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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2C6BCCE it is the complementary color #0D3943CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2C6BCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2C6BCCE shade: #F7C6B7CE, #FFD8CACE, #FFEADDCE, #FFFCF0CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2C6BCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2C6BCCE shade: #F2C6BCCE, #E1B4A9CE, #D0A296CE, #BF9083CE and #AE7E70CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2C6BCCE shade: #F2C5BA and #F2BABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2C6BCCE shade: #F2C5BA, #F2D4BA, #F2E3BA, #F2F2BA and #E3F2BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2C6BCCE shade matches the following richer shades: #F2C5BA and #F9C1B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2C6BCCE shade: #F2C5BA, #EBC9C1, #E5CDC8, #DED1CE and #D8D5D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2C6BCCE shade: #F2BACE, #F2BABF, #F2C5BA, #F2D3BA and #F2E2BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2C6BCCE shade: #E58A75, #EBA798, #F2C5BA, #F9E2DD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2C6BCCE shade: #F2C6BC, #DDF2BA and #BAC6F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2C6BCCE shade: #F2C6BC, #BAF2C5 and #C5BAF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2C6BCCE shade: #F2C6BC, #DDF2BA, #BAE8F2 and #D0BAF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2C6BCCE shade: #F2C6BC, #CCF2BA, #BAE8F2 and #E0BAF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 18 / 4

HEX #F2C6BCCE

RGBA 242 198 188 0.81

HSLA 11.11, 0.68%, 0.84%, 0.81

LABA 83.39, 14.12, 10.88, 0.81

 

Complementary color

CMYK 65 / 12 / 0 / 60

HEX #0D3943CE

RGBA 13 57 67 0.81

HSLA 191.11, 0.68%, 0.16%, 0.81

LABA 21.64, -10.79, -10.48, 0.81

 

CMYK 0 / 16 / 21 / 3

HEX #F7C6B7CE

RGBA 247 198 183 0.81

HSLA 14.06, 0.8%, 0.84%, 0.81

LABA 83.75, 15.26, 14.12, 0.81

 

CMYK 0 / 12 / 17 / 0

HEX #FFD8CACE

RGBA 255 216 202 0.81

HSLA 15.85, 1%, 0.9%, 0.81

LABA 89.22, 11.47, 11.94, 0.81

 

CMYK 0 / 7 / 11 / 0

HEX #FFEADDCE

RGBA 255 234 221 0.81

HSLA 22.94, 1%, 0.93%, 0.81

LABA 94.02, 5.04, 8.88, 0.81

 

CMYK 0 / 1 / 5 / 0

HEX #FFFCF0CE

RGBA 255 252 240 0.81

HSLA 48, 1%, 0.97%, 0.81

LABA 98.9, -1.04, 6.08, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 15 / 18 / 4

HEX #F2C6BCCE

RGBA 242 198 188 0.81

HSLA 11.11, 0.68%, 0.84%, 0.81

LABA 83.39, 14.12, 10.88, 0.81

 

CMYK 0 / 16 / 20 / 10

HEX #E1B4A9CE

RGBA 225 180 169 0.81

HSLA 11.79, 0.48%, 0.77%, 0.81

LABA 76.99, 14.66, 11.79, 0.81

 

CMYK 0 / 18 / 23 / 15

HEX #D0A296CE

RGBA 208 162 150 0.81

HSLA 12.41, 0.38%, 0.7%, 0.81

LABA 70.49, 15.26, 12.76, 0.81

 

CMYK 0 / 20 / 25 / 20

HEX #BF9083CE

RGBA 191 144 131 0.81

HSLA 13, 0.32%, 0.63%, 0.81

LABA 63.89, 15.93, 13.81, 0.81

 

CMYK 0 / 22 / 29 / 26

HEX #AE7E70CE

RGBA 174 126 112 0.81

HSLA 13.55, 0.28%, 0.56%, 0.81

LABA 57.16, 16.7, 14.96, 0.81

 

CMYK 0 / 19 / 23 / 5

HEX #F2C5BA

RGB 242 197 186

HSL 11.79, 0.68%, 0.84%

LAB 83.1, 14.36, 11.54

 

CMYK 0 / 23 / 23 / 5

HEX #F2BABA

RGB 242 186 186

HSL 0, 0.68%, 0.84%

LAB 80.48, 20.17, 7.81

 

CMYK 0 / 19 / 23 / 5

HEX #F2C5BA

RGB 242 197 186

HSL 11.79, 0.68%, 0.84%

LAB 83.1, 14.36, 11.54

 

CMYK 0 / 12 / 23 / 5

HEX #F2D4BA

RGB 242 212 186

HSL 27.86, 0.68%, 0.84%

LAB 86.76, 6.51, 16.7

 

CMYK 0 / 6 / 23 / 5

HEX #F2E3BA

RGB 242 227 186

HSL 43.93, 0.68%, 0.84%

LAB 90.49, -1.21, 21.9

 

CMYK 0 / 0 / 23 / 5

HEX #F2F2BA

RGB 242 242 186

HSL 60, 0.68%, 0.84%

LAB 94.28, -8.77, 27.12

 

CMYK 6 / 0 / 23 / 5

HEX #E3F2BA

RGB 227 242 186

HSL 76.07, 0.68%, 0.84%

LAB 93.18, -14.19, 25.43

 

CMYK 0 / 19 / 23 / 5

HEX #F2C5BA

RGB 242 197 186

HSL 11.79, 0.68%, 0.84%

LAB 83.1, 14.36, 11.54

 

CMYK 0 / 22 / 28 / 2

HEX #F9C1B4

RGB 249 193 180

HSL 11.3, 0.85%, 0.84%

LAB 82.69, 18.23, 14.25

 

CMYK 0 / 19 / 23 / 5

HEX #F2C5BA

RGB 242 197 186

HSL 11.79, 0.68%, 0.84%

LAB 83.1, 14.36, 11.54

 

CMYK 0 / 14 / 18 / 8

HEX #EBC9C1

RGB 235 201 193

HSL 11.43, 0.51%, 0.84%

LAB 83.59, 10.73, 8.43

 

CMYK 0 / 10 / 13 / 10

HEX #E5CDC8

RGB 229 205 200

HSL 10.34, 0.36%, 0.84%

LAB 84.22, 7.56, 5.53

 

CMYK 0 / 6 / 7 / 13

HEX #DED1CE

RGB 222 209 206

HSL 11.25, 0.2%, 0.84%

LAB 84.79, 3.98, 3.09

 

CMYK 0 / 1 / 1 / 15

HEX #D8D5D5

RGB 216 213 213

HSL 0, 0.04%, 0.84%

LAB 85.5, 1.03, 0.35

 

CMYK 0 / 23 / 15 / 5

HEX #F2BACE

RGB 242 186 206

HSL 338.57, 0.68%, 0.84%

LAB 80.99, 23.18, -2.24

 

CMYK 0 / 23 / 21 / 5

HEX #F2BABF

RGB 242 186 191

HSL 354.64, 0.68%, 0.84%

LAB 80.6, 20.89, 5.29

 

CMYK 0 / 19 / 23 / 5

HEX #F2C5BA

RGB 242 197 186

HSL 11.79, 0.68%, 0.84%

LAB 83.1, 14.36, 11.54

 

CMYK 0 / 13 / 23 / 5

HEX #F2D3BA

RGB 242 211 186

HSL 26.79, 0.68%, 0.84%

LAB 86.51, 7.03, 16.36

 

CMYK 0 / 7 / 23 / 5

HEX #F2E2BA

RGB 242 226 186

HSL 42.86, 0.68%, 0.84%

LAB 90.24, -0.7, 21.55

 

CMYK 0 / 40 / 49 / 10

HEX #E58A75

RGB 229 138 117

HSL 11.25, 0.68%, 0.68%

LAB 66.61, 32.49, 26.06

 

CMYK 0 / 29 / 35 / 8

HEX #EBA798

RGB 235 167 152

HSL 10.84, 0.67%, 0.76%

LAB 74.55, 23.16, 17.76

 

CMYK 0 / 19 / 23 / 5

HEX #F2C5BA

RGB 242 197 186

HSL 11.79, 0.68%, 0.84%

LAB 83.1, 14.36, 11.54

 

CMYK 0 / 9 / 11 / 2

HEX #F9E2DD

RGB 249 226 221

HSL 10.71, 0.7%, 0.92%

LAB 91.57, 7.05, 5.29

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 18 / 22 / 5

HEX #F2C6BC

RGB 242 198 188

HSL 11.11, 0.68%, 0.84%

LAB 83.39, 14.12, 10.88

 

CMYK 9 / 0 / 23 / 5

HEX #DDF2BA

RGB 221 242 186

HSL 82.5, 0.68%, 0.84%

LAB 92.76, -16.33, 24.79

 

CMYK 23 / 18 / 0 / 5

HEX #BAC6F2

RGB 186 198 242

HSL 227.14, 0.68%, 0.84%

LAB 80.31, 5.19, -23.07

 

CMYK 0 / 18 / 22 / 5

HEX #F2C6BC

RGB 242 198 188

HSL 11.11, 0.68%, 0.84%

LAB 83.39, 14.12, 10.88

 

CMYK 23 / 0 / 19 / 5

HEX #BAF2C5

RGB 186 242 197

HSL 131.79, 0.68%, 0.84%

LAB 90.77, -26.39, 16.03

 

CMYK 19 / 23 / 0 / 5

HEX #C5BAF2

RGB 197 186 242

HSL 251.79, 0.68%, 0.84%

LAB 78.11, 15.04, -26.36

 

CMYK 0 / 18 / 22 / 5

HEX #F2C6BC

RGB 242 198 188

HSL 11.11, 0.68%, 0.84%

LAB 83.39, 14.12, 10.88

 

CMYK 9 / 0 / 23 / 5

HEX #DDF2BA

RGB 221 242 186

HSL 82.5, 0.68%, 0.84%

LAB 92.76, -16.33, 24.79

 

CMYK 23 / 4 / 0 / 5

HEX #BAE8F2

RGB 186 232 242

HSL 190.71, 0.68%, 0.84%

LAB 89.19, -12.58, -9.73

 

CMYK 14 / 23 / 0 / 5

HEX #D0BAF2

RGB 208 186 242

HSL 263.57, 0.68%, 0.84%

LAB 79.01, 18.45, -24.91

 

CMYK 0 / 18 / 22 / 5

HEX #F2C6BC

RGB 242 198 188

HSL 11.11, 0.68%, 0.84%

LAB 83.39, 14.12, 10.88

 

CMYK 16 / 0 / 23 / 5

HEX #CCF2BA

RGB 204 242 186

HSL 100.71, 0.68%, 0.84%

LAB 91.63, -22.26, 23.06

 

CMYK 23 / 4 / 0 / 5

HEX #BAE8F2

RGB 186 232 242

HSL 190.71, 0.68%, 0.84%

LAB 89.19, -12.58, -9.73

 

CMYK 7 / 23 / 0 / 5

HEX #E0BAF2

RGB 224 186 242

HSL 280.71, 0.68%, 0.84%

LAB 80.39, 23.51, -22.67

 

Description

Color code: HEX #F2C6BCCE | qconv.com Color code: HEX #F2C6BCCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 198 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 198 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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