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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2AF14 it is the complementary color #0D50EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2AF14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2AF14 shade: #F7AF0F, #FFC122, #FFD335, #FFE548 and #FFF75B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2AF14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2AF14 shade: #F2AF14, #E19D01, #D08B00, #BF7900 and #AE6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2AF14 shade: #F3AF12, #F37212, #F33512 and #F31212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2AF14 shade: #F3AF12, #F3EB12, #BDF312, #80F312 and #44F312

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2AF14 shade matches the following richer shades: #F3AF12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2AF14 shade: #F3AF12, #DEA726, #CA9F3A, #B6974E and #A28F62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2AF14 shade: #F33312, #F36F12, #F3AB12, #F3E712 and #C2F312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2AF14 shade: #A97809, #D0940B, #F3AF12, #F5BC39 and #F7C960

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2AF14 shade: #F2AF14, #2CF312 and #5112F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2AF14 shade: #F2AF14, #12F3AB and #AB12F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2AF14 shade: #F2AF14, #2CF312, #1259F3 and #D812F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2AF14 shade: #F2AF14, #12F33B, #1259F3 and #F312C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 92 / 5

HEX #F2AF14

RGB 242 175 20

HSL 41.89, 0.9%, 0.51%

LAB 75.82, 13.38, 76.36

 

Complementary color

CMYK 94 / 66 / 0 / 8

HEX #0D50EB

RGB 13 80 235

HSL 221.89, 0.9%, 0.49%

LAB 40.93, 41.9, -82.26

 

CMYK 0 / 29 / 94 / 3

HEX #F7AF0F

RGB 247 175 15

HSL 41.38, 0.94%, 0.51%

LAB 76.36, 15.45, 77.77

 

CMYK 0 / 24 / 87 / 0

HEX #FFC122

RGB 255 193 34

HSL 43.17, 1%, 0.57%

LAB 81.57, 9.76, 78.58

 

CMYK 0 / 17 / 79 / 0

HEX #FFD335

RGB 255 211 53

HSL 46.93, 1%, 0.6%

LAB 86.06, 1, 77.28

 

CMYK 0 / 10 / 72 / 0

HEX #FFE548

RGB 255 229 72

HSL 51.48, 1%, 0.64%

LAB 90.67, -7.34, 75.33

 

CMYK 0 / 3 / 64 / 0

HEX #FFF75B

RGB 255 247 91

HSL 57.07, 1%, 0.68%

LAB 95.39, -15.24, 73

 

CMYK 0 / 28 / 92 / 5

HEX #F2AF14

RGB 242 175 20

HSL 41.89, 0.9%, 0.51%

LAB 75.82, 13.38, 76.36

 

CMYK 0 / 30 / 100 / 12

HEX #E19D01

RGB 225 157 1

HSL 41.79, 0.99%, 0.44%

LAB 69.56, 15.39, 73.58

 

CMYK 0 / 33 / 100 / 18

HEX #D08B00

RGB 208 139 0

HSL 40.1, 1%, 0.41%

LAB 63.24, 17.67, 68.54

 

CMYK 0 / 37 / 100 / 25

HEX #BF7900

RGB 191 121 0

HSL 38.01, 1%, 0.37%

LAB 56.83, 20.04, 63.31

 

CMYK 0 / 41 / 100 / 32

HEX #AE6700

RGB 174 103 0

HSL 35.52, 1%, 0.34%

LAB 50.33, 22.49, 58.03

 

CMYK 0 / 28 / 93 / 5

HEX #F3AF12

RGB 243 175 18

HSL 41.87, 0.9%, 0.51%

LAB 75.92, 13.78, 76.81

 

CMYK 0 / 53 / 93 / 5

HEX #F37212

RGB 243 114 18

HSL 25.6, 0.9%, 0.51%

LAB 62.62, 45.22, 67.39

 

CMYK 0 / 78 / 93 / 5

HEX #F33512

RGB 243 53 18

HSL 9.33, 0.9%, 0.51%

LAB 53.65, 69.25, 61.55

 

CMYK 0 / 93 / 93 / 5

HEX #F31212

RGB 243 18 18

HSL 0, 0.9%, 0.51%

LAB 51.3, 75.93, 60.14

 

CMYK 0 / 28 / 93 / 5

HEX #F3AF12

RGB 243 175 18

HSL 41.87, 0.9%, 0.51%

LAB 75.92, 13.78, 76.81

 

CMYK 0 / 3 / 93 / 5

HEX #F3EB12

RGB 243 235 18

HSL 57.87, 0.9%, 0.51%

LAB 91.01, -16.77, 88.07

 

CMYK 22 / 0 / 93 / 5

HEX #BDF312

RGB 189 243 18

HSL 74.4, 0.9%, 0.51%

LAB 89.38, -42.29, 85.16

 

CMYK 47 / 0 / 93 / 5

HEX #80F312

RGB 128 243 18

HSL 90.67, 0.9%, 0.51%

LAB 86.37, -63.28, 81.49

 

CMYK 72 / 0 / 93 / 5

HEX #44F312

RGB 68 243 18

HSL 106.67, 0.9%, 0.51%

LAB 84.68, -77.13, 79.4

 

CMYK 0 / 28 / 93 / 5

HEX #F3AF12

RGB 243 175 18

HSL 41.87, 0.9%, 0.51%

LAB 75.92, 13.78, 76.81

 

CMYK 0 / 28 / 93 / 5

HEX #F3AF12

RGB 243 175 18

HSL 41.87, 0.9%, 0.51%

LAB 75.92, 13.78, 76.81

 

CMYK 0 / 25 / 83 / 13

HEX #DEA726

RGB 222 167 38

HSL 42.07, 0.74%, 0.51%

LAB 71.76, 9.36, 68.05

 

CMYK 0 / 21 / 71 / 21

HEX #CA9F3A

RGB 202 159 58

HSL 42.08, 0.58%, 0.51%

LAB 67.77, 5.71, 56.37

 

CMYK 0 / 17 / 57 / 29

HEX #B6974E

RGB 182 151 78

HSL 42.12, 0.42%, 0.51%

LAB 63.86, 2.65, 42.24

 

CMYK 0 / 12 / 40 / 36

HEX #A28F62

RGB 162 143 98

HSL 42.19, 0.26%, 0.51%

LAB 60.08, 0.47, 26.56

 

CMYK 0 / 79 / 93 / 5

HEX #F33312

RGB 243 51 18

HSL 8.8, 0.9%, 0.51%

LAB 53.46, 69.79, 61.43

 

CMYK 0 / 54 / 93 / 5

HEX #F36F12

RGB 243 111 18

HSL 24.8, 0.9%, 0.51%

LAB 62.06, 46.66, 67

 

CMYK 0 / 30 / 93 / 5

HEX #F3AB12

RGB 243 171 18

HSL 40.8, 0.9%, 0.51%

LAB 74.97, 15.88, 76.12

 

CMYK 0 / 5 / 93 / 5

HEX #F3E712

RGB 243 231 18

HSL 56.8, 0.9%, 0.51%

LAB 89.98, -14.82, 87.28

 

CMYK 20 / 0 / 93 / 5

HEX #C2F312

RGB 194 243 18

HSL 73.07, 0.9%, 0.51%

LAB 89.68, -40.36, 85.53

 

CMYK 0 / 29 / 95 / 34

HEX #A97809

RGB 169 120 9

HSL 41.63, 0.9%, 0.35%

LAB 53.91, 10.83, 58.4

 

CMYK 0 / 29 / 95 / 18

HEX #D0940B

RGB 208 148 11

HSL 41.73, 0.9%, 0.43%

LAB 65.45, 12.91, 68.49

 

CMYK 0 / 28 / 93 / 5

HEX #F3AF12

RGB 243 175 18

HSL 41.87, 0.9%, 0.51%

LAB 75.92, 13.78, 76.81

 

CMYK 0 / 23 / 77 / 4

HEX #F5BC39

RGB 245 188 57

HSL 41.81, 0.9%, 0.59%

LAB 79.43, 8.78, 69.6

 

CMYK 0 / 19 / 61 / 3

HEX #F7C960

RGB 247 201 96

HSL 41.72, 0.9%, 0.67%

LAB 83.12, 4.88, 57.45

 

CMYK 0 / 28 / 92 / 5

HEX #F2AF14

RGB 242 175 20

HSL 41.89, 0.9%, 0.51%

LAB 75.82, 13.38, 76.36

 

CMYK 82 / 0 / 93 / 5

HEX #2CF312

RGB 44 243 18

HSL 113.07, 0.9%, 0.51%

LAB 84.32, -80.28, 78.96

 

CMYK 67 / 93 / 0 / 5

HEX #5112F3

RGB 81 18 243

HSL 256.8, 0.9%, 0.51%

LAB 35.31, 75.18, -96

 

CMYK 0 / 28 / 92 / 5

HEX #F2AF14

RGB 242 175 20

HSL 41.89, 0.9%, 0.51%

LAB 75.82, 13.38, 76.36

 

CMYK 93 / 0 / 30 / 5

HEX #12F3AB

RGB 18 243 171

HSL 160.8, 0.9%, 0.51%

LAB 85.59, -64.29, 21.47

 

CMYK 30 / 93 / 0 / 5

HEX #AB12F3

RGB 171 18 243

HSL 280.8, 0.9%, 0.51%

LAB 46.39, 83.15, -77.33

 

CMYK 0 / 28 / 92 / 5

HEX #F2AF14

RGB 242 175 20

HSL 41.89, 0.9%, 0.51%

LAB 75.82, 13.38, 76.36

 

CMYK 82 / 0 / 93 / 5

HEX #2CF312

RGB 44 243 18

HSL 113.07, 0.9%, 0.51%

LAB 84.32, -80.28, 78.96

 

CMYK 93 / 63 / 0 / 5

HEX #1259F3

RGB 18 89 243

HSL 221.07, 0.9%, 0.51%

LAB 43.86, 39.36, -81.94

 

CMYK 11 / 93 / 0 / 5

HEX #D812F3

RGB 216 18 243

HSL 292.8, 0.9%, 0.51%

LAB 53.5, 89.32, -65.47

 

CMYK 0 / 28 / 92 / 5

HEX #F2AF14

RGB 242 175 20

HSL 41.89, 0.9%, 0.51%

LAB 75.82, 13.38, 76.36

 

CMYK 93 / 0 / 76 / 5

HEX #12F33B

RGB 18 243 59

HSL 130.93, 0.9%, 0.51%

LAB 84.25, -80.37, 69.89

 

CMYK 93 / 63 / 0 / 5

HEX #1259F3

RGB 18 89 243

HSL 221.07, 0.9%, 0.51%

LAB 43.86, 39.36, -81.94

 

CMYK 0 / 93 / 17 / 5

HEX #F312C9

RGB 243 18 201

HSL 311.2, 0.9%, 0.51%

LAB 55.79, 87.96, -37.71

 

Description

Color code: HEX #F2AF14 | qconv.com Color code: HEX #F2AF14 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 175 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 175 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 92 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 92% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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