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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2C93ACE it is the complementary color #0D36C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2C93ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2C93ACE shade: #F7C935CE, #FFDB48CE, #FFED5BCE, #FFFF6ECE and #FFFF81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2C93ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2C93ACE shade: #F2C93ACE, #E1B727CE, #D0A514CE, #BF9301CE and #AE8100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2C93ACE shade: #F2C93A, #F2983A, #F2663A and #F23A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2C93ACE shade: #F2C93A, #EAF23A, #B8F23A, #87F23A and #55F23A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2C93ACE shade matches the following richer shades: #F2C93A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2C93ACE shade: #F2C93A, #E2C04B, #D1B75C, #C0AD6D and #AFA47E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2C93ACE shade: #F2653A, #F2963A, #F2C83A, #ECF23A and #BBF23A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2C93ACE shade: #CDA20D, #F0BF14, #F2C93A, #F5D461 and #F7DF88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2C93ACE shade: #F2C93A, #41F23A and #7E3AF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2C93ACE shade: #F2C93A, #3AF2C8 and #C83AF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2C93ACE shade: #F2C93A, #41F23A, #3A65F2 and #EC3AF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2C93ACE shade: #F2C93A, #3AF26C, #3A65F2 and #F23AC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 62 / 4

HEX #F2C93ACE

RGBA 242 201 58 0.81

HSLA 46.63, 0.88%, 0.59%, 0.81

LABA 82.36, 0.81, 71.87, 0.81

 

Complementary color

CMYK 76 / 59 / 0 / 18

HEX #0D36C5CE

RGBA 13 54 197 0.81

HSLA 226.63, 0.88%, 0.41%, 0.81

LABA 31.24, 44.12, -76.38, 0.81

 

CMYK 0 / 15 / 64 / 3

HEX #F7C935CE

RGBA 247 201 53 0.81

HSLA 45.77, 0.92%, 0.59%, 0.81

LABA 82.81, 2.75, 74.1, 0.81

 

CMYK 0 / 11 / 58 / 0

HEX #FFDB48CE

RGBA 255 219 72 0.81

HSLA 48.2, 1%, 0.64%, 0.81

LABA 88.16, -2.33, 72.88, 0.81

 

CMYK 0 / 6 / 52 / 0

HEX #FFED5BCE

RGBA 255 237 91 0.81

HSLA 53.41, 1%, 0.68%, 0.81

LABA 92.83, -10.35, 70.34, 0.81

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF6ECE

RGBA 255 255 110 0.81

HSLA 60, 1%, 0.72%, 0.81

LABA 97.59, -17.91, 67.66, 0.81

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF81CE

RGBA 255 255 129 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.78, -16.46, 59.54, 0.81

 

CMYK 0 / 14 / 62 / 4

HEX #F2C93ACE

RGBA 242 201 58 0.81

HSLA 46.63, 0.88%, 0.59%, 0.81

LABA 82.36, 0.81, 71.87, 0.81

 

CMYK 0 / 15 / 67 / 10

HEX #E1B727CE

RGBA 225 183 39 0.81

HSLA 46.45, 0.76%, 0.52%, 0.81

LABA 76.08, 2.23, 71.56, 0.81

 

CMYK 0 / 17 / 73 / 15

HEX #D0A514CE

RGBA 208 165 20 0.81

HSLA 46.28, 0.82%, 0.45%, 0.81

LABA 69.73, 3.88, 70.19, 0.81

 

CMYK 0 / 19 / 81 / 20

HEX #BF9301CE

RGBA 191 147 1 0.81

HSLA 46.11, 0.99%, 0.38%, 0.81

LABA 63.3, 5.76, 67.51, 0.81

 

CMYK 0 / 21 / 81 / 26

HEX #AE8100CE

RGBA 174 129 0 0.81

HSLA 44.48, 1%, 0.34%, 0.81

LABA 56.78, 7.95, 62.3, 0.81

 

CMYK 0 / 17 / 76 / 5

HEX #F2C93A

RGB 242 201 58

HSL 46.63, 0.88%, 0.59%

LAB 82.36, 0.81, 71.87

 

CMYK 0 / 37 / 76 / 5

HEX #F2983A

RGB 242 152 58

HSL 30.65, 0.88%, 0.59%

LAB 70.62, 26.48, 60.71

 

CMYK 0 / 58 / 76 / 5

HEX #F2663A

RGB 242 102 58

HSL 14.35, 0.88%, 0.59%

LAB 60.5, 51.49, 50.58

 

CMYK 0 / 76 / 76 / 5

HEX #F23A3A

RGB 242 58 58

HSL 0, 0.88%, 0.59%

LAB 54.25, 68.42, 44.01

 

CMYK 0 / 17 / 76 / 5

HEX #F2C93A

RGB 242 201 58

HSL 46.63, 0.88%, 0.59%

LAB 82.36, 0.81, 71.87

 

CMYK 3 / 0 / 76 / 5

HEX #EAF23A

RGB 234 242 58

HSL 62.61, 0.88%, 0.59%

LAB 92.27, -22.9, 80.7

 

CMYK 24 / 0 / 76 / 5

HEX #B8F23A

RGB 184 242 58

HSL 78.91, 0.88%, 0.59%

LAB 88.92, -42.57, 76.4

 

CMYK 44 / 0 / 76 / 5

HEX #87F23A

RGB 135 242 58

HSL 94.89, 0.88%, 0.59%

LAB 86.48, -59.38, 73.24

 

CMYK 65 / 0 / 76 / 5

HEX #55F23A

RGB 85 242 58

HSL 111.2, 0.88%, 0.59%

LAB 84.86, -72.12, 71.12

 

CMYK 0 / 17 / 76 / 5

HEX #F2C93A

RGB 242 201 58

HSL 46.63, 0.88%, 0.59%

LAB 82.36, 0.81, 71.87

 

CMYK 0 / 17 / 76 / 5

HEX #F2C93A

RGB 242 201 58

HSL 46.63, 0.88%, 0.59%

LAB 82.36, 0.81, 71.87

 

CMYK 0 / 15 / 67 / 11

HEX #E2C04B

RGB 226 192 75

HSL 46.49, 0.72%, 0.59%

LAB 78.68, -0.52, 61.25

 

CMYK 0 / 12 / 56 / 18

HEX #D1B75C

RGB 209 183 92

HSL 46.67, 0.56%, 0.59%

LAB 74.95, -1.86, 49.01

 

CMYK 0 / 10 / 43 / 25

HEX #C0AD6D

RGB 192 173 109

HSL 46.27, 0.4%, 0.59%

LAB 71.01, -2.09, 35.32

 

CMYK 0 / 6 / 28 / 31

HEX #AFA47E

RGB 175 164 126

HSL 46.53, 0.23%, 0.59%

LAB 67.41, -2.08, 21.2

 

CMYK 0 / 58 / 76 / 5

HEX #F2653A

RGB 242 101 58

HSL 14.02, 0.88%, 0.59%

LAB 60.33, 51.94, 50.4

 

CMYK 0 / 38 / 76 / 5

HEX #F2963A

RGB 242 150 58

HSL 30, 0.88%, 0.59%

LAB 70.17, 27.53, 60.27

 

CMYK 0 / 17 / 76 / 5

HEX #F2C83A

RGB 242 200 58

HSL 46.3, 0.88%, 0.59%

LAB 82.1, 1.32, 71.63

 

CMYK 2 / 0 / 76 / 5

HEX #ECF23A

RGB 236 242 58

HSL 61.96, 0.88%, 0.59%

LAB 92.42, -22.09, 80.89

 

CMYK 23 / 0 / 76 / 5

HEX #BBF23A

RGB 187 242 58

HSL 77.93, 0.88%, 0.59%

LAB 89.1, -41.45, 76.63

 

CMYK 0 / 21 / 94 / 20

HEX #CDA20D

RGB 205 162 13

HSL 46.56, 0.88%, 0.43%

LAB 68.64, 4.06, 70.39

 

CMYK 0 / 20 / 92 / 6

HEX #F0BF14

RGB 240 191 20

HSL 46.64, 0.88%, 0.51%

LAB 79.52, 4.15, 79.02

 

CMYK 0 / 17 / 76 / 5

HEX #F2C93A

RGB 242 201 58

HSL 46.63, 0.88%, 0.59%

LAB 82.36, 0.81, 71.87

 

CMYK 0 / 13 / 60 / 4

HEX #F5D461

RGB 245 212 97

HSL 46.62, 0.88%, 0.67%

LAB 85.69, -1.53, 59.82

 

CMYK 0 / 10 / 45 / 3

HEX #F7DF88

RGB 247 223 136

HSL 47.03, 0.87%, 0.75%

LAB 89.08, -3.13, 45.49

 

CMYK 0 / 17 / 76 / 5

HEX #F2C93A

RGB 242 201 58

HSL 46.63, 0.88%, 0.59%

LAB 82.36, 0.81, 71.87

 

CMYK 73 / 0 / 76 / 5

HEX #41F23A

RGB 65 242 58

HSL 117.72, 0.88%, 0.59%

LAB 84.45, -75.63, 70.57

 

CMYK 48 / 76 / 0 / 5

HEX #7E3AF2

RGB 126 58 242

HSL 262.17, 0.88%, 0.59%

LAB 44.05, 66.34, -80.84

 

CMYK 0 / 17 / 76 / 5

HEX #F2C93A

RGB 242 201 58

HSL 46.63, 0.88%, 0.59%

LAB 82.36, 0.81, 71.87

 

CMYK 76 / 0 / 17 / 5

HEX #3AF2C8

RGB 58 242 200

HSL 166.3, 0.88%, 0.59%

LAB 86.29, -54.35, 7.48

 

CMYK 17 / 76 / 0 / 5

HEX #C83AF2

RGB 200 58 242

HSL 286.3, 0.88%, 0.59%

LAB 53.72, 78.35, -64.67

 

CMYK 0 / 17 / 76 / 5

HEX #F2C93A

RGB 242 201 58

HSL 46.63, 0.88%, 0.59%

LAB 82.36, 0.81, 71.87

 

CMYK 73 / 0 / 76 / 5

HEX #41F23A

RGB 65 242 58

HSL 117.72, 0.88%, 0.59%

LAB 84.45, -75.63, 70.57

 

CMYK 76 / 58 / 0 / 5

HEX #3A65F2

RGB 58 101 242

HSL 225.98, 0.88%, 0.59%

LAB 47.77, 34.07, -74.94

 

CMYK 2 / 76 / 0 / 5

HEX #EC3AF2

RGB 236 58 242

HSL 298.04, 0.88%, 0.59%

LAB 59.22, 85.05, -55.55

 

CMYK 0 / 17 / 76 / 5

HEX #F2C93A

RGB 242 201 58

HSL 46.63, 0.88%, 0.59%

LAB 82.36, 0.81, 71.87

 

CMYK 76 / 0 / 55 / 5

HEX #3AF26C

RGB 58 242 108

HSL 136.3, 0.88%, 0.59%

LAB 84.73, -71.75, 51.34

 

CMYK 76 / 58 / 0 / 5

HEX #3A65F2

RGB 58 101 242

HSL 225.98, 0.88%, 0.59%

LAB 47.77, 34.07, -74.94

 

CMYK 0 / 76 / 20 / 5

HEX #F23AC1

RGB 242 58 193

HSL 315.98, 0.88%, 0.59%

LAB 57.8, 79.38, -29.99

 

Description

Color code: HEX #F2C93ACE | qconv.com Color code: HEX #F2C93ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 201 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 201 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 62 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 62% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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