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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2F896 it is the complementary color #0D0769. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2F896. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2F896 shade: #F7F891, #FFFFA4, #FFFFB7, #FFFFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2F896. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2F896 shade: #F2F896, #E1E683, #D0D470, #BFC25D and #AEB04A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2F896 shade: #F2F896, #F8E496, #F8C996, #F8AE96 and #F89696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2F896 shade: #F2F896, #D8F896, #BDF896, #A2F896 and #96F8A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2F896 shade matches the following richer shades: #F2F896

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2F896 shade: #F2F896, #EAEF9F, #E2E6A8, #DADDB1 and #D2D4BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2F896 shade: #F8C996, #F8E396, #F3F896, #D9F896 and #BFF896

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2F896 shade: #E9F348, #EEF66F, #F2F896, #F7FBBC and #FCFDE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2F896 shade: #F2F896, #96F8AE and #D696F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2F896 shade: #F2F896, #96F3F8 and #F896F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2F896 shade: #F2F896, #96F8AE, #9A96F8 and #F896E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2F896 shade: #F2F896, #96F8CC, #9A96F8 and #F896C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

Complementary color

CMYK 88 / 93 / 0 / 59

HEX #0D0769

RGB 13 7 105

HSL 243.67, 0.88%, 0.22%

LAB 10.97, 38, -53.12

 

CMYK 0 / 0 / 42 / 3

HEX #F7F891

RGB 247 248 145

HSL 60.58, 0.88%, 0.77%

LAB 95.56, -14.68, 49.23

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 2 / 0 / 43 / 10

HEX #E1E683

RGB 225 230 131

HSL 63.03, 0.66%, 0.71%

LAB 89.04, -15.77, 47.49

 

CMYK 2 / 0 / 47 / 17

HEX #D0D470

RGB 208 212 112

HSL 62.4, 0.54%, 0.64%

LAB 82.74, -15.39, 48.64

 

CMYK 2 / 0 / 52 / 24

HEX #BFC25D

RGB 191 194 93

HSL 61.78, 0.45%, 0.56%

LAB 76.34, -14.94, 49.77

 

CMYK 1 / 0 / 58 / 31

HEX #AEB04A

RGB 174 176 74

HSL 61.18, 0.41%, 0.49%

LAB 69.86, -14.38, 50.82

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 0 / 8 / 40 / 3

HEX #F8E496

RGB 248 228 150

HSL 47.76, 0.88%, 0.78%

LAB 90.62, -3.85, 40.53

 

CMYK 0 / 19 / 40 / 3

HEX #F8C996

RGB 248 201 150

HSL 31.22, 0.88%, 0.78%

LAB 83.93, 10.01, 31.78

 

CMYK 0 / 30 / 40 / 3

HEX #F8AE96

RGB 248 174 150

HSL 14.69, 0.88%, 0.78%

LAB 77.54, 24.19, 23.17

 

CMYK 0 / 40 / 40 / 3

HEX #F89696

RGB 248 150 150

HSL 0, 0.88%, 0.78%

LAB 72.21, 36.75, 15.82

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 13 / 0 / 40 / 3

HEX #D8F896

RGB 216 248 150

HSL 79.59, 0.88%, 0.78%

LAB 93.42, -25.8, 43.65

 

CMYK 24 / 0 / 40 / 3

HEX #BDF896

RGB 189 248 150

HSL 96.12, 0.88%, 0.78%

LAB 91.75, -35.4, 41.17

 

CMYK 35 / 0 / 40 / 3

HEX #A2F896

RGB 162 248 150

HSL 112.65, 0.88%, 0.78%

LAB 90.33, -44.27, 39.05

 

CMYK 40 / 0 / 34 / 3

HEX #96F8A3

RGB 150 248 163

HSL 127.96, 0.88%, 0.78%

LAB 89.98, -45.91, 32.02

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 2 / 0 / 33 / 6

HEX #EAEF9F

RGB 234 239 159

HSL 63.75, 0.71%, 0.78%

LAB 92.45, -13.69, 38.2

 

CMYK 2 / 0 / 27 / 10

HEX #E2E6A8

RGB 226 230 168

HSL 63.87, 0.55%, 0.78%

LAB 89.67, -11.08, 29.85

 

CMYK 1 / 0 / 20 / 13

HEX #DADDB1

RGB 218 221 177

HSL 64.09, 0.39%, 0.78%

LAB 86.9, -8.24, 21.31

 

CMYK 1 / 0 / 12 / 17

HEX #D2D4BA

RGB 210 212 186

HSL 64.62, 0.23%, 0.78%

LAB 84.14, -5.15, 12.64

 

CMYK 0 / 19 / 40 / 3

HEX #F8C996

RGB 248 201 150

HSL 31.22, 0.88%, 0.78%

LAB 83.93, 10.01, 31.78

 

CMYK 0 / 8 / 40 / 3

HEX #F8E396

RGB 248 227 150

HSL 47.14, 0.88%, 0.78%

LAB 90.37, -3.35, 40.2

 

CMYK 2 / 0 / 40 / 3

HEX #F3F896

RGB 243 248 150

HSL 63.06, 0.88%, 0.78%

LAB 95.33, -15.7, 46.46

 

CMYK 13 / 0 / 40 / 3

HEX #D9F896

RGB 217 248 150

HSL 78.98, 0.88%, 0.78%

LAB 93.49, -25.43, 43.75

 

CMYK 23 / 0 / 40 / 3

HEX #BFF896

RGB 191 248 150

HSL 94.9, 0.88%, 0.78%

LAB 91.87, -34.71, 41.34

 

CMYK 4 / 0 / 70 / 5

HEX #E9F348

RGB 233 243 72

HSL 63.51, 0.88%, 0.62%

LAB 92.53, -23.19, 76.51

 

CMYK 3 / 0 / 55 / 4

HEX #EEF66F

RGB 238 246 111

HSL 63.56, 0.88%, 0.7%

LAB 93.98, -20.22, 62.83

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 2 / 0 / 25 / 2

HEX #F7FBBC

RGB 247 251 188

HSL 63.81, 0.89%, 0.86%

LAB 96.98, -11.14, 29.84

 

CMYK 0 / 0 / 10 / 1

HEX #FCFDE3

RGB 252 253 227

HSL 62.31, 0.87%, 0.94%

LAB 98.63, -4.67, 12.33

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 40 / 0 / 30 / 3

HEX #96F8AE

RGB 150 248 174

HSL 134.69, 0.88%, 0.78%

LAB 90.17, -44.07, 26.71

 

CMYK 14 / 40 / 0 / 3

HEX #D696F8

RGB 214 150 248

HSL 279.18, 0.88%, 0.78%

LAB 71.48, 41.06, -39.72

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 40 / 2 / 0 / 3

HEX #96F3F8

RGB 150 243 248

HSL 183.06, 0.88%, 0.78%

LAB 90.49, -26.37, -11.13

 

CMYK 0 / 40 / 2 / 3

HEX #F896F3

RGB 248 150 243

HSL 303.06, 0.88%, 0.78%

LAB 74.98, 50.17, -31.28

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 40 / 0 / 30 / 3

HEX #96F8AE

RGB 150 248 174

HSL 134.69, 0.88%, 0.78%

LAB 90.17, -44.07, 26.71

 

CMYK 38 / 40 / 0 / 3

HEX #9A96F8

RGB 154 150 248

HSL 242.45, 0.88%, 0.78%

LAB 66.11, 24.43, -48.53

 

CMYK 0 / 40 / 10 / 3

HEX #F896E0

RGB 248 150 224

HSL 314.69, 0.88%, 0.78%

LAB 74.29, 46.95, -21.98

 

CMYK 2 / 0 / 40 / 3

HEX #F2F896

RGB 242 248 150

HSL 63.67, 0.88%, 0.78%

LAB 95.25, -16.08, 46.35

 

CMYK 40 / 0 / 18 / 3

HEX #96F8CC

RGB 150 248 204

HSL 153.06, 0.88%, 0.78%

LAB 90.77, -38.46, 12.16

 

CMYK 38 / 40 / 0 / 3

HEX #9A96F8

RGB 154 150 248

HSL 242.45, 0.88%, 0.78%

LAB 66.11, 24.43, -48.53

 

CMYK 0 / 40 / 22 / 3

HEX #F896C2

RGB 248 150 194

HSL 333.06, 0.88%, 0.78%

LAB 73.33, 42.35, -6.92

 

Description

Color code: HEX #F2F896 | qconv.com Color code: HEX #F2F896 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 248 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 248 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 40 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 40% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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