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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2C693CE it is the complementary color #0D396CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2C693CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2C693CE shade: #F7C68ECE, #FFD8A1CE, #FFEAB4CE, #FFFCC7CE and #FFFFDACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2C693CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2C693CE shade: #F2C693CE, #E1B480CE, #D0A26DCE, #BF905ACE and #AE7E47CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2C693CE shade: #F2C591, #F2AB91 and #F29191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2C693CE shade: #F2C591, #F2DF91, #EBF291, #D1F291 and #B7F291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2C693CE shade matches the following richer shades: #F2C591 and #FCC688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2C693CE shade: #F2C591, #E8C59B, #DEC4A5, #D4C3AF and #CBC2B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2C693CE shade: #F29191, #F2AB91, #F2C591, #F2DF91 and #ECF291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2C693CE shade: #E99F48, #EEB26D, #F2C591, #F6D9B6 and #FBECDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2C693CE shade: #F2C693, #ABF291 and #9E91F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2C693CE shade: #F2C693, #91F2C5 and #C591F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2C693CE shade: #F2C693, #ABF291, #91BFF2 and #D891F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2C693CE shade: #F2C693, #91F295, #91BFF2 and #F291EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 32 / 4

HEX #F2C693CE

RGBA 242 198 147 0.81

HSLA 32.21, 0.79%, 0.76%, 0.81

LABA 82.58, 8.91, 31.44, 0.81

 

Complementary color

CMYK 71 / 38 / 0 / 47

HEX #0D396CCE

RGBA 13 57 108 0.81

HSLA 212.21, 0.79%, 0.24%, 0.81

LABA 23.98, 6.32, -33.78, 0.81

 

CMYK 0 / 16 / 34 / 3

HEX #F7C68ECE

RGBA 247 198 142 0.81

HSLA 32, 0.87%, 0.76%, 0.81

LABA 82.97, 10.34, 34.64, 0.81

 

CMYK 0 / 12 / 30 / 0

HEX #FFD8A1CE

RGBA 255 216 161 0.81

HSLA 35.11, 1%, 0.82%, 0.81

LABA 88.42, 6.18, 32.18, 0.81

 

CMYK 0 / 7 / 24 / 0

HEX #FFEAB4CE

RGBA 255 234 180 0.81

HSLA 43.2, 1%, 0.85%, 0.81

LABA 93.19, -0.73, 28.86, 0.81

 

CMYK 0 / 1 / 18 / 0

HEX #FFFCC7CE

RGBA 255 252 199 0.81

HSLA 56.79, 1%, 0.89%, 0.81

LABA 98.04, -7.25, 25.81, 0.81

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFDACE

RGBA 255 255 218 0.81

HSLA 60, 1%, 0.93%, 0.81

LABA 99.16, -6.02, 17.71, 0.81

 

CMYK 0 / 15 / 32 / 4

HEX #F2C693CE

RGBA 242 198 147 0.81

HSLA 32.21, 0.79%, 0.76%, 0.81

LABA 82.58, 8.91, 31.44, 0.81

 

CMYK 0 / 16 / 35 / 10

HEX #E1B480CE

RGBA 225 180 128 0.81

HSLA 32.16, 0.62%, 0.69%, 0.81

LABA 76.2, 9.61, 32.68, 0.81

 

CMYK 0 / 18 / 39 / 15

HEX #D0A26DCE

RGBA 208 162 109 0.81

HSLA 32.12, 0.51%, 0.62%, 0.81

LABA 69.72, 10.42, 33.99, 0.81

 

CMYK 0 / 20 / 43 / 20

HEX #BF905ACE

RGBA 191 144 90 0.81

HSLA 32.08, 0.44%, 0.55%, 0.81

LABA 63.14, 11.36, 35.4, 0.81

 

CMYK 0 / 22 / 48 / 26

HEX #AE7E47CE

RGBA 174 126 71 0.81

HSLA 32.04, 0.42%, 0.48%, 0.81

LABA 56.46, 12.46, 36.88, 0.81

 

CMYK 0 / 19 / 40 / 5

HEX #F2C591

RGB 242 197 145

HSL 32.16, 0.79%, 0.76%

LAB 82.3, 9.21, 32.11

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB91

RGB 242 171 145

HSL 16.08, 0.79%, 0.76%

LAB 76.1, 22.92, 23.8

 

CMYK 0 / 40 / 40 / 5

HEX #F29191

RGB 242 145 145

HSL 0, 0.79%, 0.76%

LAB 70.3, 36.59, 15.81

 

CMYK 0 / 19 / 40 / 5

HEX #F2C591

RGB 242 197 145

HSL 32.16, 0.79%, 0.76%

LAB 82.3, 9.21, 32.11

 

CMYK 0 / 8 / 40 / 5

HEX #F2DF91

RGB 242 223 145

HSL 48.25, 0.79%, 0.76%

LAB 88.78, -4.19, 40.56

 

CMYK 3 / 0 / 40 / 5

HEX #EBF291

RGB 235 242 145

HSL 64.33, 0.79%, 0.76%

LAB 93.11, -16.35, 45.96

 

CMYK 14 / 0 / 40 / 5

HEX #D1F291

RGB 209 242 145

HSL 80.41, 0.79%, 0.76%

LAB 91.28, -26.11, 43.26

 

CMYK 24 / 0 / 40 / 5

HEX #B7F291

RGB 183 242 145

HSL 96.49, 0.79%, 0.76%

LAB 89.68, -35.38, 40.89

 

CMYK 0 / 19 / 40 / 5

HEX #F2C591

RGB 242 197 145

HSL 32.16, 0.79%, 0.76%

LAB 82.3, 9.21, 32.11

 

CMYK 0 / 21 / 46 / 1

HEX #FCC688

RGB 252 198 136

HSL 32.07, 0.95%, 0.76%

LAB 83.37, 11.71, 38.34

 

CMYK 0 / 19 / 40 / 5

HEX #F2C591

RGB 242 197 145

HSL 32.16, 0.79%, 0.76%

LAB 82.3, 9.21, 32.11

 

CMYK 0 / 15 / 33 / 9

HEX #E8C59B

RGB 232 197 155

HSL 32.73, 0.63%, 0.76%

LAB 81.54, 6.47, 25.69

 

CMYK 0 / 12 / 26 / 13

HEX #DEC4A5

RGB 222 196 165

HSL 32.63, 0.46%, 0.76%

LAB 80.59, 4.48, 18.94

 

CMYK 0 / 8 / 17 / 17

HEX #D4C3AF

RGB 212 195 175

HSL 32.43, 0.3%, 0.76%

LAB 79.68, 2.72, 12.21

 

CMYK 0 / 4 / 9 / 20

HEX #CBC2B9

RGB 203 194 185

HSL 30, 0.15%, 0.76%

LAB 78.92, 1.59, 5.64

 

CMYK 0 / 40 / 40 / 5

HEX #F29191

RGB 242 145 145

HSL 0, 0.79%, 0.76%

LAB 70.3, 36.59, 15.81

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB91

RGB 242 171 145

HSL 16.08, 0.79%, 0.76%

LAB 76.1, 22.92, 23.8

 

CMYK 0 / 19 / 40 / 5

HEX #F2C591

RGB 242 197 145

HSL 32.16, 0.79%, 0.76%

LAB 82.3, 9.21, 32.11

 

CMYK 0 / 8 / 40 / 5

HEX #F2DF91

RGB 242 223 145

HSL 48.25, 0.79%, 0.76%

LAB 88.78, -4.19, 40.56

 

CMYK 2 / 0 / 40 / 5

HEX #ECF291

RGB 236 242 145

HSL 63.71, 0.79%, 0.76%

LAB 93.18, -15.97, 46.07

 

CMYK 0 / 32 / 69 / 9

HEX #E99F48

RGB 233 159 72

HSL 32.42, 0.79%, 0.6%

LAB 71.27, 19.69, 54.94

 

CMYK 0 / 25 / 54 / 7

HEX #EEB26D

RGB 238 178 109

HSL 32.09, 0.79%, 0.68%

LAB 76.75, 14.17, 43.47

 

CMYK 0 / 19 / 40 / 5

HEX #F2C591

RGB 242 197 145

HSL 32.16, 0.79%, 0.76%

LAB 82.3, 9.21, 32.11

 

CMYK 0 / 12 / 26 / 4

HEX #F6D9B6

RGB 246 217 182

HSL 32.81, 0.78%, 0.84%

LAB 88.25, 4.86, 20.94

 

CMYK 0 / 6 / 13 / 2

HEX #FBECDB

RGB 251 236 219

HSL 31.88, 0.8%, 0.92%

LAB 94.15, 2.31, 10.05

 

CMYK 0 / 18 / 39 / 5

HEX #F2C693

RGB 242 198 147

HSL 32.21, 0.79%, 0.76%

LAB 82.58, 8.91, 31.44

 

CMYK 29 / 0 / 40 / 5

HEX #ABF291

RGB 171 242 145

HSL 103.92, 0.79%, 0.76%

LAB 89.02, -39.43, 39.91

 

CMYK 35 / 40 / 0 / 5

HEX #9E91F2

RGB 158 145 242

HSL 248.04, 0.79%, 0.76%

LAB 64.91, 26.74, -47.1

 

CMYK 0 / 18 / 39 / 5

HEX #F2C693

RGB 242 198 147

HSL 32.21, 0.79%, 0.76%

LAB 82.58, 8.91, 31.44

 

CMYK 40 / 0 / 19 / 5

HEX #91F2C5

RGB 145 242 197

HSL 152.16, 0.79%, 0.76%

LAB 88.71, -38.49, 12.83

 

CMYK 19 / 40 / 0 / 5

HEX #C591F2

RGB 197 145 242

HSL 272.16, 0.79%, 0.76%

LAB 68.41, 37.56, -41.36

 

CMYK 0 / 18 / 39 / 5

HEX #F2C693

RGB 242 198 147

HSL 32.21, 0.79%, 0.76%

LAB 82.58, 8.91, 31.44

 

CMYK 29 / 0 / 40 / 5

HEX #ABF291

RGB 171 242 145

HSL 103.92, 0.79%, 0.76%

LAB 89.02, -39.43, 39.91

 

CMYK 40 / 21 / 0 / 5

HEX #91BFF2

RGB 145 191 242

HSL 211.55, 0.79%, 0.76%

LAB 75.88, -2.52, -30.08

 

CMYK 11 / 40 / 0 / 5

HEX #D891F2

RGB 216 145 242

HSL 283.92, 0.79%, 0.76%

LAB 70.36, 43.08, -38.17

 

CMYK 0 / 18 / 39 / 5

HEX #F2C693

RGB 242 198 147

HSL 32.21, 0.79%, 0.76%

LAB 82.58, 8.91, 31.44

 

CMYK 40 / 0 / 38 / 5

HEX #91F295

RGB 145 242 149

HSL 122.47, 0.79%, 0.76%

LAB 87.82, -46.98, 36.12

 

CMYK 40 / 21 / 0 / 5

HEX #91BFF2

RGB 145 191 242

HSL 211.55, 0.79%, 0.76%

LAB 75.88, -2.52, -30.08

 

CMYK 0 / 40 / 1 / 5

HEX #F291EF

RGB 242 145 239

HSL 301.86, 0.79%, 0.76%

LAB 73.13, 50.21, -32.01

 

Description

Color code: HEX #F2C693CE | qconv.com Color code: HEX #F2C693CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 198 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 198 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 32 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 32% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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