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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2B71ACE it is the complementary color #0D48E5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2B71ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2B71ACE shade: #F7B715CE, #FFC928CE, #FFDB3BCE, #FFED4ECE and #FFFF61CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2B71ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2B71ACE shade: #F2B71ACE, #E1A507CE, #D09300CE, #BF8100CE and #AE6F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2B71ACE shade: #F2B81C, #F27E1C, #F2441C and #F21C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2B71ACE shade: #F2B81C, #F2F11C, #B9F21C, #80F21C and #46F21C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2B71ACE shade matches the following richer shades: #F2B81C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2B71ACE shade: #F2B81C, #DEAF30, #CBA643, #B89D57 and #A4946A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2B71ACE shade: #F2441C, #F27C1C, #F2B51C, #F2EE1C and #BCF21C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2B71ACE shade: #B1840A, #D8A10D, #F2B81C, #F4C443 and #F6D06A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2B71ACE shade: #F2B71A, #2EF21C and #601CF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2B71ACE shade: #F2B71A, #1CF2B5 and #B51CF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2B71ACE shade: #F2B71A, #2EF21C, #1C59F2 and #E01CF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2B71ACE shade: #F2B71A, #1CF24B, #1C59F2 and #F21CC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 72 / 4

HEX #F2B71ACE

RGBA 242 183 26 0.81

HSLA 43.61, 0.89%, 0.53%, 0.81

LABA 77.77, 9.27, 76.73, 0.81

 

Complementary color

CMYK 76 / 56 / 0 / 8

HEX #0D48E5CE

RGBA 13 72 229 0.81

HSLA 223.61, 0.89%, 0.47%, 0.81

LABA 38.51, 44.67, -82.84, 0.81

 

CMYK 0 / 21 / 74 / 3

HEX #F7B715CE

RGBA 247 183 21 0.81

HSLA 43.01, 0.93%, 0.53%, 0.81

LABA 78.28, 11.34, 78.26, 0.81

 

CMYK 0 / 17 / 68 / 0

HEX #FFC928CE

RGBA 255 201 40 0.81

HSLA 44.93, 1%, 0.58%, 0.81

LABA 83.54, 5.76, 78.73, 0.81

 

CMYK 0 / 11 / 62 / 0

HEX #FFDB3BCE

RGBA 255 219 59 0.81

HSLA 48.98, 1%, 0.62%, 0.81

LABA 88.08, -2.85, 77.25, 0.81

 

CMYK 0 / 6 / 56 / 0

HEX #FFED4ECE

RGBA 255 237 78 0.81

HSLA 53.9, 1%, 0.65%, 0.81

LABA 92.74, -11.03, 75.2, 0.81

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF61CE

RGBA 255 255 97 0.81

HSLA 60, 1%, 0.69%, 0.81

LABA 97.49, -18.75, 72.86, 0.81

 

CMYK 0 / 20 / 72 / 4

HEX #F2B71ACE

RGBA 242 183 26 0.81

HSLA 43.61, 0.89%, 0.53%, 0.81

LABA 77.77, 9.27, 76.73, 0.81

 

CMYK 0 / 22 / 78 / 10

HEX #E1A507CE

RGBA 225 165 7 0.81

HSLA 43.49, 0.94%, 0.45%, 0.81

LABA 71.51, 11.18, 74.18, 0.81

 

CMYK 0 / 24 / 81 / 15

HEX #D09300CE

RGBA 208 147 0 0.81

HSLA 42.4, 1%, 0.41%, 0.81

LABA 65.18, 13.33, 69.83, 0.81

 

CMYK 0 / 26 / 81 / 20

HEX #BF8100CE

RGBA 191 129 0 0.81

HSLA 40.52, 1%, 0.37%, 0.81

LABA 58.77, 15.63, 64.59, 0.81

 

CMYK 0 / 29 / 81 / 26

HEX #AE6F00CE

RGBA 174 111 0 0.81

HSLA 38.28, 1%, 0.34%, 0.81

LABA 52.25, 18.03, 59.27, 0.81

 

CMYK 0 / 24 / 88 / 5

HEX #F2B81C

RGB 242 184 28

HSL 43.74, 0.89%, 0.53%

LAB 78.02, 8.79, 76.52

 

CMYK 0 / 48 / 88 / 5

HEX #F27E1C

RGB 242 126 28

HSL 27.48, 0.89%, 0.53%

LAB 64.87, 39.06, 66.39

 

CMYK 0 / 72 / 88 / 5

HEX #F2441C

RGB 242 68 28

HSL 11.21, 0.89%, 0.53%

LAB 55.17, 64.44, 59.08

 

CMYK 0 / 88 / 88 / 5

HEX #F21C1C

RGB 242 28 28

HSL 0, 0.89%, 0.53%

LAB 51.6, 74.5, 56.44

 

CMYK 0 / 24 / 88 / 5

HEX #F2B81C

RGB 242 184 28

HSL 43.74, 0.89%, 0.53%

LAB 78.02, 8.79, 76.52

 

CMYK 0 / 0 / 88 / 5

HEX #F2F11C

RGB 242 241 28

HSL 59.72, 0.89%, 0.53%

LAB 92.52, -19.94, 87.86

 

CMYK 24 / 0 / 88 / 5

HEX #B9F21C

RGB 185 242 28

HSL 75.98, 0.89%, 0.53%

LAB 88.88, -43.19, 83.3

 

CMYK 47 / 0 / 88 / 5

HEX #80F21C

RGB 128 242 28

HSL 91.96, 0.89%, 0.53%

LAB 86.1, -62.69, 79.86

 

CMYK 71 / 0 / 88 / 5

HEX #46F21C

RGB 70 242 28

HSL 108.22, 0.89%, 0.53%

LAB 84.43, -76.25, 77.78

 

CMYK 0 / 24 / 88 / 5

HEX #F2B81C

RGB 242 184 28

HSL 43.74, 0.89%, 0.53%

LAB 78.02, 8.79, 76.52

 

CMYK 0 / 24 / 88 / 5

HEX #F2B81C

RGB 242 184 28

HSL 43.74, 0.89%, 0.53%

LAB 78.02, 8.79, 76.52

 

CMYK 0 / 21 / 78 / 13

HEX #DEAF30

RGB 222 175 48

HSL 43.79, 0.73%, 0.53%

LAB 73.81, 5.43, 66.67

 

CMYK 0 / 18 / 67 / 20

HEX #CBA643

RGB 203 166 67

HSL 43.68, 0.57%, 0.53%

LAB 69.74, 2.88, 54.58

 

CMYK 0 / 15 / 53 / 28

HEX #B89D57

RGB 184 157 87

HSL 43.3, 0.41%, 0.53%

LAB 65.74, 1, 39.98

 

CMYK 0 / 10 / 35 / 36

HEX #A4946A

RGB 164 148 106

HSL 43.45, 0.24%, 0.53%

LAB 61.75, -0.47, 24.4

 

CMYK 0 / 72 / 88 / 5

HEX #F2441C

RGB 242 68 28

HSL 11.21, 0.89%, 0.53%

LAB 55.17, 64.44, 59.08

 

CMYK 0 / 49 / 88 / 5

HEX #F27C1C

RGB 242 124 28

HSL 26.92, 0.89%, 0.53%

LAB 64.46, 40.06, 66.08

 

CMYK 0 / 25 / 88 / 5

HEX #F2B51C

RGB 242 181 28

HSL 42.9, 0.89%, 0.53%

LAB 77.29, 10.36, 75.95

 

CMYK 0 / 2 / 88 / 5

HEX #F2EE1C

RGB 242 238 28

HSL 58.88, 0.89%, 0.53%

LAB 91.73, -18.49, 87.24

 

CMYK 22 / 0 / 88 / 5

HEX #BCF21C

RGB 188 242 28

HSL 75.14, 0.89%, 0.53%

LAB 89.05, -42.05, 83.52

 

CMYK 0 / 25 / 94 / 31

HEX #B1840A

RGB 177 132 10

HSL 43.83, 0.89%, 0.37%

LAB 57.91, 7.79, 61.58

 

CMYK 0 / 25 / 94 / 15

HEX #D8A10D

RGB 216 161 13

HSL 43.74, 0.89%, 0.45%

LAB 69.55, 9.45, 71.58

 

CMYK 0 / 24 / 88 / 5

HEX #F2B81C

RGB 242 184 28

HSL 43.74, 0.89%, 0.53%

LAB 78.02, 8.79, 76.52

 

CMYK 0 / 20 / 73 / 4

HEX #F4C443

RGB 244 196 67

HSL 43.73, 0.89%, 0.61%

LAB 81.36, 4.61, 67.73

 

CMYK 0 / 15 / 57 / 4

HEX #F6D06A

RGB 246 208 106

HSL 43.71, 0.89%, 0.69%

LAB 84.87, 1.56, 54.8

 

CMYK 0 / 24 / 89 / 5

HEX #F2B71A

RGB 242 183 26

HSL 43.61, 0.89%, 0.53%

LAB 77.77, 9.27, 76.73

 

CMYK 81 / 0 / 88 / 5

HEX #2EF21C

RGB 46 242 28

HSL 114.95, 0.89%, 0.53%

LAB 84.05, -79.53, 77.31

 

CMYK 60 / 88 / 0 / 5

HEX #601CF2

RGB 96 28 242

HSL 259.07, 0.89%, 0.53%

LAB 37.35, 73.59, -92

 

CMYK 0 / 24 / 89 / 5

HEX #F2B71A

RGB 242 183 26

HSL 43.61, 0.89%, 0.53%

LAB 77.77, 9.27, 76.73

 

CMYK 88 / 0 / 25 / 5

HEX #1CF2B5

RGB 28 242 181

HSL 162.9, 0.89%, 0.53%

LAB 85.55, -61.24, 16.26

 

CMYK 25 / 88 / 0 / 5

HEX #B51CF2

RGB 181 28 242

HSL 282.9, 0.89%, 0.53%

LAB 48.34, 82.74, -73.53

 

CMYK 0 / 24 / 89 / 5

HEX #F2B71A

RGB 242 183 26

HSL 43.61, 0.89%, 0.53%

LAB 77.77, 9.27, 76.73

 

CMYK 81 / 0 / 88 / 5

HEX #2EF21C

RGB 46 242 28

HSL 114.95, 0.89%, 0.53%

LAB 84.05, -79.53, 77.31

 

CMYK 88 / 63 / 0 / 5

HEX #1C59F2

RGB 28 89 242

HSL 222.9, 0.89%, 0.53%

LAB 43.95, 39.38, -81.24

 

CMYK 7 / 88 / 0 / 5

HEX #E01CF2

RGB 224 28 242

HSL 294.95, 0.89%, 0.53%

LAB 55.16, 89.16, -62.16

 

CMYK 0 / 24 / 89 / 5

HEX #F2B71A

RGB 242 183 26

HSL 43.61, 0.89%, 0.53%

LAB 77.77, 9.27, 76.73

 

CMYK 88 / 0 / 69 / 5

HEX #1CF24B

RGB 28 242 75

HSL 133.18, 0.89%, 0.53%

LAB 84.1, -78.28, 64.28

 

CMYK 88 / 63 / 0 / 5

HEX #1C59F2

RGB 28 89 242

HSL 222.9, 0.89%, 0.53%

LAB 43.95, 39.38, -81.24

 

CMYK 0 / 88 / 19 / 5

HEX #F21CC4

RGB 242 28 196

HSL 312.9, 0.89%, 0.53%

LAB 55.78, 85.99, -34.87

 

Description

Color code: HEX #F2B71ACE | qconv.com Color code: HEX #F2B71ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 183 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 183 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 72 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 72% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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