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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F33741 it is the complementary color #0CC8BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F33741. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F33741 shade: #F8373C, #FF494F, #FF5B62, #FF6D75 and #FF7F88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F33741. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F33741 shade: #F33741, #E2252E, #D1131B, #C00108 and #AF0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F33741 shade: #F3353F and #F33535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F33741 shade: #F3353F, #F33572, #F335A6, #F335D9 and #DA35F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F33741 shade matches the following richer shades: #F3353F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F33741 shade: #F3353F, #E2464E, #D1575E, #BF696D and #AE7A7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F33741 shade: #F335A7, #F33574, #F33541, #F35B35 and #F38E35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F33741 shade: #CA0C16, #F10E1A, #F3353F, #F55C64 and #F88389

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F33741 shade: #F33741, #DAF335 and #358EF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F33741 shade: #F33741, #41F335 and #3541F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F33741 shade: #F33741, #DAF335, #35F3E7 and #4E35F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F33741 shade: #F33741, #A1F335, #35F3E7 and #8735F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 73 / 5

HEX #F33741

RGB 243 55 65

HSL 356.81, 0.89%, 0.58%

LAB 54.21, 69.83, 40.13

 

Complementary color

CMYK 94 / 0 / 5 / 22

HEX #0CC8BE

RGB 12 200 190

HSL 176.81, 0.89%, 0.42%

LAB 72.96, -42.64, -6.7

 

CMYK 0 / 78 / 76 / 3

HEX #F8373C

RGB 248 55 60

HSL 358.45, 0.93%, 0.59%

LAB 55.09, 71.05, 44.15

 

CMYK 0 / 71 / 69 / 0

HEX #FF494F

RGB 255 73 79

HSL 358.02, 1%, 0.64%

LAB 58.59, 68.28, 37.91

 

CMYK 0 / 64 / 62 / 0

HEX #FF5B62

RGB 255 91 98

HSL 357.44, 1%, 0.68%

LAB 61.33, 62.6, 30.52

 

CMYK 0 / 57 / 54 / 0

HEX #FF6D75

RGB 255 109 117

HSL 356.71, 1%, 0.71%

LAB 64.55, 56.22, 23.95

 

CMYK 0 / 50 / 47 / 0

HEX #FF7F88

RGB 255 127 136

HSL 355.78, 1%, 0.75%

LAB 68.18, 49.41, 18.16

 

CMYK 0 / 77 / 73 / 5

HEX #F33741

RGB 243 55 65

HSL 356.81, 0.89%, 0.58%

LAB 54.21, 69.83, 40.13

 

CMYK 0 / 84 / 80 / 11

HEX #E2252E

RGB 226 37 46

HSL 357.14, 0.77%, 0.52%

LAB 49.12, 69.03, 44.24

 

CMYK 0 / 91 / 87 / 18

HEX #D1131B

RGB 209 19 27

HSL 357.47, 0.83%, 0.45%

LAB 44.38, 67.32, 48.41

 

CMYK 0 / 99 / 96 / 25

HEX #C00108

RGB 192 1 8

HSL 357.8, 0.99%, 0.38%

LAB 39.99, 64.69, 51.4

 

CMYK 0 / 100 / 100 / 31

HEX #AF0000

RGB 175 0 0

HSL 0, 1%, 0.34%

LAB 36.2, 60.4, 50.58

 

CMYK 0 / 78 / 74 / 5

HEX #F3353F

RGB 243 53 63

HSL 356.84, 0.89%, 0.58%

LAB 53.98, 70.31, 41.01

 

CMYK 0 / 78 / 78 / 5

HEX #F33535

RGB 243 53 53

HSL 0, 0.89%, 0.58%

LAB 53.88, 69.97, 46.37

 

CMYK 0 / 78 / 74 / 5

HEX #F3353F

RGB 243 53 63

HSL 356.84, 0.89%, 0.58%

LAB 53.98, 70.31, 41.01

 

CMYK 0 / 78 / 53 / 5

HEX #F33572

RGB 243 53 114

HSL 340.74, 0.89%, 0.58%

LAB 54.88, 73.1, 12.14

 

CMYK 0 / 78 / 32 / 5

HEX #F335A6

RGB 243 53 166

HSL 324.32, 0.89%, 0.58%

LAB 56.44, 77.79, -16.41

 

CMYK 0 / 78 / 11 / 5

HEX #F335D9

RGB 243 53 217

HSL 308.21, 0.89%, 0.58%

LAB 58.61, 84.06, -42.4

 

CMYK 10 / 78 / 0 / 5

HEX #DA35F3

RGB 218 53 243

HSL 292.11, 0.89%, 0.58%

LAB 56.01, 83.21, -61.41

 

CMYK 0 / 78 / 74 / 5

HEX #F3353F

RGB 243 53 63

HSL 356.84, 0.89%, 0.58%

LAB 53.98, 70.31, 41.01

 

CMYK 0 / 78 / 74 / 5

HEX #F3353F

RGB 243 53 63

HSL 356.84, 0.89%, 0.58%

LAB 53.98, 70.31, 41.01

 

CMYK 0 / 69 / 65 / 11

HEX #E2464E

RGB 226 70 78

HSL 356.92, 0.73%, 0.58%

LAB 53.06, 60.48, 30.55

 

CMYK 0 / 58 / 55 / 18

HEX #D1575E

RGB 209 87 94

HSL 356.56, 0.57%, 0.58%

LAB 53.15, 48.79, 20.72

 

CMYK 0 / 45 / 43 / 25

HEX #BF696D

RGB 191 105 109

HSL 357.21, 0.4%, 0.58%

LAB 54.33, 34.62, 13.09

 

CMYK 0 / 30 / 28 / 32

HEX #AE7A7D

RGB 174 122 125

HSL 356.54, 0.24%, 0.58%

LAB 56.48, 20.72, 6.51

 

CMYK 0 / 78 / 31 / 5

HEX #F335A7

RGB 243 53 167

HSL 324, 0.89%, 0.58%

LAB 56.48, 77.9, -16.93

 

CMYK 0 / 78 / 52 / 5

HEX #F33574

RGB 243 53 116

HSL 340.11, 0.89%, 0.58%

LAB 54.93, 73.25, 11.01

 

CMYK 0 / 78 / 73 / 5

HEX #F33541

RGB 243 53 65

HSL 356.21, 0.89%, 0.58%

LAB 54.01, 70.39, 39.91

 

CMYK 0 / 63 / 78 / 5

HEX #F35B35

RGB 243 91 53

HSL 12, 0.89%, 0.58%

LAB 58.78, 56.51, 51.33

 

CMYK 0 / 42 / 78 / 5

HEX #F38E35

RGB 243 142 53

HSL 28.11, 0.89%, 0.58%

LAB 68.5, 31.93, 60.76

 

CMYK 0 / 94 / 89 / 21

HEX #CA0C16

RGB 202 12 22

HSL 356.84, 0.89%, 0.42%

LAB 42.58, 66.29, 48.7

 

CMYK 0 / 94 / 89 / 5

HEX #F10E1A

RGB 241 14 26

HSL 356.83, 0.89%, 0.5%

LAB 50.79, 75.93, 56.61

 

CMYK 0 / 78 / 74 / 5

HEX #F3353F

RGB 243 53 63

HSL 356.84, 0.89%, 0.58%

LAB 53.98, 70.31, 41.01

 

CMYK 0 / 62 / 59 / 4

HEX #F55C64

RGB 245 92 100

HSL 356.86, 0.88%, 0.66%

LAB 59.88, 59.1, 27.18

 

CMYK 0 / 47 / 45 / 3

HEX #F88389

RGB 248 131 137

HSL 356.92, 0.89%, 0.74%

LAB 68.02, 45.07, 17.23

 

CMYK 0 / 77 / 73 / 5

HEX #F33741

RGB 243 55 65

HSL 356.81, 0.89%, 0.58%

LAB 54.21, 69.83, 40.13

 

CMYK 10 / 0 / 78 / 5

HEX #DAF335

RGB 218 243 53

HSL 67.89, 0.89%, 0.58%

LAB 91.35, -30.02, 80.84

 

CMYK 78 / 42 / 0 / 5

HEX #358EF3

RGB 53 142 243

HSL 211.89, 0.89%, 0.58%

LAB 58.58, 8.52, -58.05

 

CMYK 0 / 77 / 73 / 5

HEX #F33741

RGB 243 55 65

HSL 356.81, 0.89%, 0.58%

LAB 54.21, 69.83, 40.13

 

CMYK 73 / 0 / 78 / 5

HEX #41F335

RGB 65 243 53

HSL 116.21, 0.89%, 0.58%

LAB 84.73, -76.24, 72.32

 

CMYK 78 / 73 / 0 / 5

HEX #3541F3

RGB 53 65 243

HSL 236.21, 0.89%, 0.58%

LAB 39.59, 55.45, -88.94

 

CMYK 0 / 77 / 73 / 5

HEX #F33741

RGB 243 55 65

HSL 356.81, 0.89%, 0.58%

LAB 54.21, 69.83, 40.13

 

CMYK 10 / 0 / 78 / 5

HEX #DAF335

RGB 218 243 53

HSL 67.89, 0.89%, 0.58%

LAB 91.35, -30.02, 80.84

 

CMYK 78 / 0 / 5 / 5

HEX #35F3E7

RGB 53 243 231

HSL 176.21, 0.89%, 0.58%

LAB 87.3, -47.26, -7.27

 

CMYK 68 / 78 / 0 / 5

HEX #4E35F3

RGB 78 53 243

HSL 247.89, 0.89%, 0.58%

LAB 38.96, 63.4, -89.94

 

CMYK 0 / 77 / 73 / 5

HEX #F33741

RGB 243 55 65

HSL 356.81, 0.89%, 0.58%

LAB 54.21, 69.83, 40.13

 

CMYK 34 / 0 / 78 / 5

HEX #A1F335

RGB 161 243 53

HSL 85.89, 0.89%, 0.58%

LAB 87.94, -51.52, 76.47

 

CMYK 78 / 0 / 5 / 5

HEX #35F3E7

RGB 53 243 231

HSL 176.21, 0.89%, 0.58%

LAB 87.3, -47.26, -7.27

 

CMYK 44 / 78 / 0 / 5

HEX #8735F3

RGB 135 53 243

HSL 265.89, 0.89%, 0.58%

LAB 44.47, 69.81, -80.67

 

Description

Color code: HEX #F33741 | qconv.com Color code: HEX #F33741 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 55 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 55 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 73 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 73% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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