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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F336EA it is the complementary color #0CC915. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F336EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F336EA shade: #F836E5, #FF48F8, #FF5AFF, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F336EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F336EA shade: #F336EA, #E224D7, #D112C4, #C000B1 and #AF009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F336EA shade: #F334EA, #F334B6, #F33483, #F3344F and #F33434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F336EA shade: #F334EA, #C834F3, #9534F3, #6234F3 and #3434F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F336EA shade matches the following richer shades: #F334EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F336EA shade: #F334EA, #E145DA, #D057CA, #BF68BB and #AD79AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F336EA shade: #9334F3, #C634F3, #F334EC, #F334BA and #F33487

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F336EA shade: #C90BC0, #F00DE5, #F334EA, #F55BEE and #F782F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F336EA shade: #F336EA, #F36134 and #34F3AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F336EA shade: #F336EA, #ECF334 and #34ECF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F336EA shade: #F336EA, #F36134, #34F33A and #34C6F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F336EA shade: #F336EA, #F39A34, #34F33A and #348DF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 4 / 5

HEX #F336EA

RGB 243 54 234

HSL 302.86, 0.89%, 0.58%

LAB 59.56, 86.21, -50.48

 

Complementary color

CMYK 94 / 0 / 90 / 21

HEX #0CC915

RGB 12 201 21

HSL 122.86, 0.89%, 0.42%

LAB 70.81, -71.06, 67.02

 

CMYK 0 / 78 / 8 / 3

HEX #F836E5

RGB 248 54 229

HSL 305.88, 0.93%, 0.59%

LAB 60.12, 86.47, -46.74

 

CMYK 0 / 72 / 3 / 0

HEX #FF48F8

RGB 255 72 248

HSL 302.3, 1%, 0.64%

LAB 63.89, 85.73, -51.28

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 78 / 4 / 5

HEX #F336EA

RGB 243 54 234

HSL 302.86, 0.89%, 0.58%

LAB 59.56, 86.21, -50.48

 

CMYK 0 / 84 / 5 / 11

HEX #E224D7

RGB 226 36 215

HSL 303.47, 0.77%, 0.51%

LAB 54.38, 84.18, -48.14

 

CMYK 0 / 91 / 6 / 18

HEX #D112C4

RGB 209 18 196

HSL 304.08, 0.84%, 0.45%

LAB 49.46, 81.17, -45.22

 

CMYK 0 / 100 / 8 / 25

HEX #C000B1

RGB 192 0 177

HSL 304.69, 1%, 0.38%

LAB 44.77, 77.24, -41.73

 

CMYK 0 / 100 / 10 / 31

HEX #AF009E

RGB 175 0 158

HSL 305.83, 1%, 0.34%

LAB 40.54, 71.65, -37.29

 

CMYK 0 / 79 / 4 / 5

HEX #F334EA

RGB 243 52 234

HSL 302.83, 0.89%, 0.58%

LAB 59.39, 86.7, -50.75

 

CMYK 0 / 79 / 25 / 5

HEX #F334B6

RGB 243 52 182

HSL 319.16, 0.89%, 0.58%

LAB 56.97, 79.85, -24.92

 

CMYK 0 / 79 / 46 / 5

HEX #F33483

RGB 243 52 131

HSL 335.18, 0.89%, 0.58%

LAB 55.23, 74.7, 2.47

 

CMYK 0 / 79 / 67 / 5

HEX #F3344F

RGB 243 52 79

HSL 351.52, 0.89%, 0.58%

LAB 54.11, 71.26, 31.95

 

CMYK 0 / 79 / 79 / 5

HEX #F33434

RGB 243 52 52

HSL 0, 0.89%, 0.58%

LAB 53.77, 70.21, 46.8

 

CMYK 0 / 79 / 4 / 5

HEX #F334EA

RGB 243 52 234

HSL 302.83, 0.89%, 0.58%

LAB 59.39, 86.7, -50.75

 

CMYK 18 / 79 / 0 / 5

HEX #C834F3

RGB 200 52 243

HSL 286.49, 0.89%, 0.58%

LAB 53.17, 80.31, -66.12

 

CMYK 39 / 79 / 0 / 5

HEX #9534F3

RGB 149 52 243

HSL 270.47, 0.89%, 0.58%

LAB 46.06, 72.15, -77.99

 

CMYK 60 / 79 / 0 / 5

HEX #6234F3

RGB 98 52 243

HSL 254.45, 0.89%, 0.58%

LAB 40.45, 65.73, -87.43

 

CMYK 79 / 79 / 0 / 5

HEX #3434F3

RGB 52 52 243

HSL 240, 0.89%, 0.58%

LAB 37.22, 62.04, -92.88

 

CMYK 0 / 79 / 4 / 5

HEX #F334EA

RGB 243 52 234

HSL 302.83, 0.89%, 0.58%

LAB 59.39, 86.7, -50.75

 

CMYK 0 / 79 / 4 / 5

HEX #F334EA

RGB 243 52 234

HSL 302.83, 0.89%, 0.58%

LAB 59.39, 86.7, -50.75

 

CMYK 0 / 69 / 3 / 12

HEX #E145DA

RGB 225 69 218

HSL 302.69, 0.72%, 0.58%

LAB 57.39, 75.75, -45.09

 

CMYK 0 / 58 / 3 / 18

HEX #D057CA

RGB 208 87 202

HSL 302.98, 0.56%, 0.58%

LAB 56.58, 62.12, -37.45

 

CMYK 0 / 46 / 2 / 25

HEX #BF68BB

RGB 191 104 187

HSL 302.76, 0.4%, 0.58%

LAB 56.65, 46.62, -28.93

 

CMYK 0 / 30 / 1 / 32

HEX #AD79AB

RGB 173 121 171

HSL 302.31, 0.24%, 0.58%

LAB 57.56, 28.66, -18.52

 

CMYK 40 / 79 / 0 / 5

HEX #9334F3

RGB 147 52 243

HSL 269.84, 0.89%, 0.58%

LAB 45.81, 71.86, -78.42

 

CMYK 19 / 79 / 0 / 5

HEX #C634F3

RGB 198 52 243

HSL 285.86, 0.89%, 0.58%

LAB 52.88, 79.97, -66.62

 

CMYK 0 / 79 / 3 / 5

HEX #F334EC

RGB 243 52 236

HSL 302.2, 0.89%, 0.58%

LAB 59.5, 86.99, -51.7

 

CMYK 0 / 79 / 23 / 5

HEX #F334BA

RGB 243 52 186

HSL 317.91, 0.89%, 0.58%

LAB 57.13, 80.32, -26.98

 

CMYK 0 / 79 / 44 / 5

HEX #F33487

RGB 243 52 135

HSL 333.93, 0.89%, 0.58%

LAB 55.34, 75.04, 0.26

 

CMYK 0 / 95 / 4 / 21

HEX #C90BC0

RGB 201 11 192

HSL 302.84, 0.9%, 0.42%

LAB 47.58, 79.93, -45.98

 

CMYK 0 / 95 / 5 / 6

HEX #F00DE5

RGB 240 13 229

HSL 302.91, 0.9%, 0.5%

LAB 56.56, 91.48, -52.47

 

CMYK 0 / 79 / 4 / 5

HEX #F334EA

RGB 243 52 234

HSL 302.83, 0.89%, 0.58%

LAB 59.39, 86.7, -50.75

 

CMYK 0 / 63 / 3 / 4

HEX #F55BEE

RGB 245 91 238

HSL 302.73, 0.89%, 0.66%

LAB 64.22, 75.47, -45.33

 

CMYK 0 / 47 / 2 / 3

HEX #F782F2

RGB 247 130 242

HSL 302.56, 0.88%, 0.74%

LAB 70.97, 59.6, -36.94

 

CMYK 0 / 78 / 4 / 5

HEX #F336EA

RGB 243 54 234

HSL 302.86, 0.89%, 0.58%

LAB 59.56, 86.21, -50.48

 

CMYK 0 / 60 / 79 / 5

HEX #F36134

RGB 243 97 52

HSL 14.14, 0.89%, 0.58%

LAB 59.75, 53.88, 52.77

 

CMYK 79 / 0 / 29 / 5

HEX #34F3AD

RGB 52 243 173

HSL 158.01, 0.89%, 0.58%

LAB 85.93, -61.54, 20.96

 

CMYK 0 / 78 / 4 / 5

HEX #F336EA

RGB 243 54 234

HSL 302.86, 0.89%, 0.58%

LAB 59.56, 86.21, -50.48

 

CMYK 3 / 0 / 79 / 5

HEX #ECF334

RGB 236 243 52

HSL 62.2, 0.89%, 0.58%

LAB 92.66, -22.77, 82.76

 

CMYK 79 / 3 / 0 / 5

HEX #34ECF3

RGB 52 236 243

HSL 182.2, 0.89%, 0.58%

LAB 85.6, -40.9, -16.11

 

CMYK 0 / 78 / 4 / 5

HEX #F336EA

RGB 243 54 234

HSL 302.86, 0.89%, 0.58%

LAB 59.56, 86.21, -50.48

 

CMYK 0 / 60 / 79 / 5

HEX #F36134

RGB 243 97 52

HSL 14.14, 0.89%, 0.58%

LAB 59.75, 53.88, 52.77

 

CMYK 79 / 0 / 76 / 5

HEX #34F33A

RGB 52 243 58

HSL 121.88, 0.89%, 0.58%

LAB 84.55, -77.69, 70.6

 

CMYK 79 / 19 / 0 / 5

HEX #34C6F3

RGB 52 198 243

HSL 194.14, 0.89%, 0.58%

LAB 74.57, -22.71, -32.92

 

CMYK 0 / 78 / 4 / 5

HEX #F336EA

RGB 243 54 234

HSL 302.86, 0.89%, 0.58%

LAB 59.56, 86.21, -50.48

 

CMYK 0 / 37 / 79 / 5

HEX #F39A34

RGB 243 154 52

HSL 32.04, 0.89%, 0.58%

LAB 71.16, 25.62, 63.65

 

CMYK 79 / 0 / 76 / 5

HEX #34F33A

RGB 52 243 58

HSL 121.88, 0.89%, 0.58%

LAB 84.55, -77.69, 70.6

 

CMYK 79 / 42 / 0 / 5

HEX #348DF3

RGB 52 141 243

HSL 212.04, 0.89%, 0.58%

LAB 58.27, 9.02, -58.54

 

Description

Color code: HEX #F336EA | qconv.com Color code: HEX #F336EA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 54 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 54 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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