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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2DDF64C it is the complementary color #0D22094C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2DDF64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2DDF64C shade: #F7DDF14C, #FFEFFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2DDF64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2DDF64C shade: #F2DDF64C, #E1CBE34C, #D0B9D04C, #BFA7BD4C and #AE95AA4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2DDF64C shade: #F3DFF6, #F6DFF4, #F6DFED, #F6DFE7 and #F6DFE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2DDF64C shade: #F3DFF6, #ECDFF6, #E6DFF6, #E0DFF6 and #DFDFF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2DDF64C shade matches the following richer shades: #F3DFF6, #F5DBFA and #F7D8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2DDF64C shade: #F3DFF6, #F0E2F3, #EEE5F0, #ECE9ED and #EAECE9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2DDF64C shade: #E6DFF6, #ECDFF6, #F2DFF6, #F6DFF4 and #F6DFEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2DDF64C shade: #DA9EE5, #E6BEEE, #F3DFF6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2DDF64C shade: #F2DDF6, #F6E0DF and #DFF6E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2DDF64C shade: #F2DDF6, #F6F2DF and #DFF6F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2DDF64C shade: #F2DDF6, #F6E0DF, #E3F6DF and #DFF6F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2DDF64C shade: #F2DDF6, #F6E7DF, #E3F6DF and #DFEFF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 0 / 1

HEX #F2DDF64C

RGBA 242 221 246 0.3

HSLA 290.4, 0.58%, 0.92%, 0.3

LABA 90.43, 11.56, -9.55, 0.3

 

Complementary color

CMYK 19 / 0 / 22 / 26

HEX #0D22094C

RGBA 13 34 9 0.3

HSLA 110.4, 0.58%, 0.08%, 0.3

LABA 10.92, -14.8, 12.27, 0.3

 

CMYK 0 / 3 / 1 / 1

HEX #F7DDF14C

RGBA 247 221 241 0.3

HSLA 313.85, 0.62%, 0.92%, 0.3

LABA 90.71, 12.33, -6.48, 0.3

 

CMYK 0 / 2 / 0 / 0

HEX #FFEFFF4C

RGBA 255 239 255 0.3

HSLA 300, 1%, 0.97%, 0.3

LABA 96.09, 8.15, -5.76, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 0 / 3 / 0 / 1

HEX #F2DDF64C

RGBA 242 221 246 0.3

HSLA 290.4, 0.58%, 0.92%, 0.3

LABA 90.43, 11.56, -9.55, 0.3

 

CMYK 0 / 3 / 0 / 3

HEX #E1CBE34C

RGBA 225 203 227 0.3

HSLA 295, 0.3%, 0.84%, 0.3

LABA 84.1, 11.89, -9.06, 0.3

 

CMYK 0 / 3 / 0 / 6

HEX #D0B9D04C

RGBA 208 185 208 0.3

HSLA 300, 0.2%, 0.77%, 0.3

LABA 77.67, 12.24, -8.56, 0.3

 

CMYK 0 / 4 / 0 / 8

HEX #BFA7BD4C

RGBA 191 167 189 0.3

HSLA 305, 0.16%, 0.7%, 0.3

LABA 71.14, 12.63, -8.05, 0.3

 

CMYK 0 / 4 / 1 / 10

HEX #AE95AA4C

RGBA 174 149 170 0.3

HSLA 309.6, 0.13%, 0.63%, 0.3

LABA 64.48, 13.04, -7.53, 0.3

 

CMYK 1 / 9 / 0 / 4

HEX #F3DFF6

RGB 243 223 246

HSL 292.17, 0.56%, 0.92%

LAB 91, 10.85, -8.7

 

CMYK 0 / 9 / 1 / 4

HEX #F6DFF4

RGB 246 223 244

HSL 305.22, 0.56%, 0.92%

LAB 91.19, 11.48, -7.34

 

CMYK 0 / 9 / 4 / 4

HEX #F6DFED

RGB 246 223 237

HSL 323.48, 0.56%, 0.92%

LAB 91, 10.25, -3.96

 

CMYK 0 / 9 / 6 / 4

HEX #F6DFE7

RGB 246 223 231

HSL 339.13, 0.56%, 0.92%

LAB 90.84, 9.22, -1.04

 

CMYK 0 / 9 / 9 / 4

HEX #F6DFE1

RGB 246 223 225

HSL 354.78, 0.56%, 0.92%

LAB 90.69, 8.21, 1.88

 

CMYK 1 / 9 / 0 / 4

HEX #F3DFF6

RGB 243 223 246

HSL 292.17, 0.56%, 0.92%

LAB 91, 10.85, -8.7

 

CMYK 4 / 9 / 0 / 4

HEX #ECDFF6

RGB 236 223 246

HSL 273.91, 0.56%, 0.92%

LAB 90.44, 8.54, -9.59

 

CMYK 7 / 9 / 0 / 4

HEX #E6DFF6

RGB 230 223 246

HSL 258.26, 0.56%, 0.92%

LAB 89.98, 6.59, -10.33

 

CMYK 9 / 9 / 0 / 4

HEX #E0DFF6

RGB 224 223 246

HSL 242.61, 0.56%, 0.92%

LAB 89.52, 4.65, -11.06

 

CMYK 9 / 9 / 0 / 4

HEX #DFDFF6

RGB 223 223 246

HSL 240, 0.56%, 0.92%

LAB 89.45, 4.32, -11.17

 

CMYK 1 / 9 / 0 / 4

HEX #F3DFF6

RGB 243 223 246

HSL 292.17, 0.56%, 0.92%

LAB 91, 10.85, -8.7

 

CMYK 2 / 12 / 0 / 2

HEX #F5DBFA

RGB 245 219 250

HSL 290.32, 0.76%, 0.92%

LAB 90.31, 14.32, -11.8

 

CMYK 2 / 15 / 0 / 1

HEX #F7D8FD

RGB 247 216 253

HSL 290.27, 0.9%, 0.92%

LAB 89.85, 17.1, -14.05

 

CMYK 1 / 9 / 0 / 4

HEX #F3DFF6

RGB 243 223 246

HSL 292.17, 0.56%, 0.92%

LAB 91, 10.85, -8.7

 

CMYK 1 / 7 / 0 / 5

HEX #F0E2F3

RGB 240 226 243

HSL 289.41, 0.41%, 0.92%

LAB 91.41, 7.75, -6.55

 

CMYK 1 / 5 / 0 / 6

HEX #EEE5F0

RGB 238 229 240

HSL 289.09, 0.27%, 0.92%

LAB 91.91, 4.99, -4.26

 

CMYK 0 / 2 / 0 / 7

HEX #ECE9ED

RGB 236 233 237

HSL 285, 0.1%, 0.92%

LAB 92.67, 1.72, -1.59

 

CMYK 1 / 0 / 1 / 7

HEX #EAECE9

RGB 234 236 233

HSL 100, 0.07%, 0.92%

LAB 93.17, -1.2, 1.21

 

CMYK 7 / 9 / 0 / 4

HEX #E6DFF6

RGB 230 223 246

HSL 258.26, 0.56%, 0.92%

LAB 89.98, 6.59, -10.33

 

CMYK 4 / 9 / 0 / 4

HEX #ECDFF6

RGB 236 223 246

HSL 273.91, 0.56%, 0.92%

LAB 90.44, 8.54, -9.59

 

CMYK 2 / 9 / 0 / 4

HEX #F2DFF6

RGB 242 223 246

HSL 289.57, 0.56%, 0.92%

LAB 90.92, 10.52, -8.83

 

CMYK 0 / 9 / 1 / 4

HEX #F6DFF4

RGB 246 223 244

HSL 305.22, 0.56%, 0.92%

LAB 91.19, 11.48, -7.34

 

CMYK 0 / 9 / 3 / 4

HEX #F6DFEE

RGB 246 223 238

HSL 320.87, 0.56%, 0.92%

LAB 91.03, 10.42, -4.44

 

CMYK 5 / 31 / 0 / 10

HEX #DA9EE5

RGB 218 158 229

HSL 290.7, 0.58%, 0.76%

LAB 72.9, 34.17, -27.12

 

CMYK 3 / 20 / 0 / 7

HEX #E6BEEE

RGB 230 190 238

HSL 290, 0.59%, 0.84%

LAB 81.74, 22.53, -18.43

 

CMYK 1 / 9 / 0 / 4

HEX #F3DFF6

RGB 243 223 246

HSL 292.17, 0.56%, 0.92%

LAB 91, 10.85, -8.7

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 2 / 10 / 0 / 4

HEX #F2DDF6

RGB 242 221 246

HSL 290.4, 0.58%, 0.92%

LAB 90.43, 11.56, -9.55

 

CMYK 0 / 9 / 9 / 4

HEX #F6E0DF

RGB 246 224 223

HSL 2.61, 0.56%, 0.92%

LAB 90.89, 7.37, 3.21

 

CMYK 9 / 0 / 5 / 4

HEX #DFF6E9

RGB 223 246 233

HSL 146.09, 0.56%, 0.92%

LAB 94.94, -9.89, 3.68

 

CMYK 2 / 10 / 0 / 4

HEX #F2DDF6

RGB 242 221 246

HSL 290.4, 0.58%, 0.92%

LAB 90.43, 11.56, -9.55

 

CMYK 0 / 2 / 9 / 4

HEX #F6F2DF

RGB 246 242 223

HSL 49.57, 0.56%, 0.92%

LAB 95.34, -1.85, 9.63

 

CMYK 9 / 0 / 2 / 4

HEX #DFF6F2

RGB 223 246 242

HSL 169.57, 0.56%, 0.92%

LAB 95.17, -8.23, -0.65

 

CMYK 2 / 10 / 0 / 4

HEX #F2DDF6

RGB 242 221 246

HSL 290.4, 0.58%, 0.92%

LAB 90.43, 11.56, -9.55

 

CMYK 0 / 9 / 9 / 4

HEX #F6E0DF

RGB 246 224 223

HSL 2.61, 0.56%, 0.92%

LAB 90.89, 7.37, 3.21

 

CMYK 8 / 0 / 9 / 4

HEX #E3F6DF

RGB 227 246 223

HSL 109.57, 0.56%, 0.92%

LAB 94.98, -10.34, 8.93

 

CMYK 9 / 0 / 0 / 4

HEX #DFF6F6

RGB 223 246 246

HSL 180, 0.56%, 0.92%

LAB 95.27, -7.47, -2.57

 

CMYK 2 / 10 / 0 / 4

HEX #F2DDF6

RGB 242 221 246

HSL 290.4, 0.58%, 0.92%

LAB 90.43, 11.56, -9.55

 

CMYK 0 / 6 / 9 / 4

HEX #F6E7DF

RGB 246 231 223

HSL 20.87, 0.56%, 0.92%

LAB 92.61, 3.76, 5.7

 

CMYK 8 / 0 / 9 / 4

HEX #E3F6DF

RGB 227 246 223

HSL 109.57, 0.56%, 0.92%

LAB 94.98, -10.34, 8.93

 

CMYK 9 / 3 / 0 / 4

HEX #DFEFF6

RGB 223 239 246

HSL 198.26, 0.56%, 0.92%

LAB 93.48, -3.93, -5.19

 

Description

Color code: HEX #F2DDF64C | qconv.com Color code: HEX #F2DDF64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 221 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 221 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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