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Color name
HEX #F35A2E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F35A2E it is the complementary color #0CA5D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F35A2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F35A2E shade: #F85A29, #FF6C3C, #FF7E4F, #FF9062 and #FFA275

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F35A2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F35A2E shade: #F35A2E, #E2481B, #D13608, #C02400 and #AF1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F35A2E shade: #F35B30 and #F33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F35A2E shade: #F35B30, #F39030, #F3C530, #EDF330 and #B8F330

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F35A2E shade matches the following richer shades: #F35B30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F35A2E shade: #F35B30, #E16542, #CF6F53, #BE7965 and #AC8377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F35A2E shade: #F3306E, #F3303A, #F35A30, #F38E30 and #F3C230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F35A2E shade: #C5350B, #EC3F0E, #F35B30, #F57A57 and #F7997E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F35A2E shade: #F35A2E, #A2F330 and #3054F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F35A2E shade: #F35A2E, #30F35A and #5A30F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F35A2E shade: #F35A2E, #A2F330, #30C9F3 and #8130F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F35A2E shade: #F35A2E, #67F330, #30C9F3 and #BC30F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 81 / 5

HEX #F35A2E

RGB 243 90 46

HSL 13.4, 0.89%, 0.57%

LAB 58.57, 56.72, 54.43

 

Complementary color

CMYK 94 / 21 / 0 / 18

HEX #0CA5D1

RGB 12 165 209

HSL 193.4, 0.89%, 0.43%

LAB 63, -19.68, -32.27

 

CMYK 0 / 64 / 83 / 3

HEX #F85A29

RGB 248 90 41

HSL 14.2, 0.94%, 0.57%

LAB 59.37, 58.28, 57.67

 

CMYK 0 / 58 / 76 / 0

HEX #FF6C3C

RGB 255 108 60

HSL 14.77, 1%, 0.62%

LAB 63.6, 53.46, 53.43

 

CMYK 0 / 51 / 69 / 0

HEX #FF7E4F

RGB 255 126 79

HSL 16.02, 1%, 0.65%

LAB 67.09, 45.8, 47.77

 

CMYK 0 / 44 / 62 / 0

HEX #FF9062

RGB 255 144 98

HSL 17.58, 1%, 0.69%

LAB 70.93, 37.92, 42.48

 

CMYK 0 / 36 / 54 / 0

HEX #FFA275

RGB 255 162 117

HSL 19.57, 1%, 0.73%

LAB 75.07, 30.03, 37.65

 

CMYK 0 / 63 / 81 / 5

HEX #F35A2E

RGB 243 90 46

HSL 13.4, 0.89%, 0.57%

LAB 58.57, 56.72, 54.43

 

CMYK 0 / 68 / 88 / 11

HEX #E2481B

RGB 226 72 27

HSL 13.57, 0.79%, 0.5%

LAB 52.82, 57.87, 56.41

 

CMYK 0 / 74 / 96 / 18

HEX #D13608

RGB 209 54 8

HSL 13.73, 0.93%, 0.43%

LAB 47.25, 58.7, 57.17

 

CMYK 0 / 81 / 100 / 25

HEX #C02400

RGB 192 36 0

HSL 11.25, 1%, 0.38%

LAB 41.95, 58.91, 55.07

 

CMYK 0 / 90 / 100 / 31

HEX #AF1200

RGB 175 18 0

HSL 6.17, 1%, 0.34%

LAB 37.02, 58.06, 50.96

 

CMYK 0 / 63 / 80 / 5

HEX #F35B30

RGB 243 91 48

HSL 13.23, 0.89%, 0.57%

LAB 58.74, 56.35, 53.67

 

CMYK 0 / 80 / 80 / 5

HEX #F33030

RGB 243 48 48

HSL 0, 0.89%, 0.57%

LAB 53.37, 71.13, 48.5

 

CMYK 0 / 63 / 80 / 5

HEX #F35B30

RGB 243 91 48

HSL 13.23, 0.89%, 0.57%

LAB 58.74, 56.35, 53.67

 

CMYK 0 / 41 / 80 / 5

HEX #F39030

RGB 243 144 48

HSL 29.54, 0.89%, 0.57%

LAB 68.91, 30.72, 63.1

 

CMYK 0 / 19 / 80 / 5

HEX #F3C530

RGB 243 197 48

HSL 45.85, 0.89%, 0.57%

LAB 81.4, 2.95, 74.24

 

CMYK 2 / 0 / 80 / 5

HEX #EDF330

RGB 237 243 48

HSL 61.85, 0.89%, 0.57%

LAB 92.72, -22.49, 83.86

 

CMYK 24 / 0 / 80 / 5

HEX #B8F330

RGB 184 243 48

HSL 78.15, 0.89%, 0.57%

LAB 89.16, -43.42, 79.37

 

CMYK 0 / 63 / 80 / 5

HEX #F35B30

RGB 243 91 48

HSL 13.23, 0.89%, 0.57%

LAB 58.74, 56.35, 53.67

 

CMYK 0 / 63 / 80 / 5

HEX #F35B30

RGB 243 91 48

HSL 13.23, 0.89%, 0.57%

LAB 58.74, 56.35, 53.67

 

CMYK 0 / 55 / 71 / 12

HEX #E16542

RGB 225 101 66

HSL 13.21, 0.73%, 0.57%

LAB 57.76, 46.13, 42.77

 

CMYK 0 / 46 / 60 / 19

HEX #CF6F53

RGB 207 111 83

HSL 13.55, 0.56%, 0.57%

LAB 57.33, 35.28, 32.38

 

CMYK 0 / 36 / 47 / 25

HEX #BE7965

RGB 190 121 101

HSL 13.48, 0.41%, 0.57%

LAB 57.62, 24.7, 22.18

 

CMYK 0 / 24 / 31 / 33

HEX #AC8377

RGB 172 131 119

HSL 13.58, 0.24%, 0.57%

LAB 58.35, 14.01, 12.58

 

CMYK 0 / 80 / 55 / 5

HEX #F3306E

RGB 243 48 110

HSL 340.92, 0.89%, 0.57%

LAB 54.34, 74.1, 13.78

 

CMYK 0 / 80 / 76 / 5

HEX #F3303A

RGB 243 48 58

HSL 356.92, 0.89%, 0.57%

LAB 53.46, 71.44, 43.22

 

CMYK 0 / 63 / 80 / 5

HEX #F35A30

RGB 243 90 48

HSL 12.92, 0.89%, 0.57%

LAB 58.58, 56.77, 53.52

 

CMYK 0 / 42 / 80 / 5

HEX #F38E30

RGB 243 142 48

HSL 28.92, 0.89%, 0.57%

LAB 68.47, 31.76, 62.71

 

CMYK 0 / 20 / 80 / 5

HEX #F3C230

RGB 243 194 48

HSL 44.92, 0.89%, 0.57%

LAB 80.66, 4.5, 73.59

 

CMYK 0 / 73 / 94 / 23

HEX #C5350B

RGB 197 53 11

HSL 13.55, 0.89%, 0.41%

LAB 44.86, 55.28, 53.79

 

CMYK 0 / 73 / 94 / 7

HEX #EC3F0E

RGB 236 63 14

HSL 13.24, 0.89%, 0.49%

LAB 53.41, 64.1, 61.86

 

CMYK 0 / 63 / 80 / 5

HEX #F35B30

RGB 243 91 48

HSL 13.23, 0.89%, 0.57%

LAB 58.74, 56.35, 53.67

 

CMYK 0 / 50 / 64 / 4

HEX #F57A57

RGB 245 122 87

HSL 13.29, 0.89%, 0.65%

LAB 64.98, 44.47, 40.78

 

CMYK 0 / 38 / 49 / 3

HEX #F7997E

RGB 247 153 126

HSL 13.39, 0.88%, 0.73%

LAB 72.27, 32.4, 29.04

 

CMYK 0 / 63 / 81 / 5

HEX #F35A2E

RGB 243 90 46

HSL 13.4, 0.89%, 0.57%

LAB 58.57, 56.72, 54.43

 

CMYK 33 / 0 / 80 / 5

HEX #A2F330

RGB 162 243 48

HSL 84.92, 0.89%, 0.57%

LAB 87.97, -51.39, 77.85

 

CMYK 80 / 65 / 0 / 5

HEX #3054F3

RGB 48 84 243

HSL 228.92, 0.89%, 0.57%

LAB 43.42, 44.06, -82.65

 

CMYK 0 / 63 / 81 / 5

HEX #F35A2E

RGB 243 90 46

HSL 13.4, 0.89%, 0.57%

LAB 58.57, 56.72, 54.43

 

CMYK 80 / 0 / 63 / 5

HEX #30F35A

RGB 48 243 90

HSL 132.92, 0.89%, 0.57%

LAB 84.72, -75.38, 59.11

 

CMYK 63 / 80 / 0 / 5

HEX #5A30F3

RGB 90 48 243

HSL 252.92, 0.89%, 0.57%

LAB 39.17, 66.61, -89.57

 

CMYK 0 / 63 / 81 / 5

HEX #F35A2E

RGB 243 90 46

HSL 13.4, 0.89%, 0.57%

LAB 58.57, 56.72, 54.43

 

CMYK 33 / 0 / 80 / 5

HEX #A2F330

RGB 162 243 48

HSL 84.92, 0.89%, 0.57%

LAB 87.97, -51.39, 77.85

 

CMYK 80 / 17 / 0 / 5

HEX #30C9F3

RGB 48 201 243

HSL 192.92, 0.89%, 0.57%

LAB 75.37, -24.59, -31.68

 

CMYK 47 / 80 / 0 / 5

HEX #8130F3

RGB 129 48 243

HSL 264.92, 0.89%, 0.57%

LAB 43.14, 70.85, -82.88

 

CMYK 0 / 63 / 81 / 5

HEX #F35A2E

RGB 243 90 46

HSL 13.4, 0.89%, 0.57%

LAB 58.57, 56.72, 54.43

 

CMYK 58 / 0 / 80 / 5

HEX #67F330

RGB 103 243 48

HSL 103.08, 0.89%, 0.57%

LAB 85.6, -69.03, 74.83

 

CMYK 80 / 17 / 0 / 5

HEX #30C9F3

RGB 48 201 243

HSL 192.92, 0.89%, 0.57%

LAB 75.37, -24.59, -31.68

 

CMYK 23 / 80 / 0 / 5

HEX #BC30F3

RGB 188 48 243

HSL 283.08, 0.89%, 0.57%

LAB 51.01, 79.43, -69.71

 

Description

Color code: HEX #F35A2E | qconv.com Color code: HEX #F35A2E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 90 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 90 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 81 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 81% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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