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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F34E75 it is the complementary color #0CB18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F34E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F34E75 shade: #F84E70, #FF6083, #FF7296, #FF84A9 and #FF96BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F34E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F34E75 shade: #F34E75, #E23C62, #D12A4F, #C0183C and #AF0629

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F34E75 shade: #F34F75 and #F34F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F34E75 shade: #F34F75, #F34FA2, #F34FCE, #EB4FF3 and #BF4FF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F34E75 shade matches the following richer shades: #F34F75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F34E75 shade: #F34F75, #E35E7D, #D46D85, #C57C8E and #B68C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F34E75 shade: #F34FCF, #F34FA3, #F34F78, #F3514F and #F37D4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F34E75 shade: #DF1041, #F02857, #F34F75, #F57593 and #F89CB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F34E75 shade: #F34E75, #F3EB4F and #4FB9F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F34E75 shade: #F34E75, #78F34F and #4F78F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F34E75 shade: #F34E75, #F3EB4F, #4FF3CA and #4F57F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F34E75 shade: #F34E75, #CAF34F, #4FF3CA and #784FF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 52 / 5

HEX #F34E75

RGB 243 78 117

HSL 345.82, 0.87%, 0.63%

LAB 57.84, 65.28, 14.48

 

Complementary color

CMYK 93 / 0 / 22 / 31

HEX #0CB18A

RGB 12 177 138

HSL 165.82, 0.87%, 0.37%

LAB 64.45, -47.1, 9.43

 

CMYK 0 / 69 / 55 / 3

HEX #F84E70

RGB 248 78 112

HSL 348, 0.92%, 0.64%

LAB 58.58, 66.38, 18.57

 

CMYK 0 / 62 / 49 / 0

HEX #FF6083

RGB 255 96 131

HSL 346.79, 1%, 0.69%

LAB 62.73, 62.98, 13.44

 

CMYK 0 / 55 / 41 / 0

HEX #FF7296

RGB 255 114 150

HSL 344.68, 1%, 0.72%

LAB 66.13, 56.9, 7.37

 

CMYK 0 / 48 / 34 / 0

HEX #FF84A9

RGB 255 132 169

HSL 341.95, 1%, 0.76%

LAB 69.91, 50.47, 2.09

 

CMYK 0 / 41 / 26 / 0

HEX #FF96BC

RGB 255 150 188

HSL 338.29, 1%, 0.79%

LAB 74, 43.88, -2.51

 

CMYK 0 / 68 / 52 / 5

HEX #F34E75

RGB 243 78 117

HSL 345.82, 0.87%, 0.63%

LAB 57.84, 65.28, 14.48

 

CMYK 0 / 73 / 57 / 11

HEX #E23C62

RGB 226 60 98

HSL 346.27, 0.74%, 0.56%

LAB 52.15, 65.24, 17.5

 

CMYK 0 / 80 / 62 / 18

HEX #D12A4F

RGB 209 42 79

HSL 346.71, 0.67%, 0.49%

LAB 46.68, 64.63, 21.15

 

CMYK 0 / 88 / 69 / 25

HEX #C0183C

RGB 192 24 60

HSL 347.14, 0.78%, 0.42%

LAB 41.51, 63.15, 25.58

 

CMYK 0 / 97 / 77 / 31

HEX #AF0629

RGB 175 6 41

HSL 347.57, 0.93%, 0.35%

LAB 36.75, 60.52, 30.84

 

CMYK 0 / 67 / 52 / 5

HEX #F34F75

RGB 243 79 117

HSL 346.1, 0.87%, 0.63%

LAB 57.97, 64.9, 14.67

 

CMYK 0 / 67 / 67 / 5

HEX #F34F4F

RGB 243 79 79

HSL 0, 0.87%, 0.63%

LAB 57.28, 62.45, 35.83

 

CMYK 0 / 67 / 52 / 5

HEX #F34F75

RGB 243 79 117

HSL 346.1, 0.87%, 0.63%

LAB 57.97, 64.9, 14.67

 

CMYK 0 / 67 / 33 / 5

HEX #F34FA2

RGB 243 79 162

HSL 329.63, 0.87%, 0.63%

LAB 59.21, 69.18, -9.9

 

CMYK 0 / 67 / 15 / 5

HEX #F34FCE

RGB 243 79 206

HSL 313.54, 0.87%, 0.63%

LAB 60.87, 74.69, -32.63

 

CMYK 3 / 67 / 0 / 5

HEX #EB4FF3

RGB 235 79 243

HSL 297.07, 0.87%, 0.63%

LAB 61.42, 78.46, -52.63

 

CMYK 21 / 67 / 0 / 5

HEX #BF4FF3

RGB 191 79 243

HSL 280.98, 0.87%, 0.63%

LAB 55.22, 69.16, -62.89

 

CMYK 0 / 67 / 52 / 5

HEX #F34F75

RGB 243 79 117

HSL 346.1, 0.87%, 0.63%

LAB 57.97, 64.9, 14.67

 

CMYK 0 / 67 / 52 / 5

HEX #F34F75

RGB 243 79 117

HSL 346.1, 0.87%, 0.63%

LAB 57.97, 64.9, 14.67

 

CMYK 0 / 59 / 45 / 11

HEX #E35E7D

RGB 227 94 125

HSL 346.02, 0.7%, 0.63%

LAB 57.86, 54.38, 9.44

 

CMYK 0 / 49 / 37 / 17

HEX #D46D85

RGB 212 109 133

HSL 346.02, 0.54%, 0.63%

LAB 58.63, 42.93, 5.57

 

CMYK 0 / 37 / 28 / 23

HEX #C57C8E

RGB 197 124 142

HSL 345.21, 0.39%, 0.63%

LAB 60.1, 30.74, 2.25

 

CMYK 0 / 23 / 18 / 29

HEX #B68C96

RGB 182 140 150

HSL 345.71, 0.22%, 0.63%

LAB 62.43, 17.5, 0.85

 

CMYK 0 / 67 / 15 / 5

HEX #F34FCF

RGB 243 79 207

HSL 313.17, 0.87%, 0.63%

LAB 60.92, 74.82, -33.13

 

CMYK 0 / 67 / 33 / 5

HEX #F34FA3

RGB 243 79 163

HSL 329.27, 0.87%, 0.63%

LAB 59.24, 69.29, -10.43

 

CMYK 0 / 67 / 51 / 5

HEX #F34F78

RGB 243 79 120

HSL 345, 0.87%, 0.63%

LAB 58.04, 65.14, 13

 

CMYK 0 / 67 / 67 / 5

HEX #F3514F

RGB 243 81 79

HSL 0.73, 0.87%, 0.63%

LAB 57.56, 61.68, 36.17

 

CMYK 0 / 49 / 67 / 5

HEX #F37D4F

RGB 243 125 79

HSL 16.83, 0.87%, 0.63%

LAB 65.19, 41.77, 45.15

 

CMYK 0 / 93 / 71 / 13

HEX #DF1041

RGB 223 16 65

HSL 345.8, 0.87%, 0.47%

LAB 47.55, 72.36, 31.36

 

CMYK 0 / 83 / 64 / 6

HEX #F02857

RGB 240 40 87

HSL 345.9, 0.87%, 0.55%

LAB 52.65, 73.75, 25.24

 

CMYK 0 / 67 / 52 / 5

HEX #F34F75

RGB 243 79 117

HSL 346.1, 0.87%, 0.63%

LAB 57.97, 64.9, 14.67

 

CMYK 0 / 52 / 40 / 4

HEX #F57593

RGB 245 117 147

HSL 345.94, 0.86%, 0.71%

LAB 65.15, 51.89, 7.48

 

CMYK 0 / 37 / 28 / 3

HEX #F89CB2

RGB 248 156 178

HSL 345.65, 0.87%, 0.79%

LAB 74.16, 37.04, 3.13

 

CMYK 0 / 68 / 52 / 5

HEX #F34E75

RGB 243 78 117

HSL 345.82, 0.87%, 0.63%

LAB 57.84, 65.28, 14.48

 

CMYK 0 / 3 / 67 / 5

HEX #F3EB4F

RGB 243 235 79

HSL 57.07, 0.87%, 0.63%

LAB 91.25, -14.92, 73.03

 

CMYK 67 / 24 / 0 / 5

HEX #4FB9F3

RGB 79 185 243

HSL 201.22, 0.87%, 0.63%

LAB 71.44, -12.64, -37.72

 

CMYK 0 / 68 / 52 / 5

HEX #F34E75

RGB 243 78 117

HSL 345.82, 0.87%, 0.63%

LAB 57.84, 65.28, 14.48

 

CMYK 51 / 0 / 67 / 5

HEX #78F34F

RGB 120 243 79

HSL 105, 0.87%, 0.63%

LAB 86.33, -62.67, 65.71

 

CMYK 67 / 51 / 0 / 5

HEX #4F78F3

RGB 79 120 243

HSL 225, 0.87%, 0.63%

LAB 53.56, 25.22, -66.06

 

CMYK 0 / 68 / 52 / 5

HEX #F34E75

RGB 243 78 117

HSL 345.82, 0.87%, 0.63%

LAB 57.84, 65.28, 14.48

 

CMYK 0 / 3 / 67 / 5

HEX #F3EB4F

RGB 243 235 79

HSL 57.07, 0.87%, 0.63%

LAB 91.25, -14.92, 73.03

 

CMYK 67 / 0 / 17 / 5

HEX #4FF3CA

RGB 79 243 202

HSL 165, 0.87%, 0.63%

LAB 87.01, -51.63, 7.52

 

CMYK 67 / 64 / 0 / 5

HEX #4F57F3

RGB 79 87 243

HSL 237.07, 0.87%, 0.63%

LAB 45.57, 45.35, -79.07

 

CMYK 0 / 68 / 52 / 5

HEX #F34E75

RGB 243 78 117

HSL 345.82, 0.87%, 0.63%

LAB 57.84, 65.28, 14.48

 

CMYK 17 / 0 / 67 / 5

HEX #CAF34F

RGB 202 243 79

HSL 75, 0.87%, 0.63%

LAB 90.42, -35.07, 71.23

 

CMYK 67 / 0 / 17 / 5

HEX #4FF3CA

RGB 79 243 202

HSL 165, 0.87%, 0.63%

LAB 87.01, -51.63, 7.52

 

CMYK 51 / 67 / 0 / 5

HEX #784FF3

RGB 120 79 243

HSL 255, 0.87%, 0.63%

LAB 47.05, 55.78, -76.52

 

Description

Color code: HEX #F34E75 | qconv.com Color code: HEX #F34E75 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 78 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 78 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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