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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2C660CE it is the complementary color #0D399FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2C660CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2C660CE shade: #F7C65BCE, #FFD86ECE, #FFEA81CE, #FFFC94CE and #FFFFA7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2C660CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2C660CE shade: #F2C660CE, #E1B44DCE, #D0A23ACE, #BF9027CE and #AE7E14CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2C660CE shade: #F2C65F, #F29E5F, #F2765F and #F25F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2C660CE shade: #F2C65F, #F2ED5F, #CFF25F, #A7F25F and #7FF25F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2C660CE shade matches the following richer shades: #F2C65F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2C660CE shade: #F2C65F, #E4C06D, #D6BA7B, #C8B589 and #BAAF97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2C660CE shade: #F2755F, #F29C5F, #F2C35F, #F2EB5F and #D2F25F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2C660CE shade: #EBAA13, #EFB838, #F2C65F, #F5D385 and #F8E1AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2C660CE shade: #F2C660, #70F25F and #885FF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2C660CE shade: #F2C660, #5FF2C3 and #C35FF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2C660CE shade: #F2C660, #70F25F, #5F8DF2 and #E15FF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2C660CE shade: #F2C660, #5FF27A, #5F8DF2 and #F25FD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 49 / 4

HEX #F2C660CE

RGBA 242 198 96 0.81

HSLA 41.92, 0.85%, 0.66%, 0.81

LABA 81.9, 4.36, 55.93, 0.81

 

Complementary color

CMYK 74 / 52 / 0 / 30

HEX #0D399FCE

RGBA 13 57 159 0.81

HSLA 221.92, 0.85%, 0.34%, 0.81

LABA 28.15, 27.77, -58.82, 0.81

 

CMYK 0 / 16 / 51 / 3

HEX #F7C65BCE

RGBA 247 198 91 0.81

HSLA 41.15, 0.91%, 0.66%, 0.81

LABA 82.33, 6.11, 58.83, 0.81

 

CMYK 0 / 12 / 46 / 0

HEX #FFD86ECE

RGBA 255 216 110 0.81

HSLA 43.86, 1%, 0.72%, 0.81

LABA 87.73, 1.43, 56.47, 0.81

 

CMYK 0 / 7 / 40 / 0

HEX #FFEA81CE

RGBA 255 234 129 0.81

HSLA 50, 1%, 0.75%, 0.81

LABA 92.44, -6.14, 53.16, 0.81

 

CMYK 0 / 1 / 34 / 0

HEX #FFFC94CE

RGBA 255 252 148 0.81

HSLA 58.32, 1%, 0.79%, 0.81

LABA 97.24, -13.27, 50.01, 0.81

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFA7CE

RGBA 255 255 167 0.81

HSLA 60, 1%, 0.83%, 0.81

LABA 98.26, -12.73, 42.11, 0.81

 

CMYK 0 / 15 / 49 / 4

HEX #F2C660CE

RGBA 242 198 96 0.81

HSLA 41.92, 0.85%, 0.66%, 0.81

LABA 81.9, 4.36, 55.93, 0.81

 

CMYK 0 / 16 / 53 / 10

HEX #E1B44DCE

RGBA 225 180 77 0.81

HSLA 41.76, 0.71%, 0.59%, 0.81

LABA 75.57, 5.45, 57.05, 0.81

 

CMYK 0 / 18 / 58 / 15

HEX #D0A23ACE

RGBA 208 162 58 0.81

HSLA 41.6, 0.61%, 0.52%, 0.81

LABA 69.15, 6.71, 57.97, 0.81

 

CMYK 0 / 20 / 64 / 20

HEX #BF9027CE

RGBA 191 144 39 0.81

HSLA 41.45, 0.66%, 0.45%, 0.81

LABA 62.65, 8.19, 58.42, 0.81

 

CMYK 0 / 22 / 72 / 26

HEX #AE7E14CE

RGBA 174 126 20 0.81

HSLA 41.3, 0.79%, 0.38%, 0.81

LABA 56.06, 9.94, 57.93, 0.81

 

CMYK 0 / 18 / 61 / 5

HEX #F2C65F

RGB 242 198 95

HSL 42.04, 0.85%, 0.66%

LAB 81.89, 4.3, 56.38

 

CMYK 0 / 35 / 61 / 5

HEX #F29E5F

RGB 242 158 95

HSL 25.71, 0.85%, 0.66%

LAB 72.33, 25.31, 45.31

 

CMYK 0 / 51 / 61 / 5

HEX #F2765F

RGB 242 118 95

HSL 9.39, 0.85%, 0.66%

LAB 63.88, 45.83, 35.02

 

CMYK 0 / 61 / 61 / 5

HEX #F25F5F

RGB 242 95 95

HSL 0, 0.85%, 0.66%

LAB 59.79, 56.5, 29.83

 

CMYK 0 / 18 / 61 / 5

HEX #F2C65F

RGB 242 198 95

HSL 42.04, 0.85%, 0.66%

LAB 81.89, 4.3, 56.38

 

CMYK 0 / 2 / 61 / 5

HEX #F2ED5F

RGB 242 237 95

HSL 57.96, 0.85%, 0.66%

LAB 91.81, -15.38, 67.31

 

CMYK 14 / 0 / 61 / 5

HEX #CFF25F

RGB 207 242 95

HSL 74.29, 0.85%, 0.66%

LAB 90.6, -31.62, 65.25

 

CMYK 31 / 0 / 61 / 5

HEX #A7F25F

RGB 167 242 95

HSL 90.61, 0.85%, 0.66%

LAB 88.23, -46.31, 61.98

 

CMYK 48 / 0 / 61 / 5

HEX #7FF25F

RGB 127 242 95

HSL 106.94, 0.85%, 0.66%

LAB 86.43, -58.94, 59.47

 

CMYK 0 / 18 / 61 / 5

HEX #F2C65F

RGB 242 198 95

HSL 42.04, 0.85%, 0.66%

LAB 81.89, 4.3, 56.38

 

CMYK 0 / 18 / 61 / 5

HEX #F2C65F

RGB 242 198 95

HSL 42.04, 0.85%, 0.66%

LAB 81.89, 4.3, 56.38

 

CMYK 0 / 16 / 52 / 11

HEX #E4C06D

RGB 228 192 109

HSL 41.85, 0.69%, 0.66%

LAB 79.21, 2.71, 46.24

 

CMYK 0 / 13 / 43 / 16

HEX #D6BA7B

RGB 214 186 123

HSL 41.54, 0.53%, 0.66%

LAB 76.58, 1.48, 35.58

 

CMYK 0 / 10 / 32 / 22

HEX #C8B589

RGB 200 181 137

HSL 41.9, 0.36%, 0.66%

LAB 74.27, 0.17, 24.93

 

CMYK 0 / 6 / 19 / 27

HEX #BAAF97

RGB 186 175 151

HSL 41.14, 0.2%, 0.66%

LAB 71.78, -0.07, 13.73

 

CMYK 0 / 52 / 61 / 5

HEX #F2755F

RGB 242 117 95

HSL 8.98, 0.85%, 0.66%

LAB 63.69, 46.32, 34.78

 

CMYK 0 / 36 / 61 / 5

HEX #F29C5F

RGB 242 156 95

HSL 24.9, 0.85%, 0.66%

LAB 71.88, 26.37, 44.77

 

CMYK 0 / 19 / 61 / 5

HEX #F2C35F

RGB 242 195 95

HSL 40.82, 0.85%, 0.66%

LAB 81.14, 5.85, 55.54

 

CMYK 0 / 3 / 61 / 5

HEX #F2EB5F

RGB 242 235 95

HSL 57.14, 0.85%, 0.66%

LAB 91.29, -14.4, 66.75

 

CMYK 13 / 0 / 61 / 5

HEX #D2F25F

RGB 210 242 95

HSL 73.06, 0.85%, 0.66%

LAB 90.79, -30.46, 65.53

 

CMYK 0 / 28 / 92 / 8

HEX #EBAA13

RGB 235 170 19

HSL 41.94, 0.85%, 0.5%

LAB 73.84, 12.99, 74.73

 

CMYK 0 / 23 / 77 / 6

HEX #EFB838

RGB 239 184 56

HSL 41.97, 0.85%, 0.58%

LAB 77.83, 8.28, 68.23

 

CMYK 0 / 18 / 61 / 5

HEX #F2C65F

RGB 242 198 95

HSL 42.04, 0.85%, 0.66%

LAB 81.89, 4.3, 56.38

 

CMYK 0 / 14 / 46 / 4

HEX #F5D385

RGB 245 211 133

HSL 41.79, 0.85%, 0.74%

LAB 85.85, 1.91, 42.89

 

CMYK 0 / 9 / 31 / 3

HEX #F8E1AB

RGB 248 225 171

HSL 42.08, 0.85%, 0.82%

LAB 90.21, 0.09, 29.33

 

CMYK 0 / 18 / 60 / 5

HEX #F2C660

RGB 242 198 96

HSL 41.92, 0.85%, 0.66%

LAB 81.9, 4.36, 55.93

 

CMYK 54 / 0 / 61 / 5

HEX #70F25F

RGB 112 242 95

HSL 113.06, 0.85%, 0.66%

LAB 85.89, -62.95, 58.72

 

CMYK 44 / 61 / 0 / 5

HEX #885FF2

RGB 136 95 242

HSL 256.73, 0.85%, 0.66%

LAB 51.64, 49.89, -68.42

 

CMYK 0 / 18 / 60 / 5

HEX #F2C660

RGB 242 198 96

HSL 41.92, 0.85%, 0.66%

LAB 81.9, 4.36, 55.93

 

CMYK 61 / 0 / 19 / 5

HEX #5FF2C3

RGB 95 242 195

HSL 160.82, 0.85%, 0.66%

LAB 86.94, -50.22, 11.11

 

CMYK 19 / 61 / 0 / 5

HEX #C35FF2

RGB 195 95 242

HSL 280.82, 0.85%, 0.66%

LAB 58.22, 62.79, -57.48

 

CMYK 0 / 18 / 60 / 5

HEX #F2C660

RGB 242 198 96

HSL 41.92, 0.85%, 0.66%

LAB 81.9, 4.36, 55.93

 

CMYK 54 / 0 / 61 / 5

HEX #70F25F

RGB 112 242 95

HSL 113.06, 0.85%, 0.66%

LAB 85.89, -62.95, 58.72

 

CMYK 61 / 42 / 0 / 5

HEX #5F8DF2

RGB 95 141 242

HSL 221.22, 0.85%, 0.66%

LAB 59.79, 14.76, -55.47

 

CMYK 7 / 61 / 0 / 5

HEX #E15FF2

RGB 225 95 242

HSL 293.06, 0.85%, 0.66%

LAB 62.17, 69.81, -50.96

 

CMYK 0 / 18 / 60 / 5

HEX #F2C660

RGB 242 198 96

HSL 41.92, 0.85%, 0.66%

LAB 81.9, 4.36, 55.93

 

CMYK 61 / 0 / 50 / 5

HEX #5FF27A

RGB 95 242 122

HSL 131.02, 0.85%, 0.66%

LAB 85.68, -63.62, 46.18

 

CMYK 61 / 42 / 0 / 5

HEX #5F8DF2

RGB 95 141 242

HSL 221.22, 0.85%, 0.66%

LAB 59.79, 14.76, -55.47

 

CMYK 0 / 61 / 11 / 5

HEX #F25FD7

RGB 242 95 215

HSL 311.02, 0.85%, 0.66%

LAB 63.32, 69.6, -33.92

 

Description

Color code: HEX #F2C660CE | qconv.com Color code: HEX #F2C660CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 198 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 198 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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