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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F31CB3 it is the complementary color #0CE34C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F31CB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F31CB3 shade: #F81CAE, #FF2EC1, #FF40D4, #FF52E7 and #FF64FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F31CB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F31CB3 shade: #F31CB3, #E20AA0, #D1008D, #C0007A and #AF0067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F31CB3 shade: #F31BB3, #F31B79, #F31B3E and #F31B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F31CB3 shade: #F31BB3, #F31BED, #BF1BF3, #851BF3 and #4B1BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F31CB3 shade matches the following richer shades: #F31BB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F31CB3 shade: #F31BB3, #E02FAB, #CC42A3, #B9559B and #A56993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F31CB3 shade: #BD1BF3, #F31BEF, #F31BB6, #F31B7C and #F31B43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F31CB3 shade: #B20980, #DA0B9C, #F31BB3, #F542C0 and #F76ACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F31CB3 shade: #F31CB3, #F3841B and #1BF3DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F31CB3 shade: #F31CB3, #B6F31B and #1BB6F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F31CB3 shade: #F31CB3, #F3841B, #1BF358 and #1B8BF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F31CB3 shade: #F31CB3, #F3C41B, #1BF358 and #1B4AF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 26 / 5

HEX #F31CB3

RGB 243 28 179

HSL 317.86, 0.9%, 0.53%

LAB 55.22, 84.21, -25.87

 

Complementary color

CMYK 95 / 0 / 67 / 11

HEX #0CE34C

RGB 12 227 76

HSL 137.86, 0.9%, 0.47%

LAB 79.35, -74.67, 58.78

 

CMYK 0 / 89 / 30 / 3

HEX #F81CAE

RGB 248 28 174

HSL 320.18, 0.94%, 0.54%

LAB 55.93, 84.69, -21.78

 

CMYK 0 / 82 / 24 / 0

HEX #FF2EC1

RGB 255 46 193

HSL 317.8, 1%, 0.59%

LAB 59.03, 85.1, -27.9

 

CMYK 0 / 75 / 17 / 0

HEX #FF40D4

RGB 255 64 212

HSL 313.51, 1%, 0.63%

LAB 61.38, 83.02, -35.1

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E7

RGB 255 82 231

HSL 308.32, 1%, 0.66%

LAB 64.21, 80.01, -41.33

 

CMYK 0 / 61 / 2 / 0

HEX #FF64FA

RGB 255 100 250

HSL 301.94, 1%, 0.7%

LAB 67.48, 76.23, -46.71

 

CMYK 0 / 88 / 26 / 5

HEX #F31CB3

RGB 243 28 179

HSL 317.86, 0.9%, 0.53%

LAB 55.22, 84.21, -25.87

 

CMYK 0 / 96 / 29 / 11

HEX #E20AA0

RGB 226 10 160

HSL 318.33, 0.92%, 0.46%

LAB 50.6, 80.69, -22.07

 

CMYK 0 / 100 / 33 / 18

HEX #D1008D

RGB 209 0 141

HSL 319.52, 1%, 0.41%

LAB 46.28, 76.09, -17.56

 

CMYK 0 / 100 / 36 / 25

HEX #C0007A

RGB 192 0 122

HSL 321.88, 1%, 0.38%

LAB 42.17, 70.69, -12.47

 

CMYK 0 / 100 / 41 / 31

HEX #AF0067

RGB 175 0 103

HSL 324.69, 1%, 0.34%

LAB 38.01, 65.23, -7.15

 

CMYK 0 / 89 / 26 / 5

HEX #F31BB3

RGB 243 27 179

HSL 317.78, 0.9%, 0.53%

LAB 55.17, 84.35, -25.95

 

CMYK 0 / 89 / 50 / 5

HEX #F31B79

RGB 243 27 121

HSL 333.89, 0.9%, 0.53%

LAB 53.19, 78.97, 5.54

 

CMYK 0 / 89 / 74 / 5

HEX #F31B3E

RGB 243 27 62

HSL 350.28, 0.9%, 0.53%

LAB 52.05, 75.76, 39.4

 

CMYK 0 / 89 / 89 / 5

HEX #F31B1B

RGB 243 27 27

HSL 0, 0.9%, 0.53%

LAB 51.74, 74.89, 57.06

 

CMYK 0 / 89 / 26 / 5

HEX #F31BB3

RGB 243 27 179

HSL 317.78, 0.9%, 0.53%

LAB 55.17, 84.35, -25.95

 

CMYK 0 / 89 / 2 / 5

HEX #F31BED

RGB 243 27 237

HSL 301.67, 0.9%, 0.53%

LAB 57.99, 91.68, -54.65

 

CMYK 21 / 89 / 0 / 5

HEX #BF1BF3

RGB 191 27 243

HSL 285.56, 0.9%, 0.53%

LAB 49.9, 84.49, -71.49

 

CMYK 45 / 89 / 0 / 5

HEX #851BF3

RGB 133 27 243

HSL 269.44, 0.9%, 0.53%

LAB 41.6, 77.32, -85.41

 

CMYK 69 / 89 / 0 / 5

HEX #4B1BF3

RGB 75 27 243

HSL 253.33, 0.9%, 0.53%

LAB 35.5, 72.77, -95.69

 

CMYK 0 / 89 / 26 / 5

HEX #F31BB3

RGB 243 27 179

HSL 317.78, 0.9%, 0.53%

LAB 55.17, 84.35, -25.95

 

CMYK 0 / 89 / 26 / 5

HEX #F31BB3

RGB 243 27 179

HSL 317.78, 0.9%, 0.53%

LAB 55.17, 84.35, -25.95

 

CMYK 0 / 79 / 24 / 12

HEX #E02FAB

RGB 224 47 171

HSL 317.97, 0.74%, 0.53%

LAB 52.75, 75.54, -25.28

 

CMYK 0 / 68 / 20 / 20

HEX #CC42A3

RGB 204 66 163

HSL 317.83, 0.58%, 0.53%

LAB 51.13, 63.71, -23.36

 

CMYK 0 / 54 / 16 / 27

HEX #B9559B

RGB 185 85 155

HSL 318, 0.42%, 0.53%

LAB 50.89, 48.93, -19.24

 

CMYK 0 / 36 / 11 / 35

HEX #A56993

RGB 165 105 147

HSL 318, 0.25%, 0.53%

LAB 52.07, 30.47, -12.98

 

CMYK 22 / 89 / 0 / 5

HEX #BD1BF3

RGB 189 27 243

HSL 285, 0.9%, 0.53%

LAB 49.59, 84.21, -72.01

 

CMYK 0 / 89 / 2 / 5

HEX #F31BEF

RGB 243 27 239

HSL 301.11, 0.9%, 0.53%

LAB 58.1, 91.96, -55.59

 

CMYK 0 / 89 / 25 / 5

HEX #F31BB6

RGB 243 27 182

HSL 316.94, 0.9%, 0.53%

LAB 55.29, 84.68, -27.5

 

CMYK 0 / 89 / 49 / 5

HEX #F31B7C

RGB 243 27 124

HSL 333.06, 0.9%, 0.53%

LAB 53.27, 79.19, 3.84

 

CMYK 0 / 89 / 72 / 5

HEX #F31B43

RGB 243 27 67

HSL 348.89, 0.9%, 0.53%

LAB 52.11, 75.94, 36.57

 

CMYK 0 / 95 / 28 / 30

HEX #B20980

RGB 178 9 128

HSL 317.75, 0.9%, 0.37%

LAB 39.95, 67.48, -19.84

 

CMYK 0 / 95 / 28 / 15

HEX #DA0B9C

RGB 218 11 156

HSL 317.97, 0.9%, 0.45%

LAB 48.94, 78.59, -22.37

 

CMYK 0 / 89 / 26 / 5

HEX #F31BB3

RGB 243 27 179

HSL 317.78, 0.9%, 0.53%

LAB 55.17, 84.35, -25.95

 

CMYK 0 / 73 / 22 / 4

HEX #F542C0

RGB 245 66 192

HSL 317.77, 0.9%, 0.61%

LAB 59.08, 77.62, -27.4

 

CMYK 0 / 57 / 17 / 3

HEX #F76ACD

RGB 247 106 205

HSL 317.87, 0.9%, 0.69%

LAB 65.35, 64.82, -25.1

 

CMYK 0 / 88 / 26 / 5

HEX #F31CB3

RGB 243 28 179

HSL 317.86, 0.9%, 0.53%

LAB 55.22, 84.21, -25.87

 

CMYK 0 / 46 / 89 / 5

HEX #F3841B

RGB 243 132 27

HSL 29.17, 0.9%, 0.53%

LAB 66.24, 36.39, 67.76

 

CMYK 89 / 0 / 10 / 5

HEX #1BF3DA

RGB 27 243 218

HSL 173.06, 0.9%, 0.53%

LAB 86.7, -52.52, -1.38

 

CMYK 0 / 88 / 26 / 5

HEX #F31CB3

RGB 243 28 179

HSL 317.86, 0.9%, 0.53%

LAB 55.22, 84.21, -25.87

 

CMYK 25 / 0 / 89 / 5

HEX #B6F31B

RGB 182 243 27

HSL 76.94, 0.9%, 0.53%

LAB 88.98, -44.78, 83.47

 

CMYK 89 / 25 / 0 / 5

HEX #1BB6F3

RGB 27 182 243

HSL 196.94, 0.9%, 0.53%

LAB 69.58, -16.21, -40.69

 

CMYK 0 / 88 / 26 / 5

HEX #F31CB3

RGB 243 28 179

HSL 317.86, 0.9%, 0.53%

LAB 55.22, 84.21, -25.87

 

CMYK 0 / 46 / 89 / 5

HEX #F3841B

RGB 243 132 27

HSL 29.17, 0.9%, 0.53%

LAB 66.24, 36.39, 67.76

 

CMYK 89 / 0 / 64 / 5

HEX #1BF358

RGB 27 243 88

HSL 136.94, 0.9%, 0.53%

LAB 84.5, -77.35, 59.63

 

CMYK 89 / 43 / 0 / 5

HEX #1B8BF3

RGB 27 139 243

HSL 208.89, 0.9%, 0.53%

LAB 57.24, 8.31, -60.22

 

CMYK 0 / 88 / 26 / 5

HEX #F31CB3

RGB 243 28 179

HSL 317.86, 0.9%, 0.53%

LAB 55.22, 84.21, -25.87

 

CMYK 0 / 19 / 89 / 5

HEX #F3C41B

RGB 243 196 27

HSL 46.94, 0.9%, 0.53%

LAB 81.08, 2.96, 79.14

 

CMYK 89 / 0 / 64 / 5

HEX #1BF358

RGB 27 243 88

HSL 136.94, 0.9%, 0.53%

LAB 84.5, -77.35, 59.63

 

CMYK 89 / 70 / 0 / 5

HEX #1B4AF3

RGB 27 74 243

HSL 226.94, 0.9%, 0.53%

LAB 40.58, 48.89, -87.35

 

Description

Color code: HEX #F31CB3 | qconv.com Color code: HEX #F31CB3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 28 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 28 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 26 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 26% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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