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Color name
HEX #F2DF76

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2DF76 it is the complementary color #0D2089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2DF76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2DF76 shade: #F7DF71, #FFF184, #FFFF97, #FFFFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2DF76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2DF76 shade: #F2DF76, #E1CD63, #D0BB50, #BFA93D and #AE972A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2DF76 shade: #F2E078, #F2BF78, #F29D78, #F27C78 and #F27878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2DF76 shade: #F2E078, #E4F278, #C3F278, #A2F278 and #81F278

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2DF76 shade matches the following richer shades: #F2E078 and #FEE86C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2DF76 shade: #F2E078, #E6D784, #DACF90, #CFC79C and #C3BEA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2DF76 shade: #F29C78, #F2BD78, #F2DE78, #E6F278 and #C5F278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2DF76 shade: #EBCE2C, #EFD752, #F2E078, #F6E89D and #F9F1C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2DF76 shade: #F2DF76, #78F27C and #AD78F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2DF76 shade: #F2DF76, #78F2DE and #DE78F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2DF76 shade: #F2DF76, #78F27C, #788CF2 and #F278EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2DF76 shade: #F2DF76, #78F2A1, #788CF2 and #F278CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 51 / 5

HEX #F2DF76

RGB 242 223 118

HSL 50.81, 0.83%, 0.71%

LAB 88.43, -6.75, 53.28

 

Complementary color

CMYK 91 / 77 / 0 / 46

HEX #0D2089

RGB 13 32 137

HSL 230.81, 0.83%, 0.29%

LAB 19.74, 35.74, -59.12

 

CMYK 0 / 10 / 54 / 3

HEX #F7DF71

RGB 247 223 113

HSL 49.25, 0.89%, 0.71%

LAB 88.8, -5.14, 56.16

 

CMYK 0 / 5 / 48 / 0

HEX #FFF184

RGB 255 241 132

HSL 53.17, 1%, 0.76%

LAB 94.24, -9.36, 53.93

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 8 / 51 / 5

HEX #F2DF76

RGB 242 223 118

HSL 50.81, 0.83%, 0.71%

LAB 88.43, -6.75, 53.28

 

CMYK 0 / 9 / 56 / 12

HEX #E1CD63

RGB 225 205 99

HSL 50.48, 0.68%, 0.64%

LAB 82.15, -6.05, 54.42

 

CMYK 0 / 10 / 62 / 18

HEX #D0BB50

RGB 208 187 80

HSL 50.16, 0.58%, 0.56%

LAB 75.78, -5.24, 55.49

 

CMYK 0 / 12 / 68 / 25

HEX #BFA93D

RGB 191 169 61

HSL 49.85, 0.52%, 0.49%

LAB 69.32, -4.27, 56.36

 

CMYK 0 / 13 / 76 / 32

HEX #AE972A

RGB 174 151 42

HSL 49.55, 0.61%, 0.42%

LAB 62.76, -3.1, 56.81

 

CMYK 0 / 7 / 50 / 5

HEX #F2E078

RGB 242 224 120

HSL 51.15, 0.82%, 0.71%

LAB 88.71, -7.08, 52.67

 

CMYK 0 / 21 / 50 / 5

HEX #F2BF78

RGB 242 191 120

HSL 34.92, 0.82%, 0.71%

LAB 80.46, 9.89, 42.58

 

CMYK 0 / 35 / 50 / 5

HEX #F29D78

RGB 242 157 120

HSL 18.2, 0.82%, 0.71%

LAB 72.46, 27.82, 32.4

 

CMYK 0 / 49 / 50 / 5

HEX #F27C78

RGB 242 124 120

HSL 1.97, 0.82%, 0.71%

LAB 65.47, 44.81, 23.17

 

CMYK 0 / 50 / 50 / 5

HEX #F27878

RGB 242 120 120

HSL 0, 0.82%, 0.71%

LAB 64.7, 46.78, 22.12

 

CMYK 0 / 7 / 50 / 5

HEX #F2E078

RGB 242 224 120

HSL 51.15, 0.82%, 0.71%

LAB 88.71, -7.08, 52.67

 

CMYK 6 / 0 / 50 / 5

HEX #E4F278

RGB 228 242 120

HSL 66.89, 0.82%, 0.71%

LAB 92.29, -21.47, 56.66

 

CMYK 19 / 0 / 50 / 5

HEX #C3F278

RGB 195 242 120

HSL 83.11, 0.82%, 0.71%

LAB 90.07, -33.98, 53.49

 

CMYK 33 / 0 / 50 / 5

HEX #A2F278

RGB 162 242 120

HSL 99.34, 0.82%, 0.71%

LAB 88.23, -45.52, 50.83

 

CMYK 47 / 0 / 50 / 5

HEX #81F278

RGB 129 242 120

HSL 115.57, 0.82%, 0.71%

LAB 86.76, -55.59, 48.71

 

CMYK 0 / 7 / 50 / 5

HEX #F2E078

RGB 242 224 120

HSL 51.15, 0.82%, 0.71%

LAB 88.71, -7.08, 52.67

 

CMYK 0 / 9 / 57 / 0

HEX #FEE86C

RGB 254 232 108

HSL 50.96, 0.99%, 0.71%

LAB 91.63, -7.19, 61.82

 

CMYK 0 / 7 / 50 / 5

HEX #F2E078

RGB 242 224 120

HSL 51.15, 0.82%, 0.71%

LAB 88.71, -7.08, 52.67

 

CMYK 0 / 7 / 43 / 10

HEX #E6D784

RGB 230 215 132

HSL 50.82, 0.66%, 0.71%

LAB 85.55, -6.19, 42.73

 

CMYK 0 / 5 / 34 / 15

HEX #DACF90

RGB 218 207 144

HSL 51.08, 0.5%, 0.71%

LAB 82.67, -5.49, 32.73

 

CMYK 0 / 4 / 25 / 19

HEX #CFC79C

RGB 207 199 156

HSL 50.59, 0.35%, 0.71%

LAB 79.9, -4.03, 22.58

 

CMYK 0 / 3 / 14 / 24

HEX #C3BEA8

RGB 195 190 168

HSL 48.89, 0.18%, 0.71%

LAB 76.83, -2.01, 11.74

 

CMYK 0 / 36 / 50 / 5

HEX #F29C78

RGB 242 156 120

HSL 17.7, 0.82%, 0.71%

LAB 72.24, 28.34, 32.11

 

CMYK 0 / 22 / 50 / 5

HEX #F2BD78

RGB 242 189 120

HSL 33.93, 0.82%, 0.71%

LAB 79.97, 10.93, 41.97

 

CMYK 0 / 8 / 50 / 5

HEX #F2DE78

RGB 242 222 120

HSL 50.16, 0.82%, 0.71%

LAB 88.2, -6.07, 52.05

 

CMYK 5 / 0 / 50 / 5

HEX #E6F278

RGB 230 242 120

HSL 65.9, 0.82%, 0.71%

LAB 92.43, -20.69, 56.87

 

CMYK 19 / 0 / 50 / 5

HEX #C5F278

RGB 197 242 120

HSL 82.13, 0.82%, 0.71%

LAB 90.2, -33.24, 53.66

 

CMYK 0 / 12 / 81 / 8

HEX #EBCE2C

RGB 235 206 44

HSL 50.89, 0.83%, 0.55%

LAB 82.91, -5.2, 76.39

 

CMYK 0 / 10 / 66 / 6

HEX #EFD752

RGB 239 215 82

HSL 50.83, 0.83%, 0.63%

LAB 85.79, -6.46, 66.16

 

CMYK 0 / 7 / 50 / 5

HEX #F2E078

RGB 242 224 120

HSL 51.15, 0.82%, 0.71%

LAB 88.71, -7.08, 52.67

 

CMYK 0 / 6 / 36 / 4

HEX #F6E89D

RGB 246 232 157

HSL 50.56, 0.83%, 0.79%

LAB 91.57, -5.87, 38.22

 

CMYK 0 / 3 / 22 / 2

HEX #F9F1C3

RGB 249 241 195

HSL 51.11, 0.82%, 0.87%

LAB 94.73, -4.49, 23.23

 

CMYK 0 / 8 / 51 / 5

HEX #F2DF76

RGB 242 223 118

HSL 50.81, 0.83%, 0.71%

LAB 88.43, -6.75, 53.28

 

CMYK 50 / 0 / 49 / 5

HEX #78F27C

RGB 120 242 124

HSL 121.97, 0.82%, 0.71%

LAB 86.48, -57.49, 46.4

 

CMYK 29 / 50 / 0 / 5

HEX #AD78F2

RGB 173 120 242

HSL 266.07, 0.82%, 0.71%

LAB 60.54, 44.71, -53.94

 

CMYK 0 / 8 / 51 / 5

HEX #F2DF76

RGB 242 223 118

HSL 50.81, 0.83%, 0.71%

LAB 88.43, -6.75, 53.28

 

CMYK 50 / 0 / 8 / 5

HEX #78F2DE

RGB 120 242 222

HSL 170.16, 0.82%, 0.71%

LAB 88.34, -39.01, -0.86

 

CMYK 8 / 50 / 0 / 5

HEX #DE78F2

RGB 222 120 242

HSL 290.16, 0.82%, 0.71%

LAB 66.04, 57.59, -44.88

 

CMYK 0 / 8 / 51 / 5

HEX #F2DF76

RGB 242 223 118

HSL 50.81, 0.83%, 0.71%

LAB 88.43, -6.75, 53.28

 

CMYK 50 / 0 / 49 / 5

HEX #78F27C

RGB 120 242 124

HSL 121.97, 0.82%, 0.71%

LAB 86.48, -57.49, 46.4

 

CMYK 50 / 42 / 0 / 5

HEX #788CF2

RGB 120 140 242

HSL 230.16, 0.82%, 0.71%

LAB 60.92, 20.39, -53.59

 

CMYK 0 / 50 / 2 / 5

HEX #F278EE

RGB 242 120 238

HSL 301.97, 0.82%, 0.71%

LAB 68.38, 62.27, -38.84

 

CMYK 0 / 8 / 51 / 5

HEX #F2DF76

RGB 242 223 118

HSL 50.81, 0.83%, 0.71%

LAB 88.43, -6.75, 53.28

 

CMYK 50 / 0 / 33 / 5

HEX #78F2A1

RGB 120 242 161

HSL 140.16, 0.82%, 0.71%

LAB 87.03, -51.73, 28.86

 

CMYK 50 / 42 / 0 / 5

HEX #788CF2

RGB 120 140 242

HSL 230.16, 0.82%, 0.71%

LAB 60.92, 20.39, -53.59

 

CMYK 0 / 50 / 17 / 5

HEX #F278CA

RGB 242 120 202

HSL 319.67, 0.82%, 0.71%

LAB 66.96, 56.53, -21.02

 

Description

Color code: HEX #F2DF76 | qconv.com Color code: HEX #F2DF76 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 223 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 223 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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