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Color name
HEX #F2AC7B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2AC7B it is the complementary color #0D5384. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2AC7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2AC7B shade: #F7AC76, #FFBE89, #FFD09C, #FFE2AF and #FFF4C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2AC7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2AC7B shade: #F2AC7B, #E19A68, #D08855, #BF7642 and #AE642F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2AC7B shade: #F2AD7D, #F28E7D and #F27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2AC7B shade: #F2AD7D, #F2CD7D, #F2EC7D, #D8F27D and #B9F27D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2AC7B shade matches the following richer shades: #F2AD7D and #FEAB71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2AC7B shade: #F2AD7D, #E7AF89, #DBB194, #CFB3A0 and #C4B5AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2AC7B shade: #F27D8D, #F28D7D, #F2AC7D, #F2CB7D and #F2EA7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2AC7B shade: #EB7E32, #EE9658, #F2AD7D, #F6C5A3 and #FADDC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2AC7B shade: #F2AC7B, #ACF27D and #7D7DF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2AC7B shade: #F2AC7B, #7DF2AC and #AC7DF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2AC7B shade: #F2AC7B, #ACF27D, #7DC3F2 and #C37DF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2AC7B shade: #F2AC7B, #89F27D, #7DC3F2 and #E67DF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 49 / 5

HEX #F2AC7B

RGB 242 172 123

HSL 24.71, 0.82%, 0.72%

LAB 75.95, 20.17, 35.33

 

Complementary color

CMYK 90 / 37 / 0 / 48

HEX #0D5384

RGB 13 83 132

HSL 204.71, 0.82%, 0.28%

LAB 33.85, -1.15, -33.11

 

CMYK 0 / 30 / 52 / 3

HEX #F7AC76

RGB 247 172 118

HSL 25.12, 0.89%, 0.72%

LAB 76.43, 21.72, 38.66

 

CMYK 0 / 25 / 46 / 0

HEX #FFBE89

RGB 255 190 137

HSL 26.95, 1%, 0.77%

LAB 81.78, 17.16, 35.83

 

CMYK 0 / 18 / 39 / 0

HEX #FFD09C

RGB 255 208 156

HSL 31.52, 1%, 0.81%

LAB 86.39, 9.75, 32.06

 

CMYK 0 / 11 / 31 / 0

HEX #FFE2AF

RGB 255 226 175

HSL 38.25, 1%, 0.84%

LAB 91.12, 2.71, 28.62

 

CMYK 0 / 4 / 24 / 0

HEX #FFF4C2

RGB 255 244 194

HSL 49.18, 1%, 0.88%

LAB 95.94, -3.94, 25.47

 

CMYK 0 / 29 / 49 / 5

HEX #F2AC7B

RGB 242 172 123

HSL 24.71, 0.82%, 0.72%

LAB 75.95, 20.17, 35.33

 

CMYK 0 / 32 / 54 / 12

HEX #E19A68

RGB 225 154 104

HSL 24.79, 0.67%, 0.65%

LAB 69.55, 21.24, 36.81

 

CMYK 0 / 35 / 59 / 18

HEX #D08855

RGB 208 136 85

HSL 24.88, 0.57%, 0.57%

LAB 63.07, 22.46, 38.39

 

CMYK 0 / 38 / 65 / 25

HEX #BF7642

RGB 191 118 66

HSL 24.96, 0.49%, 0.5%

LAB 56.51, 23.85, 40.07

 

CMYK 0 / 43 / 73 / 32

HEX #AE642F

RGB 174 100 47

HSL 25.04, 0.57%, 0.43%

LAB 49.88, 25.46, 41.79

 

CMYK 0 / 29 / 48 / 5

HEX #F2AD7D

RGB 242 173 125

HSL 24.62, 0.82%, 0.72%

LAB 76.22, 19.82, 34.62

 

CMYK 0 / 41 / 48 / 5

HEX #F28E7D

RGB 242 142 125

HSL 8.72, 0.82%, 0.72%

LAB 69.26, 36.12, 25.47

 

CMYK 0 / 48 / 48 / 5

HEX #F27D7D

RGB 242 125 125

HSL 0, 0.82%, 0.72%

LAB 65.77, 44.76, 20.76

 

CMYK 0 / 29 / 48 / 5

HEX #F2AD7D

RGB 242 173 125

HSL 24.62, 0.82%, 0.72%

LAB 76.22, 19.82, 34.62

 

CMYK 0 / 15 / 48 / 5

HEX #F2CD7D

RGB 242 205 125

HSL 41.03, 0.82%, 0.72%

LAB 83.98, 3.05, 44.46

 

CMYK 0 / 2 / 48 / 5

HEX #F2EC7D

RGB 242 236 125

HSL 56.92, 0.82%, 0.72%

LAB 91.84, -12.62, 54.07

 

CMYK 11 / 0 / 48 / 5

HEX #D8F27D

RGB 216 242 125

HSL 73.33, 0.82%, 0.72%

LAB 91.5, -25.63, 53.2

 

CMYK 24 / 0 / 48 / 5

HEX #B9F27D

RGB 185 242 125

HSL 89.23, 0.82%, 0.72%

LAB 89.53, -37.07, 50.36

 

CMYK 0 / 29 / 48 / 5

HEX #F2AD7D

RGB 242 173 125

HSL 24.62, 0.82%, 0.72%

LAB 76.22, 19.82, 34.62

 

CMYK 0 / 33 / 56 / 0

HEX #FEAB71

RGB 254 171 113

HSL 24.68, 0.99%, 0.72%

LAB 76.91, 24.62, 42.02

 

CMYK 0 / 29 / 48 / 5

HEX #F2AD7D

RGB 242 173 125

HSL 24.62, 0.82%, 0.72%

LAB 76.22, 19.82, 34.62

 

CMYK 0 / 24 / 41 / 9

HEX #E7AF89

RGB 231 175 137

HSL 24.26, 0.66%, 0.72%

LAB 75.73, 15.62, 27.4

 

CMYK 0 / 19 / 32 / 14

HEX #DBB194

RGB 219 177 148

HSL 24.51, 0.5%, 0.72%

LAB 75.23, 11.16, 20.61

 

CMYK 0 / 14 / 23 / 19

HEX #CFB3A0

RGB 207 179 160

HSL 24.26, 0.33%, 0.72%

LAB 74.85, 7.11, 13.41

 

CMYK 0 / 8 / 13 / 23

HEX #C4B5AB

RGB 196 181 171

HSL 24, 0.17%, 0.72%

LAB 74.65, 3.64, 7.01

 

CMYK 0 / 48 / 42 / 5

HEX #F27D8D

RGB 242 125 141

HSL 351.79, 0.82%, 0.72%

LAB 66.11, 46.33, 12.19

 

CMYK 0 / 42 / 48 / 5

HEX #F28D7D

RGB 242 141 125

HSL 8.21, 0.82%, 0.72%

LAB 69.05, 36.63, 25.18

 

CMYK 0 / 29 / 48 / 5

HEX #F2AC7D

RGB 242 172 125

HSL 24.1, 0.82%, 0.72%

LAB 75.99, 20.35, 34.32

 

CMYK 0 / 16 / 48 / 5

HEX #F2CB7D

RGB 242 203 125

HSL 40, 0.82%, 0.72%

LAB 83.48, 4.08, 43.84

 

CMYK 0 / 3 / 48 / 5

HEX #F2EA7D

RGB 242 234 125

HSL 55.9, 0.82%, 0.72%

LAB 91.33, -11.63, 53.45

 

CMYK 0 / 46 / 79 / 8

HEX #EB7E32

RGB 235 126 50

HSL 24.65, 0.82%, 0.56%

LAB 64.01, 36.86, 57.37

 

CMYK 0 / 37 / 63 / 7

HEX #EE9658

RGB 238 150 88

HSL 24.8, 0.82%, 0.64%

LAB 69.96, 27.45, 45.93

 

CMYK 0 / 29 / 48 / 5

HEX #F2AD7D

RGB 242 173 125

HSL 24.62, 0.82%, 0.72%

LAB 76.22, 19.82, 34.62

 

CMYK 0 / 20 / 34 / 4

HEX #F6C5A3

RGB 246 197 163

HSL 24.58, 0.82%, 0.8%

LAB 83, 12.83, 23.68

 

CMYK 0 / 12 / 20 / 2

HEX #FADDC8

RGB 250 221 200

HSL 25.2, 0.83%, 0.88%

LAB 89.96, 6.78, 13.97

 

CMYK 0 / 29 / 49 / 5

HEX #F2AC7B

RGB 242 172 123

HSL 24.71, 0.82%, 0.72%

LAB 75.95, 20.17, 35.33

 

CMYK 29 / 0 / 48 / 5

HEX #ACF27D

RGB 172 242 125

HSL 95.9, 0.82%, 0.72%

LAB 88.81, -41.59, 49.31

 

CMYK 48 / 48 / 0 / 5

HEX #7D7DF2

RGB 125 125 242

HSL 240, 0.82%, 0.72%

LAB 57.5, 30.37, -59.03

 

CMYK 0 / 29 / 49 / 5

HEX #F2AC7B

RGB 242 172 123

HSL 24.71, 0.82%, 0.72%

LAB 75.95, 20.17, 35.33

 

CMYK 48 / 0 / 29 / 5

HEX #7DF2AC

RGB 125 242 172

HSL 144.1, 0.82%, 0.72%

LAB 87.41, -48.51, 23.79

 

CMYK 29 / 48 / 0 / 5

HEX #AC7DF2

RGB 172 125 242

HSL 264.1, 0.82%, 0.72%

LAB 61.52, 41.71, -52.38

 

CMYK 0 / 29 / 49 / 5

HEX #F2AC7B

RGB 242 172 123

HSL 24.71, 0.82%, 0.72%

LAB 75.95, 20.17, 35.33

 

CMYK 29 / 0 / 48 / 5

HEX #ACF27D

RGB 172 242 125

HSL 95.9, 0.82%, 0.72%

LAB 88.81, -41.59, 49.31

 

CMYK 48 / 19 / 0 / 5

HEX #7DC3F2

RGB 125 195 242

HSL 204.1, 0.82%, 0.72%

LAB 75.95, -9.53, -30.07

 

CMYK 19 / 48 / 0 / 5

HEX #C37DF2

RGB 195 125 242

HSL 275.9, 0.82%, 0.72%

LAB 63.9, 47.78, -48.46

 

CMYK 0 / 29 / 49 / 5

HEX #F2AC7B

RGB 242 172 123

HSL 24.71, 0.82%, 0.72%

LAB 75.95, 20.17, 35.33

 

CMYK 43 / 0 / 48 / 5

HEX #89F27D

RGB 137 242 125

HSL 113.85, 0.82%, 0.72%

LAB 87.15, -52.68, 46.89

 

CMYK 48 / 19 / 0 / 5

HEX #7DC3F2

RGB 125 195 242

HSL 204.1, 0.82%, 0.72%

LAB 75.95, -9.53, -30.07

 

CMYK 5 / 48 / 0 / 5

HEX #E67DF2

RGB 230 125 242

HSL 293.85, 0.82%, 0.72%

LAB 67.95, 57.31, -41.82

 

Description

Color code: HEX #F2AC7B | qconv.com Color code: HEX #F2AC7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 172 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 172 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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