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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F35D4ACE it is the complementary color #0CA2B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F35D4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F35D4ACE shade: #F85D45CE, #FF6F58CE, #FF816BCE, #FF937ECE and #FFA591CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F35D4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F35D4ACE shade: #F35D4ACE, #E24B37CE, #D13924CE, #C02711CE and #AF1500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F35D4ACE shade: #F35C49 and #F34949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F35D4ACE shade: #F35C49, #F38A49, #F3B849, #F3E649 and #D3F349

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F35D4ACE shade matches the following richer shades: #F35C49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F35D4ACE shade: #F35C49, #E46859, #D47468, #C48078 and #B58D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F35D4ACE shade: #F34993, #F34965, #F35A49, #F38749 and #F3B549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F35D4ACE shade: #DC250E, #F13922, #F35C49, #F67F70 and #F8A196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F35D4ACE shade: #F35D4A, #C0F349 and #497CF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F35D4ACE shade: #F35D4A, #49F35A and #5A49F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F35D4ACE shade: #F35D4A, #C0F349, #49E2F3 and #7C49F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F35D4ACE shade: #F35D4A, #8DF349, #49E2F3 and #AF49F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 56 / 4

HEX #F35D4ACE

RGBA 243 93 74 0.81

HSLA 6.75, 0.88%, 0.62%, 0.81

LABA 59.32, 56.51, 41.03, 0.81

 

Complementary color

CMYK 76 / 9 / 0 / 24

HEX #0CA2B5CE

RGBA 12 162 181 0.81

HSLA 186.75, 0.88%, 0.38%, 0.81

LABA 61.01, -27.69, -19.69, 0.81

 

CMYK 0 / 51 / 58 / 2

HEX #F85D45CE

RGBA 248 93 69 0.81

HSLA 8.04, 0.93%, 0.62%, 0.81

LABA 60.08, 57.97, 44.79, 0.81

 

CMYK 0 / 46 / 53 / 0

HEX #FF6F58CE

RGBA 255 111 88 0.81

HSLA 8.26, 1%, 0.67%, 0.81

LABA 64.43, 53.38, 39.94, 0.81

 

CMYK 0 / 40 / 47 / 0

HEX #FF816BCE

RGBA 255 129 107 0.81

HSLA 8.92, 1%, 0.71%, 0.81

LABA 68.04, 46.04, 34.07, 0.81

 

CMYK 0 / 34 / 41 / 0

HEX #FF937ECE

RGBA 255 147 126 0.81

HSLA 9.77, 1%, 0.75%, 0.81

LABA 71.98, 38.53, 28.84, 0.81

 

CMYK 0 / 29 / 35 / 0

HEX #FFA591CE

RGBA 255 165 145 0.81

HSLA 10.91, 1%, 0.78%, 0.81

LABA 76.2, 31.04, 24.18, 0.81

 

CMYK 0 / 50 / 56 / 4

HEX #F35D4ACE

RGBA 243 93 74 0.81

HSLA 6.75, 0.88%, 0.62%, 0.81

LABA 59.32, 56.51, 41.03, 0.81

 

CMYK 0 / 54 / 61 / 9

HEX #E24B37CE

RGBA 226 75 55 0.81

HSLA 7.02, 0.75%, 0.55%, 0.81

LABA 53.47, 57.48, 43.93, 0.81

 

CMYK 0 / 59 / 67 / 15

HEX #D13924CE

RGBA 209 57 36 0.81

HSLA 7.28, 0.71%, 0.48%, 0.81

LABA 47.76, 58.15, 46.99, 0.81

 

CMYK 0 / 65 / 74 / 20

HEX #C02711CE

RGBA 192 39 17 0.81

HSLA 7.54, 0.84%, 0.41%, 0.81

LABA 42.3, 58.29, 49.65, 0.81

 

CMYK 0 / 71 / 81 / 25

HEX #AF1500CE

RGBA 175 21 0 0.81

HSLA 7.2, 1%, 0.34%, 0.81

LABA 37.21, 57.51, 51.04, 0.81

 

CMYK 0 / 62 / 70 / 5

HEX #F35C49

RGB 243 92 73

HSL 6.71, 0.88%, 0.62%

LAB 59.15, 56.89, 41.37

 

CMYK 0 / 70 / 70 / 5

HEX #F34949

RGB 243 73 73

HSL 0, 0.88%, 0.62%

LAB 56.39, 64.38, 38.15

 

CMYK 0 / 62 / 70 / 5

HEX #F35C49

RGB 243 92 73

HSL 6.71, 0.88%, 0.62%

LAB 59.15, 56.89, 41.37

 

CMYK 0 / 43 / 70 / 5

HEX #F38A49

RGB 243 138 73

HSL 22.94, 0.88%, 0.62%

LAB 67.81, 34.85, 51.09

 

CMYK 0 / 24 / 70 / 5

HEX #F3B849

RGB 243 184 73

HSL 39.18, 0.88%, 0.62%

LAB 78.35, 10.72, 62.28

 

CMYK 0 / 5 / 70 / 5

HEX #F3E649

RGB 243 230 73

HSL 55.41, 0.88%, 0.62%

LAB 89.92, -12.76, 73.89

 

CMYK 13 / 0 / 70 / 5

HEX #D3F349

RGB 211 243 73

HSL 71.29, 0.88%, 0.62%

LAB 90.98, -31.91, 74.12

 

CMYK 0 / 62 / 70 / 5

HEX #F35C49

RGB 243 92 73

HSL 6.71, 0.88%, 0.62%

LAB 59.15, 56.89, 41.37

 

CMYK 0 / 62 / 70 / 5

HEX #F35C49

RGB 243 92 73

HSL 6.71, 0.88%, 0.62%

LAB 59.15, 56.89, 41.37

 

CMYK 0 / 54 / 61 / 11

HEX #E46859

RGB 228 104 89

HSL 6.47, 0.72%, 0.62%

LAB 59.08, 47.12, 31.88

 

CMYK 0 / 45 / 51 / 17

HEX #D47468

RGB 212 116 104

HSL 6.67, 0.56%, 0.62%

LAB 59.42, 36.32, 23.39

 

CMYK 0 / 35 / 39 / 23

HEX #C48078

RGB 196 128 120

HSL 6.32, 0.39%, 0.62%

LAB 60.36, 25.34, 15.22

 

CMYK 0 / 22 / 25 / 29

HEX #B58D88

RGB 181 141 136

HSL 6.67, 0.23%, 0.62%

LAB 62.21, 14.39, 8.48

 

CMYK 0 / 70 / 40 / 5

HEX #F34993

RGB 243 73 147

HSL 333.88, 0.88%, 0.62%

LAB 57.97, 69.75, -2.98

 

CMYK 0 / 70 / 58 / 5

HEX #F34965

RGB 243 73 101

HSL 350.12, 0.88%, 0.62%

LAB 56.84, 65.94, 22.54

 

CMYK 0 / 63 / 70 / 5

HEX #F35A49

RGB 243 90 73

HSL 6, 0.88%, 0.62%

LAB 58.83, 57.74, 41

 

CMYK 0 / 44 / 70 / 5

HEX #F38749

RGB 243 135 73

HSL 21.88, 0.88%, 0.62%

LAB 67.17, 36.4, 50.4

 

CMYK 0 / 26 / 70 / 5

HEX #F3B549

RGB 243 181 73

HSL 38.12, 0.88%, 0.62%

LAB 77.63, 12.3, 61.53

 

CMYK 0 / 83 / 94 / 14

HEX #DC250E

RGB 220 37 14

HSL 6.7, 0.88%, 0.46%

LAB 47.71, 66.77, 56.91

 

CMYK 0 / 76 / 86 / 5

HEX #F13922

RGB 241 57 34

HSL 6.67, 0.88%, 0.54%

LAB 53.75, 67.77, 55.45

 

CMYK 0 / 62 / 70 / 5

HEX #F35C49

RGB 243 92 73

HSL 6.71, 0.88%, 0.62%

LAB 59.15, 56.89, 41.37

 

CMYK 0 / 48 / 54 / 4

HEX #F67F70

RGB 246 127 112

HSL 6.72, 0.88%, 0.7%

LAB 66.48, 44.11, 29.06

 

CMYK 0 / 35 / 40 / 3

HEX #F8A196

RGB 248 161 150

HSL 6.73, 0.88%, 0.78%

LAB 74.6, 31.02, 19.14

 

CMYK 0 / 62 / 70 / 5

HEX #F35D4A

RGB 243 93 74

HSL 6.75, 0.88%, 0.62%

LAB 59.32, 56.51, 41.03

 

CMYK 21 / 0 / 70 / 5

HEX #C0F349

RGB 192 243 73

HSL 78, 0.88%, 0.62%

LAB 89.76, -39.23, 72.51

 

CMYK 70 / 49 / 0 / 5

HEX #497CF3

RGB 73 124 243

HSL 222, 0.88%, 0.62%

LAB 54.35, 21.91, -64.81

 

CMYK 0 / 62 / 70 / 5

HEX #F35D4A

RGB 243 93 74

HSL 6.75, 0.88%, 0.62%

LAB 59.32, 56.51, 41.03

 

CMYK 70 / 0 / 63 / 5

HEX #49F35A

RGB 73 243 90

HSL 126, 0.88%, 0.62%

LAB 85.13, -71.98, 59.67

 

CMYK 63 / 70 / 0 / 5

HEX #5A49F3

RGB 90 73 243

HSL 246, 0.88%, 0.62%

LAB 43.37, 54.64, -82.63

 

CMYK 0 / 62 / 70 / 5

HEX #F35D4A

RGB 243 93 74

HSL 6.75, 0.88%, 0.62%

LAB 59.32, 56.51, 41.03

 

CMYK 21 / 0 / 70 / 5

HEX #C0F349

RGB 192 243 73

HSL 78, 0.88%, 0.62%

LAB 89.76, -39.23, 72.51

 

CMYK 70 / 7 / 0 / 5

HEX #49E2F3

RGB 73 226 243

HSL 186, 0.88%, 0.62%

LAB 83.06, -34.08, -19.9

 

CMYK 49 / 70 / 0 / 5

HEX #7C49F3

RGB 124 73 243

HSL 258, 0.88%, 0.62%

LAB 46.34, 59.46, -77.66

 

CMYK 0 / 62 / 70 / 5

HEX #F35D4A

RGB 243 93 74

HSL 6.75, 0.88%, 0.62%

LAB 59.32, 56.51, 41.03

 

CMYK 42 / 0 / 70 / 5

HEX #8DF349

RGB 141 243 73

HSL 96, 0.88%, 0.62%

LAB 87.12, -56.98, 68.98

 

CMYK 70 / 7 / 0 / 5

HEX #49E2F3

RGB 73 226 243

HSL 186, 0.88%, 0.62%

LAB 83.06, -34.08, -19.9

 

CMYK 28 / 70 / 0 / 5

HEX #AF49F3

RGB 175 73 243

HSL 276, 0.88%, 0.62%

LAB 52.23, 68.47, -67.81

 

Description

Color code: HEX #F35D4ACE | qconv.com Color code: HEX #F35D4ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 93 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 93 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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