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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F331CF it is the complementary color #0CCE30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F331CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F331CF shade: #F831CA, #FF43DD, #FF55F0, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F331CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F331CF shade: #F331CF, #E21FBC, #D10DA9, #C00096 and #AF0083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F331CF shade: #F330CF, #F3309A, #F33065, #F33031 and #F33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F331CF shade: #F330CF, #E330F3, #AE30F3, #7930F3 and #4530F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F331CF shade matches the following richer shades: #F330CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F331CF shade: #F330CF, #E142C4, #CF53B8, #BE65AD and #AC77A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F331CF shade: #AF30F3, #E330F3, #F330CF, #F3309B and #F33067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F331CF shade: #C50BA2, #EC0EC3, #F330CF, #F557D8 and #F77EE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F331CF shade: #F331CF, #F37B30 and #30F3C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F331CF shade: #F331CF, #CFF330 and #30CFF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F331CF shade: #F331CF, #F37B30, #30F354 and #30A8F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F331CF shade: #F331CF, #F3B530, #30F354 and #306EF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 15 / 5

HEX #F331CF

RGB 243 49 207

HSL 311.13, 0.89%, 0.57%

LAB 57.81, 83.67, -37.99

 

Complementary color

CMYK 94 / 0 / 77 / 19

HEX #0CCE30

RGB 12 206 48

HSL 131.13, 0.89%, 0.43%

LAB 72.52, -71.07, 61.86

 

CMYK 0 / 80 / 19 / 3

HEX #F831CA

RGB 248 49 202

HSL 313.87, 0.93%, 0.58%

LAB 58.43, 84.07, -34.09

 

CMYK 0 / 74 / 13 / 0

HEX #FF43DD

RGB 255 67 221

HSL 310.85, 1%, 0.63%

LAB 62.08, 83.36, -39.08

 

CMYK 0 / 67 / 6 / 0

HEX #FF55F0

RGB 255 85 240

HSL 305.29, 1%, 0.67%

LAB 65, 80.29, -45.1

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 80 / 15 / 5

HEX #F331CF

RGB 243 49 207

HSL 311.13, 0.89%, 0.57%

LAB 57.81, 83.67, -37.99

 

CMYK 0 / 86 / 17 / 11

HEX #E21FBC

RGB 226 31 188

HSL 311.69, 0.77%, 0.5%

LAB 52.71, 81.43, -35.25

 

CMYK 0 / 94 / 19 / 18

HEX #D10DA9

RGB 209 13 169

HSL 312.24, 0.88%, 0.44%

LAB 47.89, 78.15, -31.87

 

CMYK 0 / 100 / 22 / 25

HEX #C00096

RGB 192 0 150

HSL 313.13, 1%, 0.38%

LAB 43.37, 73.75, -27.78

 

CMYK 0 / 100 / 25 / 31

HEX #AF0083

RGB 175 0 131

HSL 315.09, 1%, 0.34%

LAB 39.16, 68.19, -22.96

 

CMYK 0 / 80 / 15 / 5

HEX #F330CF

RGB 243 48 207

HSL 311.08, 0.89%, 0.57%

LAB 57.73, 83.9, -38.11

 

CMYK 0 / 80 / 37 / 5

HEX #F3309A

RGB 243 48 154

HSL 327.38, 0.89%, 0.57%

LAB 55.59, 77.8, -10.64

 

CMYK 0 / 80 / 58 / 5

HEX #F33065

RGB 243 48 101

HSL 343.69, 0.89%, 0.57%

LAB 54.14, 73.51, 18.91

 

CMYK 0 / 80 / 80 / 5

HEX #F33031

RGB 243 48 49

HSL 359.69, 0.89%, 0.57%

LAB 53.37, 71.16, 47.98

 

CMYK 0 / 80 / 80 / 5

HEX #F33030

RGB 243 48 48

HSL 0, 0.89%, 0.57%

LAB 53.37, 71.13, 48.5

 

CMYK 0 / 80 / 15 / 5

HEX #F330CF

RGB 243 48 207

HSL 311.08, 0.89%, 0.57%

LAB 57.73, 83.9, -38.11

 

CMYK 7 / 80 / 0 / 5

HEX #E330F3

RGB 227 48 243

HSL 295.08, 0.89%, 0.57%

LAB 56.99, 86.05, -59.76

 

CMYK 28 / 80 / 0 / 5

HEX #AE30F3

RGB 174 48 243

HSL 278.77, 0.89%, 0.57%

LAB 48.99, 77.2, -73.08

 

CMYK 50 / 80 / 0 / 5

HEX #7930F3

RGB 121 48 243

HSL 262.46, 0.89%, 0.57%

LAB 42.23, 69.87, -84.41

 

CMYK 72 / 80 / 0 / 5

HEX #4530F3

RGB 69 48 243

HSL 246.46, 0.89%, 0.57%

LAB 37.57, 64.93, -92.26

 

CMYK 0 / 80 / 15 / 5

HEX #F330CF

RGB 243 48 207

HSL 311.08, 0.89%, 0.57%

LAB 57.73, 83.9, -38.11

 

CMYK 0 / 80 / 15 / 5

HEX #F330CF

RGB 243 48 207

HSL 311.08, 0.89%, 0.57%

LAB 57.73, 83.9, -38.11

 

CMYK 0 / 71 / 13 / 12

HEX #E142C4

RGB 225 66 196

HSL 310.94, 0.73%, 0.57%

LAB 55.98, 73.48, -34.77

 

CMYK 0 / 60 / 11 / 19

HEX #CF53B8

RGB 207 83 184

HSL 311.13, 0.56%, 0.57%

LAB 54.98, 60.69, -29.61

 

CMYK 0 / 47 / 9 / 25

HEX #BE65AD

RGB 190 101 173

HSL 311.46, 0.41%, 0.57%

LAB 55.35, 45.4, -22.87

 

CMYK 0 / 31 / 6 / 33

HEX #AC77A2

RGB 172 119 162

HSL 311.32, 0.24%, 0.57%

LAB 56.66, 27.75, -14.72

 

CMYK 28 / 80 / 0 / 5

HEX #AF30F3

RGB 175 48 243

HSL 279.08, 0.89%, 0.57%

LAB 49.13, 77.36, -72.85

 

CMYK 7 / 80 / 0 / 5

HEX #E330F3

RGB 227 48 243

HSL 295.08, 0.89%, 0.57%

LAB 56.99, 86.05, -59.76

 

CMYK 0 / 80 / 15 / 5

HEX #F330CF

RGB 243 48 207

HSL 311.08, 0.89%, 0.57%

LAB 57.73, 83.9, -38.11

 

CMYK 0 / 80 / 36 / 5

HEX #F3309B

RGB 243 48 155

HSL 327.08, 0.89%, 0.57%

LAB 55.62, 77.9, -11.18

 

CMYK 0 / 80 / 58 / 5

HEX #F33067

RGB 243 48 103

HSL 343.08, 0.89%, 0.57%

LAB 54.18, 73.63, 17.77

 

CMYK 0 / 94 / 18 / 23

HEX #C50BA2

RGB 197 11 162

HSL 311.29, 0.89%, 0.41%

LAB 45.25, 75.18, -32

 

CMYK 0 / 94 / 17 / 7

HEX #EC0EC3

RGB 236 14 195

HSL 311.08, 0.89%, 0.49%

LAB 54.12, 86.3, -36.97

 

CMYK 0 / 80 / 15 / 5

HEX #F330CF

RGB 243 48 207

HSL 311.08, 0.89%, 0.57%

LAB 57.73, 83.9, -38.11

 

CMYK 0 / 64 / 12 / 4

HEX #F557D8

RGB 245 87 216

HSL 311.01, 0.89%, 0.65%

LAB 62.66, 73.66, -35.47

 

CMYK 0 / 49 / 9 / 3

HEX #F77EE1

RGB 247 126 225

HSL 310.91, 0.88%, 0.73%

LAB 69.56, 58.7, -29.77

 

CMYK 0 / 80 / 15 / 5

HEX #F331CF

RGB 243 49 207

HSL 311.13, 0.89%, 0.57%

LAB 57.81, 83.67, -37.99

 

CMYK 0 / 49 / 80 / 5

HEX #F37B30

RGB 243 123 48

HSL 23.08, 0.89%, 0.57%

LAB 64.51, 41.45, 59.07

 

CMYK 80 / 0 / 17 / 5

HEX #30F3C9

RGB 48 243 201

HSL 167.08, 0.89%, 0.57%

LAB 86.48, -55.48, 7.2

 

CMYK 0 / 80 / 15 / 5

HEX #F331CF

RGB 243 49 207

HSL 311.13, 0.89%, 0.57%

LAB 57.81, 83.67, -37.99

 

CMYK 15 / 0 / 80 / 5

HEX #CFF330

RGB 207 243 48

HSL 71.08, 0.89%, 0.57%

LAB 90.59, -34.56, 81.18

 

CMYK 80 / 15 / 0 / 5

HEX #30CFF3

RGB 48 207 243

HSL 191.08, 0.89%, 0.57%

LAB 77.12, -27.58, -29

 

CMYK 0 / 80 / 15 / 5

HEX #F331CF

RGB 243 49 207

HSL 311.13, 0.89%, 0.57%

LAB 57.81, 83.67, -37.99

 

CMYK 0 / 49 / 80 / 5

HEX #F37B30

RGB 243 123 48

HSL 23.08, 0.89%, 0.57%

LAB 64.51, 41.45, 59.07

 

CMYK 80 / 0 / 65 / 5

HEX #30F354

RGB 48 243 84

HSL 131.08, 0.89%, 0.57%

LAB 84.67, -76, 61.49

 

CMYK 80 / 31 / 0 / 5

HEX #30A8F3

RGB 48 168 243

HSL 203.08, 0.89%, 0.57%

LAB 65.83, -7.07, -46.55

 

CMYK 0 / 80 / 15 / 5

HEX #F331CF

RGB 243 49 207

HSL 311.13, 0.89%, 0.57%

LAB 57.81, 83.67, -37.99

 

CMYK 0 / 26 / 80 / 5

HEX #F3B530

RGB 243 181 48

HSL 40.92, 0.89%, 0.57%

LAB 77.47, 11.28, 70.78

 

CMYK 80 / 0 / 65 / 5

HEX #30F354

RGB 48 243 84

HSL 131.08, 0.89%, 0.57%

LAB 84.67, -76, 61.49

 

CMYK 80 / 55 / 0 / 5

HEX #306EF3

RGB 48 110 243

HSL 220.92, 0.89%, 0.57%

LAB 49.8, 27.84, -72.22

 

Description

Color code: HEX #F331CF | qconv.com Color code: HEX #F331CF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 49 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 49 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 15 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 15% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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