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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3643E it is the complementary color #0C9BC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3643E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F3643E: #F86439, #FF764C, #FF885F, #FF9A72 and #FFAC85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3643E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F3643E: #F3643E, #E2522B, #D14018, #C02E05 and #AF1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 74 / 5

HEX #F3643E

RGB 243 100 62

HSL 12.6, 0.88%, 0.6%

LAB 60.35, 52.9, 48.48

 

Complementary color

CMYK 94 / 20 / 0 / 24

HEX #0C9BC1

RGB 12 155 193

HSL 192.6, 0.88%, 0.4%

LAB 59.32, -19.99, -29.04

 

CMYK 0 / 60 / 77 / 3

HEX #F86439

RGB 248 100 57

HSL 13.51, 0.93%, 0.6%

LAB 61.1, 54.47, 51.99

 

CMYK 0 / 54 / 70 / 0

HEX #FF764C

RGB 255 118 76

HSL 14.08, 1%, 0.65%

LAB 65.54, 49.5, 47.56

 

CMYK 0 / 47 / 63 / 0

HEX #FF885F

RGB 255 136 95

HSL 15.38, 1%, 0.69%

LAB 69.25, 41.76, 42.02

 

CMYK 0 / 40 / 55 / 0

HEX #FF9A72

RGB 255 154 114

HSL 17.02, 1%, 0.72%

LAB 73.28, 33.94, 36.97

 

CMYK 0 / 33 / 48 / 0

HEX #FFAC85

RGB 255 172 133

HSL 19.18, 1%, 0.76%

LAB 77.55, 26.21, 32.41

 

CMYK 0 / 59 / 74 / 5

HEX #F3643E

RGB 243 100 62

HSL 12.6, 0.88%, 0.6%

LAB 60.35, 52.9, 48.48

 

CMYK 0 / 64 / 81 / 11

HEX #E2522B

RGB 226 82 43

HSL 12.79, 0.76%, 0.53%

LAB 54.43, 54.2, 50.92

 

CMYK 0 / 69 / 89 / 18

HEX #D14018

RGB 209 64 24

HSL 12.97, 0.79%, 0.46%

LAB 48.62, 55.31, 53.02

 

CMYK 0 / 76 / 97 / 25

HEX #C02E05

RGB 192 46 5

HSL 13.16, 0.95%, 0.39%

LAB 43.02, 56.01, 53.95

 

CMYK 0 / 84 / 100 / 31

HEX #AF1C00

RGB 175 28 0

HSL 9.6, 1%, 0.34%

LAB 37.74, 55.98, 51.26

 

CMYK 0 / 59 / 74 / 5

HEX #F3643E

RGB 243 100 62

HSL 12.6, 0.88%, 0.6%

LAB 60.35, 52.9, 48.48

 

CMYK 0 / 47 / 74 / 5

HEX #F2813F

RGB 242 129 63

HSL 22.12, 0.87%, 0.6%

LAB 65.7, 38.6, 53.56

 

CMYK 0 / 35 / 74 / 5

HEX #F29E3F

RGB 242 158 63

HSL 31.84, 0.87%, 0.6%

LAB 72.02, 23.53, 60

 

CMYK 0 / 22 / 74 / 5

HEX #F2BC3F

RGB 242 188 63

HSL 41.9, 0.87%, 0.6%

LAB 79.16, 7.75, 67.04

 

CMYK 0 / 10 / 74 / 5

HEX #F2DA3F

RGB 242 218 63

HSL 51.96, 0.87%, 0.6%

LAB 86.69, -7.64, 74.23

 

CMYK 0 / 59 / 74 / 5

HEX #F3643E

RGB 243 100 62

HSL 12.6, 0.88%, 0.6%

LAB 60.35, 52.9, 48.48

 

CMYK 0 / 59 / 74 / 85

HEX #27100A

RGB 39 16 10

HSL 12.41, 0.59%, 0.1%

LAB 7.44, 11.26, 7.26

 

CMYK 0 / 59 / 74 / 65

HEX #5A2517

RGB 90 37 23

HSL 12.54, 0.59%, 0.22%

LAB 22.16, 23.29, 20.88

 

CMYK 0 / 59 / 74 / 45

HEX #8D3A24

RGB 141 58 36

HSL 12.57, 0.59%, 0.35%

LAB 35.63, 33.86, 30.73

 

CMYK 0 / 59 / 74 / 25

HEX #C04F31

RGB 192 79 49

HSL 12.59, 0.59%, 0.47%

LAB 48.29, 43.64, 39.85

 

CMYK 0 / 59 / 74 / 5

HEX #F3643E

RGB 243 100 62

HSL 12.6, 0.88%, 0.6%

LAB 60.35, 52.9, 48.48

 

CMYK 30 / 0 / 74 / 5

HEX #AAF23F

RGB 170 242 63

HSL 84.13, 0.87%, 0.6%

LAB 88.17, -47.45, 73.87

 

CMYK 74 / 59 / 0 / 5

HEX #3F63F2

RGB 63 99 242

HSL 227.93, 0.87%, 0.6%

LAB 47.48, 35.84, -75.41

 

CMYK 0 / 59 / 74 / 5

HEX #F3643E

RGB 243 100 62

HSL 12.6, 0.88%, 0.6%

LAB 60.35, 52.9, 48.48

 

CMYK 74 / 0 / 59 / 5

HEX #3FF263

RGB 63 242 99

HSL 132.07, 0.87%, 0.6%

LAB 84.72, -72.2, 55.35

 

CMYK 59 / 74 / 0 / 5

HEX #633FF2

RGB 99 63 242

HSL 252.07, 0.87%, 0.6%

LAB 42.18, 60.57, -84.01

 

CMYK 0 / 59 / 74 / 5

HEX #F3643E

RGB 243 100 62

HSL 12.6, 0.88%, 0.6%

LAB 60.35, 52.9, 48.48

 

CMYK 30 / 0 / 74 / 5

HEX #AAF23F

RGB 170 242 63

HSL 84.13, 0.87%, 0.6%

LAB 88.17, -47.45, 73.87

 

CMYK 74 / 15 / 0 / 5

HEX #3FCEF2

RGB 63 206 242

HSL 192.07, 0.87%, 0.6%

LAB 77.05, -25.91, -28.55

 

CMYK 44 / 74 / 0 / 5

HEX #873FF2

RGB 135 63 242

HSL 264.13, 0.87%, 0.6%

LAB 45.79, 65.53, -77.94

 

CMYK 0 / 59 / 74 / 5

HEX #F3643E

RGB 243 100 62

HSL 12.6, 0.88%, 0.6%

LAB 60.35, 52.9, 48.48

 

CMYK 52 / 0 / 74 / 5

HEX #75F23F

RGB 117 242 63

HSL 101.9, 0.87%, 0.6%

LAB 85.83, -64.27, 70.8

 

CMYK 74 / 15 / 0 / 5

HEX #3FCEF2

RGB 63 206 242

HSL 192.07, 0.87%, 0.6%

LAB 77.05, -25.91, -28.55

 

CMYK 22 / 74 / 0 / 5

HEX #BC3FF2

RGB 188 63 242

HSL 281.9, 0.87%, 0.6%

LAB 52.57, 74.52, -66.62

 

Description

Color code: HEX #F3643E | qconv.com Color code: HEX #F3643E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 100 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 100 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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