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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F34C3ACE it is the complementary color #0CB3C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F34C3ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F34C3ACE shade: #F84C35CE, #FF5E48CE, #FF705BCE, #FF826ECE and #FF9481CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F34C3ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F34C3ACE shade: #F34C3ACE, #E23A27CE, #D12814CE, #C01601CE and #AF0400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F34C3ACE shade: #F34C39 and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F34C3ACE shade: #F34C39, #F37E39, #F3B039, #F3E239 and #D3F339

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F34C3ACE shade matches the following richer shades: #F34C39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F34C3ACE shade: #F34C39, #E3594A, #D2675B, #C1746C and #B0827D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F34C3ACE shade: #F3398D, #F3395C, #F34939, #F37B39 and #F3AC39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F34C3ACE shade: #CE1F0C, #F12812, #F34C39, #F66F60 and #F89287

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F34C3ACE shade: #F34C3A, #BFF339 and #3974F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F34C3ACE shade: #F34C3A, #39F349 and #4939F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F34C3ACE shade: #F34C3A, #BFF339, #39E4F3 and #6E39F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F34C3ACE shade: #F34C3A, #87F339, #39E4F3 and #A639F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 62 / 4

HEX #F34C3ACE

RGBA 243 76 58 0.81

HSLA 5.84, 0.89%, 0.59%, 0.81

LABA 56.61, 62.67, 46.58, 0.81

 

Complementary color

CMYK 76 / 7 / 0 / 18

HEX #0CB3C5CE

RGBA 12 179 197 0.81

HSLA 185.84, 0.89%, 0.41%, 0.81

LABA 66.79, -30.81, -19.81, 0.81

 

CMYK 0 / 56 / 64 / 2

HEX #F84C35CE

RGBA 248 76 53 0.81

HSLA 7.08, 0.93%, 0.59%, 0.81

LABA 57.45, 64.07, 50.28, 0.81

 

CMYK 0 / 51 / 58 / 0

HEX #FF5E48CE

RGBA 255 94 72 0.81

HSLA 7.21, 1%, 0.64%, 0.81

LABA 61.42, 60.01, 45.02, 0.81

 

CMYK 0 / 45 / 52 / 0

HEX #FF705BCE

RGBA 255 112 91 0.81

HSLA 7.68, 1%, 0.68%, 0.81

LABA 64.65, 53.09, 38.57, 0.81

 

CMYK 0 / 40 / 46 / 0

HEX #FF826ECE

RGBA 255 130 110 0.81

HSLA 8.28, 1%, 0.72%, 0.81

LABA 68.28, 45.77, 32.74, 0.81

 

CMYK 0 / 34 / 40 / 0

HEX #FF9481CE

RGBA 255 148 129 0.81

HSLA 9.05, 1%, 0.75%, 0.81

LABA 72.25, 38.28, 27.55, 0.81

 

CMYK 0 / 56 / 62 / 4

HEX #F34C3ACE

RGBA 243 76 58 0.81

HSLA 5.84, 0.89%, 0.59%, 0.81

LABA 56.61, 62.67, 46.58, 0.81

 

CMYK 0 / 60 / 67 / 9

HEX #E23A27CE

RGBA 226 58 39 0.81

HSLA 6.1, 0.76%, 0.52%, 0.81

LABA 51.08, 63.13, 49.73, 0.81

 

CMYK 0 / 65 / 73 / 15

HEX #D12814CE

RGBA 209 40 20 0.81

HSLA 6.35, 0.83%, 0.45%, 0.81

LABA 45.8, 63.02, 52.51, 0.81

 

CMYK 0 / 72 / 81 / 20

HEX #C01601CE

RGBA 192 22 1 0.81

HSLA 6.6, 0.99%, 0.38%, 0.81

LABA 40.87, 62.02, 54.27, 0.81

 

CMYK 0 / 79 / 81 / 25

HEX #AF0400CE

RGBA 175 4 0 0.81

HSLA 1.37, 1%, 0.34%, 0.81

LABA 36.37, 59.92, 50.66, 0.81

 

CMYK 0 / 69 / 77 / 5

HEX #F34C39

RGB 243 76 57

HSL 6.13, 0.89%, 0.59%

LAB 56.6, 62.64, 47.09

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 69 / 77 / 5

HEX #F34C39

RGB 243 76 57

HSL 6.13, 0.89%, 0.59%

LAB 56.6, 62.64, 47.09

 

CMYK 0 / 48 / 77 / 5

HEX #F37E39

RGB 243 126 57

HSL 22.26, 0.89%, 0.59%

LAB 65.18, 40.26, 55.83

 

CMYK 0 / 28 / 77 / 5

HEX #F3B039

RGB 243 176 57

HSL 38.39, 0.89%, 0.59%

LAB 76.31, 14.22, 66.6

 

CMYK 0 / 7 / 77 / 5

HEX #F3E239

RGB 243 226 57

HSL 54.52, 0.89%, 0.59%

LAB 88.8, -11.44, 78.13

 

CMYK 13 / 0 / 77 / 5

HEX #D3F339

RGB 211 243 57

HSL 70.32, 0.89%, 0.59%

LAB 90.89, -32.65, 79.13

 

CMYK 0 / 69 / 77 / 5

HEX #F34C39

RGB 243 76 57

HSL 6.13, 0.89%, 0.59%

LAB 56.6, 62.64, 47.09

 

CMYK 0 / 69 / 77 / 5

HEX #F34C39

RGB 243 76 57

HSL 6.13, 0.89%, 0.59%

LAB 56.6, 62.64, 47.09

 

CMYK 0 / 61 / 67 / 11

HEX #E3594A

RGB 227 89 74

HSL 5.88, 0.73%, 0.59%

LAB 56.06, 52.79, 36.53

 

CMYK 0 / 51 / 57 / 18

HEX #D2675B

RGB 210 103 91

HSL 6.05, 0.57%, 0.59%

LAB 56.25, 41.14, 26.57

 

CMYK 0 / 40 / 44 / 24

HEX #C1746C

RGB 193 116 108

HSL 5.65, 0.41%, 0.59%

LAB 56.99, 29.36, 17.38

 

CMYK 0 / 26 / 29 / 31

HEX #B0827D

RGB 176 130 125

HSL 5.88, 0.24%, 0.59%

LAB 58.67, 17, 9.65

 

CMYK 0 / 77 / 42 / 5

HEX #F3398D

RGB 243 57 141

HSL 332.9, 0.89%, 0.59%

LAB 55.99, 74.22, -2.35

 

CMYK 0 / 77 / 62 / 5

HEX #F3395C

RGB 243 57 92

HSL 348.71, 0.89%, 0.59%

LAB 54.82, 70.56, 25.18

 

CMYK 0 / 70 / 77 / 5

HEX #F34939

RGB 243 73 57

HSL 5.16, 0.89%, 0.59%

LAB 56.2, 63.73, 46.67

 

CMYK 0 / 49 / 77 / 5

HEX #F37B39

RGB 243 123 57

HSL 21.29, 0.89%, 0.59%

LAB 64.58, 41.76, 55.23

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 85 / 94 / 19

HEX #CE1F0C

RGB 206 31 12

HSL 5.88, 0.89%, 0.43%

LAB 44.42, 64.2, 54.14

 

CMYK 0 / 83 / 93 / 5

HEX #F12812

RGB 241 40 18

HSL 5.92, 0.89%, 0.51%

LAB 52.13, 71.88, 60.43

 

CMYK 0 / 69 / 77 / 5

HEX #F34C39

RGB 243 76 57

HSL 6.13, 0.89%, 0.59%

LAB 56.6, 62.64, 47.09

 

CMYK 0 / 55 / 61 / 4

HEX #F66F60

RGB 246 111 96

HSL 6, 0.89%, 0.67%

LAB 63.18, 50.7, 33.71

 

CMYK 0 / 41 / 46 / 3

HEX #F89287

RGB 248 146 135

HSL 5.84, 0.89%, 0.75%

LAB 71.05, 37.26, 22.5

 

CMYK 0 / 69 / 76 / 5

HEX #F34C3A

RGB 243 76 58

HSL 5.84, 0.89%, 0.59%

LAB 56.61, 62.67, 46.58

 

CMYK 21 / 0 / 77 / 5

HEX #BFF339

RGB 191 243 57

HSL 76.77, 0.89%, 0.59%

LAB 89.61, -40.42, 77.49

 

CMYK 77 / 52 / 0 / 5

HEX #3974F3

RGB 57 116 243

HSL 220.97, 0.89%, 0.59%

LAB 51.65, 24.93, -69.21

 

CMYK 0 / 69 / 76 / 5

HEX #F34C3A

RGB 243 76 58

HSL 5.84, 0.89%, 0.59%

LAB 56.61, 62.67, 46.58

 

CMYK 77 / 0 / 70 / 5

HEX #39F349

RGB 57 243 73

HSL 125.16, 0.89%, 0.59%

LAB 84.72, -75.94, 65.75

 

CMYK 70 / 77 / 0 / 5

HEX #4939F3

RGB 73 57 243

HSL 245.16, 0.89%, 0.59%

LAB 39.27, 61.1, -89.45

 

CMYK 0 / 69 / 76 / 5

HEX #F34C3A

RGB 243 76 58

HSL 5.84, 0.89%, 0.59%

LAB 56.61, 62.67, 46.58

 

CMYK 21 / 0 / 77 / 5

HEX #BFF339

RGB 191 243 57

HSL 76.77, 0.89%, 0.59%

LAB 89.61, -40.42, 77.49

 

CMYK 77 / 6 / 0 / 5

HEX #39E4F3

RGB 57 228 243

HSL 184.84, 0.89%, 0.59%

LAB 83.35, -36.79, -19.49

 

CMYK 55 / 77 / 0 / 5

HEX #6E39F3

RGB 110 57 243

HSL 257.1, 0.89%, 0.59%

LAB 42.33, 64.93, -84.3

 

CMYK 0 / 69 / 76 / 5

HEX #F34C3A

RGB 243 76 58

HSL 5.84, 0.89%, 0.59%

LAB 56.61, 62.67, 46.58

 

CMYK 44 / 0 / 77 / 5

HEX #87F339

RGB 135 243 57

HSL 94.84, 0.89%, 0.59%

LAB 86.77, -59.81, 73.81

 

CMYK 77 / 6 / 0 / 5

HEX #39E4F3

RGB 57 228 243

HSL 184.84, 0.89%, 0.59%

LAB 83.35, -36.79, -19.49

 

CMYK 32 / 77 / 0 / 5

HEX #A639F3

RGB 166 57 243

HSL 275.16, 0.89%, 0.59%

LAB 48.89, 73.02, -73.29

 

Description

Color code: HEX #F34C3ACE | qconv.com Color code: HEX #F34C3ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 76 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 76 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 62 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 62% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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