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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F36833 it is the complementary color #0C97CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F36833. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F36833 shade: #F8682E, #FF7A41, #FF8C54, #FF9E67 and #FFB07A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F36833. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F36833 shade: #F36833, #E25620, #D1440D, #C03200 and #AF2000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F36833 shade: #F36935, #F33635 and #F33535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F36833 shade: #F36935, #F39D35, #F3D035, #E3F335 and #B0F335

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F36833 shade matches the following richer shades: #F36935

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F36833 shade: #F36935, #E27146, #D17957, #BF8069 and #AE887A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F36833 shade: #F33567, #F33535, #F36735, #F39A35 and #F3CD35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F36833 shade: #CA400C, #F14D0E, #F36935, #F5865C and #F8A383

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F36833 shade: #F36833, #9AF335 and #354EF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F36833 shade: #F36833, #35F367 and #6735F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F36833 shade: #F36833, #9AF335, #35C0F3 and #8E35F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F36833 shade: #F36833, #61F335, #35C0F3 and #C735F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 79 / 5

HEX #F36833

RGB 243 104 51

HSL 16.56, 0.89%, 0.58%

LAB 60.95, 50.68, 54.41

 

Complementary color

CMYK 94 / 26 / 0 / 20

HEX #0C97CC

RGB 12 151 204

HSL 196.56, 0.89%, 0.42%

LAB 58.58, -13.9, -36.38

 

CMYK 0 / 58 / 81 / 3

HEX #F8682E

RGB 248 104 46

HSL 17.23, 0.94%, 0.58%

LAB 61.7, 52.32, 57.61

 

CMYK 0 / 52 / 75 / 0

HEX #FF7A41

RGB 255 122 65

HSL 18, 1%, 0.63%

LAB 66.18, 47.1, 53.7

 

CMYK 0 / 45 / 67 / 0

HEX #FF8C54

RGB 255 140 84

HSL 19.65, 1%, 0.66%

LAB 69.93, 39.1, 48.48

 

CMYK 0 / 38 / 60 / 0

HEX #FF9E67

RGB 255 158 103

HSL 21.71, 1%, 0.7%

LAB 73.99, 31.05, 43.6

 

CMYK 0 / 31 / 52 / 0

HEX #FFB07A

RGB 255 176 122

HSL 24.36, 1%, 0.74%

LAB 78.3, 23.13, 39.13

 

CMYK 0 / 57 / 79 / 5

HEX #F36833

RGB 243 104 51

HSL 16.56, 0.89%, 0.58%

LAB 60.95, 50.68, 54.41

 

CMYK 0 / 62 / 86 / 11

HEX #E25620

RGB 226 86 32

HSL 16.7, 0.77%, 0.51%

LAB 55, 52.19, 56.2

 

CMYK 0 / 67 / 94 / 18

HEX #D1440D

RGB 209 68 13

HSL 16.84, 0.88%, 0.44%

LAB 49.15, 53.57, 57.03

 

CMYK 0 / 74 / 100 / 25

HEX #C03200

RGB 192 50 0

HSL 15.63, 1%, 0.38%

LAB 43.49, 54.61, 55.74

 

CMYK 0 / 82 / 100 / 31

HEX #AF2000

RGB 175 32 0

HSL 10.97, 1%, 0.34%

LAB 38.1, 54.96, 51.41

 

CMYK 0 / 57 / 78 / 5

HEX #F36935

RGB 243 105 53

HSL 16.42, 0.89%, 0.58%

LAB 61.15, 50.29, 53.67

 

CMYK 0 / 78 / 78 / 5

HEX #F33635

RGB 243 54 53

HSL 0.32, 0.89%, 0.58%

LAB 53.97, 69.69, 46.47

 

CMYK 0 / 78 / 78 / 5

HEX #F33535

RGB 243 53 53

HSL 0, 0.89%, 0.58%

LAB 53.88, 69.97, 46.37

 

CMYK 0 / 57 / 78 / 5

HEX #F36935

RGB 243 105 53

HSL 16.42, 0.89%, 0.58%

LAB 61.15, 50.29, 53.67

 

CMYK 0 / 35 / 78 / 5

HEX #F39D35

RGB 243 157 53

HSL 32.84, 0.89%, 0.58%

LAB 71.84, 24.08, 63.91

 

CMYK 0 / 14 / 78 / 5

HEX #F3D035

RGB 243 208 53

HSL 48.95, 0.89%, 0.58%

LAB 84.19, -2.53, 75.19

 

CMYK 7 / 0 / 78 / 5

HEX #E3F335

RGB 227 243 53

HSL 65.05, 0.89%, 0.58%

LAB 91.99, -26.4, 81.65

 

CMYK 28 / 0 / 78 / 5

HEX #B0F335

RGB 176 243 53

HSL 81.16, 0.89%, 0.58%

LAB 88.73, -46.18, 77.49

 

CMYK 0 / 57 / 78 / 5

HEX #F36935

RGB 243 105 53

HSL 16.42, 0.89%, 0.58%

LAB 61.15, 50.29, 53.67

 

CMYK 0 / 57 / 78 / 5

HEX #F36935

RGB 243 105 53

HSL 16.42, 0.89%, 0.58%

LAB 61.15, 50.29, 53.67

 

CMYK 0 / 50 / 69 / 11

HEX #E27146

RGB 226 113 70

HSL 16.54, 0.73%, 0.58%

LAB 60.27, 40.81, 43.55

 

CMYK 0 / 42 / 58 / 18

HEX #D17957

RGB 209 121 87

HSL 16.72, 0.57%, 0.58%

LAB 59.81, 31.09, 33.33

 

CMYK 0 / 33 / 45 / 25

HEX #BF8069

RGB 191 128 105

HSL 16.05, 0.4%, 0.58%

LAB 59.47, 21.66, 22.41

 

CMYK 0 / 22 / 30 / 32

HEX #AE887A

RGB 174 136 122

HSL 16.15, 0.24%, 0.58%

LAB 59.9, 12.42, 13.06

 

CMYK 0 / 78 / 58 / 5

HEX #F33567

RGB 243 53 103

HSL 344.21, 0.89%, 0.58%

LAB 54.64, 72.35, 18.39

 

CMYK 0 / 78 / 78 / 5

HEX #F33535

RGB 243 53 53

HSL 0, 0.89%, 0.58%

LAB 53.88, 69.97, 46.37

 

CMYK 0 / 58 / 78 / 5

HEX #F36735

RGB 243 103 53

HSL 15.79, 0.89%, 0.58%

LAB 60.79, 51.21, 53.32

 

CMYK 0 / 37 / 78 / 5

HEX #F39A35

RGB 243 154 53

HSL 31.89, 0.89%, 0.58%

LAB 71.16, 25.66, 63.27

 

CMYK 0 / 16 / 78 / 5

HEX #F3CD35

RGB 243 205 53

HSL 48, 0.89%, 0.58%

LAB 83.43, -1, 74.51

 

CMYK 0 / 68 / 94 / 21

HEX #CA400C

RGB 202 64 12

HSL 16.42, 0.89%, 0.42%

LAB 47.3, 52.79, 55.5

 

CMYK 0 / 68 / 94 / 5

HEX #F14D0E

RGB 241 77 14

HSL 16.65, 0.89%, 0.5%

LAB 56.13, 60.68, 63.95

 

CMYK 0 / 57 / 78 / 5

HEX #F36935

RGB 243 105 53

HSL 16.42, 0.89%, 0.58%

LAB 61.15, 50.29, 53.67

 

CMYK 0 / 45 / 62 / 4

HEX #F5865C

RGB 245 134 92

HSL 16.47, 0.88%, 0.66%

LAB 67.45, 38.77, 41.11

 

CMYK 0 / 34 / 47 / 3

HEX #F8A383

RGB 248 163 131

HSL 16.41, 0.89%, 0.74%

LAB 74.69, 28.02, 29.56

 

CMYK 0 / 57 / 79 / 5

HEX #F36833

RGB 243 104 51

HSL 16.56, 0.89%, 0.58%

LAB 60.95, 50.68, 54.41

 

CMYK 37 / 0 / 78 / 5

HEX #9AF335

RGB 154 243 53

HSL 88.11, 0.89%, 0.58%

LAB 87.6, -53.91, 76.03

 

CMYK 78 / 68 / 0 / 5

HEX #354EF3

RGB 53 78 243

HSL 232.11, 0.89%, 0.58%

LAB 42.27, 48.05, -84.52

 

CMYK 0 / 57 / 79 / 5

HEX #F36833

RGB 243 104 51

HSL 16.56, 0.89%, 0.58%

LAB 60.95, 50.68, 54.41

 

CMYK 78 / 0 / 58 / 5

HEX #35F367

RGB 53 243 103

HSL 135.79, 0.89%, 0.58%

LAB 84.91, -73.32, 53.78

 

CMYK 58 / 78 / 0 / 5

HEX #6735F3

RGB 103 53 243

HSL 255.79, 0.89%, 0.58%

LAB 41.06, 65.84, -86.41

 

CMYK 0 / 57 / 79 / 5

HEX #F36833

RGB 243 104 51

HSL 16.56, 0.89%, 0.58%

LAB 60.95, 50.68, 54.41

 

CMYK 37 / 0 / 78 / 5

HEX #9AF335

RGB 154 243 53

HSL 88.11, 0.89%, 0.58%

LAB 87.6, -53.91, 76.03

 

CMYK 78 / 21 / 0 / 5

HEX #35C0F3

RGB 53 192 243

HSL 196.11, 0.89%, 0.58%

LAB 72.84, -19.53, -35.58

 

CMYK 42 / 78 / 0 / 5

HEX #8E35F3

RGB 142 53 243

HSL 268.11, 0.89%, 0.58%

LAB 45.31, 70.79, -79.26

 

CMYK 0 / 57 / 79 / 5

HEX #F36833

RGB 243 104 51

HSL 16.56, 0.89%, 0.58%

LAB 60.95, 50.68, 54.41

 

CMYK 60 / 0 / 78 / 5

HEX #61F335

RGB 97 243 53

HSL 106.11, 0.89%, 0.58%

LAB 85.45, -70.18, 73.26

 

CMYK 78 / 21 / 0 / 5

HEX #35C0F3

RGB 53 192 243

HSL 196.11, 0.89%, 0.58%

LAB 72.84, -19.53, -35.58

 

CMYK 18 / 78 / 0 / 5

HEX #C735F3

RGB 199 53 243

HSL 286.11, 0.89%, 0.58%

LAB 53.12, 79.86, -66.21

 

Description

Color code: HEX #F36833 | qconv.com Color code: HEX #F36833 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 104 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 104 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 79 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 79% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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