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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F31DFE it is the complementary color #0CE201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F31DFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F31DFE shade: #F81DF9, #FF2FFF, #FF41FF, #FF53FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F31DFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F31DFE shade: #F31DFE, #E20BEB, #D100D8, #C000C5 and #AF00B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F31DFE shade: #F31BFE, #FE1BCC, #FE1B8E, #FE1B51 and #FE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F31DFE shade: #F31BFE, #B51BFE, #781BFE, #3B1BFE and #1B1BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F31DFE shade matches the following richer shades: #F31BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F31DFE shade: #F31BFE, #E22DEB, #D140D9, #C052C6 and #B065B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F31DFE shade: #791BFE, #B61BFE, #F21BFE, #FE1BCD and #FE1B90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F31DFE shade: #BB01C5, #E201EE, #F31BFE, #F544FE and #F76DFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F31DFE shade: #F31DFE, #FE3D1B and #1BFE98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F31DFE shade: #F31DFE, #FEF21B and #1BFEF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F31DFE shade: #F31DFE, #FE3D1B, #26FE1B and #1BDCFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F31DFE shade: #F31DFE, #FE811B, #26FE1B and #1B98FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 89 / 0 / 0

HEX #F31DFE

RGB 243 29 254

HSL 297.07, 0.99%, 0.55%

LAB 59.06, 93.87, -62.42

 

Complementary color

CMYK 95 / 0 / 100 / 11

HEX #0CE201

RGB 12 226 1

HSL 117.07, 0.99%, 0.45%

LAB 78.74, -78.24, 75.89

 

CMYK 0 / 88 / 0 / 2

HEX #F81DF9

RGB 248 29 249

HSL 299.73, 0.95%, 0.55%

LAB 59.59, 93.95, -58.74

 

CMYK 0 / 82 / 0 / 0

HEX #FF2FFF

RGB 255 47 255

HSL 300, 1%, 0.59%

LAB 62.09, 93.03, -58.01

 

CMYK 0 / 75 / 0 / 0

HEX #FF41FF

RGB 255 65 255

HSL 300, 1%, 0.63%

LAB 63.56, 88.79, -55.68

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 4 / 89 / 0 / 0

HEX #F31DFE

RGB 243 29 254

HSL 297.07, 0.99%, 0.55%

LAB 59.06, 93.87, -62.42

 

CMYK 4 / 95 / 0 / 8

HEX #E20BEB

RGB 226 11 235

HSL 297.59, 0.91%, 0.48%

LAB 54.46, 90.23, -59.35

 

CMYK 3 / 100 / 0 / 15

HEX #D100D8

RGB 209 0 216

HSL 298.06, 1%, 0.42%

LAB 50.11, 85.59, -55.7

 

CMYK 3 / 100 / 0 / 23

HEX #C000C5

RGB 192 0 197

HSL 298.48, 1%, 0.39%

LAB 45.96, 80.11, -51.57

 

CMYK 2 / 100 / 0 / 30

HEX #AF00B2

RGB 175 0 178

HSL 298.99, 1%, 0.35%

LAB 41.73, 74.53, -47.36

 

CMYK 4 / 89 / 0 / 0

HEX #F31BFE

RGB 243 27 254

HSL 297.09, 0.99%, 0.55%

LAB 58.97, 94.13, -62.56

 

CMYK 0 / 89 / 20 / 0

HEX #FE1BCC

RGB 254 27 204

HSL 313.22, 0.99%, 0.55%

LAB 58.24, 89.37, -35.45

 

CMYK 0 / 89 / 44 / 0

HEX #FE1B8E

RGB 254 27 142

HSL 329.6, 0.99%, 0.55%

LAB 55.89, 83.09, -2.85

 

CMYK 0 / 89 / 68 / 0

HEX #FE1B51

RGB 254 27 81

HSL 345.73, 0.99%, 0.55%

LAB 54.5, 79.21, 31.73

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1B

RGB 254 27 27

HSL 0, 0.99%, 0.55%

LAB 53.96, 77.67, 59.64

 

CMYK 4 / 89 / 0 / 0

HEX #F31BFE

RGB 243 27 254

HSL 297.09, 0.99%, 0.55%

LAB 58.97, 94.13, -62.56

 

CMYK 29 / 89 / 0 / 0

HEX #B51BFE

RGB 181 27 254

HSL 280.7, 0.99%, 0.55%

LAB 49.21, 85.12, -78.84

 

CMYK 53 / 89 / 0 / 0

HEX #781BFE

RGB 120 27 254

HSL 264.58, 0.99%, 0.55%

LAB 41.11, 78.53, -92.44

 

CMYK 77 / 89 / 0 / 0

HEX #3B1BFE

RGB 59 27 254

HSL 248.46, 0.99%, 0.55%

LAB 35.73, 74.83, -101.53

 

CMYK 89 / 89 / 0 / 0

HEX #1B1BFE

RGB 27 27 254

HSL 240, 0.99%, 0.55%

LAB 34.34, 74, -103.88

 

CMYK 4 / 89 / 0 / 0

HEX #F31BFE

RGB 243 27 254

HSL 297.09, 0.99%, 0.55%

LAB 58.97, 94.13, -62.56

 

CMYK 4 / 89 / 0 / 0

HEX #F31BFE

RGB 243 27 254

HSL 297.09, 0.99%, 0.55%

LAB 58.97, 94.13, -62.56

 

CMYK 4 / 81 / 0 / 8

HEX #E22DEB

RGB 226 45 235

HSL 297.16, 0.83%, 0.55%

LAB 56.13, 85.31, -56.66

 

CMYK 4 / 71 / 0 / 15

HEX #D140D9

RGB 209 64 217

HSL 296.86, 0.67%, 0.55%

LAB 54.27, 73.82, -49.62

 

CMYK 3 / 59 / 0 / 22

HEX #C052C6

RGB 192 82 198

HSL 296.9, 0.5%, 0.55%

LAB 53.3, 59.52, -40.48

 

CMYK 2 / 44 / 0 / 29

HEX #B065B4

RGB 176 101 180

HSL 296.96, 0.34%, 0.55%

LAB 53.85, 42.34, -29.39

 

CMYK 52 / 89 / 0 / 0

HEX #791BFE

RGB 121 27 254

HSL 264.85, 0.99%, 0.55%

LAB 41.22, 78.61, -92.25

 

CMYK 28 / 89 / 0 / 0

HEX #B61BFE

RGB 182 27 254

HSL 280.97, 0.99%, 0.55%

LAB 49.36, 85.25, -78.59

 

CMYK 5 / 89 / 0 / 0

HEX #F21BFE

RGB 242 27 254

HSL 296.83, 0.99%, 0.55%

LAB 58.8, 93.97, -62.84

 

CMYK 0 / 89 / 19 / 0

HEX #FE1BCD

RGB 254 27 205

HSL 312.95, 0.99%, 0.55%

LAB 58.29, 89.49, -35.96

 

CMYK 0 / 89 / 43 / 0

HEX #FE1B90

RGB 254 27 144

HSL 329.07, 0.99%, 0.55%

LAB 55.96, 83.26, -3.95

 

CMYK 5 / 99 / 0 / 23

HEX #BB01C5

RGB 187 1 197

HSL 296.94, 0.99%, 0.39%

LAB 45.11, 79.23, -52.99

 

CMYK 5 / 100 / 0 / 7

HEX #E201EE

RGB 226 1 238

HSL 296.96, 0.99%, 0.47%

LAB 54.41, 91.35, -61.11

 

CMYK 4 / 89 / 0 / 0

HEX #F31BFE

RGB 243 27 254

HSL 297.09, 0.99%, 0.55%

LAB 58.97, 94.13, -62.56

 

CMYK 4 / 73 / 0 / 0

HEX #F544FE

RGB 245 68 254

HSL 297.1, 0.99%, 0.63%

LAB 62.26, 85.84, -57.29

 

CMYK 3 / 57 / 0 / 0

HEX #F76DFE

RGB 247 109 254

HSL 297.1, 0.99%, 0.71%

LAB 67.92, 71.23, -48.29

 

CMYK 4 / 89 / 0 / 0

HEX #F31DFE

RGB 243 29 254

HSL 297.07, 0.99%, 0.55%

LAB 59.06, 93.87, -62.42

 

CMYK 0 / 76 / 89 / 0

HEX #FE3D1B

RGB 254 61 27

HSL 8.99, 0.99%, 0.55%

LAB 56.57, 70.25, 61.47

 

CMYK 89 / 0 / 40 / 0

HEX #1BFE98

RGB 27 254 152

HSL 153.04, 0.99%, 0.55%

LAB 88.63, -71.49, 35.18

 

CMYK 4 / 89 / 0 / 0

HEX #F31DFE

RGB 243 29 254

HSL 297.07, 0.99%, 0.55%

LAB 59.06, 93.87, -62.42

 

CMYK 0 / 5 / 89 / 0

HEX #FEF21B

RGB 254 242 27

HSL 56.83, 0.99%, 0.55%

LAB 93.73, -15.47, 89.37

 

CMYK 89 / 0 / 5 / 0

HEX #1BFEF2

RGB 27 254 242

HSL 176.83, 0.99%, 0.55%

LAB 90.56, -50.6, -8.2

 

CMYK 4 / 89 / 0 / 0

HEX #F31DFE

RGB 243 29 254

HSL 297.07, 0.99%, 0.55%

LAB 59.06, 93.87, -62.42

 

CMYK 0 / 76 / 89 / 0

HEX #FE3D1B

RGB 254 61 27

HSL 8.99, 0.99%, 0.55%

LAB 56.57, 70.25, 61.47

 

CMYK 85 / 0 / 89 / 0

HEX #26FE1B

RGB 38 254 27

HSL 117.09, 0.99%, 0.55%

LAB 87.67, -83.61, 80.52

 

CMYK 89 / 13 / 0 / 0

HEX #1BDCFE

RGB 27 220 254

HSL 188.99, 0.99%, 0.55%

LAB 81.06, -31.75, -28.84

 

CMYK 4 / 89 / 0 / 0

HEX #F31DFE

RGB 243 29 254

HSL 297.07, 0.99%, 0.55%

LAB 59.06, 93.87, -62.42

 

CMYK 0 / 49 / 89 / 0

HEX #FE811B

RGB 254 129 27

HSL 26.96, 0.99%, 0.55%

LAB 67.16, 42.23, 69.14

 

CMYK 85 / 0 / 89 / 0

HEX #26FE1B

RGB 38 254 27

HSL 117.09, 0.99%, 0.55%

LAB 87.67, -83.61, 80.52

 

CMYK 89 / 40 / 0 / 0

HEX #1B98FE

RGB 27 152 254

HSL 206.96, 0.99%, 0.55%

LAB 61.52, 4.66, -59.42

 

Description

Color code: HEX #F31DFE | qconv.com Color code: HEX #F31DFE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 29 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 29 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 89 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 89% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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