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Color name
HEX #F335AF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F335AF it is the complementary color #0CCA50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F335AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F335AF shade: #F835AA, #FF47BD, #FF59D0, #FF6BE3 and #FF7DF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F335AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F335AF shade: #F335AF, #E2239C, #D11189, #C00076 and #AF0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F335AF shade: #F335AF, #F3357C, #F33548 and #F33535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F335AF shade: #F335AF, #F335E2, #D135F3, #9D35F3 and #6A35F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F335AF shade matches the following richer shades: #F335AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F335AF shade: #F335AF, #E246AA, #D157A5, #BF69A0 and #AE7A9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F335AF shade: #D035F3, #F335E3, #F335B0, #F3357E and #F3354B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F335AF shade: #CA0C86, #F10E9F, #F335AF, #F55CBE and #F883CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F335AF shade: #F335AF, #F39D35 and #35F3EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F335AF shade: #F335AF, #B0F335 and #35B0F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F335AF shade: #F335AF, #F39D35, #35F377 and #358AF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F335AF shade: #F335AF, #F3D735, #35F377 and #3551F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

Complementary color

CMYK 94 / 0 / 60 / 21

HEX #0CCA50

RGB 12 202 80

HSL 141.47, 0.89%, 0.42%

LAB 71.49, -66.79, 48.3

 

CMYK 0 / 79 / 31 / 3

HEX #F835AA

RGB 248 53 170

HSL 324, 0.93%, 0.59%

LAB 57.47, 79.39, -17.1

 

CMYK 0 / 72 / 26 / 0

HEX #FF47BD

RGB 255 71 189

HSL 321.52, 1%, 0.64%

LAB 61.17, 78.09, -22.32

 

CMYK 0 / 65 / 18 / 0

HEX #FF59D0

RGB 255 89 208

HSL 316.99, 1%, 0.67%

LAB 64.13, 74.28, -28.57

 

CMYK 0 / 58 / 11 / 0

HEX #FF6BE3

RGB 255 107 227

HSL 311.35, 1%, 0.71%

LAB 67.52, 69.79, -33.95

 

CMYK 0 / 51 / 4 / 0

HEX #FF7DF6

RGB 255 125 246

HSL 304.15, 1%, 0.75%

LAB 71.27, 64.82, -38.59

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 0 / 85 / 31 / 11

HEX #E2239C

RGB 226 35 156

HSL 321.99, 0.77%, 0.51%

LAB 51.58, 76.95, -18.19

 

CMYK 0 / 92 / 34 / 18

HEX #D11189

RGB 209 17 137

HSL 322.5, 0.85%, 0.44%

LAB 46.66, 74.12, -14.55

 

CMYK 0 / 100 / 39 / 25

HEX #C00076

RGB 192 0 118

HSL 323.13, 1%, 0.38%

LAB 42.02, 70.3, -10.21

 

CMYK 0 / 100 / 43 / 31

HEX #AF0063

RGB 175 0 99

HSL 326.06, 1%, 0.34%

LAB 37.87, 64.86, -4.81

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 0 / 78 / 49 / 5

HEX #F3357C

RGB 243 53 124

HSL 337.58, 0.89%, 0.58%

LAB 55.13, 73.86, 6.52

 

CMYK 0 / 78 / 70 / 5

HEX #F33548

RGB 243 53 72

HSL 354, 0.89%, 0.58%

LAB 54.1, 70.67, 36.01

 

CMYK 0 / 78 / 78 / 5

HEX #F33535

RGB 243 53 53

HSL 0, 0.89%, 0.58%

LAB 53.88, 69.97, 46.37

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 0 / 78 / 7 / 5

HEX #F335E2

RGB 243 53 226

HSL 305.37, 0.89%, 0.58%

LAB 59.06, 85.31, -46.78

 

CMYK 14 / 78 / 0 / 5

HEX #D135F3

RGB 209 53 243

HSL 289.26, 0.89%, 0.58%

LAB 54.63, 81.6, -63.7

 

CMYK 35 / 78 / 0 / 5

HEX #9D35F3

RGB 157 53 243

HSL 272.84, 0.89%, 0.58%

LAB 47.22, 73, -76.07

 

CMYK 56 / 78 / 0 / 5

HEX #6A35F3

RGB 106 53 243

HSL 256.74, 0.89%, 0.58%

LAB 41.35, 66.17, -85.93

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 0 / 69 / 25 / 11

HEX #E246AA

RGB 226 70 170

HSL 321.54, 0.73%, 0.58%

LAB 55.53, 68.87, -20.39

 

CMYK 0 / 58 / 21 / 18

HEX #D157A5

RGB 209 87 165

HSL 321.64, 0.57%, 0.58%

LAB 55.16, 56.67, -18.28

 

CMYK 0 / 45 / 16 / 25

HEX #BF69A0

RGB 191 105 160

HSL 321.63, 0.4%, 0.58%

LAB 55.8, 41.5, -14.63

 

CMYK 0 / 30 / 11 / 32

HEX #AE7A9B

RGB 174 122 155

HSL 321.92, 0.24%, 0.58%

LAB 57.35, 25.51, -9.61

 

CMYK 14 / 78 / 0 / 5

HEX #D035F3

RGB 208 53 243

HSL 288.95, 0.89%, 0.58%

LAB 54.48, 81.43, -63.96

 

CMYK 0 / 78 / 7 / 5

HEX #F335E3

RGB 243 53 227

HSL 305.05, 0.89%, 0.58%

LAB 59.11, 85.45, -47.26

 

CMYK 0 / 78 / 28 / 5

HEX #F335B0

RGB 243 53 176

HSL 321.16, 0.89%, 0.58%

LAB 56.82, 78.9, -21.67

 

CMYK 0 / 78 / 48 / 5

HEX #F3357E

RGB 243 53 126

HSL 336.95, 0.89%, 0.58%

LAB 55.18, 74.02, 5.4

 

CMYK 0 / 78 / 69 / 5

HEX #F3354B

RGB 243 53 75

HSL 353.05, 0.89%, 0.58%

LAB 54.14, 70.81, 34.33

 

CMYK 0 / 94 / 34 / 21

HEX #CA0C86

RGB 202 12 134

HSL 321.47, 0.89%, 0.42%

LAB 45, 72.87, -15.38

 

CMYK 0 / 94 / 34 / 5

HEX #F10E9F

RGB 241 14 159

HSL 321.67, 0.89%, 0.5%

LAB 53.51, 83.29, -16.77

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 0 / 62 / 22 / 4

HEX #F55CBE

RGB 245 92 190

HSL 321.57, 0.88%, 0.66%

LAB 62.33, 68.1, -21.27

 

CMYK 0 / 47 / 17 / 3

HEX #F883CE

RGB 248 131 206

HSL 321.54, 0.89%, 0.74%

LAB 69.93, 53.65, -18.67

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 0 / 35 / 78 / 5

HEX #F39D35

RGB 243 157 53

HSL 32.84, 0.89%, 0.58%

LAB 71.84, 24.08, 63.91

 

CMYK 78 / 0 / 4 / 5

HEX #35F3EA

RGB 53 243 234

HSL 177.16, 0.89%, 0.58%

LAB 87.39, -46.44, -8.72

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 28 / 0 / 78 / 5

HEX #B0F335

RGB 176 243 53

HSL 81.16, 0.89%, 0.58%

LAB 88.73, -46.18, 77.49

 

CMYK 78 / 28 / 0 / 5

HEX #35B0F3

RGB 53 176 243

HSL 201.16, 0.89%, 0.58%

LAB 68.23, -11.01, -42.78

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 0 / 35 / 78 / 5

HEX #F39D35

RGB 243 157 53

HSL 32.84, 0.89%, 0.58%

LAB 71.84, 24.08, 63.91

 

CMYK 78 / 0 / 51 / 5

HEX #35F377

RGB 53 243 119

HSL 140.84, 0.89%, 0.58%

LAB 85.09, -71.16, 46.68

 

CMYK 78 / 43 / 0 / 5

HEX #358AF3

RGB 53 138 243

HSL 213.16, 0.89%, 0.58%

LAB 57.47, 10.93, -59.83

 

CMYK 0 / 78 / 28 / 5

HEX #F335AF

RGB 243 53 175

HSL 321.47, 0.89%, 0.58%

LAB 56.78, 78.79, -21.14

 

CMYK 0 / 12 / 78 / 5

HEX #F3D735

RGB 243 215 53

HSL 51.16, 0.89%, 0.58%

LAB 85.96, -6.08, 76.78

 

CMYK 78 / 0 / 51 / 5

HEX #35F377

RGB 53 243 119

HSL 140.84, 0.89%, 0.58%

LAB 85.09, -71.16, 46.68

 

CMYK 78 / 67 / 0 / 5

HEX #3551F3

RGB 53 81 243

HSL 231.16, 0.89%, 0.58%

LAB 42.93, 46.26, -83.44

 

Description

Color code: HEX #F335AF | qconv.com Color code: HEX #F335AF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 53 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 53 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 28% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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