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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F33765 it is the complementary color #0CC89A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F33765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F33765 shade: #F83760, #FF4973, #FF5B86, #FF6D99 and #FF7FAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F33765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F33765 shade: #F33765, #E22552, #D1133F, #C0012C and #AF0019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F33765 shade: #F33563 and #F33535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F33765 shade: #F33563, #F33597, #F335CA, #E935F3 and #B635F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F33765 shade matches the following richer shades: #F33563

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F33765 shade: #F33563, #E2466C, #D15775, #BF697E and #AE7A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F33765 shade: #F335CA, #F33597, #F33564, #F33835 and #F36B35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F33765 shade: #CA0C3A, #F10E45, #F33563, #F55C81 and #F8839F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F33765 shade: #F33765, #F3EA35 and #35B0F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F33765 shade: #F33765, #64F335 and #3564F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F33765 shade: #F33765, #F3EA35, #35F3C4 and #353EF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F33765 shade: #F33765, #C4F335, #35F3C4 and #6435F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 58 / 5

HEX #F33765

RGB 243 55 101

HSL 345.32, 0.89%, 0.58%

LAB 54.79, 71.67, 19.79

 

Complementary color

CMYK 94 / 0 / 23 / 22

HEX #0CC89A

RGB 12 200 154

HSL 165.32, 0.89%, 0.42%

LAB 72.04, -52.28, 11.47

 

CMYK 0 / 78 / 61 / 3

HEX #F83760

RGB 248 55 96

HSL 347.25, 0.93%, 0.59%

LAB 55.62, 72.71, 24.03

 

CMYK 0 / 71 / 55 / 0

HEX #FF4973

RGB 255 73 115

HSL 346.15, 1%, 0.64%

LAB 59.22, 70.38, 17.88

 

CMYK 0 / 64 / 47 / 0

HEX #FF5B86

RGB 255 91 134

HSL 344.27, 1%, 0.68%

LAB 62.05, 65.26, 10.75

 

CMYK 0 / 57 / 40 / 0

HEX #FF6D99

RGB 255 109 153

HSL 341.92, 1%, 0.71%

LAB 65.36, 59.47, 4.54

 

CMYK 0 / 50 / 33 / 0

HEX #FF7FAC

RGB 255 127 172

HSL 338.91, 1%, 0.75%

LAB 69.05, 53.25, -0.85

 

CMYK 0 / 77 / 58 / 5

HEX #F33765

RGB 243 55 101

HSL 345.32, 0.89%, 0.58%

LAB 54.79, 71.67, 19.79

 

CMYK 0 / 84 / 64 / 11

HEX #E22552

RGB 226 37 82

HSL 345.71, 0.77%, 0.52%

LAB 49.62, 70.52, 23.79

 

CMYK 0 / 91 / 70 / 18

HEX #D1133F

RGB 209 19 63

HSL 346.11, 0.83%, 0.45%

LAB 44.77, 68.45, 28.54

 

CMYK 0 / 99 / 77 / 25

HEX #C0012C

RGB 192 1 44

HSL 346.49, 0.99%, 0.38%

LAB 40.26, 65.43, 33.93

 

CMYK 0 / 100 / 86 / 31

HEX #AF0019

RGB 175 0 25

HSL 351.43, 1%, 0.34%

LAB 36.34, 60.77, 39.75

 

CMYK 0 / 78 / 59 / 5

HEX #F33563

RGB 243 53 99

HSL 345.47, 0.89%, 0.58%

LAB 54.56, 72.09, 20.67

 

CMYK 0 / 78 / 78 / 5

HEX #F33535

RGB 243 53 53

HSL 0, 0.89%, 0.58%

LAB 53.88, 69.97, 46.37

 

CMYK 0 / 78 / 59 / 5

HEX #F33563

RGB 243 53 99

HSL 345.47, 0.89%, 0.58%

LAB 54.56, 72.09, 20.67

 

CMYK 0 / 78 / 38 / 5

HEX #F33597

RGB 243 53 151

HSL 329.05, 0.89%, 0.58%

LAB 55.92, 76.25, -8.37

 

CMYK 0 / 78 / 17 / 5

HEX #F335CA

RGB 243 53 202

HSL 312.95, 0.89%, 0.58%

LAB 57.91, 82.06, -34.97

 

CMYK 4 / 78 / 0 / 5

HEX #E935F3

RGB 233 53 243

HSL 296.84, 0.89%, 0.58%

LAB 58.36, 85.93, -57.52

 

CMYK 25 / 78 / 0 / 5

HEX #B635F3

RGB 182 53 243

HSL 280.74, 0.89%, 0.58%

LAB 50.64, 76.98, -70.34

 

CMYK 0 / 78 / 59 / 5

HEX #F33563

RGB 243 53 99

HSL 345.47, 0.89%, 0.58%

LAB 54.56, 72.09, 20.67

 

CMYK 0 / 78 / 59 / 5

HEX #F33563

RGB 243 53 99

HSL 345.47, 0.89%, 0.58%

LAB 54.56, 72.09, 20.67

 

CMYK 0 / 69 / 52 / 11

HEX #E2466C

RGB 226 70 108

HSL 345.38, 0.73%, 0.58%

LAB 53.63, 62.49, 13.54

 

CMYK 0 / 58 / 44 / 18

HEX #D15775

RGB 209 87 117

HSL 345.25, 0.57%, 0.58%

LAB 53.66, 50.86, 7.81

 

CMYK 0 / 45 / 34 / 25

HEX #BF697E

RGB 191 105 126

HSL 345.35, 0.4%, 0.58%

LAB 54.75, 36.63, 3.7

 

CMYK 0 / 30 / 22 / 32

HEX #AE7A87

RGB 174 122 135

HSL 345, 0.24%, 0.58%

LAB 56.75, 22.21, 1.09

 

CMYK 0 / 78 / 17 / 5

HEX #F335CA

RGB 243 53 202

HSL 312.95, 0.89%, 0.58%

LAB 57.91, 82.06, -34.97

 

CMYK 0 / 78 / 38 / 5

HEX #F33597

RGB 243 53 151

HSL 329.05, 0.89%, 0.58%

LAB 55.92, 76.25, -8.37

 

CMYK 0 / 78 / 59 / 5

HEX #F33564

RGB 243 53 100

HSL 345.16, 0.89%, 0.58%

LAB 54.58, 72.15, 20.1

 

CMYK 0 / 77 / 78 / 5

HEX #F33835

RGB 243 56 53

HSL 0.95, 0.89%, 0.58%

LAB 54.18, 69.13, 46.68

 

CMYK 0 / 56 / 78 / 5

HEX #F36B35

RGB 243 107 53

HSL 17.05, 0.89%, 0.58%

LAB 61.5, 49.35, 54.02

 

CMYK 0 / 94 / 71 / 21

HEX #CA0C3A

RGB 202 12 58

HSL 345.47, 0.89%, 0.42%

LAB 42.95, 67.33, 29.05

 

CMYK 0 / 94 / 71 / 5

HEX #F10E45

RGB 241 14 69

HSL 345.46, 0.89%, 0.5%

LAB 51.2, 77.07, 34.23

 

CMYK 0 / 78 / 59 / 5

HEX #F33563

RGB 243 53 99

HSL 345.47, 0.89%, 0.58%

LAB 54.56, 72.09, 20.67

 

CMYK 0 / 62 / 47 / 4

HEX #F55C81

RGB 245 92 129

HSL 345.49, 0.88%, 0.66%

LAB 60.47, 61.36, 11.2

 

CMYK 0 / 47 / 36 / 3

HEX #F8839F

RGB 248 131 159

HSL 345.64, 0.89%, 0.74%

LAB 68.53, 47.42, 5.58

 

CMYK 0 / 77 / 58 / 5

HEX #F33765

RGB 243 55 101

HSL 345.32, 0.89%, 0.58%

LAB 54.79, 71.67, 19.79

 

CMYK 0 / 4 / 78 / 5

HEX #F3EA35

RGB 243 234 53

HSL 57.16, 0.89%, 0.58%

LAB 90.85, -15.52, 81.11

 

CMYK 78 / 28 / 0 / 5

HEX #35B0F3

RGB 53 176 243

HSL 201.16, 0.89%, 0.58%

LAB 68.23, -11.01, -42.78

 

CMYK 0 / 77 / 58 / 5

HEX #F33765

RGB 243 55 101

HSL 345.32, 0.89%, 0.58%

LAB 54.79, 71.67, 19.79

 

CMYK 59 / 0 / 78 / 5

HEX #64F335

RGB 100 243 53

HSL 105.16, 0.89%, 0.58%

LAB 85.54, -69.49, 73.37

 

CMYK 78 / 59 / 0 / 5

HEX #3564F3

RGB 53 100 243

HSL 225.16, 0.89%, 0.58%

LAB 47.42, 34.57, -76.08

 

CMYK 0 / 77 / 58 / 5

HEX #F33765

RGB 243 55 101

HSL 345.32, 0.89%, 0.58%

LAB 54.79, 71.67, 19.79

 

CMYK 0 / 4 / 78 / 5

HEX #F3EA35

RGB 243 234 53

HSL 57.16, 0.89%, 0.58%

LAB 90.85, -15.52, 81.11

 

CMYK 78 / 0 / 19 / 5

HEX #35F3C4

RGB 53 243 196

HSL 165.16, 0.89%, 0.58%

LAB 86.43, -56.23, 9.75

 

CMYK 78 / 74 / 0 / 5

HEX #353EF3

RGB 53 62 243

HSL 237.16, 0.89%, 0.58%

LAB 39.02, 57.06, -89.88

 

CMYK 0 / 77 / 58 / 5

HEX #F33765

RGB 243 55 101

HSL 345.32, 0.89%, 0.58%

LAB 54.79, 71.67, 19.79

 

CMYK 19 / 0 / 78 / 5

HEX #C4F335

RGB 196 243 53

HSL 74.84, 0.89%, 0.58%

LAB 89.9, -38.67, 78.99

 

CMYK 78 / 0 / 19 / 5

HEX #35F3C4

RGB 53 243 196

HSL 165.16, 0.89%, 0.58%

LAB 86.43, -56.23, 9.75

 

CMYK 59 / 78 / 0 / 5

HEX #6435F3

RGB 100 53 243

HSL 254.84, 0.89%, 0.58%

LAB 40.78, 65.51, -86.88

 

Description

Color code: HEX #F33765 | qconv.com Color code: HEX #F33765 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 55 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 55 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 58 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 58% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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