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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2D358 it is the complementary color #0D2CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2D358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2D358 shade: #F7D353, #FFE566, #FFF779, #FFFF8C and #FFFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2D358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2D358 shade: #F2D358, #E1C145, #D0AF32, #BF9D1F and #AE8B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2D358 shade: #F3D459, #F3AA59, #F38159 and #F35959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2D358 shade: #F3D459, #E8F359, #BFF359, #95F359 and #6CF359

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2D358 shade matches the following richer shades: #F3D459

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2D358 shade: #F3D459, #E4CB67, #D6C276, #C7BA84 and #B9B193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2D358 shade: #F37F59, #F3A859, #F3D159, #EBF359 and #C2F359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2D358 shade: #E8BC11, #F0CA33, #F3D459, #F5DE7F and #F8E8A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2D358 shade: #F2D358, #5CF359 and #9459F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2D358 shade: #F2D358, #59F3D1 and #D159F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2D358 shade: #F2D358, #5CF359, #597AF3 and #F059F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2D358 shade: #F2D358, #59F384, #597AF3 and #F359C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 64 / 5

HEX #F2D358

RGB 242 211 88

HSL 47.92, 0.86%, 0.65%

LAB 85.08, -2.83, 63

 

Complementary color

CMYK 92 / 74 / 0 / 35

HEX #0D2CA7

RGB 13 44 167

HSL 227.92, 0.86%, 0.35%

LAB 25.79, 39.36, -67.55

 

CMYK 0 / 15 / 66 / 3

HEX #F7D353

RGB 247 211 83

HSL 46.83, 0.91%, 0.65%

LAB 85.5, -1.05, 65.68

 

CMYK 0 / 10 / 60 / 0

HEX #FFE566

RGB 255 229 102

HSL 49.8, 1%, 0.7%

LAB 90.9, -5.7, 63.66

 

CMYK 0 / 3 / 53 / 0

HEX #FFF779

RGB 255 247 121

HSL 56.42, 1%, 0.74%

LAB 95.65, -13.22, 60.66

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 13 / 64 / 5

HEX #F2D358

RGB 242 211 88

HSL 47.92, 0.86%, 0.65%

LAB 85.08, -2.83, 63

 

CMYK 0 / 14 / 69 / 12

HEX #E1C145

RGB 225 193 69

HSL 47.69, 0.72%, 0.58%

LAB 78.8, -1.79, 63.8

 

CMYK 0 / 16 / 76 / 18

HEX #D0AF32

RGB 208 175 50

HSL 47.47, 0.63%, 0.51%

LAB 72.43, -0.57, 64.2

 

CMYK 0 / 18 / 84 / 25

HEX #BF9D1F

RGB 191 157 31

HSL 47.25, 0.72%, 0.44%

LAB 65.97, 0.87, 63.87

 

CMYK 0 / 20 / 93 / 32

HEX #AE8B0C

RGB 174 139 12

HSL 47.04, 0.87%, 0.36%

LAB 59.43, 2.57, 62.23

 

CMYK 0 / 13 / 63 / 5

HEX #F3D459

RGB 243 212 89

HSL 47.92, 0.87%, 0.65%

LAB 85.43, -2.87, 62.98

 

CMYK 0 / 30 / 63 / 5

HEX #F3AA59

RGB 243 170 89

HSL 31.56, 0.87%, 0.65%

LAB 75.16, 19, 51.59

 

CMYK 0 / 47 / 63 / 5

HEX #F38159

RGB 243 129 89

HSL 15.58, 0.87%, 0.65%

LAB 66.12, 40.35, 41.02

 

CMYK 0 / 63 / 63 / 5

HEX #F35959

RGB 243 89 89

HSL 0, 0.87%, 0.65%

LAB 58.9, 59.01, 32.15

 

CMYK 0 / 13 / 63 / 5

HEX #F3D459

RGB 243 212 89

HSL 47.92, 0.87%, 0.65%

LAB 85.43, -2.87, 62.98

 

CMYK 5 / 0 / 63 / 5

HEX #E8F359

RGB 232 243 89

HSL 64.29, 0.87%, 0.65%

LAB 92.57, -22.67, 70.29

 

CMYK 21 / 0 / 63 / 5

HEX #BFF359

RGB 191 243 89

HSL 80.26, 0.87%, 0.65%

LAB 89.81, -38.58, 66.54

 

CMYK 39 / 0 / 63 / 5

HEX #95F359

RGB 149 243 89

HSL 96.62, 0.87%, 0.65%

LAB 87.59, -53.23, 63.49

 

CMYK 56 / 0 / 63 / 5

HEX #6CF359

RGB 108 243 89

HSL 112.6, 0.87%, 0.65%

LAB 86.01, -64.89, 61.31

 

CMYK 0 / 13 / 63 / 5

HEX #F3D459

RGB 243 212 89

HSL 47.92, 0.87%, 0.65%

LAB 85.43, -2.87, 62.98

 

CMYK 0 / 13 / 63 / 5

HEX #F3D459

RGB 243 212 89

HSL 47.92, 0.87%, 0.65%

LAB 85.43, -2.87, 62.98

 

CMYK 0 / 11 / 55 / 11

HEX #E4CB67

RGB 228 203 103

HSL 48, 0.7%, 0.65%

LAB 81.94, -3.49, 52.38

 

CMYK 0 / 9 / 45 / 16

HEX #D6C276

RGB 214 194 118

HSL 47.5, 0.54%, 0.65%

LAB 78.57, -3.22, 40.67

 

CMYK 0 / 7 / 34 / 22

HEX #C7BA84

RGB 199 186 132

HSL 48.36, 0.37%, 0.65%

LAB 75.41, -3.49, 29.08

 

CMYK 0 / 4 / 21 / 27

HEX #B9B193

RGB 185 177 147

HSL 47.37, 0.21%, 0.65%

LAB 72.14, -2.13, 16.4

 

CMYK 0 / 48 / 63 / 5

HEX #F37F59

RGB 243 127 89

HSL 14.81, 0.87%, 0.65%

LAB 65.71, 41.36, 40.53

 

CMYK 0 / 31 / 63 / 5

HEX #F3A859

RGB 243 168 89

HSL 30.78, 0.87%, 0.65%

LAB 74.69, 20.05, 51.05

 

CMYK 0 / 14 / 63 / 5

HEX #F3D159

RGB 243 209 89

HSL 46.75, 0.87%, 0.65%

LAB 84.68, -1.34, 62.16

 

CMYK 3 / 0 / 63 / 5

HEX #EBF359

RGB 235 243 89

HSL 63.12, 0.87%, 0.65%

LAB 92.79, -21.47, 70.6

 

CMYK 20 / 0 / 63 / 5

HEX #C2F359

RGB 194 243 89

HSL 79.09, 0.87%, 0.65%

LAB 89.99, -37.45, 66.79

 

CMYK 0 / 19 / 93 / 9

HEX #E8BC11

RGB 232 188 17

HSL 47.72, 0.86%, 0.49%

LAB 77.97, 2.22, 77.96

 

CMYK 0 / 16 / 79 / 6

HEX #F0CA33

RGB 240 202 51

HSL 47.94, 0.86%, 0.57%

LAB 82.38, -0.81, 74.09

 

CMYK 0 / 13 / 63 / 5

HEX #F3D459

RGB 243 212 89

HSL 47.92, 0.87%, 0.65%

LAB 85.43, -2.87, 62.98

 

CMYK 0 / 9 / 48 / 4

HEX #F5DE7F

RGB 245 222 127

HSL 48.31, 0.86%, 0.73%

LAB 88.54, -4.26, 49.17

 

CMYK 0 / 6 / 33 / 3

HEX #F8E8A6

RGB 248 232 166

HSL 48.29, 0.85%, 0.81%

LAB 91.87, -4.07, 34.12

 

CMYK 0 / 13 / 64 / 5

HEX #F2D358

RGB 242 211 88

HSL 47.92, 0.86%, 0.65%

LAB 85.08, -2.83, 63

 

CMYK 62 / 0 / 63 / 5

HEX #5CF359

RGB 92 243 89

HSL 118.83, 0.87%, 0.65%

LAB 85.55, -68.53, 60.68

 

CMYK 39 / 63 / 0 / 5

HEX #9459F3

RGB 148 89 243

HSL 262.99, 0.87%, 0.65%

LAB 51.74, 55.73, -68.77

 

CMYK 0 / 13 / 64 / 5

HEX #F2D358

RGB 242 211 88

HSL 47.92, 0.86%, 0.65%

LAB 85.08, -2.83, 63

 

CMYK 63 / 0 / 14 / 5

HEX #59F3D1

RGB 89 243 209

HSL 166.75, 0.87%, 0.65%

LAB 87.4, -48.41, 4.46

 

CMYK 14 / 63 / 0 / 5

HEX #D159F3

RGB 209 89 243

HSL 286.75, 0.87%, 0.65%

LAB 59.13, 68.84, -56.48

 

CMYK 0 / 13 / 64 / 5

HEX #F2D358

RGB 242 211 88

HSL 47.92, 0.86%, 0.65%

LAB 85.08, -2.83, 63

 

CMYK 62 / 0 / 63 / 5

HEX #5CF359

RGB 92 243 89

HSL 118.83, 0.87%, 0.65%

LAB 85.55, -68.53, 60.68

 

CMYK 63 / 50 / 0 / 5

HEX #597AF3

RGB 89 122 243

HSL 227.14, 0.87%, 0.65%

LAB 54.57, 25.55, -64.42

 

CMYK 1 / 63 / 0 / 5

HEX #F059F3

RGB 240 89 243

HSL 298.83, 0.87%, 0.65%

LAB 63.46, 75.88, -49.34

 

CMYK 0 / 13 / 64 / 5

HEX #F2D358

RGB 242 211 88

HSL 47.92, 0.86%, 0.65%

LAB 85.08, -2.83, 63

 

CMYK 63 / 0 / 46 / 5

HEX #59F384

RGB 89 243 132

HSL 136.75, 0.87%, 0.65%

LAB 85.95, -63.71, 41.7

 

CMYK 63 / 50 / 0 / 5

HEX #597AF3

RGB 89 122 243

HSL 227.14, 0.87%, 0.65%

LAB 54.57, 25.55, -64.42

 

CMYK 0 / 63 / 18 / 5

HEX #F359C7

RGB 243 89 199

HSL 317.14, 0.87%, 0.65%

LAB 61.93, 69.97, -27.02

 

Description

Color code: HEX #F2D358 | qconv.com Color code: HEX #F2D358 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 211 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 211 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 64 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 64% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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