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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F35A55CE it is the complementary color #0CA5AACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F35A55CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F35A55CE shade: #F85A50CE, #FF6C63CE, #FF7E76CE, #FF9089CE and #FFA29CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F35A55CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F35A55CE shade: #F35A55CE, #E24842CE, #D1362FCE, #C0241CCE and #AF1209CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F35A55CE shade: #F35853 and #F35353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F35A55CE shade: #F35853, #F38353, #F3AF53, #F3DA53 and #E1F353

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F35A55CE shade matches the following richer shades: #F35853

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F35A55CE shade: #F35853, #E46662, #D57471, #C78280 and #B8908F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F35A55CE shade: #F353A6, #F3537B, #F35653, #F38153 and #F3AB53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F35A55CE shade: #E41710, #F0332D, #F35853, #F67E7A and #F8A3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F35A55CE shade: #F35A55, #D0F353 and #5391F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F35A55CE shade: #F35A55, #53F356 and #5653F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F35A55CE shade: #F35A55, #D0F353, #53F0F3 and #7653F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F35A55CE shade: #F35A55, #A1F353, #53F0F3 and #A653F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 53 / 4

HEX #F35A55CE

RGBA 243 90 85 0.81

HSLA 1.9, 0.87%, 0.64%, 0.81

LABA 59, 58.36, 34.54, 0.81

 

Complementary color

CMYK 75 / 2 / 0 / 27

HEX #0CA5AACE

RGBA 12 165 170 0.81

HSLA 181.9, 0.87%, 0.36%, 0.81

LABA 61.56, -32.7, -12.67, 0.81

 

CMYK 0 / 52 / 55 / 2

HEX #F85A50CE

RGBA 248 90 80 0.81

HSLA 3.57, 0.92%, 0.64%, 0.81

LABA 59.75, 59.73, 38.44, 0.81

 

CMYK 0 / 47 / 50 / 0

HEX #FF6C63CE

RGBA 255 108 99 0.81

HSLA 3.46, 1%, 0.69%, 0.81

LABA 64.07, 55.4, 33.45, 0.81

 

CMYK 0 / 41 / 44 / 0

HEX #FF7E76CE

RGBA 255 126 118 0.81

HSLA 3.5, 1%, 0.73%, 0.81

LABA 67.64, 48.33, 27.5, 0.81

 

CMYK 0 / 35 / 37 / 0

HEX #FF9089CE

RGBA 255 144 137 0.81

HSLA 3.56, 1%, 0.77%, 0.81

LABA 71.56, 41.06, 22.24, 0.81

 

CMYK 0 / 30 / 31 / 0

HEX #FFA29CCE

RGBA 255 162 156 0.81

HSLA 3.64, 1%, 0.81%, 0.81

LABA 75.76, 33.78, 17.6, 0.81

 

CMYK 0 / 51 / 53 / 4

HEX #F35A55CE

RGBA 243 90 85 0.81

HSLA 1.9, 0.87%, 0.64%, 0.81

LABA 59, 58.36, 34.54, 0.81

 

CMYK 0 / 55 / 57 / 9

HEX #E24842CE

RGBA 226 72 66 0.81

HSLA 2.25, 0.73%, 0.57%, 0.81

LABA 53.16, 59.11, 37.56, 0.81

 

CMYK 0 / 60 / 63 / 15

HEX #D1362FCE

RGBA 209 54 47 0.81

HSLA 2.59, 0.64%, 0.5%, 0.81

LABA 47.49, 59.51, 40.98, 0.81

 

CMYK 0 / 66 / 69 / 20

HEX #C0241CCE

RGBA 192 36 28 0.81

HSLA 2.93, 0.75%, 0.43%, 0.81

LABA 42.08, 59.32, 44.6, 0.81

 

CMYK 0 / 73 / 77 / 25

HEX #AF1209CE

RGBA 175 18 9 0.81

HSLA 3.25, 0.9%, 0.36%, 0.81

LABA 37.05, 58.16, 47.47, 0.81

 

CMYK 0 / 64 / 66 / 5

HEX #F35853

RGB 243 88 83

HSL 1.88, 0.87%, 0.64%

LAB 58.66, 59.08, 35.25

 

CMYK 0 / 66 / 66 / 5

HEX #F35353

RGB 243 83 83

HSL 0, 0.87%, 0.64%

LAB 57.91, 61.1, 34.33

 

CMYK 0 / 64 / 66 / 5

HEX #F35853

RGB 243 88 83

HSL 1.88, 0.87%, 0.64%

LAB 58.66, 59.08, 35.25

 

CMYK 0 / 46 / 66 / 5

HEX #F38353

RGB 243 131 83

HSL 18, 0.87%, 0.64%

LAB 66.45, 38.98, 44.55

 

CMYK 0 / 28 / 66 / 5

HEX #F3AF53

RGB 243 175 83

HSL 34.5, 0.87%, 0.64%

LAB 76.28, 16, 55.66

 

CMYK 0 / 10 / 66 / 5

HEX #F3DA53

RGB 243 218 83

HSL 50.63, 0.87%, 0.64%

LAB 86.91, -6.26, 67.04

 

CMYK 7 / 0 / 66 / 5

HEX #E1F353

RGB 225 243 83

HSL 66.75, 0.87%, 0.64%

LAB 92.01, -25.82, 71.86

 

CMYK 0 / 64 / 66 / 5

HEX #F35853

RGB 243 88 83

HSL 1.88, 0.87%, 0.64%

LAB 58.66, 59.08, 35.25

 

CMYK 0 / 64 / 66 / 5

HEX #F35853

RGB 243 88 83

HSL 1.88, 0.87%, 0.64%

LAB 58.66, 59.08, 35.25

 

CMYK 0 / 55 / 57 / 11

HEX #E46662

RGB 228 102 98

HSL 1.85, 0.71%, 0.64%

LAB 58.86, 48.71, 26.49

 

CMYK 0 / 46 / 47 / 16

HEX #D57471

RGB 213 116 113

HSL 1.8, 0.54%, 0.64%

LAB 59.73, 37.54, 18.69

 

CMYK 0 / 35 / 36 / 22

HEX #C78280

RGB 199 130 128

HSL 1.69, 0.39%, 0.64%

LAB 61.36, 26.38, 12.11

 

CMYK 0 / 22 / 22 / 28

HEX #B8908F

RGB 184 144 143

HSL 1.46, 0.22%, 0.64%

LAB 63.44, 14.93, 6.31

 

CMYK 0 / 66 / 32 / 5

HEX #F353A6

RGB 243 83 166

HSL 328.88, 0.87%, 0.64%

LAB 59.88, 68.13, -11.21

 

CMYK 0 / 66 / 49 / 5

HEX #F3537B

RGB 243 83 123

HSL 345, 0.87%, 0.64%

LAB 58.67, 63.86, 12.12

 

CMYK 0 / 65 / 66 / 5

HEX #F35653

RGB 243 86 83

HSL 1.13, 0.87%, 0.64%

LAB 58.35, 59.9, 34.88

 

CMYK 0 / 47 / 66 / 5

HEX #F38153

RGB 243 129 83

HSL 17.25, 0.87%, 0.64%

LAB 66.04, 39.99, 44.07

 

CMYK 0 / 30 / 66 / 5

HEX #F3AB53

RGB 243 171 83

HSL 33, 0.87%, 0.64%

LAB 75.33, 18.1, 54.62

 

CMYK 0 / 90 / 93 / 11

HEX #E41710

RGB 228 23 16

HSL 1.98, 0.87%, 0.48%

LAB 48.44, 71.5, 57.54

 

CMYK 0 / 79 / 81 / 6

HEX #F0332D

RGB 240 51 45

HSL 1.85, 0.87%, 0.56%

LAB 53.04, 69.44, 49.53

 

CMYK 0 / 64 / 66 / 5

HEX #F35853

RGB 243 88 83

HSL 1.88, 0.87%, 0.64%

LAB 58.66, 59.08, 35.25

 

CMYK 0 / 49 / 50 / 4

HEX #F67E7A

RGB 246 126 122

HSL 1.94, 0.87%, 0.72%

LAB 66.46, 45.44, 23.47

 

CMYK 0 / 34 / 35 / 3

HEX #F8A3A0

RGB 248 163 160

HSL 2.05, 0.86%, 0.8%

LAB 75.26, 31.12, 14.59

 

CMYK 0 / 63 / 65 / 5

HEX #F35A55

RGB 243 90 85

HSL 1.9, 0.87%, 0.64%

LAB 59, 58.36, 34.54

 

CMYK 14 / 0 / 66 / 5

HEX #D0F353

RGB 208 243 83

HSL 73.13, 0.87%, 0.64%

LAB 90.84, -32.5, 70.29

 

CMYK 66 / 40 / 0 / 5

HEX #5391F3

RGB 83 145 243

HSL 216.75, 0.87%, 0.64%

LAB 60.39, 10.67, -55.1

 

CMYK 0 / 63 / 65 / 5

HEX #F35A55

RGB 243 90 85

HSL 1.9, 0.87%, 0.64%

LAB 59, 58.36, 34.54

 

CMYK 66 / 0 / 65 / 5

HEX #53F356

RGB 83 243 86

HSL 121.13, 0.87%, 0.64%

LAB 85.31, -70.61, 61.56

 

CMYK 65 / 66 / 0 / 5

HEX #5653F3

RGB 86 83 243

HSL 241.13, 0.87%, 0.64%

LAB 45.13, 48.57, -79.76

 

CMYK 0 / 63 / 65 / 5

HEX #F35A55

RGB 243 90 85

HSL 1.9, 0.87%, 0.64%

LAB 59, 58.36, 34.54

 

CMYK 14 / 0 / 66 / 5

HEX #D0F353

RGB 208 243 83

HSL 73.13, 0.87%, 0.64%

LAB 90.84, -32.5, 70.29

 

CMYK 66 / 1 / 0 / 5

HEX #53F0F3

RGB 83 240 243

HSL 181.13, 0.87%, 0.64%

LAB 87.31, -39.23, -13.5

 

CMYK 51 / 66 / 0 / 5

HEX #7653F3

RGB 118 83 243

HSL 253.13, 0.87%, 0.64%

LAB 47.64, 53.34, -75.57

 

CMYK 0 / 63 / 65 / 5

HEX #F35A55

RGB 243 90 85

HSL 1.9, 0.87%, 0.64%

LAB 59, 58.36, 34.54

 

CMYK 34 / 0 / 66 / 5

HEX #A1F353

RGB 161 243 83

HSL 90.75, 0.87%, 0.64%

LAB 88.11, -49.74, 66.59

 

CMYK 66 / 1 / 0 / 5

HEX #53F0F3

RGB 83 240 243

HSL 181.13, 0.87%, 0.64%

LAB 87.31, -39.23, -13.5

 

CMYK 32 / 66 / 0 / 5

HEX #A653F3

RGB 166 83 243

HSL 271.13, 0.87%, 0.64%

LAB 52.69, 62.29, -67.13

 

Description

Color code: HEX #F35A55CE | qconv.com Color code: HEX #F35A55CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 90 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 90 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 53 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 53% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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