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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2B84ACE it is the complementary color #0D47B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2B84ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2B84ACE shade: #F7B845CE, #FFCA58CE, #FFDC6BCE, #FFEE7ECE and #FFFF91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2B84ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2B84ACE shade: #F2B84ACE, #E1A637CE, #D09424CE, #BF8211CE and #AE7000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2B84ACE shade: #F2B84A, #F28B4A, #F25D4A and #F24A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2B84ACE shade: #F2B84A, #F2E64A, #D2F24A, #A4F24A and #77F24A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2B84ACE shade matches the following richer shades: #F2B84A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2B84ACE shade: #F2B84A, #E3B359, #D3AE69, #C3AA79 and #B4A589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2B84ACE shade: #F25D4A, #F28A4A, #F2B74A, #F2E44A and #D3F24A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2B84ACE shade: #DA940F, #F0A923, #F2B84A, #F5C770 and #F8D697

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2B84ACE shade: #F2B84A, #63F24A and #744AF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2B84ACE shade: #F2B84A, #4AF2B7 and #B74AF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2B84ACE shade: #F2B84A, #63F24A, #4A85F2 and #D94AF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2B84ACE shade: #F2B84A, #4AF263, #4A85F2 and #F24AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 56 / 4

HEX #F2B84ACE

RGBA 242 184 74 0.81

HSLA 39.29, 0.87%, 0.62%, 0.81

LABA 78.26, 10.35, 61.72, 0.81

 

Complementary color

CMYK 75 / 49 / 0 / 24

HEX #0D47B5CE

RGBA 13 71 181 0.81

HSLA 219.29, 0.87%, 0.38%, 0.81

LABA 33.83, 27.08, -62.7, 0.81

 

CMYK 0 / 21 / 58 / 3

HEX #F7B845CE

RGBA 247 184 69 0.81

HSLA 38.76, 0.92%, 0.62%, 0.81

LABA 78.74, 12.21, 64.45, 0.81

 

CMYK 0 / 17 / 53 / 0

HEX #FFCA58CE

RGBA 255 202 88 0.81

HSLA 40.96, 1%, 0.67%, 0.81

LABA 84.07, 7.18, 62.28, 0.81

 

CMYK 0 / 11 / 47 / 0

HEX #FFDC6BCE

RGBA 255 220 107 0.81

HSLA 45.81, 1%, 0.71%, 0.81

LABA 88.69, -0.82, 58.96, 0.81

 

CMYK 0 / 5 / 41 / 0

HEX #FFEE7ECE

RGBA 255 238 126 0.81

HSLA 52.09, 1%, 0.75%, 0.81

LABA 93.41, -8.38, 55.74, 0.81

 

CMYK 0 / 0 / 35 / 0

HEX #FFFF91CE

RGBA 255 255 145 0.81

HSLA 60, 1%, 0.78%, 0.81

LABA 97.96, -15.02, 52.34, 0.81

 

CMYK 0 / 19 / 56 / 4

HEX #F2B84ACE

RGBA 242 184 74 0.81

HSLA 39.29, 0.87%, 0.62%, 0.81

LABA 78.26, 10.35, 61.72, 0.81

 

CMYK 0 / 21 / 61 / 10

HEX #E1A637CE

RGBA 225 166 55 0.81

HSLA 39.18, 0.74%, 0.55%, 0.81

LABA 71.93, 11.77, 62.5, 0.81

 

CMYK 0 / 23 / 67 / 15

HEX #D09424CE

RGBA 208 148 36 0.81

HSLA 39.07, 0.7%, 0.48%, 0.81

LABA 65.53, 13.41, 62.7, 0.81

 

CMYK 0 / 26 / 74 / 20

HEX #BF8211CE

RGBA 191 130 17 0.81

HSLA 38.97, 0.84%, 0.41%, 0.81

LABA 59.05, 15.3, 61.83, 0.81

 

CMYK 0 / 29 / 81 / 26

HEX #AE7000CE

RGBA 174 112 0 0.81

HSLA 38.62, 1%, 0.34%, 0.81

LABA 52.49, 17.47, 59.43, 0.81

 

CMYK 0 / 24 / 69 / 5

HEX #F2B84A

RGB 242 184 74

HSL 39.29, 0.87%, 0.62%

LAB 78.26, 10.35, 61.72

 

CMYK 0 / 43 / 69 / 5

HEX #F28B4A

RGB 242 139 74

HSL 23.21, 0.87%, 0.62%

LAB 67.9, 33.99, 50.67

 

CMYK 0 / 62 / 69 / 5

HEX #F25D4A

RGB 242 93 74

HSL 6.79, 0.87%, 0.62%

LAB 59.16, 56.17, 40.79

 

CMYK 0 / 69 / 69 / 5

HEX #F24A4A

RGB 242 74 74

HSL 0, 0.87%, 0.62%

LAB 56.36, 63.76, 37.51

 

CMYK 0 / 24 / 69 / 5

HEX #F2B84A

RGB 242 184 74

HSL 39.29, 0.87%, 0.62%

LAB 78.26, 10.35, 61.72

 

CMYK 0 / 5 / 69 / 5

HEX #F2E64A

RGB 242 230 74

HSL 55.71, 0.87%, 0.62%

LAB 89.84, -13.12, 73.43

 

CMYK 13 / 0 / 69 / 5

HEX #D2F24A

RGB 210 242 74

HSL 71.43, 0.87%, 0.62%

LAB 90.64, -31.79, 73.42

 

CMYK 32 / 0 / 69 / 5

HEX #A4F24A

RGB 164 242 74

HSL 87.86, 0.87%, 0.62%

LAB 87.92, -48.92, 69.79

 

CMYK 51 / 0 / 69 / 5

HEX #77F24A

RGB 119 242 74

HSL 103.93, 0.87%, 0.62%

LAB 85.97, -62.97, 67.17

 

CMYK 0 / 24 / 69 / 5

HEX #F2B84A

RGB 242 184 74

HSL 39.29, 0.87%, 0.62%

LAB 78.26, 10.35, 61.72

 

CMYK 0 / 24 / 69 / 5

HEX #F2B84A

RGB 242 184 74

HSL 39.29, 0.87%, 0.62%

LAB 78.26, 10.35, 61.72

 

CMYK 0 / 21 / 61 / 11

HEX #E3B359

RGB 227 179 89

HSL 39.13, 0.71%, 0.62%

LAB 75.63, 7.58, 51.68

 

CMYK 0 / 18 / 50 / 17

HEX #D3AE69

RGB 211 174 105

HSL 39.06, 0.55%, 0.62%

LAB 72.98, 4.84, 40.25

 

CMYK 0 / 13 / 38 / 24

HEX #C3AA79

RGB 195 170 121

HSL 39.73, 0.38%, 0.62%

LAB 70.69, 2.08, 28.61

 

CMYK 0 / 8 / 24 / 29

HEX #B4A589

RGB 180 165 137

HSL 39.07, 0.22%, 0.62%

LAB 68.33, 0.91, 16.5

 

CMYK 0 / 62 / 69 / 5

HEX #F25D4A

RGB 242 93 74

HSL 6.79, 0.87%, 0.62%

LAB 59.16, 56.17, 40.79

 

CMYK 0 / 43 / 69 / 5

HEX #F28A4A

RGB 242 138 74

HSL 22.86, 0.87%, 0.62%

LAB 67.69, 34.51, 50.43

 

CMYK 0 / 24 / 69 / 5

HEX #F2B74A

RGB 242 183 74

HSL 38.93, 0.87%, 0.62%

LAB 78.02, 10.88, 61.47

 

CMYK 0 / 6 / 69 / 5

HEX #F2E44A

RGB 242 228 74

HSL 55, 0.87%, 0.62%

LAB 89.33, -12.13, 72.92

 

CMYK 13 / 0 / 69 / 5

HEX #D3F24A

RGB 211 242 74

HSL 71.07, 0.87%, 0.62%

LAB 90.71, -31.39, 73.51

 

CMYK 0 / 32 / 93 / 15

HEX #DA940F

RGB 218 148 15

HSL 39.31, 0.87%, 0.46%

LAB 66.61, 17.33, 69.24

 

CMYK 0 / 30 / 85 / 6

HEX #F0A923

RGB 240 169 35

HSL 39.22, 0.87%, 0.54%

LAB 74.2, 15.96, 71.73

 

CMYK 0 / 24 / 69 / 5

HEX #F2B84A

RGB 242 184 74

HSL 39.29, 0.87%, 0.62%

LAB 78.26, 10.35, 61.72

 

CMYK 0 / 19 / 54 / 4

HEX #F5C770

RGB 245 199 112

HSL 39.25, 0.87%, 0.7%

LAB 82.61, 6.26, 49.25

 

CMYK 0 / 14 / 39 / 3

HEX #F8D697

RGB 248 214 151

HSL 38.97, 0.87%, 0.78%

LAB 87.14, 3.39, 35.49

 

CMYK 0 / 24 / 69 / 5

HEX #F2B84A

RGB 242 184 74

HSL 39.29, 0.87%, 0.62%

LAB 78.26, 10.35, 61.72

 

CMYK 59 / 0 / 69 / 5

HEX #63F24A

RGB 99 242 74

HSL 111.07, 0.87%, 0.62%

LAB 85.33, -67.98, 66.31

 

CMYK 52 / 69 / 0 / 5

HEX #744AF2

RGB 116 74 242

HSL 255, 0.87%, 0.62%

LAB 45.66, 57.44, -78.24

 

CMYK 0 / 24 / 69 / 5

HEX #F2B84A

RGB 242 184 74

HSL 39.29, 0.87%, 0.62%

LAB 78.26, 10.35, 61.72

 

CMYK 69 / 0 / 24 / 5

HEX #4AF2B7

RGB 74 242 183

HSL 158.93, 0.87%, 0.62%

LAB 86.2, -56.29, 16.22

 

CMYK 24 / 69 / 0 / 5

HEX #B74AF2

RGB 183 74 242

HSL 278.93, 0.87%, 0.62%

LAB 53.36, 69.4, -65.38

 

CMYK 0 / 24 / 69 / 5

HEX #F2B84A

RGB 242 184 74

HSL 39.29, 0.87%, 0.62%

LAB 78.26, 10.35, 61.72

 

CMYK 59 / 0 / 69 / 5

HEX #63F24A

RGB 99 242 74

HSL 111.07, 0.87%, 0.62%

LAB 85.33, -67.98, 66.31

 

CMYK 69 / 45 / 0 / 5

HEX #4A85F2

RGB 74 133 242

HSL 218.93, 0.87%, 0.62%

LAB 56.72, 16.18, -60.43

 

CMYK 10 / 69 / 0 / 5

HEX #D94AF2

RGB 217 74 242

HSL 291.07, 0.87%, 0.62%

LAB 58.09, 76.27, -57.52

 

CMYK 0 / 24 / 69 / 5

HEX #F2B84A

RGB 242 184 74

HSL 39.29, 0.87%, 0.62%

LAB 78.26, 10.35, 61.72

 

CMYK 69 / 0 / 59 / 5

HEX #4AF263

RGB 74 242 99

HSL 128.93, 0.87%, 0.62%

LAB 84.93, -70.51, 55.64

 

CMYK 69 / 45 / 0 / 5

HEX #4A85F2

RGB 74 133 242

HSL 218.93, 0.87%, 0.62%

LAB 56.72, 16.18, -60.43

 

CMYK 0 / 69 / 10 / 5

HEX #F24AD9

RGB 242 74 217

HSL 308.93, 0.87%, 0.62%

LAB 60.59, 77.73, -39.3

 

Description

Color code: HEX #F2B84ACE | qconv.com Color code: HEX #F2B84ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 184 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 184 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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