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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2B487CE it is the complementary color #0D4B78CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2B487CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2B487CE shade: #F7B482CE, #FFC695CE, #FFD8A8CE, #FFEABBCE and #FFFCCECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2B487CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2B487CE shade: #F2B487CE, #E1A274CE, #D09061CE, #BF7E4ECE and #AE6C3BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2B487CE shade: #F2B488, #F29888 and #F28888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2B487CE shade: #F2B488, #F2D188, #F2ED88, #D9F288 and #BDF288

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2B487CE shade matches the following richer shades: #F2B488 and #FCB37D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2B487CE shade: #F2B488, #E7B692, #DCB89D, #D2B9A8 and #C7BBB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2B487CE shade: #F28894, #F29888, #F2B488, #F2D088 and #F2EC88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2B487CE shade: #E9863D, #EE9D63, #F2B488, #F6CCAD and #FAE3D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2B487CE shade: #F2B487, #B0F288 and #8988F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2B487CE shade: #F2B487, #88F2B4 and #B488F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2B487CE shade: #F2B487, #B0F288, #88C6F2 and #C988F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2B487CE shade: #F2B487, #91F288, #88C6F2 and #E988F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 36 / 4

HEX #F2B487CE

RGBA 242 180 135 0.81

HSLA 25.23, 0.8%, 0.74%, 0.81

LABA 78.03, 17.1, 31.72, 0.81

 

Complementary color

CMYK 72 / 30 / 0 / 43

HEX #0D4B78CE

RGBA 13 75 120 0.81

HSLA 205.23, 0.8%, 0.26%, 0.81

LABA 30.58, -0.88, -30.86, 0.81

 

CMYK 0 / 22 / 38 / 3

HEX #F7B482CE

RGBA 247 180 130 0.81

HSLA 25.64, 0.88%, 0.74%, 0.81

LABA 78.48, 18.58, 35.03, 0.81

 

CMYK 0 / 18 / 34 / 0

HEX #FFC695CE

RGBA 255 198 149 0.81

HSLA 27.74, 1%, 0.79%, 0.81

LABA 83.87, 14.2, 32.34, 0.81

 

CMYK 0 / 12 / 28 / 0

HEX #FFD8A8CE

RGBA 255 216 168 0.81

HSLA 33.1, 1%, 0.83%, 0.81

LABA 88.54, 6.99, 28.74, 0.81

 

CMYK 0 / 7 / 22 / 0

HEX #FFEABBCE

RGBA 255 234 187 0.81

HSLA 41.47, 1%, 0.87%, 0.81

LABA 93.32, 0.17, 25.45, 0.81

 

CMYK 0 / 1 / 16 / 0

HEX #FFFCCECE

RGBA 255 252 206 0.81

HSLA 56.33, 1%, 0.9%, 0.81

LABA 98.17, -6.28, 22.44, 0.81

 

CMYK 0 / 21 / 36 / 4

HEX #F2B487CE

RGBA 242 180 135 0.81

HSLA 25.23, 0.8%, 0.74%, 0.81

LABA 78.03, 17.1, 31.72, 0.81

 

CMYK 0 / 23 / 39 / 10

HEX #E1A274CE

RGBA 225 162 116 0.81

HSLA 25.32, 0.64%, 0.67%, 0.81

LABA 71.63, 18.02, 33.09, 0.81

 

CMYK 0 / 25 / 43 / 15

HEX #D09061CE

RGBA 208 144 97 0.81

HSLA 25.41, 0.54%, 0.6%, 0.81

LABA 65.14, 19.08, 34.56, 0.81

 

CMYK 0 / 28 / 48 / 20

HEX #BF7E4ECE

RGBA 191 126 78 0.81

HSLA 25.49, 0.47%, 0.53%, 0.81

LABA 58.55, 20.29, 36.15, 0.81

 

CMYK 0 / 31 / 54 / 26

HEX #AE6C3BCE

RGBA 174 108 59 0.81

HSLA 25.57, 0.49%, 0.46%, 0.81

LABA 51.88, 21.7, 37.84, 0.81

 

CMYK 0 / 26 / 44 / 5

HEX #F2B488

RGB 242 180 136

HSL 24.91, 0.8%, 0.74%

LAB 78.05, 17.2, 31.22

 

CMYK 0 / 37 / 44 / 5

HEX #F29888

RGB 242 152 136

HSL 9.06, 0.8%, 0.74%

LAB 71.63, 31.98, 22.62

 

CMYK 0 / 44 / 44 / 5

HEX #F28888

RGB 242 136 136

HSL 0, 0.8%, 0.74%

LAB 68.21, 40.27, 17.94

 

CMYK 0 / 26 / 44 / 5

HEX #F2B488

RGB 242 180 136

HSL 24.91, 0.8%, 0.74%

LAB 78.05, 17.2, 31.22

 

CMYK 0 / 14 / 44 / 5

HEX #F2D188

RGB 242 209 136

HSL 41.32, 0.8%, 0.74%

LAB 85.13, 2.04, 40.4

 

CMYK 0 / 2 / 44 / 5

HEX #F2ED88

RGB 242 237 136

HSL 57.17, 0.8%, 0.74%

LAB 92.23, -12.1, 49.33

 

CMYK 10 / 0 / 44 / 5

HEX #D9F288

RGB 217 242 136

HSL 74.15, 0.8%, 0.74%

LAB 91.7, -24.13, 48.26

 

CMYK 22 / 0 / 44 / 5

HEX #BDF288

RGB 189 242 136

HSL 90, 0.8%, 0.74%

LAB 89.91, -34.4, 45.64

 

CMYK 0 / 26 / 44 / 5

HEX #F2B488

RGB 242 180 136

HSL 24.91, 0.8%, 0.74%

LAB 78.05, 17.2, 31.22

 

CMYK 0 / 29 / 50 / 1

HEX #FCB37D

RGB 252 179 125

HSL 25.51, 0.95%, 0.74%

LAB 78.7, 20.63, 38.03

 

CMYK 0 / 26 / 44 / 5

HEX #F2B488

RGB 242 180 136

HSL 24.91, 0.8%, 0.74%

LAB 78.05, 17.2, 31.22

 

CMYK 0 / 21 / 37 / 9

HEX #E7B692

RGB 231 182 146

HSL 25.41, 0.64%, 0.74%

LAB 77.59, 12.92, 25.09

 

CMYK 0 / 16 / 29 / 14

HEX #DCB89D

RGB 220 184 157

HSL 25.71, 0.47%, 0.74%

LAB 77.24, 8.98, 18.55

 

CMYK 0 / 12 / 20 / 18

HEX #D2B9A8

RGB 210 185 168

HSL 24.29, 0.32%, 0.74%

LAB 76.82, 6.22, 11.89

 

CMYK 0 / 6 / 10 / 22

HEX #C7BBB3

RGB 199 187 179

HSL 24, 0.15%, 0.74%

LAB 76.64, 2.85, 5.56

 

CMYK 0 / 44 / 39 / 5

HEX #F28894

RGB 242 136 148

HSL 353.21, 0.8%, 0.74%

LAB 68.48, 41.55, 11.59

 

CMYK 0 / 37 / 44 / 5

HEX #F29888

RGB 242 152 136

HSL 9.06, 0.8%, 0.74%

LAB 71.63, 31.98, 22.62

 

CMYK 0 / 26 / 44 / 5

HEX #F2B488

RGB 242 180 136

HSL 24.91, 0.8%, 0.74%

LAB 78.05, 17.2, 31.22

 

CMYK 0 / 14 / 44 / 5

HEX #F2D088

RGB 242 208 136

HSL 40.75, 0.8%, 0.74%

LAB 84.88, 2.56, 40.08

 

CMYK 0 / 2 / 44 / 5

HEX #F2EC88

RGB 242 236 136

HSL 56.6, 0.8%, 0.74%

LAB 91.97, -11.61, 49.01

 

CMYK 0 / 42 / 74 / 9

HEX #E9863D

RGB 233 134 61

HSL 25.47, 0.8%, 0.58%

LAB 65.52, 32.36, 53.92

 

CMYK 0 / 34 / 58 / 7

HEX #EE9D63

RGB 238 157 99

HSL 25.04, 0.8%, 0.66%

LAB 71.69, 24.51, 42.38

 

CMYK 0 / 26 / 44 / 5

HEX #F2B488

RGB 242 180 136

HSL 24.91, 0.8%, 0.74%

LAB 78.05, 17.2, 31.22

 

CMYK 0 / 17 / 30 / 4

HEX #F6CCAD

RGB 246 204 173

HSL 25.48, 0.8%, 0.82%

LAB 84.89, 10.42, 21

 

CMYK 0 / 9 / 16 / 2

HEX #FAE3D2

RGB 250 227 210

HSL 25.5, 0.8%, 0.9%

LAB 91.65, 5.17, 11.15

 

CMYK 0 / 26 / 44 / 5

HEX #F2B487

RGB 242 180 135

HSL 25.23, 0.8%, 0.74%

LAB 78.03, 17.1, 31.72

 

CMYK 27 / 0 / 44 / 5

HEX #B0F288

RGB 176 242 136

HSL 97.36, 0.8%, 0.74%

LAB 89.16, -38.92, 44.54

 

CMYK 43 / 44 / 0 / 5

HEX #8988F2

RGB 137 136 242

HSL 240.57, 0.8%, 0.74%

LAB 61.08, 26.65, -53.27

 

CMYK 0 / 26 / 44 / 5

HEX #F2B487

RGB 242 180 135

HSL 25.23, 0.8%, 0.74%

LAB 78.03, 17.1, 31.72

 

CMYK 44 / 0 / 26 / 5

HEX #88F2B4

RGB 136 242 180

HSL 144.91, 0.8%, 0.74%

LAB 87.98, -44.2, 20.54

 

CMYK 26 / 44 / 0 / 5

HEX #B488F2

RGB 180 136 242

HSL 264.91, 0.8%, 0.74%

LAB 64.74, 37.75, -47.24

 

CMYK 0 / 26 / 44 / 5

HEX #F2B487

RGB 242 180 135

HSL 25.23, 0.8%, 0.74%

LAB 78.03, 17.1, 31.72

 

CMYK 27 / 0 / 44 / 5

HEX #B0F288

RGB 176 242 136

HSL 97.36, 0.8%, 0.74%

LAB 89.16, -38.92, 44.54

 

CMYK 44 / 18 / 0 / 5

HEX #88C6F2

RGB 136 198 242

HSL 204.91, 0.8%, 0.74%

LAB 77.3, -8.53, -27.94

 

CMYK 17 / 44 / 0 / 5

HEX #C988F2

RGB 201 136 242

HSL 276.79, 0.8%, 0.74%

LAB 66.85, 43.57, -43.77

 

CMYK 0 / 26 / 44 / 5

HEX #F2B487

RGB 242 180 135

HSL 25.23, 0.8%, 0.74%

LAB 78.03, 17.1, 31.72

 

CMYK 40 / 0 / 44 / 5

HEX #91F288

RGB 145 242 136

HSL 114.91, 0.8%, 0.74%

LAB 87.63, -48.87, 42.28

 

CMYK 44 / 18 / 0 / 5

HEX #88C6F2

RGB 136 198 242

HSL 204.91, 0.8%, 0.74%

LAB 77.3, -8.53, -27.94

 

CMYK 4 / 44 / 0 / 5

HEX #E988F2

RGB 233 136 242

HSL 294.91, 0.8%, 0.74%

LAB 70.42, 52.68, -37.94

 

Description

Color code: HEX #F2B487CE | qconv.com Color code: HEX #F2B487CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 180 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 180 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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