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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3434F it is the complementary color #0CBCB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3434F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3434F shade: #F8434A, #FF555D, #FF6770, #FF7983 and #FF8B96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3434F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3434F shade: #F3434F, #E2313C, #D11F29, #C00D16 and #AF0003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3434F shade: #F34450 and #F34444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3434F shade: #F34450, #F3447F, #F344AE, #F344DE and #D944F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3434F shade matches the following richer shades: #F34450

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3434F shade: #F34450, #E3545E, #D3646C, #C3747A and #B38488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3434F shade: #F344B0, #F34481, #F34453, #F36444 and #F39344

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3434F shade: #D70E1B, #F11D2C, #F34450, #F66B74 and #F89299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3434F shade: #F3434F, #DFF344 and #4499F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3434F shade: #F3434F, #53F344 and #4453F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3434F shade: #F3434F, #DFF344, #44F3E4 and #5844F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3434F shade: #F3434F, #AAF344, #44F3E4 and #8D44F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 67 / 5

HEX #F3434F

RGB 243 67 79

HSL 355.91, 0.88%, 0.61%

LAB 55.72, 66.75, 33.93

 

Complementary color

CMYK 94 / 0 / 6 / 26

HEX #0CBCB0

RGB 12 188 176

HSL 175.91, 0.88%, 0.39%

LAB 68.88, -41.41, -5.09

 

CMYK 0 / 73 / 70 / 3

HEX #F8434A

RGB 248 67 74

HSL 357.68, 0.93%, 0.62%

LAB 56.55, 67.98, 38

 

CMYK 0 / 67 / 64 / 0

HEX #FF555D

RGB 255 85 93

HSL 357.18, 1%, 0.67%

LAB 60.38, 64.66, 32.17

 

CMYK 0 / 60 / 56 / 0

HEX #FF6770

RGB 255 103 112

HSL 356.45, 1%, 0.7%

LAB 63.45, 58.5, 25.32

 

CMYK 0 / 53 / 49 / 0

HEX #FF7983

RGB 255 121 131

HSL 355.52, 1%, 0.74%

LAB 66.96, 51.83, 19.29

 

CMYK 0 / 45 / 41 / 0

HEX #FF8B96

RGB 255 139 150

HSL 354.31, 1%, 0.77%

LAB 70.82, 44.88, 14.01

 

CMYK 0 / 72 / 67 / 5

HEX #F3434F

RGB 243 67 79

HSL 355.91, 0.88%, 0.61%

LAB 55.72, 66.75, 33.93

 

CMYK 0 / 78 / 73 / 11

HEX #E2313C

RGB 226 49 60

HSL 356.27, 0.75%, 0.54%

LAB 50.32, 66.52, 37.7

 

CMYK 0 / 85 / 80 / 18

HEX #D11F29

RGB 209 31 41

HSL 356.63, 0.74%, 0.47%

LAB 45.21, 65.58, 41.94

 

CMYK 0 / 93 / 89 / 25

HEX #C00D16

RGB 192 13 22

HSL 356.98, 0.87%, 0.4%

LAB 40.5, 63.61, 46.2

 

CMYK 0 / 100 / 98 / 31

HEX #AF0003

RGB 175 0 3

HSL 358.97, 1%, 0.34%

LAB 36.22, 60.44, 49.37

 

CMYK 0 / 72 / 67 / 5

HEX #F34450

RGB 243 68 80

HSL 355.89, 0.88%, 0.61%

LAB 55.85, 66.46, 33.52

 

CMYK 0 / 72 / 72 / 5

HEX #F34444

RGB 243 68 68

HSL 0, 0.88%, 0.61%

LAB 55.69, 65.91, 40.14

 

CMYK 0 / 72 / 67 / 5

HEX #F34450

RGB 243 68 80

HSL 355.89, 0.88%, 0.61%

LAB 55.85, 66.46, 33.52

 

CMYK 0 / 72 / 48 / 5

HEX #F3447F

RGB 243 68 127

HSL 339.77, 0.88%, 0.61%

LAB 56.8, 69.61, 7.12

 

CMYK 0 / 72 / 28 / 5

HEX #F344AE

RGB 243 68 174

HSL 323.66, 0.88%, 0.61%

LAB 58.27, 74.33, -18.29

 

CMYK 0 / 72 / 9 / 5

HEX #F344DE

RGB 243 68 222

HSL 307.2, 0.88%, 0.61%

LAB 60.3, 80.6, -42.56

 

CMYK 11 / 72 / 0 / 5

HEX #D944F3

RGB 217 68 243

HSL 291.09, 0.88%, 0.61%

LAB 57.42, 78.52, -59.15

 

CMYK 0 / 72 / 67 / 5

HEX #F34450

RGB 243 68 80

HSL 355.89, 0.88%, 0.61%

LAB 55.85, 66.46, 33.52

 

CMYK 0 / 72 / 67 / 5

HEX #F34450

RGB 243 68 80

HSL 355.89, 0.88%, 0.61%

LAB 55.85, 66.46, 33.52

 

CMYK 0 / 63 / 59 / 11

HEX #E3545E

RGB 227 84 94

HSL 355.8, 0.72%, 0.61%

LAB 55.56, 56.19, 24.45

 

CMYK 0 / 53 / 49 / 17

HEX #D3646C

RGB 211 100 108

HSL 355.68, 0.56%, 0.61%

LAB 56.13, 44.46, 16.61

 

CMYK 0 / 41 / 37 / 24

HEX #C3747A

RGB 195 116 122

HSL 355.44, 0.4%, 0.61%

LAB 57.56, 31.73, 10.12

 

CMYK 0 / 26 / 24 / 30

HEX #B38488

RGB 179 132 136

HSL 354.89, 0.24%, 0.61%

LAB 59.77, 18.65, 4.95

 

CMYK 0 / 72 / 28 / 5

HEX #F344B0

RGB 243 68 176

HSL 322.97, 0.88%, 0.61%

LAB 58.34, 74.57, -19.33

 

CMYK 0 / 72 / 47 / 5

HEX #F34481

RGB 243 68 129

HSL 339.09, 0.88%, 0.61%

LAB 56.85, 69.78, 6.01

 

CMYK 0 / 72 / 66 / 5

HEX #F34453

RGB 243 68 83

HSL 354.86, 0.88%, 0.61%

LAB 55.9, 66.61, 31.84

 

CMYK 0 / 59 / 72 / 5

HEX #F36444

RGB 243 100 68

HSL 10.97, 0.88%, 0.61%

LAB 60.41, 53.16, 45.46

 

CMYK 0 / 40 / 72 / 5

HEX #F39344

RGB 243 147 68

HSL 27.09, 0.88%, 0.61%

LAB 69.71, 29.94, 55.48

 

CMYK 0 / 93 / 87 / 16

HEX #D70E1B

RGB 215 14 27

HSL 356.12, 0.88%, 0.45%

LAB 45.41, 69.47, 49.77

 

CMYK 0 / 88 / 82 / 5

HEX #F11D2C

RGB 241 29 44

HSL 355.75, 0.88%, 0.53%

LAB 51.57, 74.41, 48.71

 

CMYK 0 / 72 / 67 / 5

HEX #F34450

RGB 243 68 80

HSL 355.89, 0.88%, 0.61%

LAB 55.85, 66.46, 33.52

 

CMYK 0 / 57 / 53 / 4

HEX #F66B74

RGB 246 107 116

HSL 356.12, 0.89%, 0.69%

LAB 62.82, 54.01, 21.96

 

CMYK 0 / 41 / 38 / 3

HEX #F89299

RGB 248 146 153

HSL 355.88, 0.88%, 0.77%

LAB 71.43, 39.15, 13.07

 

CMYK 0 / 72 / 67 / 5

HEX #F3434F

RGB 243 67 79

HSL 355.91, 0.88%, 0.61%

LAB 55.72, 66.75, 33.93

 

CMYK 8 / 0 / 72 / 5

HEX #DFF344

RGB 223 243 68

HSL 66.86, 0.88%, 0.61%

LAB 91.78, -27.4, 76.87

 

CMYK 72 / 37 / 0 / 5

HEX #4499F3

RGB 68 153 243

HSL 210.86, 0.88%, 0.61%

LAB 62.07, 3.75, -52.47

 

CMYK 0 / 72 / 67 / 5

HEX #F3434F

RGB 243 67 79

HSL 355.91, 0.88%, 0.61%

LAB 55.72, 66.75, 33.93

 

CMYK 66 / 0 / 72 / 5

HEX #53F344

RGB 83 243 68

HSL 114.86, 0.88%, 0.61%

LAB 85.18, -72.15, 68.15

 

CMYK 72 / 66 / 0 / 5

HEX #4453F3

RGB 68 83 243

HSL 234.86, 0.88%, 0.61%

LAB 44.07, 46.46, -81.54

 

CMYK 0 / 72 / 67 / 5

HEX #F3434F

RGB 243 67 79

HSL 355.91, 0.88%, 0.61%

LAB 55.72, 66.75, 33.93

 

CMYK 8 / 0 / 72 / 5

HEX #DFF344

RGB 223 243 68

HSL 66.86, 0.88%, 0.61%

LAB 91.78, -27.4, 76.87

 

CMYK 72 / 0 / 6 / 5

HEX #44F3E4

RGB 68 243 228

HSL 174.86, 0.88%, 0.61%

LAB 87.45, -46.53, -5.45

 

CMYK 64 / 72 / 0 / 5

HEX #5844F3

RGB 88 68 243

HSL 246.86, 0.88%, 0.61%

LAB 42.28, 57.05, -84.44

 

CMYK 0 / 72 / 67 / 5

HEX #F3434F

RGB 243 67 79

HSL 355.91, 0.88%, 0.61%

LAB 55.72, 66.75, 33.93

 

CMYK 30 / 0 / 72 / 5

HEX #AAF344

RGB 170 243 68

HSL 85.03, 0.88%, 0.61%

LAB 88.48, -47.6, 72.54

 

CMYK 72 / 0 / 6 / 5

HEX #44F3E4

RGB 68 243 228

HSL 174.86, 0.88%, 0.61%

LAB 87.45, -46.53, -5.45

 

CMYK 42 / 72 / 0 / 5

HEX #8D44F3

RGB 141 68 243

HSL 265.03, 0.88%, 0.61%

LAB 47.32, 64.54, -75.98

 

Description

Color code: HEX #F3434F | qconv.com Color code: HEX #F3434F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 67 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 67 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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