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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2C352 it is the complementary color #0D3CAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2C352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2C352 shade: #F7C34D, #FFD560, #FFE773, #FFF986 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2C352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2C352 shade: #F2C352, #E1B13F, #D09F2C, #BF8D19 and #AE7B06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2C352 shade: #F2C454, #F29954, #F26F54 and #F25454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2C352 shade: #F2C454, #F2EE54, #CBF254, #A1F254 and #76F254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2C352 shade matches the following richer shades: #F2C454

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2C352 shade: #F2C454, #E3BE63, #D4B872, #C6B181 and #B7AB90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2C352 shade: #F26F54, #F29954, #F2C354, #F2ED54 and #CDF254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2C352 shade: #E3A511, #EFB62E, #F2C454, #F5D17B and #F8DEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2C352 shade: #F2C352, #64F254 and #8454F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2C352 shade: #F2C352, #54F2C3 and #C354F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2C352 shade: #F2C352, #64F254, #5484F2 and #E254F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2C352 shade: #F2C352, #54F274, #5484F2 and #F254D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 66 / 5

HEX #F2C352

RGB 242 195 82

HSL 42.38, 0.86%, 0.64%

LAB 81.03, 5.05, 61.22

 

Complementary color

CMYK 92 / 65 / 0 / 32

HEX #0D3CAD

RGB 13 60 173

HSL 222.38, 0.86%, 0.36%

LAB 30.24, 31.29, -63.83

 

CMYK 0 / 21 / 69 / 3

HEX #F7C34D

RGB 247 195 77

HSL 41.65, 0.91%, 0.64%

LAB 81.48, 6.87, 63.97

 

CMYK 0 / 16 / 62 / 0

HEX #FFD560

RGB 255 213 96

HSL 44.15, 1%, 0.69%

LAB 86.85, 2.01, 61.8

 

CMYK 0 / 9 / 55 / 0

HEX #FFE773

RGB 255 231 115

HSL 49.71, 1%, 0.73%

LAB 91.53, -5.77, 58.59

 

CMYK 0 / 2 / 47 / 0

HEX #FFF986

RGB 255 249 134

HSL 57.02, 1%, 0.76%

LAB 96.3, -13.11, 55.48

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 19 / 66 / 5

HEX #F2C352

RGB 242 195 82

HSL 42.38, 0.86%, 0.64%

LAB 81.03, 5.05, 61.22

 

CMYK 0 / 21 / 72 / 12

HEX #E1B13F

RGB 225 177 63

HSL 42.22, 0.73%, 0.56%

LAB 74.71, 6.29, 62.07

 

CMYK 0 / 24 / 79 / 18

HEX #D09F2C

RGB 208 159 44

HSL 42.07, 0.65%, 0.49%

LAB 68.31, 7.73, 62.49

 

CMYK 0 / 26 / 87 / 25

HEX #BF8D19

RGB 191 141 25

HSL 41.93, 0.77%, 0.42%

LAB 61.82, 9.42, 62.06

 

CMYK 0 / 29 / 97 / 32

HEX #AE7B06

RGB 174 123 6

HSL 41.79, 0.93%, 0.35%

LAB 55.25, 11.38, 60.18

 

CMYK 0 / 19 / 65 / 5

HEX #F2C454

RGB 242 196 84

HSL 42.53, 0.86%, 0.64%

LAB 81.29, 4.64, 60.64

 

CMYK 0 / 37 / 65 / 5

HEX #F29954

RGB 242 153 84

HSL 26.2, 0.86%, 0.64%

LAB 71.08, 27.24, 49.34

 

CMYK 0 / 54 / 65 / 5

HEX #F26F54

RGB 242 111 84

HSL 10.25, 0.86%, 0.64%

LAB 62.41, 48.52, 39.21

 

CMYK 0 / 65 / 65 / 5

HEX #F25454

RGB 242 84 84

HSL 0, 0.86%, 0.64%

LAB 57.9, 60.44, 33.72

 

CMYK 0 / 19 / 65 / 5

HEX #F2C454

RGB 242 196 84

HSL 42.53, 0.86%, 0.64%

LAB 81.29, 4.64, 60.64

 

CMYK 0 / 2 / 65 / 5

HEX #F2EE54

RGB 242 238 84

HSL 58.48, 0.86%, 0.64%

LAB 91.98, -16.52, 71.86

 

CMYK 16 / 0 / 65 / 5

HEX #CBF254

RGB 203 242 84

HSL 74.81, 0.86%, 0.64%

LAB 90.25, -33.91, 69.19

 

CMYK 33 / 0 / 65 / 5

HEX #A1F254

RGB 161 242 84

HSL 90.76, 0.86%, 0.64%

LAB 87.83, -49.25, 65.91

 

CMYK 51 / 0 / 65 / 5

HEX #76F254

RGB 118 242 84

HSL 107.09, 0.86%, 0.64%

LAB 86, -62.43, 63.41

 

CMYK 0 / 19 / 65 / 5

HEX #F2C454

RGB 242 196 84

HSL 42.53, 0.86%, 0.64%

LAB 81.29, 4.64, 60.64

 

CMYK 0 / 19 / 65 / 5

HEX #F2C454

RGB 242 196 84

HSL 42.53, 0.86%, 0.64%

LAB 81.29, 4.64, 60.64

 

CMYK 0 / 16 / 56 / 11

HEX #E3BE63

RGB 227 190 99

HSL 42.66, 0.7%, 0.64%

LAB 78.5, 2.53, 50.23

 

CMYK 0 / 13 / 46 / 17

HEX #D4B872

RGB 212 184 114

HSL 42.86, 0.53%, 0.64%

LAB 75.76, 0.8, 39.13

 

CMYK 0 / 11 / 35 / 22

HEX #C6B181

RGB 198 177 129

HSL 41.74, 0.38%, 0.64%

LAB 72.91, 0.5, 27.35

 

CMYK 0 / 7 / 21 / 28

HEX #B7AB90

RGB 183 171 144

HSL 41.54, 0.21%, 0.64%

LAB 70.32, -0.13, 15.47

 

CMYK 0 / 54 / 65 / 5

HEX #F26F54

RGB 242 111 84

HSL 10.25, 0.86%, 0.64%

LAB 62.41, 48.52, 39.21

 

CMYK 0 / 37 / 65 / 5

HEX #F29954

RGB 242 153 84

HSL 26.2, 0.86%, 0.64%

LAB 71.08, 27.24, 49.34

 

CMYK 0 / 19 / 65 / 5

HEX #F2C354

RGB 242 195 84

HSL 42.15, 0.86%, 0.64%

LAB 81.04, 5.16, 60.37

 

CMYK 0 / 2 / 65 / 5

HEX #F2ED54

RGB 242 237 84

HSL 58.1, 0.86%, 0.64%

LAB 91.72, -16.03, 71.6

 

CMYK 15 / 0 / 65 / 5

HEX #CDF254

RGB 205 242 84

HSL 74.05, 0.86%, 0.64%

LAB 90.38, -33.14, 69.36

 

CMYK 0 / 27 / 93 / 11

HEX #E3A511

RGB 227 165 17

HSL 42.29, 0.86%, 0.48%

LAB 71.75, 12.16, 73.12

 

CMYK 0 / 24 / 81 / 6

HEX #EFB62E

RGB 239 182 46

HSL 42.28, 0.86%, 0.56%

LAB 77.28, 8.99, 71.09

 

CMYK 0 / 19 / 65 / 5

HEX #F2C454

RGB 242 196 84

HSL 42.53, 0.86%, 0.64%

LAB 81.29, 4.64, 60.64

 

CMYK 0 / 15 / 50 / 4

HEX #F5D17B

RGB 245 209 123

HSL 42.3, 0.86%, 0.72%

LAB 85.22, 2.02, 47.05

 

CMYK 0 / 10 / 35 / 3

HEX #F8DEA1

RGB 248 222 161

HSL 42.07, 0.86%, 0.8%

LAB 89.29, 0.42, 33.22

 

CMYK 0 / 19 / 66 / 5

HEX #F2C352

RGB 242 195 82

HSL 42.38, 0.86%, 0.64%

LAB 81.03, 5.05, 61.22

 

CMYK 59 / 0 / 65 / 5

HEX #64F254

RGB 100 242 84

HSL 113.92, 0.86%, 0.64%

LAB 85.43, -66.9, 62.62

 

CMYK 45 / 65 / 0 / 5

HEX #8454F2

RGB 132 84 242

HSL 258.23, 0.86%, 0.64%

LAB 49.08, 54.99, -72.6

 

CMYK 0 / 19 / 66 / 5

HEX #F2C352

RGB 242 195 82

HSL 42.38, 0.86%, 0.64%

LAB 81.03, 5.05, 61.22

 

CMYK 65 / 0 / 19 / 5

HEX #54F2C3

RGB 84 242 195

HSL 162.15, 0.86%, 0.64%

LAB 86.67, -52.09, 10.68

 

CMYK 19 / 65 / 0 / 5

HEX #C354F2

RGB 195 84 242

HSL 282.15, 0.86%, 0.64%

LAB 56.44, 67.7, -60.34

 

CMYK 0 / 19 / 66 / 5

HEX #F2C352

RGB 242 195 82

HSL 42.38, 0.86%, 0.64%

LAB 81.03, 5.05, 61.22

 

CMYK 59 / 0 / 65 / 5

HEX #64F254

RGB 100 242 84

HSL 113.92, 0.86%, 0.64%

LAB 85.43, -66.9, 62.62

 

CMYK 65 / 45 / 0 / 5

HEX #5484F2

RGB 84 132 242

HSL 221.77, 0.86%, 0.64%

LAB 56.88, 18.3, -60.16

 

CMYK 7 / 65 / 0 / 5

HEX #E254F2

RGB 226 84 242

HSL 293.92, 0.86%, 0.64%

LAB 60.71, 74.48, -53.27

 

CMYK 0 / 19 / 66 / 5

HEX #F2C352

RGB 242 195 82

HSL 42.38, 0.86%, 0.64%

LAB 81.03, 5.05, 61.22

 

CMYK 65 / 0 / 52 / 5

HEX #54F274

RGB 84 242 116

HSL 132.15, 0.86%, 0.64%

LAB 85.33, -66.61, 48.5

 

CMYK 65 / 45 / 0 / 5

HEX #5484F2

RGB 84 132 242

HSL 221.77, 0.86%, 0.64%

LAB 56.88, 18.3, -60.16

 

CMYK 0 / 65 / 13 / 5

HEX #F254D3

RGB 242 84 211

HSL 311.77, 0.86%, 0.64%

LAB 61.59, 73.32, -34.36

 

Description

Color code: HEX #F2C352 | qconv.com Color code: HEX #F2C352 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 195 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 195 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 66 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 66% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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