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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2EFF64C it is the complementary color #0D10094C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2EFF64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2EFF64C shade: #F7EFF14C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2EFF64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2EFF64C shade: #F2EFF64C, #E1DDE34C, #D0CBD04C, #BFB9BD4C and #AEA7AA4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2EFF64C shade: #F2EFF6, #F4EFF6, #F6EFF6, #F6EFF4 and #F6EFF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2EFF64C shade: #F2EFF6, #F0EFF6 and #EFEFF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2EFF64C shade matches the following richer shades: #F2EFF6, #F1EDF8, #F1EBFA, #F1E8FC and #F1E6FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2EFF64C shade: #F2EFF6, #F2F1F4, #F2F3F2, #F3F5F0 and #F3F7EE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2EFF64C shade: #EFF0F6, #F0EFF6, #F2EFF6, #F4EFF6 and #F5EFF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2EFF64C shade: #C7BAD8, #DCD4E7, #F2EFF6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2EFF64C shade: #F2EFF6, #F6EFF1 and #EFF6EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2EFF64C shade: #F2EFF6, #F6F2EF and #EFF6F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2EFF64C shade: #F2EFF6, #F6EFF1, #F3F6EF and #EFF6F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2EFF64C shade: #F2EFF6, #F6EFEF, #F3F6EF and #EFF6F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 0 / 1

HEX #F2EFF64C

RGBA 242 239 246 0.3

HSLA 265.71, 0.28%, 0.95%, 0.3

LABA 94.85, 2.25, -3.02, 0.3

Complementary color

CMYK 6 / 0 / 13 / 28

HEX #0D10094C

RGBA 13 16 9 0.3

HSLA 85.71, 0.28%, 0.05%, 0.3

LABA 4.3, -2.12, 2.7, 0.3

 

CMYK 0 / 1 / 1 / 1

HEX #F7EFF14C

RGBA 247 239 241 0.3

HSLA 345, 0.33%, 0.95%, 0.3

LABA 95.1, 3.03, -0.02, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 0 / 1 / 0 / 1

HEX #F2EFF64C

RGBA 242 239 246 0.3

HSLA 265.71, 0.28%, 0.95%, 0.3

LABA 94.85, 2.25, -3.02, 0.3

HEX #F2EFF64C

CMYK 0 / 1 / 0 / 3

HEX #E1DDE34C

RGBA 225 221 227 0.3

HSLA 280, 0.1%, 0.88%, 0.3

LABA 88.57, 2.44, -2.46, 0.3

HEX #E1DDE34C

CMYK 0 / 1 / 0 / 6

HEX #D0CBD04C

RGBA 208 203 208 0.3

HSLA 300, 0.05%, 0.81%, 0.3

LABA 82.2, 2.63, -1.88, 0.3

HEX #D0CBD04C

CMYK 0 / 1 / 0 / 8

HEX #BFB9BD4C

RGBA 191 185 189 0.3

HSLA 320, 0.04%, 0.74%, 0.3

LABA 75.73, 2.84, -1.28, 0.3

HEX #BFB9BD4C

CMYK 0 / 1 / 1 / 10

HEX #AEA7AA4C

RGBA 174 167 170 0.3

HSLA 334.29, 0.04%, 0.67%, 0.3

LABA 69.14, 3.07, -0.66, 0.3

HEX #AEA7AA4C

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 1 / 3 / 0 / 4

HEX #F4EFF6

RGB 244 239 246

HSL 282.86, 0.28%, 0.95%

LAB 95, 2.91, -2.79

HEX #F4EFF6

CMYK 0 / 3 / 0 / 4

HEX #F6EFF6

RGB 246 239 246

HSL 300, 0.28%, 0.95%

LAB 95.15, 3.57, -2.55

HEX #F6EFF6

CMYK 0 / 3 / 1 / 4

HEX #F6EFF4

RGB 246 239 244

HSL 317.14, 0.28%, 0.95%

LAB 95.1, 3.22, -1.58

HEX #F6EFF4

CMYK 0 / 3 / 2 / 4

HEX #F6EFF2

RGB 246 239 242

HSL 334.29, 0.28%, 0.95%

LAB 95.05, 2.87, -0.62

HEX #F6EFF2

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 2 / 3 / 0 / 4

HEX #F0EFF6

RGB 240 239 246

HSL 248.57, 0.28%, 0.95%

LAB 94.7, 1.59, -3.26

HEX #F0EFF6

CMYK 3 / 3 / 0 / 4

HEX #EFEFF6

RGB 239 239 246

HSL 240, 0.28%, 0.95%

LAB 94.63, 1.26, -3.38

HEX #EFEFF6

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 3 / 4 / 0 / 3

HEX #F1EDF8

RGB 241 237 248

HSL 261.82, 0.44%, 0.95%

LAB 94.33, 3.31, -4.83

HEX #F1EDF8

CMYK 4 / 6 / 0 / 2

HEX #F1EBFA

RGB 241 235 250

HSL 264, 0.6%, 0.95%

LAB 93.89, 4.7, -6.52

HEX #F1EBFA

CMYK 4 / 8 / 0 / 1

HEX #F1E8FC

RGB 241 232 252

HSL 267, 0.77%, 0.95%

LAB 93.21, 6.62, -8.58

HEX #F1E8FC

CMYK 5 / 9 / 0 / 0

HEX #F1E6FE

RGB 241 230 254

HSL 267.5, 0.92%, 0.95%

LAB 92.77, 8.03, -10.26

HEX #F1E6FE

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 1 / 1 / 0 / 4

HEX #F2F1F4

RGB 242 241 244

HSL 260, 0.12%, 0.95%

LAB 95.3, 0.87, -1.34

HEX #F2F1F4

CMYK 0 / 0 / 0 / 5

HEX #F2F3F2

RGB 242 243 242

HSL 120, 0.04%, 0.95%

LAB 95.74, -0.5, 0.35

HEX #F2F3F2

CMYK 1 / 0 / 2 / 4

HEX #F3F5F0

RGB 243 245 240

HSL 84, 0.2%, 0.95%

LAB 96.27, -1.54, 2.16

HEX #F3F5F0

CMYK 2 / 0 / 4 / 3

HEX #F3F7EE

RGB 243 247 238

HSL 86.67, 0.36%, 0.95%

LAB 96.72, -2.89, 3.85

HEX #F3F7EE

CMYK 3 / 2 / 0 / 4

HEX #EFF0F6

RGB 239 240 246

HSL 231.43, 0.28%, 0.95%

LAB 94.88, 0.75, -3.01

 

CMYK 2 / 3 / 0 / 4

HEX #F0EFF6

RGB 240 239 246

HSL 248.57, 0.28%, 0.95%

LAB 94.7, 1.59, -3.26

 

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 1 / 3 / 0 / 4

HEX #F4EFF6

RGB 244 239 246

HSL 282.86, 0.28%, 0.95%

LAB 95, 2.91, -2.79

HEX #F4EFF6

CMYK 0 / 3 / 0 / 4

HEX #F5EFF6

RGB 245 239 246

HSL 291.43, 0.28%, 0.95%

LAB 95.08, 3.24, -2.67

HEX #F5EFF6

CMYK 8 / 14 / 0 / 15

HEX #C7BAD8

RGB 199 186 216

HSL 266, 0.28%, 0.79%

LAB 77.41, 10.22, -13.37

 

CMYK 5 / 8 / 0 / 9

HEX #DCD4E7

RGB 220 212 231

HSL 265.26, 0.28%, 0.87%

LAB 86.04, 6.22, -8.35

 

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 0 / 3 / 2 / 4

HEX #F6EFF1

RGB 246 239 241

HSL 342.86, 0.28%, 0.95%

LAB 95.02, 2.69, -0.14

HEX #F6EFF1

CMYK 3 / 0 / 3 / 4

HEX #EFF6EF

RGB 239 246 239

HSL 120, 0.28%, 0.95%

LAB 96.2, -3.55, 2.55

HEX #EFF6EF

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 0 / 2 / 3 / 4

HEX #F6F2EF

RGB 246 242 239

HSL 25.71, 0.28%, 0.95%

LAB 95.72, 0.82, 1.91

HEX #F6F2EF

CMYK 3 / 0 / 2 / 4

HEX #EFF6F2

RGB 239 246 242

HSL 145.71, 0.28%, 0.95%

LAB 96.28, -3.02, 1.1

HEX #EFF6F2

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 0 / 3 / 2 / 4

HEX #F6EFF1

RGB 246 239 241

HSL 342.86, 0.28%, 0.95%

LAB 95.02, 2.69, -0.14

HEX #F6EFF1

CMYK 1 / 0 / 3 / 4

HEX #F3F6EF

RGB 243 246 239

HSL 85.71, 0.28%, 0.95%

LAB 96.49, -2.22, 3

HEX #F3F6EF

CMYK 3 / 0 / 1 / 4

HEX #EFF6F3

RGB 239 246 243

HSL 154.29, 0.28%, 0.95%

LAB 96.3, -2.84, 0.62

HEX #EFF6F3

CMYK 2 / 3 / 0 / 4

HEX #F2EFF6

RGB 242 239 246

HSL 265.71, 0.28%, 0.95%

LAB 94.85, 2.25, -3.02

HEX #F2EFF6

CMYK 0 / 3 / 3 / 4

HEX #F6EFEF

RGB 246 239 239

HSL 0, 0.28%, 0.95%

LAB 94.97, 2.35, 0.82

HEX #F6EFEF

CMYK 1 / 0 / 3 / 4

HEX #F3F6EF

RGB 243 246 239

HSL 85.71, 0.28%, 0.95%

LAB 96.49, -2.22, 3

HEX #F3F6EF

CMYK 3 / 0 / 0 / 4

HEX #EFF6F5

RGB 239 246 245

HSL 171.43, 0.28%, 0.95%

LAB 96.35, -2.48, -0.34

HEX #EFF6F5

Description

Color code: HEX #F2EFF64C | qconv.com Color code: HEX #F2EFF64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 239 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 239 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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