / 55 / 0 / 2

HEX #F371F9

RGB 243 113 249

HSL 297.35, 0.92%, 0.71%

LAB 67.8, 67.62, -45.77

 

CMYK 2 / 47 / 0 / 7

HEX #E87DED

RGB 232 125 237

HSL 297.32, 0.76%, 0.71%

LAB 67.97, 56.95, -39.01

 

CMYK 2 / 39 / 0 / 12

HEX #DD89E1

RGB 221 137 225

HSL 297.27, 0.59%, 0.71%

LAB 68.53, 45.5, -31.62

 

CMYK 1 / 30 / 0 / 16

HEX #D295D5

RGB 210 149 213

HSL 297.19, 0.43%, 0.71%

LAB 69.47, 33.43, -23.65

 

CMYK 1 / 20 / 0 / 21

HEX #C7A1C9

RGB 199 161 201

HSL 297, 0.27%, 0.71%

LAB 70.77, 20.95, -15.16

 

CMYK 32 / 55 / 0 / 2

HEX #AA71F9

RGB 170 113 249

HSL 265.15, 0.92%, 0.71%

LAB 59.16, 49.44, -60.04

 

CMYK 17 / 55 / 0 / 2

HEX #CE71F9

RGB 206 113 249

HSL 281.03, 0.92%, 0.71%

LAB 63.15, 58.25, -53.42

 

CMYK 3 / 55 / 0 / 2

HEX #F271F9

RGB 242 113 249

HSL 296.91, 0.92%, 0.71%

LAB 67.67, 67.37, -45.99

 

CMYK 0 / 55 / 12 / 2

HEX #F971DC

RGB 249 113 220

HSL 312.79, 0.92%, 0.71%

LAB 67.36, 64.5, -30.37

 

CMYK 0 / 55 / 27 / 2

HEX #F971B7

RGB 249 113 183

HSL 329.12, 0.92%, 0.71%

LAB 66.03, 59.28, -11.62

 

CMYK 4 / 86 / 0 / 4

HEX #ED22F6

RGB 237 34 246

HSL 297.45, 0.92%, 0.55%

LAB 57.85, 90.97, -59.97

 

CMYK 3 / 70 / 0 / 3

HEX #F049F7

RGB 240 73 247

HSL 297.59, 0.92%, 0.63%

LAB 61.66, 82.19, -54.41

 

CMYK 2 / 55 / 0 / 2

HEX #F371F9

RGB 243 113 249

HSL 297.35, 0.92%, 0.71%

LAB 67.8, 67.62, -45.77

 

CMYK 2 / 39 / 0 / 2

HEX #F699FB

RGB 246 153 251

HSL 296.94, 0.92%, 0.79%

LAB 75.66, 49.47, -34.58

 

CMYK 1 / 24 / 0 / 1

HEX #FAC0FC

RGB 250 192 252

HSL 298, 0.91%, 0.87%

LAB 84.51, 30.53, -21.54

 

CMYK 2 / 55 / 0 / 2

HEX #F36FF9

RGB 243 111 249

HSL 297.39, 0.92%, 0.71%

LAB 67.47, 68.51, -46.29

 

CMYK 0 / 47 / 55 / 2

HEX #F98571

RGB 249 133 113

HSL 8.82, 0.92%, 0.71%

LAB 68.1, 42.3, 30.71

 

CMYK 55 / 0 / 24 / 2

HEX #71F9BC

RGB 113 249 188

HSL 153.09, 0.92%, 0.71%

LAB 89.34, -51.08, 18.2

 

CMYK 2 / 55 / 0 / 2

HEX #F36FF9

RGB 243 111 249

HSL 297.39, 0.92%, 0.71%

LAB 67.47, 68.51, -46.29

 

CMYK 0 / 3 / 55 / 2

HEX #F9F271

RGB 249 242 113

HSL 56.91, 0.92%, 0.71%

LAB 93.81, -13.77, 61.99

 

CMYK 55 / 0 / 3 / 2

HEX #71F9F2

RGB 113 249 242

HSL 176.91, 0.92%, 0.71%

LAB 90.63, -38.68, -7.94

 

CMYK 2 / 55 / 0 / 2

HEX #F36FF9

RGB 243 111 249

HSL 297.39, 0.92%, 0.71%

LAB 67.47, 68.51, -46.29

 

CMYK 0 / 47 / 55 / 2

HEX #F98571

RGB 249 133 113

HSL 8.82, 0.92%, 0.71%

LAB 68.1, 42.3, 30.71

 

CMYK 52 / 0 / 55 / 2

HEX #78F971

RGB 120 249 113

HSL 116.91, 0.92%, 0.71%

LAB 88.42, -61.53, 53.84

 

CMYK 55 / 8 / 0 / 2

HEX #71E5F9

RGB 113 229 249

HSL 188.82, 0.92%, 0.71%

LAB 85.19, -27.43, -19.74

 

CMYK 2 / 55 / 0 / 2

HEX #F36FF9

RGB 243 111 249

HSL 297.39, 0.92%, 0.71%

LAB 67.47, 68.51, -46.29

 

CMYK 0 / 30 / 55 / 2

HEX #F9AE71

RGB 249 174 113

HSL 26.91, 0.92%, 0.71%

LAB 77.04, 21.05, 42.06

 

CMYK 52 / 0 / 55 / 2

HEX #78F971

RGB 120 249 113

HSL 116.91, 0.92%, 0.71%

LAB 88.42, -61.53, 53.84

 

CMYK 55 / 24 / 0 / 2

HEX #71BCF9

RGB 113 188 249

HSL 206.91, 0.92%, 0.71%

LAB 73.75, -6.34, -37.27

 

Description

Color code: HEX #F36FF9 | qconv.com Color code: HEX #F36FF9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 111 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 111 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 55 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 55% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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