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Color name
HEX #F2CC76

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2CC76 it is the complementary color #0D3389. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2CC76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2CC76 shade: #F7CC71, #FFDE84, #FFF097, #FFFFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2CC76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2CC76 shade: #F2CC76, #E1BA63, #D0A850, #BF963D and #AE842A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2CC76 shade: #F2CD78, #F2AC78, #F28B78 and #F27878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2CC76 shade: #F2CD78, #F2EE78, #D6F278, #B5F278 and #94F278

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2CC76 shade matches the following richer shades: #F2CD78 and #FED16C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2CC76 shade: #F2CD78, #E6C884, #DAC490, #CFBF9C and #C3BAA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2CC76 shade: #F28A78, #F2AB78, #F2CC78, #F2EC78 and #D8F278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2CC76 shade: #EBB12C, #EFBF52, #F2CD78, #F6DB9D and #F9E9C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2CC76 shade: #F2CC76, #86F278 and #9A78F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2CC76 shade: #F2CC76, #78F2CC and #CC78F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2CC76 shade: #F2CC76, #86F278, #789FF2 and #E478F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2CC76 shade: #F2CC76, #78F28E, #789FF2 and #F278DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 51 / 5

HEX #F2CC76

RGB 242 204 118

HSL 41.61, 0.83%, 0.71%

LAB 83.64, 2.95, 47.5

 

Complementary color

CMYK 91 / 63 / 0 / 46

HEX #0D3389

RGB 13 51 137

HSL 221.61, 0.83%, 0.29%

LAB 24.51, 22.97, -51.27

 

CMYK 0 / 17 / 54 / 3

HEX #F7CC71

RGB 247 204 113

HSL 40.75, 0.89%, 0.71%

LAB 84.04, 4.56, 50.53

 

CMYK 0 / 13 / 48 / 0

HEX #FFDE84

RGB 255 222 132

HSL 43.9, 1%, 0.76%

LAB 89.47, 0.17, 48.09

 

CMYK 0 / 6 / 41 / 0

HEX #FFF097

RGB 255 240 151

HSL 51.35, 1%, 0.8%

LAB 94.23, -7.05, 44.78

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 16 / 51 / 5

HEX #F2CC76

RGB 242 204 118

HSL 41.61, 0.83%, 0.71%

LAB 83.64, 2.95, 47.5

 

CMYK 0 / 17 / 56 / 12

HEX #E1BA63

RGB 225 186 99

HSL 41.43, 0.68%, 0.64%

LAB 77.3, 3.79, 48.77

 

CMYK 0 / 19 / 62 / 18

HEX #D0A850

RGB 208 168 80

HSL 41.25, 0.58%, 0.56%

LAB 70.87, 4.78, 50.02

 

CMYK 0 / 21 / 68 / 25

HEX #BF963D

RGB 191 150 61

HSL 41.08, 0.52%, 0.49%

LAB 64.34, 5.94, 51.16

 

CMYK 0 / 24 / 76 / 32

HEX #AE842A

RGB 174 132 42

HSL 40.91, 0.61%, 0.42%

LAB 57.72, 7.33, 51.99

 

CMYK 0 / 15 / 50 / 5

HEX #F2CD78

RGB 242 205 120

HSL 41.8, 0.82%, 0.71%

LAB 83.91, 2.6, 46.85

 

CMYK 0 / 29 / 50 / 5

HEX #F2AC78

RGB 242 172 120

HSL 25.57, 0.82%, 0.71%

LAB 75.91, 19.89, 36.84

HEX #F2AC78

CMYK 0 / 43 / 50 / 5

HEX #F28B78

RGB 242 139 120

HSL 9.34, 0.82%, 0.71%

LAB 68.53, 37.21, 27.25

HEX #F28B78

CMYK 0 / 50 / 50 / 5

HEX #F27878

RGB 242 120 120

HSL 0, 0.82%, 0.71%

LAB 64.7, 46.78, 22.12

HEX #F27878

CMYK 0 / 15 / 50 / 5

HEX #F2CD78

RGB 242 205 120

HSL 41.8, 0.82%, 0.71%

LAB 83.91, 2.6, 46.85

 

CMYK 0 / 2 / 50 / 5

HEX #F2EE78

RGB 242 238 120

HSL 58.03, 0.82%, 0.71%

LAB 92.3, -14.03, 56.94

 

CMYK 12 / 0 / 50 / 5

HEX #D6F278

RGB 214 242 120

HSL 73.77, 0.82%, 0.71%

LAB 91.31, -26.86, 55.25

 

CMYK 25 / 0 / 50 / 5

HEX #B5F278

RGB 181 242 120

HSL 90, 0.82%, 0.71%

LAB 89.24, -39.02, 52.29

 

CMYK 39 / 0 / 50 / 5

HEX #94F278

RGB 148 242 120

HSL 106.23, 0.82%, 0.71%

LAB 87.56, -50, 49.86

 

CMYK 0 / 15 / 50 / 5

HEX #F2CD78

RGB 242 205 120

HSL 41.8, 0.82%, 0.71%

LAB 83.91, 2.6, 46.85

 

CMYK 0 / 18 / 57 / 0

HEX #FED16C

RGB 254 209 108

HSL 41.51, 0.99%, 0.71%

LAB 85.88, 4.46, 55.24

 

CMYK 0 / 15 / 50 / 5

HEX #F2CD78

RGB 242 205 120

HSL 41.8, 0.82%, 0.71%

LAB 83.91, 2.6, 46.85

 

CMYK 0 / 13 / 43 / 10

HEX #E6C884

RGB 230 200 132

HSL 41.63, 0.66%, 0.71%

LAB 81.73, 1.52, 37.86

 

CMYK 0 / 10 / 34 / 15

HEX #DAC490

RGB 218 196 144

HSL 42.16, 0.5%, 0.71%

LAB 79.84, 0.21, 28.97

 

CMYK 0 / 8 / 25 / 19

HEX #CFBF9C

RGB 207 191 156

HSL 41.18, 0.35%, 0.71%

LAB 77.83, 0.16, 19.73

 

CMYK 0 / 5 / 14 / 24

HEX #C3BAA8

RGB 195 186 168

HSL 40, 0.18%, 0.71%

LAB 75.79, 0.11, 10.26

 

CMYK 0 / 43 / 50 / 5

HEX #F28A78

RGB 242 138 120

HSL 8.85, 0.82%, 0.71%

LAB 68.32, 37.73, 26.97

 

CMYK 0 / 29 / 50 / 5

HEX #F2AB78

RGB 242 171 120

HSL 25.08, 0.82%, 0.71%

LAB 75.67, 20.42, 36.54

 

CMYK 0 / 16 / 50 / 5

HEX #F2CC78

RGB 242 204 120

HSL 41.31, 0.82%, 0.71%

LAB 83.66, 3.12, 46.55

 

CMYK 0 / 2 / 50 / 5

HEX #F2EC78

RGB 242 236 120

HSL 57.05, 0.82%, 0.71%

LAB 91.79, -13.05, 56.33

 

CMYK 11 / 0 / 50 / 5

HEX #D8F278

RGB 216 242 120

HSL 72.79, 0.82%, 0.71%

LAB 91.44, -26.1, 55.45

 

CMYK 0 / 25 / 81 / 8

HEX #EBB12C

RGB 235 177 44

HSL 41.78, 0.83%, 0.55%

LAB 75.63, 9.84, 70.1

 

CMYK 0 / 20 / 66 / 6

HEX #EFBF52

RGB 239 191 82

HSL 41.66, 0.83%, 0.63%

LAB 79.74, 5.87, 59.76

 

CMYK 0 / 15 / 50 / 5

HEX #F2CD78

RGB 242 205 120

HSL 41.8, 0.82%, 0.71%

LAB 83.91, 2.6, 46.85

 

CMYK 0 / 11 / 36 / 4

HEX #F6DB9D

RGB 246 219 157

HSL 41.8, 0.83%, 0.79%

LAB 88.3, 0.72, 33.93

 

CMYK 0 / 6 / 22 / 2

HEX #F9E9C3

RGB 249 233 195

HSL 42.22, 0.82%, 0.87%

LAB 92.73, -0.44, 20.45

 

CMYK 0 / 16 / 51 / 5

HEX #F2CC76

RGB 242 204 118

HSL 41.61, 0.83%, 0.71%

LAB 83.64, 2.95, 47.5

 

CMYK 45 / 0 / 50 / 5

HEX #86F278

RGB 134 242 120

HSL 113.11, 0.82%, 0.71%

LAB 86.96, -54.18, 48.99

 

CMYK 36 / 50 / 0 / 5

HEX #9A78F2

RGB 154 120 242

HSL 256.72, 0.82%, 0.71%

LAB 58.71, 39.98, -56.96

 

CMYK 0 / 16 / 51 / 5

HEX #F2CC76

RGB 242 204 118

HSL 41.61, 0.83%, 0.71%

LAB 83.64, 2.95, 47.5

 

CMYK 50 / 0 / 16 / 5

HEX #78F2CC

RGB 120 242 204

HSL 161.31, 0.82%, 0.71%

LAB 87.9, -43.15, 7.9

 

CMYK 16 / 50 / 0 / 5

HEX #CC78F2

RGB 204 120 242

HSL 281.31, 0.82%, 0.71%

LAB 63.9, 52.78, -48.39

 

CMYK 0 / 16 / 51 / 5

HEX #F2CC76

RGB 242 204 118

HSL 41.61, 0.83%, 0.71%

LAB 83.64, 2.95, 47.5

 

CMYK 45 / 0 / 50 / 5

HEX #86F278

RGB 134 242 120

HSL 113.11, 0.82%, 0.71%

LAB 86.96, -54.18, 48.99

 

CMYK 50 / 34 / 0 / 5

HEX #789FF2

RGB 120 159 242

HSL 220.82, 0.82%, 0.71%

LAB 65.9, 9.3, -45.71

 

CMYK 6 / 50 / 0 / 5

HEX #E478F2

RGB 228 120 242

HSL 293.11, 0.82%, 0.71%

LAB 66.78, 59.2, -43.67

 

CMYK 0 / 16 / 51 / 5

HEX #F2CC76

RGB 242 204 118

HSL 41.61, 0.83%, 0.71%

LAB 83.64, 2.95, 47.5

 

CMYK 50 / 0 / 41 / 5

HEX #78F28E

RGB 120 242 142

HSL 130.82, 0.82%, 0.71%

LAB 86.73, -54.89, 37.98

 

CMYK 50 / 34 / 0 / 5

HEX #789FF2

RGB 120 159 242

HSL 220.82, 0.82%, 0.71%

LAB 65.9, 9.3, -45.71

 

CMYK 0 / 50 / 9 / 5

HEX #F278DC

RGB 242 120 220

HSL 310.82, 0.82%, 0.71%

LAB 67.63, 59.31, -30.03

 

Description

Color code: HEX #F2CC76 | qconv.com Color code: HEX #F2CC76 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 204 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 204 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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