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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F31F67 it is the complementary color #0CE098. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F31F67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F31F67 shade: #F81F62, #FF3175, #FF4388, #FF559B and #FF67AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F31F67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F31F67 shade: #F31F67, #E20D54, #D10041, #C0002E and #AF001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F31F67 shade: #F32068, #F3202F and #F32020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F31F67 shade: #F32068, #F320A1, #F320DA, #D420F3 and #9B20F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F31F67 shade matches the following richer shades: #F32068

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F31F67 shade: #F32068, #E0336E, #CD4674, #BA597A and #A76C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F31F67 shade: #F320DB, #F320A2, #F3206A, #F32032 and #F34720

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F31F67 shade: #B70A45, #DE0C53, #F32068, #F54782 and #F76F9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F31F67 shade: #F31F67, #F3D420 and #20BEF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F31F67 shade: #F31F67, #6AF320 and #206AF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F31F67 shade: #F31F67, #F3D420, #20F3A9 and #2040F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F31F67 shade: #F31F67, #D4F320, #20F3A9 and #4020F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 58 / 5

HEX #F31F67

RGB 243 31 103

HSL 339.62, 0.9%, 0.54%

LAB 52.96, 77.12, 16.11

 

Complementary color

CMYK 95 / 0 / 32 / 12

HEX #0CE098

RGB 12 224 152

HSL 159.62, 0.9%, 0.46%

LAB 79.42, -61.74, 22.8

 

CMYK 0 / 88 / 60 / 3

HEX #F81F62

RGB 248 31 98

HSL 341.47, 0.94%, 0.55%

LAB 53.83, 78.03, 20.47

 

CMYK 0 / 81 / 54 / 0

HEX #FF3175

RGB 255 49 117

HSL 340.19, 1%, 0.6%

LAB 56.82, 77.39, 13.39

 

CMYK 0 / 74 / 47 / 0

HEX #FF4388

RGB 255 67 136

HSL 337.98, 1%, 0.63%

LAB 59.02, 73.94, 5.27

 

CMYK 0 / 67 / 39 / 0

HEX #FF559B

RGB 255 85 155

HSL 335.29, 1%, 0.67%

LAB 61.76, 69.54, -1.84

 

CMYK 0 / 60 / 32 / 0

HEX #FF67AE

RGB 255 103 174

HSL 331.97, 1%, 0.7%

LAB 64.98, 64.39, -8

 

CMYK 0 / 87 / 58 / 5

HEX #F31F67

RGB 243 31 103

HSL 339.62, 0.9%, 0.54%

LAB 52.96, 77.12, 16.11

 

CMYK 0 / 94 / 63 / 11

HEX #E20D54

RGB 226 13 84

HSL 340, 0.89%, 0.47%

LAB 48.38, 74.3, 20.94

 

CMYK 0 / 100 / 69 / 18

HEX #D10041

RGB 209 0 65

HSL 341.34, 1%, 0.41%

LAB 44.14, 70.46, 26.52

 

CMYK 0 / 100 / 76 / 25

HEX #C0002E

RGB 192 0 46

HSL 345.63, 1%, 0.38%

LAB 40.25, 65.6, 32.71

 

CMYK 0 / 100 / 85 / 31

HEX #AF001B

RGB 175 0 27

HSL 350.74, 1%, 0.34%

LAB 36.35, 60.82, 38.67

 

CMYK 0 / 87 / 57 / 5

HEX #F32068

RGB 243 32 104

HSL 339.53, 0.9%, 0.54%

LAB 53.04, 77.02, 15.61

 

CMYK 0 / 87 / 81 / 5

HEX #F3202F

RGB 243 32 47

HSL 355.73, 0.9%, 0.54%

LAB 52.17, 74.49, 47.85

 

CMYK 0 / 87 / 87 / 5

HEX #F32020

RGB 243 32 32

HSL 0, 0.9%, 0.54%

LAB 52.05, 74.16, 55.14

 

CMYK 0 / 87 / 57 / 5

HEX #F32068

RGB 243 32 104

HSL 339.53, 0.9%, 0.54%

LAB 53.04, 77.02, 15.61

 

CMYK 0 / 87 / 34 / 5

HEX #F320A1

RGB 243 32 161

HSL 323.32, 0.9%, 0.54%

LAB 54.72, 81.7, -16.08

 

CMYK 0 / 87 / 10 / 5

HEX #F320DA

RGB 243 32 218

HSL 307.11, 0.9%, 0.54%

LAB 57.22, 88.38, -45.16

 

CMYK 13 / 87 / 0 / 5

HEX #D420F3

RGB 212 32 243

HSL 291.18, 0.9%, 0.54%

LAB 53.49, 86.79, -65.51

 

CMYK 36 / 87 / 0 / 5

HEX #9B20F3

RGB 155 32 243

HSL 274.98, 0.9%, 0.54%

LAB 44.9, 78.72, -79.87

 

CMYK 0 / 87 / 57 / 5

HEX #F32068

RGB 243 32 104

HSL 339.53, 0.9%, 0.54%

LAB 53.04, 77.02, 15.61

 

CMYK 0 / 87 / 57 / 5

HEX #F32068

RGB 243 32 104

HSL 339.53, 0.9%, 0.54%

LAB 53.04, 77.02, 15.61

 

CMYK 0 / 77 / 51 / 12

HEX #E0336E

RGB 224 51 110

HSL 339.54, 0.74%, 0.54%

LAB 51.08, 68.34, 8.7

 

CMYK 0 / 66 / 43 / 20

HEX #CD4674

RGB 205 70 116

HSL 339.56, 0.57%, 0.54%

LAB 50.24, 56.87, 3.42

 

CMYK 0 / 52 / 34 / 27

HEX #BA597A

RGB 186 89 122

HSL 339.59, 0.41%, 0.54%

LAB 50.67, 42.65, 0.07

 

CMYK 0 / 35 / 23 / 35

HEX #A76C80

RGB 167 108 128

HSL 339.66, 0.25%, 0.54%

LAB 52.4, 26.38, -1.27

 

CMYK 0 / 87 / 10 / 5

HEX #F320DB

RGB 243 32 219

HSL 306.82, 0.9%, 0.54%

LAB 57.27, 88.51, -45.65

 

CMYK 0 / 87 / 33 / 5

HEX #F320A2

RGB 243 32 162

HSL 323.03, 0.9%, 0.54%

LAB 54.76, 81.8, -16.61

 

CMYK 0 / 87 / 56 / 5

HEX #F3206A

RGB 243 32 106

HSL 338.96, 0.9%, 0.54%

LAB 53.09, 77.14, 14.46

 

CMYK 0 / 87 / 79 / 5

HEX #F32032

RGB 243 32 50

HSL 354.88, 0.9%, 0.54%

LAB 52.19, 74.57, 46.28

 

CMYK 0 / 71 / 87 / 5

HEX #F34720

RGB 243 71 32

HSL 11.09, 0.9%, 0.54%

LAB 55.75, 63.78, 58.04

 

CMYK 0 / 95 / 62 / 28

HEX #B70A45

RGB 183 10 69

HSL 339.54, 0.9%, 0.38%

LAB 39.09, 63.4, 16.4

 

CMYK 0 / 95 / 63 / 13

HEX #DE0C53

RGB 222 12 83

HSL 339.71, 0.9%, 0.46%

LAB 47.52, 73.39, 20.26

 

CMYK 0 / 87 / 57 / 5

HEX #F32068

RGB 243 32 104

HSL 339.53, 0.9%, 0.54%

LAB 53.04, 77.02, 15.61

 

CMYK 0 / 71 / 47 / 4

HEX #F54782

RGB 245 71 130

HSL 339.66, 0.9%, 0.62%

LAB 57.59, 69.42, 6.52

 

CMYK 0 / 55 / 36 / 3

HEX #F76F9D

RGB 247 111 157

HSL 339.71, 0.89%, 0.7%

LAB 64.63, 56.45, 1.05

 

CMYK 0 / 87 / 58 / 5

HEX #F31F67

RGB 243 31 103

HSL 339.62, 0.9%, 0.54%

LAB 52.96, 77.12, 16.11

 

CMYK 0 / 13 / 87 / 5

HEX #F3D420

RGB 243 212 32

HSL 51.18, 0.9%, 0.54%

LAB 85.12, -5.13, 81.34

 

CMYK 87 / 22 / 0 / 5

HEX #20BEF3

RGB 32 190 243

HSL 195.07, 0.9%, 0.54%

LAB 71.96, -20.14, -36.97

 

CMYK 0 / 87 / 58 / 5

HEX #F31F67

RGB 243 31 103

HSL 339.62, 0.9%, 0.54%

LAB 52.96, 77.12, 16.11

 

CMYK 56 / 0 / 87 / 5

HEX #6AF320

RGB 106 243 32

HSL 98.96, 0.9%, 0.54%

LAB 85.64, -68.94, 78.47

 

CMYK 87 / 56 / 0 / 5

HEX #206AF3

RGB 32 106 243

HSL 218.96, 0.9%, 0.54%

LAB 48.37, 29.21, -74.56

 

CMYK 0 / 87 / 58 / 5

HEX #F31F67

RGB 243 31 103

HSL 339.62, 0.9%, 0.54%

LAB 52.96, 77.12, 16.11

 

CMYK 0 / 13 / 87 / 5

HEX #F3D420

RGB 243 212 32

HSL 51.18, 0.9%, 0.54%

LAB 85.12, -5.13, 81.34

 

CMYK 87 / 0 / 30 / 5

HEX #20F3A9

RGB 32 243 169

HSL 158.96, 0.9%, 0.54%

LAB 85.64, -64.02, 22.58

 

CMYK 87 / 74 / 0 / 5

HEX #2040F3

RGB 32 64 243

HSL 230.9, 0.9%, 0.54%

LAB 38.63, 54.85, -90.56

 

CMYK 0 / 87 / 58 / 5

HEX #F31F67

RGB 243 31 103

HSL 339.62, 0.9%, 0.54%

LAB 52.96, 77.12, 16.11

 

CMYK 13 / 0 / 87 / 5

HEX #D4F320

RGB 212 243 32

HSL 68.82, 0.9%, 0.54%

LAB 90.87, -33.02, 84.96

 

CMYK 87 / 0 / 30 / 5

HEX #20F3A9

RGB 32 243 169

HSL 158.96, 0.9%, 0.54%

LAB 85.64, -64.02, 22.58

 

CMYK 74 / 87 / 0 / 5

HEX #4020F3

RGB 64 32 243

HSL 249.1, 0.9%, 0.54%

LAB 35.19, 70.72, -96.23

 

Description

Color code: HEX #F31F67 | qconv.com Color code: HEX #F31F67 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 31 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 31 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 58 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 58% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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