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Color name
HEX #F337AC

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F337AC it is the complementary color #0CC853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F337AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F337AC shade: #F837A7, #FF49BA, #FF5BCD, #FF6DE0 and #FF7FF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F337AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F337AC shade: #F337AC, #E22599, #D11386, #C00173 and #AF0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F337AC shade: #F335AB, #F33578, #F33544 and #F33535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F337AC shade: #F335AB, #F335DF, #D435F3, #A135F3 and #6E35F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F337AC shade matches the following richer shades: #F335AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F337AC shade: #F335AB, #E246A7, #D157A3, #BF699F and #AE7A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F337AC shade: #D335F3, #F335E0, #F335AD, #F3357A and #F33548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F337AC shade: #CA0C82, #F10E9B, #F335AB, #F55CBB and #F883CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F337AC shade: #F337AC, #F3A135 and #35F3ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F337AC shade: #F337AC, #ADF335 and #35ADF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F337AC shade: #F337AC, #F3A135, #35F37A and #3587F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F337AC shade: #F337AC, #F3DA35, #35F37A and #354EF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 29 / 5

HEX #F337AC

RGB 243 55 172

HSL 322.66, 0.89%, 0.58%

LAB 56.85, 77.93, -19.29

 

Complementary color

CMYK 94 / 0 / 59 / 22

HEX #0CC853

RGB 12 200 83

HSL 142.66, 0.89%, 0.42%

LAB 70.88, -65.78, 46.24

 

CMYK 0 / 78 / 33 / 3

HEX #F837A7

RGB 248 55 167

HSL 325.18, 0.93%, 0.59%

LAB 57.54, 78.56, -15.24

 

CMYK 0 / 71 / 27 / 0

HEX #FF49BA

RGB 255 73 186

HSL 322.75, 1%, 0.64%

LAB 61.28, 77.1, -20.43

 

CMYK 0 / 64 / 20 / 0

HEX #FF5BCD

RGB 255 91 205

HSL 318.29, 1%, 0.68%

LAB 64.28, 73.12, -26.64

 

CMYK 0 / 57 / 12 / 0

HEX #FF6DE0

RGB 255 109 224

HSL 312.74, 1%, 0.71%

LAB 67.71, 68.49, -31.99

 

CMYK 0 / 50 / 5 / 0

HEX #FF7FF3

RGB 255 127 243

HSL 305.63, 1%, 0.75%

LAB 71.49, 63.4, -36.6

 

CMYK 0 / 77 / 29 / 5

HEX #F337AC

RGB 243 55 172

HSL 322.66, 0.89%, 0.58%

LAB 56.85, 77.93, -19.29

 

CMYK 0 / 84 / 32 / 11

HEX #E22599

RGB 226 37 153

HSL 323.17, 0.77%, 0.52%

LAB 51.6, 76.23, -16.37

 

CMYK 0 / 91 / 36 / 18

HEX #D11386

RGB 209 19 134

HSL 323.68, 0.83%, 0.45%

LAB 46.63, 73.57, -12.77

 

CMYK 0 / 99 / 40 / 25

HEX #C00173

RGB 192 1 115

HSL 324.19, 0.99%, 0.38%

LAB 41.95, 69.92, -8.45

 

CMYK 0 / 100 / 45 / 31

HEX #AF0060

RGB 175 0 96

HSL 327.09, 1%, 0.34%

LAB 37.77, 64.6, -3.04

 

CMYK 0 / 78 / 30 / 5

HEX #F335AB

RGB 243 53 171

HSL 322.74, 0.89%, 0.58%

LAB 56.63, 78.34, -19.05

 

CMYK 0 / 78 / 51 / 5

HEX #F33578

RGB 243 53 120

HSL 338.84, 0.89%, 0.58%

LAB 55.03, 73.55, 8.76

 

CMYK 0 / 78 / 72 / 5

HEX #F33544

RGB 243 53 68

HSL 355.26, 0.89%, 0.58%

LAB 54.05, 70.5, 38.25

 

CMYK 0 / 78 / 78 / 5

HEX #F33535

RGB 243 53 53

HSL 0, 0.89%, 0.58%

LAB 53.88, 69.97, 46.37

 

CMYK 0 / 78 / 30 / 5

HEX #F335AB

RGB 243 53 171

HSL 322.74, 0.89%, 0.58%

LAB 56.63, 78.34, -19.05

 

CMYK 0 / 78 / 8 / 5

HEX #F335DF

RGB 243 53 223

HSL 306.32, 0.89%, 0.58%

LAB 58.91, 84.89, -45.33

 

CMYK 13 / 78 / 0 / 5

HEX #D435F3

RGB 212 53 243

HSL 290.21, 0.89%, 0.58%

LAB 55.09, 82.14, -62.94

 

CMYK 34 / 78 / 0 / 5

HEX #A135F3

RGB 161 53 243

HSL 274.11, 0.89%, 0.58%

LAB 47.74, 73.61, -75.19

 

CMYK 55 / 78 / 0 / 5

HEX #6E35F3

RGB 110 53 243

HSL 258, 0.89%, 0.58%

LAB 41.74, 66.63, -85.26

 

CMYK 0 / 78 / 30 / 5

HEX #F335AB

RGB 243 53 171

HSL 322.74, 0.89%, 0.58%

LAB 56.63, 78.34, -19.05

 

CMYK 0 / 78 / 30 / 5

HEX #F335AB

RGB 243 53 171

HSL 322.74, 0.89%, 0.58%

LAB 56.63, 78.34, -19.05

 

CMYK 0 / 69 / 26 / 11

HEX #E246A7

RGB 226 70 167

HSL 322.69, 0.73%, 0.58%

LAB 55.42, 68.5, -18.81

 

CMYK 0 / 58 / 22 / 18

HEX #D157A3

RGB 209 87 163

HSL 322.62, 0.57%, 0.58%

LAB 55.09, 56.39, -17.22

 

CMYK 0 / 45 / 17 / 25

HEX #BF699F

RGB 191 105 159

HSL 322.33, 0.4%, 0.58%

LAB 55.77, 41.35, -14.1

 

CMYK 0 / 30 / 11 / 32

HEX #AE7A9A

RGB 174 122 154

HSL 323.08, 0.24%, 0.58%

LAB 57.32, 25.34, -9.08

 

CMYK 13 / 78 / 0 / 5

HEX #D335F3

RGB 211 53 243

HSL 289.89, 0.89%, 0.58%

LAB 54.93, 81.96, -63.2

 

CMYK 0 / 78 / 8 / 5

HEX #F335E0

RGB 243 53 224

HSL 306, 0.89%, 0.58%

LAB 58.96, 85.03, -45.81

 

CMYK 0 / 78 / 29 / 5

HEX #F335AD

RGB 243 53 173

HSL 322.11, 0.89%, 0.58%

LAB 56.7, 78.56, -20.1

 

CMYK 0 / 78 / 50 / 5

HEX #F3357A

RGB 243 53 122

HSL 338.21, 0.89%, 0.58%

LAB 55.08, 73.7, 7.64

 

CMYK 0 / 78 / 70 / 5

HEX #F33548

RGB 243 53 72

HSL 354, 0.89%, 0.58%

LAB 54.1, 70.67, 36.01

 

CMYK 0 / 94 / 36 / 21

HEX #CA0C82

RGB 202 12 130

HSL 322.74, 0.89%, 0.42%

LAB 44.85, 72.47, -13.16

 

CMYK 0 / 94 / 36 / 5

HEX #F10E9B

RGB 241 14 155

HSL 322.73, 0.89%, 0.5%

LAB 53.36, 82.91, -14.62

 

CMYK 0 / 78 / 30 / 5

HEX #F335AB

RGB 243 53 171

HSL 322.74, 0.89%, 0.58%

LAB 56.63, 78.34, -19.05

 

CMYK 0 / 62 / 24 / 4

HEX #F55CBB

RGB 245 92 187

HSL 322.75, 0.88%, 0.66%

LAB 62.21, 67.71, -19.73

 

CMYK 0 / 47 / 18 / 3

HEX #F883CB

RGB 248 131 203

HSL 323.08, 0.89%, 0.74%

LAB 69.82, 53.2, -17.15

 

CMYK 0 / 77 / 29 / 5

HEX #F337AC

RGB 243 55 172

HSL 322.66, 0.89%, 0.58%

LAB 56.85, 77.93, -19.29

 

CMYK 0 / 34 / 78 / 5

HEX #F3A135

RGB 243 161 53

HSL 34.11, 0.89%, 0.58%

LAB 72.76, 21.98, 64.76

 

CMYK 78 / 0 / 2 / 5

HEX #35F3ED

RGB 53 243 237

HSL 178.11, 0.89%, 0.58%

LAB 87.47, -45.61, -10.16

 

CMYK 0 / 77 / 29 / 5

HEX #F337AC

RGB 243 55 172

HSL 322.66, 0.89%, 0.58%

LAB 56.85, 77.93, -19.29

 

CMYK 29 / 0 / 78 / 5

HEX #ADF335

RGB 173 243 53

HSL 82.11, 0.89%, 0.58%

LAB 88.56, -47.27, 77.28

 

CMYK 78 / 29 / 0 / 5

HEX #35ADF3

RGB 53 173 243

HSL 202.11, 0.89%, 0.58%

LAB 67.36, -9.37, -44.13

 

CMYK 0 / 77 / 29 / 5

HEX #F337AC

RGB 243 55 172

HSL 322.66, 0.89%, 0.58%

LAB 56.85, 77.93, -19.29

 

CMYK 0 / 34 / 78 / 5

HEX #F3A135

RGB 243 161 53

HSL 34.11, 0.89%, 0.58%

LAB 72.76, 21.98, 64.76

 

CMYK 78 / 0 / 50 / 5

HEX #35F37A

RGB 53 243 122

HSL 141.79, 0.89%, 0.58%

LAB 85.13, -70.72, 45.31

 

CMYK 78 / 44 / 0 / 5

HEX #3587F3

RGB 53 135 243

HSL 214.11, 0.89%, 0.58%

LAB 56.64, 12.76, -61.16

 

CMYK 0 / 77 / 29 / 5

HEX #F337AC

RGB 243 55 172

HSL 322.66, 0.89%, 0.58%

LAB 56.85, 77.93, -19.29

 

CMYK 0 / 10 / 78 / 5

HEX #F3DA35

RGB 243 218 53

HSL 52.11, 0.89%, 0.58%

LAB 86.73, -7.59, 77.46

 

CMYK 78 / 0 / 50 / 5

HEX #35F37A

RGB 53 243 122

HSL 141.79, 0.89%, 0.58%

LAB 85.13, -70.72, 45.31

 

CMYK 78 / 68 / 0 / 5

HEX #354EF3

RGB 53 78 243

HSL 232.11, 0.89%, 0.58%

LAB 42.27, 48.05, -84.52

 

Description

Color code: HEX #F337AC | qconv.com Color code: HEX #F337AC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 55 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 55 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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