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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2E140 it is the complementary color #0D1EBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2E140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2E140 shade: #F7E13B, #FFF34E, #FFFF61, #FFFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2E140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2E140 shade: #F2E140, #E1CF2D, #D0BD1A, #BFAB07 and #AE9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2E140 shade: #F2E140, #F2B140, #F28140, #F25140 and #F24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2E140 shade: #F2E140, #D3F240, #A3F240, #73F240 and #43F240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2E140 shade matches the following richer shades: #F2E140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2E140 shade: #F2E140, #E1D351, #D1C661, #C0B972 and #B0AB82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2E140 shade: #F28140, #F2B140, #F2E040, #D4F240 and #A5F240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2E140 shade: #D1BE0F, #EFDB1A, #F2E140, #F4E767 and #F7ED8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2E140 shade: #F2E140, #40F252 and #9940F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2E140 shade: #F2E140, #40F2E0 and #E040F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2E140 shade: #F2E140, #40F252, #4052F2 and #F240E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2E140 shade: #F2E140, #40F287, #4052F2 and #F240AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

Complementary color

CMYK 93 / 84 / 0 / 25

HEX #0D1EBF

RGB 13 30 191

HSL 234.27, 0.87%, 0.4%

LAB 26.09, 54.91, -81.41

 

CMYK 0 / 9 / 76 / 3

HEX #F7E13B

RGB 247 225 59

HSL 52.98, 0.92%, 0.6%

LAB 88.89, -9.21, 77.73

 

CMYK 0 / 5 / 69 / 0

HEX #FFF34E

RGB 255 243 78

HSL 55.93, 1%, 0.65%

LAB 94.27, -13.97, 76.71

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 0 / 8 / 80 / 12

HEX #E1CF2D

RGB 225 207 45

HSL 54, 0.75%, 0.53%

LAB 82.28, -9.93, 75.23

 

CMYK 0 / 9 / 88 / 18

HEX #D0BD1A

RGB 208 189 26

HSL 53.74, 0.78%, 0.46%

LAB 76, -8.58, 73.93

 

CMYK 0 / 10 / 96 / 25

HEX #BFAB07

RGB 191 171 7

HSL 53.48, 0.93%, 0.39%

LAB 69.62, -7.01, 71.26

 

CMYK 0 / 12 / 100 / 32

HEX #AE9900

RGB 174 153 0

HSL 52.76, 1%, 0.34%

LAB 63.16, -5.2, 66.76

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 0 / 27 / 74 / 5

HEX #F2B140

RGB 242 177 64

HSL 38.09, 0.87%, 0.6%

LAB 76.49, 13.56, 64.04

 

CMYK 0 / 47 / 74 / 5

HEX #F28140

RGB 242 129 64

HSL 21.91, 0.87%, 0.6%

LAB 65.71, 38.64, 53.1

 

CMYK 0 / 67 / 74 / 5

HEX #F25140

RGB 242 81 64

HSL 5.73, 0.87%, 0.6%

LAB 57.2, 60.67, 43.98

 

CMYK 0 / 74 / 74 / 5

HEX #F24040

RGB 242 64 64

HSL 0, 0.87%, 0.6%

LAB 54.98, 66.77, 41.52

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 13 / 0 / 74 / 5

HEX #D3F240

RGB 211 242 64

HSL 70.45, 0.87%, 0.6%

LAB 90.65, -31.89, 76.8

 

CMYK 33 / 0 / 74 / 5

HEX #A3F240

RGB 163 242 64

HSL 86.63, 0.87%, 0.6%

LAB 87.81, -49.87, 73.07

 

CMYK 52 / 0 / 74 / 5

HEX #73F240

RGB 115 242 64

HSL 102.81, 0.87%, 0.6%

LAB 85.77, -64.74, 70.39

 

CMYK 72 / 0 / 74 / 5

HEX #43F240

RGB 67 242 64

HSL 118.99, 0.87%, 0.6%

LAB 84.52, -74.91, 68.73

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 0 / 6 / 64 / 12

HEX #E1D351

RGB 225 211 81

HSL 54.17, 0.71%, 0.6%

LAB 83.54, -10.32, 63.85

 

CMYK 0 / 5 / 54 / 18

HEX #D1C661

RGB 209 198 97

HSL 54.11, 0.55%, 0.6%

LAB 78.93, -9.23, 51.28

 

CMYK 0 / 4 / 41 / 25

HEX #C0B972

RGB 192 185 114

HSL 54.62, 0.38%, 0.6%

LAB 74.27, -7.86, 36.88

 

CMYK 0 / 3 / 26 / 31

HEX #B0AB82

RGB 176 171 130

HSL 53.48, 0.23%, 0.6%

LAB 69.45, -4.88, 21.81

 

CMYK 0 / 47 / 74 / 5

HEX #F28140

RGB 242 129 64

HSL 21.91, 0.87%, 0.6%

LAB 65.71, 38.64, 53.1

 

CMYK 0 / 27 / 74 / 5

HEX #F2B140

RGB 242 177 64

HSL 38.09, 0.87%, 0.6%

LAB 76.49, 13.56, 64.04

 

CMYK 0 / 7 / 74 / 5

HEX #F2E040

RGB 242 224 64

HSL 53.93, 0.87%, 0.6%

LAB 88.24, -10.6, 75.35

 

CMYK 12 / 0 / 74 / 5

HEX #D4F240

RGB 212 242 64

HSL 70.11, 0.87%, 0.6%

LAB 90.72, -31.5, 76.89

 

CMYK 32 / 0 / 74 / 5

HEX #A5F240

RGB 165 242 64

HSL 85.96, 0.87%, 0.6%

LAB 87.91, -49.17, 73.21

 

CMYK 0 / 9 / 93 / 18

HEX #D1BE0F

RGB 209 190 15

HSL 54.12, 0.87%, 0.44%

LAB 76.32, -8.85, 76.04

 

CMYK 0 / 8 / 89 / 6

HEX #EFDB1A

RGB 239 219 26

HSL 54.37, 0.87%, 0.52%

LAB 86.55, -10.46, 83.4

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 0 / 5 / 58 / 4

HEX #F4E767

RGB 244 231 103

HSL 54.47, 0.87%, 0.68%

LAB 90.49, -11.09, 62.52

 

CMYK 0 / 4 / 43 / 3

HEX #F7ED8D

RGB 247 237 141

HSL 54.34, 0.87%, 0.76%

LAB 92.69, -9.67, 47.58

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 74 / 0 / 66 / 5

HEX #40F252

RGB 64 242 82

HSL 126.07, 0.87%, 0.6%

LAB 84.59, -73.86, 62.25

 

CMYK 37 / 74 / 0 / 5

HEX #9940F2

RGB 153 64 242

HSL 270, 0.87%, 0.6%

LAB 48.07, 68, -74.14

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 74 / 0 / 7 / 5

HEX #40F2E0

RGB 64 242 224

HSL 173.93, 0.87%, 0.6%

LAB 86.99, -47.62, -4.06

 

CMYK 7 / 74 / 0 / 5

HEX #E040F2

RGB 224 64 242

HSL 293.93, 0.87%, 0.6%

LAB 57.97, 81.01, -57.67

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 74 / 0 / 66 / 5

HEX #40F252

RGB 64 242 82

HSL 126.07, 0.87%, 0.6%

LAB 84.59, -73.86, 62.25

 

CMYK 74 / 66 / 0 / 5

HEX #4052F2

RGB 64 82 242

HSL 233.93, 0.87%, 0.6%

LAB 43.56, 46.31, -81.83

 

CMYK 0 / 74 / 7 / 5

HEX #F240E0

RGB 242 64 224

HSL 306.07, 0.87%, 0.6%

LAB 59.82, 81.87, -44.46

 

CMYK 0 / 7 / 74 / 5

HEX #F2E140

RGB 242 225 64

HSL 54.27, 0.87%, 0.6%

LAB 88.49, -11.09, 75.59

 

CMYK 74 / 0 / 44 / 5

HEX #40F287

RGB 64 242 135

HSL 143.93, 0.87%, 0.6%

LAB 85.17, -66.97, 39.13

 

CMYK 74 / 66 / 0 / 5

HEX #4052F2

RGB 64 82 242

HSL 233.93, 0.87%, 0.6%

LAB 43.56, 46.31, -81.83

 

CMYK 0 / 74 / 29 / 5

HEX #F240AB

RGB 242 64 171

HSL 323.93, 0.87%, 0.6%

LAB 57.54, 75, -17.66

 

Description

Color code: HEX #F2E140 | qconv.com Color code: HEX #F2E140 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 225 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 225 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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