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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F34B8A it is the complementary color #0CB475. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F34B8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F34B8A shade: #F84B85, #FF5D98, #FF6FAB, #FF81BE and #FF93D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F34B8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F34B8A shade: #F34B8A, #E23977, #D12764, #C01551 and #AF033E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F34B8A shade: #F34989, #F3495B and #F34949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F34B8A shade: #F34989, #F349B7, #F349E5, #D449F3 and #A649F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F34B8A shade matches the following richer shades: #F34989

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F34B8A shade: #F34989, #E4598D, #D46891, #C47895 and #B58898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F34B8A shade: #F349E5, #F349B8, #F3498A, #F3495D and #F36249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F34B8A shade: #DC0E5B, #F12270, #F34989, #F670A2 and #F896BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F34B8A shade: #F34B8A, #F3D449 and #49CEF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F34B8A shade: #F34B8A, #8AF349 and #498AF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F34B8A shade: #F34B8A, #F3D449, #49F3B2 and #4968F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F34B8A shade: #F34B8A, #DFF349, #49F3B2 and #5D49F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 43 / 5

HEX #F34B8A

RGB 243 75 138

HSL 337.5, 0.88%, 0.62%

LAB 57.96, 68.18, 2.3

 

Complementary color

CMYK 93 / 0 / 35 / 29

HEX #0CB475

RGB 12 180 117

HSL 157.5, 0.88%, 0.38%

LAB 64.97, -53.17, 21.61

 

CMYK 0 / 70 / 46 / 3

HEX #F84B85

RGB 248 75 133

HSL 339.88, 0.93%, 0.63%

LAB 58.68, 69.13, 6.38

 

CMYK 0 / 64 / 40 / 0

HEX #FF5D98

RGB 255 93 152

HSL 338.15, 1%, 0.68%

LAB 62.81, 66.14, 1.42

 

CMYK 0 / 56 / 33 / 0

HEX #FF6FAB

RGB 255 111 171

HSL 335, 1%, 0.72%

LAB 66.19, 60.55, -4.5

 

CMYK 0 / 49 / 25 / 0

HEX #FF81BE

RGB 255 129 190

HSL 330.95, 1%, 0.75%

LAB 69.95, 54.56, -9.62

 

CMYK 0 / 42 / 18 / 0

HEX #FF93D1

RGB 255 147 209

HSL 325.56, 1%, 0.79%

LAB 74.02, 48.37, -14.07

 

CMYK 0 / 69 / 43 / 5

HEX #F34B8A

RGB 243 75 138

HSL 337.5, 0.88%, 0.62%

LAB 57.96, 68.18, 2.3

 

CMYK 0 / 75 / 47 / 11

HEX #E23977

RGB 226 57 119

HSL 337.99, 0.74%, 0.55%

LAB 52.32, 67.82, 5.07

 

CMYK 0 / 81 / 52 / 18

HEX #D12764

RGB 209 39 100

HSL 338.47, 0.69%, 0.49%

LAB 46.88, 66.82, 8.47

 

CMYK 0 / 89 / 58 / 25

HEX #C01551

RGB 192 21 81

HSL 338.95, 0.8%, 0.42%

LAB 41.75, 64.87, 12.68

 

CMYK 0 / 98 / 65 / 31

HEX #AF033E

RGB 175 3 62

HSL 339.42, 0.97%, 0.35%

LAB 36.98, 61.83, 17.79

 

CMYK 0 / 70 / 44 / 5

HEX #F34989

RGB 243 73 137

HSL 337.41, 0.88%, 0.62%

LAB 57.68, 68.79, 2.48

 

CMYK 0 / 70 / 63 / 5

HEX #F3495B

RGB 243 73 91

HSL 353.65, 0.88%, 0.62%

LAB 56.66, 65.32, 28.15

 

CMYK 0 / 70 / 70 / 5

HEX #F34949

RGB 243 73 73

HSL 0, 0.88%, 0.62%

LAB 56.39, 64.38, 38.15

 

CMYK 0 / 70 / 44 / 5

HEX #F34989

RGB 243 73 137

HSL 337.41, 0.88%, 0.62%

LAB 57.68, 68.79, 2.48

 

CMYK 0 / 70 / 25 / 5

HEX #F349B7

RGB 243 73 183

HSL 321.18, 0.88%, 0.62%

LAB 59.19, 73.76, -22.07

 

CMYK 0 / 70 / 6 / 5

HEX #F349E5

RGB 243 73 229

HSL 304.94, 0.88%, 0.62%

LAB 61.2, 80.04, -45.08

 

CMYK 13 / 70 / 0 / 5

HEX #D449F3

RGB 212 73 243

HSL 289.06, 0.88%, 0.62%

LAB 57.3, 75.78, -59.39

 

CMYK 32 / 70 / 0 / 5

HEX #A649F3

RGB 166 73 243

HSL 272.82, 0.88%, 0.62%

LAB 51.09, 66.76, -69.72

 

CMYK 0 / 70 / 44 / 5

HEX #F34989

RGB 243 73 137

HSL 337.41, 0.88%, 0.62%

LAB 57.68, 68.79, 2.48

 

CMYK 0 / 70 / 44 / 5

HEX #F34989

RGB 243 73 137

HSL 337.41, 0.88%, 0.62%

LAB 57.68, 68.79, 2.48

 

CMYK 0 / 61 / 38 / 11

HEX #E4598D

RGB 228 89 141

HSL 337.55, 0.72%, 0.62%

LAB 57.62, 58.54, -0.26

 

CMYK 0 / 51 / 32 / 17

HEX #D46891

RGB 212 104 145

HSL 337.22, 0.56%, 0.62%

LAB 57.98, 46.89, -2.35

 

CMYK 0 / 39 / 24 / 23

HEX #C47895

RGB 196 120 149

HSL 337.11, 0.39%, 0.62%

LAB 59.29, 33.55, -2.99

 

CMYK 0 / 25 / 16 / 29

HEX #B58898

RGB 181 136 152

HSL 338.67, 0.23%, 0.62%

LAB 61.39, 19.69, -1.81

 

CMYK 0 / 70 / 6 / 5

HEX #F349E5

RGB 243 73 229

HSL 304.94, 0.88%, 0.62%

LAB 61.2, 80.04, -45.08

 

CMYK 0 / 70 / 24 / 5

HEX #F349B8

RGB 243 73 184

HSL 320.82, 0.88%, 0.62%

LAB 59.23, 73.88, -22.59

 

CMYK 0 / 70 / 43 / 5

HEX #F3498A

RGB 243 73 138

HSL 337.06, 0.88%, 0.62%

LAB 57.71, 68.88, 1.93

 

CMYK 0 / 70 / 62 / 5

HEX #F3495D

RGB 243 73 93

HSL 352.94, 0.88%, 0.62%

LAB 56.69, 65.44, 27.03

 

CMYK 0 / 60 / 70 / 5

HEX #F36249

RGB 243 98 73

HSL 8.82, 0.88%, 0.62%

LAB 60.13, 54.28, 42.5

 

CMYK 0 / 94 / 59 / 14

HEX #DC0E5B

RGB 220 14 91

HSL 337.57, 0.88%, 0.46%

LAB 47.35, 73.19, 15.02

 

CMYK 0 / 86 / 54 / 5

HEX #F12270

RGB 241 34 112

HSL 337.39, 0.88%, 0.54%

LAB 52.97, 76.72, 10.6

 

CMYK 0 / 70 / 44 / 5

HEX #F34989

RGB 243 73 137

HSL 337.41, 0.88%, 0.62%

LAB 57.68, 68.79, 2.48

 

CMYK 0 / 54 / 34 / 4

HEX #F670A2

RGB 246 112 162

HSL 337.61, 0.88%, 0.7%

LAB 64.8, 56.24, -1.57

 

CMYK 0 / 40 / 25 / 3

HEX #F896BB

RGB 248 150 187

HSL 337.35, 0.88%, 0.78%

LAB 73.13, 41.36, -3.34

 

CMYK 0 / 69 / 43 / 5

HEX #F34B8A

RGB 243 75 138

HSL 337.5, 0.88%, 0.62%

LAB 57.96, 68.18, 2.3

 

CMYK 0 / 13 / 70 / 5

HEX #F3D449

RGB 243 212 73

HSL 49.06, 0.88%, 0.62%

LAB 85.31, -3.74, 69.34

 

CMYK 70 / 15 / 0 / 5

HEX #49CEF3

RGB 73 206 243

HSL 193.06, 0.88%, 0.62%

LAB 77.3, -24.37, -28.68

 

CMYK 0 / 69 / 43 / 5

HEX #F34B8A

RGB 243 75 138

HSL 337.5, 0.88%, 0.62%

LAB 57.96, 68.18, 2.3

 

CMYK 43 / 0 / 70 / 5

HEX #8AF349

RGB 138 243 73

HSL 97.06, 0.88%, 0.62%

LAB 86.99, -57.91, 68.81

 

CMYK 70 / 43 / 0 / 5

HEX #498AF3

RGB 73 138 243

HSL 217.06, 0.88%, 0.62%

LAB 58.1, 13.36, -58.79

 

CMYK 0 / 69 / 43 / 5

HEX #F34B8A

RGB 243 75 138

HSL 337.5, 0.88%, 0.62%

LAB 57.96, 68.18, 2.3

 

CMYK 0 / 13 / 70 / 5

HEX #F3D449

RGB 243 212 73

HSL 49.06, 0.88%, 0.62%

LAB 85.31, -3.74, 69.34

 

CMYK 70 / 0 / 27 / 5

HEX #49F3B2

RGB 73 243 178

HSL 157.06, 0.88%, 0.62%

LAB 86.37, -57.91, 19.05

 

CMYK 70 / 57 / 0 / 5

HEX #4968F3

RGB 73 104 243

HSL 229.06, 0.88%, 0.62%

LAB 49.24, 34.28, -73.09

 

CMYK 0 / 69 / 43 / 5

HEX #F34B8A

RGB 243 75 138

HSL 337.5, 0.88%, 0.62%

LAB 57.96, 68.18, 2.3

 

CMYK 8 / 0 / 70 / 5

HEX #DFF349

RGB 223 243 73

HSL 67.06, 0.88%, 0.62%

LAB 91.81, -27.16, 75.22

 

CMYK 70 / 0 / 27 / 5

HEX #49F3B2

RGB 73 243 178

HSL 157.06, 0.88%, 0.62%

LAB 86.37, -57.91, 19.05

 

CMYK 62 / 70 / 0 / 5

HEX #5D49F3

RGB 93 73 243

HSL 247.06, 0.88%, 0.62%

LAB 43.6, 55.02, -82.26

 

Description

Color code: HEX #F34B8A | qconv.com Color code: HEX #F34B8A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 75 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 75 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 43 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 43% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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