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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3545C3F it is the complementary color #0CABA33F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3545C3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3545C3F shade: #F854573F, #FF666A3F, #FF787D3F, #FF8A903F and #FF9CA33F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3545C3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3545C3F shade: #F3545C3F, #E242493F, #D130363F, #C01E233F and #AF0C103F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3545C3F shade: #F3535B and #F35353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3545C3F shade: #F3535B, #F35386, #F353B2, #F353DD and #DE53F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3545C3F shade matches the following richer shades: #F3535B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3545C3F shade: #F3535B, #E46269, #D57176, #C78083 and #B88F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3545C3F shade: #F353B3, #F35389, #F3535E, #F37353 and #F39E53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3545C3F shade: #E4101B, #F02D37, #F3535B, #F67A80 and #F8A0A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3545C3F shade: #F3545C, #DEF353 and #539EF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3545C3F shade: #F3545C, #5EF353 and #535EF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3545C3F shade: #F3545C, #DEF353, #53F3E8 and #6953F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3545C3F shade: #F3545C, #AEF353, #53F3E8 and #9953F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 16 / 1

HEX #F3545C3F

RGBA 243 84 92 0.25

HSLA 356.98, 0.87%, 0.64%, 0.25

LABA 58.2, 61.22, 29.55, 0.25

 

Complementary color

CMYK 23 / 0 / 1 / 8

HEX #0CABA33F

RGBA 12 171 163 0.25

HSLA 176.98, 0.87%, 0.36%, 0.25

LABA 63.22, -37.63, -6.27, 0.25

 

CMYK 0 / 17 / 16 / 1

HEX #F854573F

RGBA 248 84 87 0.25

HSLA 358.9, 0.92%, 0.65%, 0.25

LABA 58.96, 62.51, 33.55, 0.25

 

CMYK 0 / 15 / 15 / 0

HEX #FF666A3F

RGBA 255 102 106 0.25

HSLA 358.43, 1%, 0.7%, 0.25

LABA 63.18, 58.51, 28.37, 0.25

 

CMYK 0 / 13 / 13 / 0

HEX #FF787D3F

RGBA 255 120 125 0.25

HSLA 357.78, 1%, 0.74%, 0.25

LABA 66.65, 51.78, 22.26, 0.25

 

CMYK 0 / 11 / 11 / 0

HEX #FF8A903F

RGBA 255 138 144 0.25

HSLA 356.92, 1%, 0.77%, 0.25

LABA 70.49, 44.77, 16.89, 0.25

 

CMYK 0 / 10 / 9 / 0

HEX #FF9CA33F

RGBA 255 156 163 0.25

HSLA 355.76, 1%, 0.81%, 0.25

LABA 74.62, 37.68, 12.17, 0.25

 

CMYK 0 / 16 / 16 / 1

HEX #F3545C3F

RGBA 243 84 92 0.25

HSLA 356.98, 0.87%, 0.64%, 0.25

LABA 58.2, 61.22, 29.55, 0.25

 

CMYK 0 / 18 / 17 / 3

HEX #E242493F

RGBA 226 66 73 0.25

HSLA 357.38, 0.73%, 0.57%, 0.25

LABA 52.45, 61.68, 32.71, 0.25

 

CMYK 0 / 19 / 19 / 5

HEX #D130363F

RGBA 209 48 54 0.25

HSLA 357.76, 0.64%, 0.5%, 0.25

LABA 46.89, 61.68, 36.39, 0.25

 

CMYK 0 / 21 / 20 / 6

HEX #C01E233F

RGBA 192 30 35 0.25

HSLA 358.15, 0.73%, 0.44%, 0.25

LABA 41.62, 60.97, 40.53, 0.25

 

CMYK 0 / 23 / 23 / 8

HEX #AF0C103F

RGBA 175 12 16 0.25

HSLA 358.53, 0.87%, 0.37%, 0.25

LABA 36.77, 59.16, 44.54, 0.25

 

CMYK 0 / 66 / 63 / 5

HEX #F3535B

RGB 243 83 91

HSL 357, 0.87%, 0.64%

LAB 58.03, 61.56, 29.91

 

CMYK 0 / 66 / 66 / 5

HEX #F35353

RGB 243 83 83

HSL 0, 0.87%, 0.64%

LAB 57.91, 61.1, 34.33

 

CMYK 0 / 66 / 63 / 5

HEX #F3535B

RGB 243 83 91

HSL 357, 0.87%, 0.64%

LAB 58.03, 61.56, 29.91

 

CMYK 0 / 66 / 45 / 5

HEX #F35386

RGB 243 83 134

HSL 340.88, 0.87%, 0.64%

LAB 58.94, 64.82, 6.05

 

CMYK 0 / 66 / 27 / 5

HEX #F353B2

RGB 243 83 178

HSL 324.38, 0.87%, 0.64%

LAB 60.3, 69.55, -17.51

 

CMYK 0 / 66 / 9 / 5

HEX #F353DD

RGB 243 83 221

HSL 308.25, 0.87%, 0.64%

LAB 62.05, 75.39, -39.26

 

CMYK 9 / 66 / 0 / 5

HEX #DE53F3

RGB 222 83 243

HSL 292.13, 0.87%, 0.64%

LAB 60.06, 74.16, -54.9

 

CMYK 0 / 66 / 63 / 5

HEX #F3535B

RGB 243 83 91

HSL 357, 0.87%, 0.64%

LAB 58.03, 61.56, 29.91

 

CMYK 0 / 66 / 63 / 5

HEX #F3535B

RGB 243 83 91

HSL 357, 0.87%, 0.64%

LAB 58.03, 61.56, 29.91

 

CMYK 0 / 57 / 54 / 11

HEX #E46269

RGB 228 98 105

HSL 356.77, 0.71%, 0.64%

LAB 58.27, 51.13, 21.69

 

CMYK 0 / 47 / 45 / 16

HEX #D57176

RGB 213 113 118

HSL 357, 0.54%, 0.64%

LAB 59.22, 39.6, 15.11

 

CMYK 0 / 36 / 34 / 22

HEX #C78083

RGB 199 128 131

HSL 357.46, 0.39%, 0.64%

LAB 60.97, 27.85, 9.84

 

CMYK 0 / 22 / 21 / 28

HEX #B88F91

RGB 184 143 145

HSL 357.07, 0.22%, 0.64%

LAB 63.24, 15.79, 4.9

 

CMYK 0 / 66 / 26 / 5

HEX #F353B3

RGB 243 83 179

HSL 324, 0.87%, 0.64%

LAB 60.33, 69.68, -18.03

 

CMYK 0 / 66 / 44 / 5

HEX #F35389

RGB 243 83 137

HSL 339.75, 0.87%, 0.64%

LAB 59.02, 65.1, 4.41

 

CMYK 0 / 66 / 61 / 5

HEX #F3535E

RGB 243 83 94

HSL 355.88, 0.87%, 0.64%

LAB 58.08, 61.74, 28.25

 

CMYK 0 / 53 / 66 / 5

HEX #F37353

RGB 243 115 83

HSL 12, 0.87%, 0.64%

LAB 63.29, 46.91, 40.84

 

CMYK 0 / 35 / 66 / 5

HEX #F39E53

RGB 243 158 83

HSL 28.13, 0.87%, 0.64%

LAB 72.32, 24.96, 51.26

 

CMYK 0 / 93 / 88 / 11

HEX #E4101B

RGB 228 16 27

HSL 356.89, 0.87%, 0.48%

LAB 48.19, 72.52, 53.07

 

CMYK 0 / 81 / 77 / 6

HEX #F02D37

RGB 240 45 55

HSL 356.92, 0.87%, 0.56%

LAB 52.6, 71.26, 43.78

 

CMYK 0 / 66 / 63 / 5

HEX #F3535B

RGB 243 83 91

HSL 357, 0.87%, 0.64%

LAB 58.03, 61.56, 29.91

 

CMYK 0 / 50 / 48 / 4

HEX #F67A80

RGB 246 122 128

HSL 357.1, 0.87%, 0.72%

LAB 65.8, 47.94, 19.2

 

CMYK 0 / 35 / 33 / 3

HEX #F8A0A5

RGB 248 160 165

HSL 356.59, 0.86%, 0.8%

LAB 74.71, 33.3, 11.08

 

CMYK 0 / 65 / 62 / 5

HEX #F3545C

RGB 243 84 92

HSL 356.98, 0.87%, 0.64%

LAB 58.2, 61.22, 29.55

 

CMYK 9 / 0 / 66 / 5

HEX #DEF353

RGB 222 243 83

HSL 67.88, 0.87%, 0.64%

LAB 91.8, -27.01, 71.58

 

CMYK 66 / 35 / 0 / 5

HEX #539EF3

RGB 83 158 243

HSL 211.88, 0.87%, 0.64%

LAB 63.97, 3.04, -49.42

 

CMYK 0 / 65 / 62 / 5

HEX #F3545C

RGB 243 84 92

HSL 356.98, 0.87%, 0.64%

LAB 58.2, 61.22, 29.55

 

CMYK 61 / 0 / 66 / 5

HEX #5EF353

RGB 94 243 83

HSL 115.88, 0.87%, 0.64%

LAB 85.56, -68.67, 63.1

 

CMYK 66 / 61 / 0 / 5

HEX #535EF3

RGB 83 94 243

HSL 235.88, 0.87%, 0.64%

LAB 47.39, 41.7, -76.08

 

CMYK 0 / 65 / 62 / 5

HEX #F3545C

RGB 243 84 92

HSL 356.98, 0.87%, 0.64%

LAB 58.2, 61.22, 29.55

 

CMYK 9 / 0 / 66 / 5

HEX #DEF353

RGB 222 243 83

HSL 67.88, 0.87%, 0.64%

LAB 91.8, -27.01, 71.58

 

CMYK 66 / 0 / 5 / 5

HEX #53F3E8

RGB 83 243 232

HSL 175.88, 0.87%, 0.64%

LAB 87.86, -43.54, -6.92

 

CMYK 57 / 66 / 0 / 5

HEX #6953F3

RGB 105 83 243

HSL 248.25, 0.87%, 0.64%

LAB 46.53, 51.26, -77.42

 

CMYK 0 / 65 / 62 / 5

HEX #F3545C

RGB 243 84 92

HSL 356.98, 0.87%, 0.64%

LAB 58.2, 61.22, 29.55

 

CMYK 28 / 0 / 66 / 5

HEX #AEF353

RGB 174 243 83

HSL 85.88, 0.87%, 0.64%

LAB 88.79, -45.21, 67.52

 

CMYK 66 / 0 / 5 / 5

HEX #53F3E8

RGB 83 243 232

HSL 175.88, 0.87%, 0.64%

LAB 87.86, -43.54, -6.92

 

CMYK 37 / 66 / 0 / 5

HEX #9953F3

RGB 153 83 243

HSL 266.25, 0.87%, 0.64%

LAB 51.19, 59.71, -69.63

 

Description

Color code: HEX #F3545C3F | qconv.com Color code: HEX #F3545C3F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 84 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 84 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 16 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 16% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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