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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F35AE8 it is the complementary color #0CA517. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F35AE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F35AE8 shade: #F85AE3, #FF6CF6, #FF7EFF, #FF90FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F35AE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F35AE8 shade: #F35AE8, #E248D5, #D136C2, #C024AF and #AF129C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F35AE8 shade: #F359E7, #F359BE, #F35995, #F3596B and #F35959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F35AE8 shade: #F359E7, #D459F3, #AB59F3, #8159F3 and #5959F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F35AE8 shade matches the following richer shades: #F359E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F35AE8 shade: #F359E7, #E467DB, #D676CF, #C784C2 and #B993B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F35AE8 shade: #AB59F3, #D459F3, #F359E8, #F359BF and #F35996

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F35AE8 shade: #E811D8, #F033E2, #F359E7, #F57FED and #F8A6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F35AE8 shade: #F35AE8, #F38259 and #59F3BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F35AE8 shade: #F35AE8, #E8F359 and #59E8F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F35AE8 shade: #F35AE8, #F38259, #59F363 and #59CAF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F35AE8 shade: #F35AE8, #F3B059, #59F363 and #599CF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 5 / 5

HEX #F35AE8

RGB 243 90 232

HSL 304.31, 0.86%, 0.65%

LAB 63.5, 74.44, -43.13

 

Complementary color

CMYK 93 / 0 / 86 / 35

HEX #0CA517

RGB 12 165 23

HSL 124.31, 0.86%, 0.35%

LAB 59.02, -60.82, 56.29

 

CMYK 0 / 64 / 8 / 3

HEX #F85AE3

RGB 248 90 227

HSL 307.97, 0.92%, 0.66%

LAB 64.01, 74.87, -39.5

 

CMYK 0 / 58 / 4 / 0

HEX #FF6CF6

RGB 255 108 246

HSL 303.67, 1%, 0.71%

LAB 68.49, 72.32, -42.94

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 63 / 5 / 5

HEX #F35AE8

RGB 243 90 232

HSL 304.31, 0.86%, 0.65%

LAB 63.5, 74.44, -43.13

 

CMYK 0 / 68 / 6 / 11

HEX #E248D5

RGB 226 72 213

HSL 305.06, 0.73%, 0.58%

LAB 57.66, 74.17, -41.82

 

CMYK 0 / 74 / 7 / 18

HEX #D136C2

RGB 209 54 194

HSL 305.81, 0.63%, 0.52%

LAB 51.94, 73.4, -40.14

 

CMYK 0 / 81 / 9 / 25

HEX #C024AF

RGB 192 36 175

HSL 306.54, 0.68%, 0.45%

LAB 46.4, 71.89, -37.98

 

CMYK 0 / 90 / 11 / 31

HEX #AF129C

RGB 175 18 156

HSL 307.26, 0.81%, 0.38%

LAB 41.13, 69.32, -35.16

 

CMYK 0 / 63 / 5 / 5

HEX #F359E7

RGB 243 89 231

HSL 304.68, 0.87%, 0.65%

LAB 63.32, 74.67, -42.87

 

CMYK 0 / 63 / 22 / 5

HEX #F359BE

RGB 243 89 190

HSL 320.65, 0.87%, 0.65%

LAB 61.58, 68.76, -22.43

 

CMYK 0 / 63 / 39 / 5

HEX #F35995

RGB 243 89 149

HSL 336.62, 0.87%, 0.65%

LAB 60.22, 63.91, -0.84

 

CMYK 0 / 63 / 56 / 5

HEX #F3596B

RGB 243 89 107

HSL 352.99, 0.87%, 0.65%

LAB 59.22, 60.19, 22.21

 

CMYK 0 / 63 / 63 / 5

HEX #F35959

RGB 243 89 89

HSL 0, 0.87%, 0.65%

LAB 58.9, 59.01, 32.15

 

CMYK 0 / 63 / 5 / 5

HEX #F359E7

RGB 243 89 231

HSL 304.68, 0.87%, 0.65%

LAB 63.32, 74.67, -42.87

 

CMYK 13 / 63 / 0 / 5

HEX #D459F3

RGB 212 89 243

HSL 287.92, 0.87%, 0.65%

LAB 59.54, 69.52, -55.81

 

CMYK 30 / 63 / 0 / 5

HEX #AB59F3

RGB 171 89 243

HSL 271.95, 0.87%, 0.65%

LAB 54.32, 60.49, -64.47

 

CMYK 47 / 63 / 0 / 5

HEX #8159F3

RGB 129 89 243

HSL 255.58, 0.87%, 0.65%

LAB 49.84, 52.06, -71.94

 

CMYK 63 / 63 / 0 / 5

HEX #5959F3

RGB 89 89 243

HSL 240, 0.87%, 0.65%

LAB 46.63, 45.5, -77.3

 

CMYK 0 / 63 / 5 / 5

HEX #F359E7

RGB 243 89 231

HSL 304.68, 0.87%, 0.65%

LAB 63.32, 74.67, -42.87

 

CMYK 0 / 63 / 5 / 5

HEX #F359E7

RGB 243 89 231

HSL 304.68, 0.87%, 0.65%

LAB 63.32, 74.67, -42.87

 

CMYK 0 / 55 / 4 / 11

HEX #E467DB

RGB 228 103 219

HSL 304.32, 0.7%, 0.65%

LAB 62.77, 63.12, -37.17

 

CMYK 0 / 45 / 3 / 16

HEX #D676CF

RGB 214 118 207

HSL 304.38, 0.54%, 0.65%

LAB 63.14, 49.93, -30

 

CMYK 0 / 34 / 3 / 22

HEX #C784C2

RGB 199 132 194

HSL 304.48, 0.37%, 0.65%

LAB 63.79, 35.54, -21.84

 

CMYK 0 / 21 / 2 / 27

HEX #B993B6

RGB 185 147 182

HSL 304.74, 0.21%, 0.65%

LAB 65.4, 20.3, -12.78

 

CMYK 30 / 63 / 0 / 5

HEX #AB59F3

RGB 171 89 243

HSL 271.95, 0.87%, 0.65%

LAB 54.32, 60.49, -64.47

 

CMYK 13 / 63 / 0 / 5

HEX #D459F3

RGB 212 89 243

HSL 287.92, 0.87%, 0.65%

LAB 59.54, 69.52, -55.81

 

CMYK 0 / 63 / 5 / 5

HEX #F359E8

RGB 243 89 232

HSL 304.29, 0.87%, 0.65%

LAB 63.36, 74.82, -43.35

 

CMYK 0 / 63 / 21 / 5

HEX #F359BF

RGB 243 89 191

HSL 320.26, 0.87%, 0.65%

LAB 61.62, 68.89, -22.94

 

CMYK 0 / 63 / 38 / 5

HEX #F35996

RGB 243 89 150

HSL 336.23, 0.87%, 0.65%

LAB 60.25, 64.01, -1.38

 

CMYK 0 / 93 / 7 / 9

HEX #E811D8

RGB 232 17 216

HSL 304.47, 0.86%, 0.49%

LAB 54.57, 88.03, -48.35

 

CMYK 0 / 79 / 6 / 6

HEX #F033E2

RGB 240 51 226

HSL 304.44, 0.86%, 0.57%

LAB 58.4, 85.2, -47.85

 

CMYK 0 / 63 / 5 / 5

HEX #F359E7

RGB 243 89 231

HSL 304.68, 0.87%, 0.65%

LAB 63.32, 74.67, -42.87

 

CMYK 0 / 48 / 3 / 4

HEX #F57FED

RGB 245 127 237

HSL 304.07, 0.86%, 0.73%

LAB 69.97, 59.62, -35.78

 

CMYK 0 / 33 / 2 / 3

HEX #F8A6F2

RGB 248 166 242

HSL 304.39, 0.85%, 0.81%

LAB 78.25, 41.76, -25.72

 

CMYK 0 / 63 / 5 / 5

HEX #F35AE8

RGB 243 90 232

HSL 304.31, 0.86%, 0.65%

LAB 63.5, 74.44, -43.13

 

CMYK 0 / 47 / 63 / 5

HEX #F38259

RGB 243 130 89

HSL 15.97, 0.87%, 0.65%

LAB 66.32, 39.84, 41.26

 

CMYK 63 / 0 / 21 / 5

HEX #59F3BF

RGB 89 243 191

HSL 159.74, 0.87%, 0.65%

LAB 86.99, -52.57, 13.24

 

CMYK 0 / 63 / 5 / 5

HEX #F35AE8

RGB 243 90 232

HSL 304.31, 0.86%, 0.65%

LAB 63.5, 74.44, -43.13

 

CMYK 5 / 0 / 63 / 5

HEX #E8F359

RGB 232 243 89

HSL 64.29, 0.87%, 0.65%

LAB 92.57, -22.67, 70.29

 

CMYK 63 / 5 / 0 / 5

HEX #59E8F3

RGB 89 232 243

HSL 184.29, 0.87%, 0.65%

LAB 85.15, -34.67, -16.71

 

CMYK 0 / 63 / 5 / 5

HEX #F35AE8

RGB 243 90 232

HSL 304.31, 0.86%, 0.65%

LAB 63.5, 74.44, -43.13

 

CMYK 0 / 47 / 63 / 5

HEX #F38259

RGB 243 130 89

HSL 15.97, 0.87%, 0.65%

LAB 66.32, 39.84, 41.26

 

CMYK 63 / 0 / 59 / 5

HEX #59F363

RGB 89 243 99

HSL 123.9, 0.87%, 0.65%

LAB 85.57, -68.09, 56.46

 

CMYK 63 / 17 / 0 / 5

HEX #59CAF3

RGB 89 202 243

HSL 195.97, 0.87%, 0.65%

LAB 76.58, -19.98, -29.75

 

CMYK 0 / 63 / 5 / 5

HEX #F35AE8

RGB 243 90 232

HSL 304.31, 0.86%, 0.65%

LAB 63.5, 74.44, -43.13

 

CMYK 0 / 28 / 63 / 5

HEX #F3B059

RGB 243 176 89

HSL 33.9, 0.87%, 0.65%

LAB 76.57, 15.83, 53.2

 

CMYK 63 / 0 / 59 / 5

HEX #59F363

RGB 89 243 99

HSL 123.9, 0.87%, 0.65%

LAB 85.57, -68.09, 56.46

 

CMYK 63 / 36 / 0 / 5

HEX #599CF3

RGB 89 156 243

HSL 213.9, 0.87%, 0.65%

LAB 63.65, 5.19, -49.92

 

Description

Color code: HEX #F35AE8 | qconv.com Color code: HEX #F35AE8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 90 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 90 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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