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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2AC0B it is the complementary color #0D53F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2AC0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2AC0B shade: #F7AC06, #FFBE19, #FFD02C, #FFE23F and #FFF452

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2AC0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2AC0B shade: #F2AC0B, #E19A00, #D08800, #BF7600 and #AE6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2AC0B shade: #F4AD0B, #F46F0B, #F4300B and #F40B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2AC0B shade: #F4AD0B, #F4EC0B, #BDF40B, #7EF40B and #40F40B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2AC0B shade matches the following richer shades: #F4AD0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2AC0B shade: #F4AD0B, #DFA520, #CA9D35, #B69549 and #A18D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2AC0B shade: #F42E0B, #F46C0B, #F4AA0B, #F4E80B and #C1F40B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2AC0B shade: #A57508, #CC910A, #F4AD0B, #F5BA33 and #F7C85A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2AC0B shade: #F2AC0B, #27F40B and #4D0BF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2AC0B shade: #F2AC0B, #0BF4AA and #AA0BF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2AC0B shade: #F2AC0B, #27F40B, #0B55F4 and #D80BF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2AC0B shade: #F2AC0B, #0BF436, #0B55F4 and #F40BC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 95 / 5

HEX #F2AC0B

RGB 242 172 11

HSL 41.82, 0.91%, 0.5%

LAB 75.08, 14.85, 77.11

 

Complementary color

CMYK 95 / 66 / 0 / 4

HEX #0D53F4

RGB 13 83 244

HSL 221.82, 0.91%, 0.5%

LAB 42.47, 43.33, -84.8

 

CMYK 0 / 30 / 98 / 3

HEX #F7AC06

RGB 247 172 6

HSL 41.33, 0.95%, 0.5%

LAB 75.63, 16.94, 78.31

 

CMYK 0 / 25 / 90 / 0

HEX #FFBE19

RGB 255 190 25

HSL 43.04, 1%, 0.55%

LAB 80.83, 11.16, 79.85

 

CMYK 0 / 18 / 83 / 0

HEX #FFD02C

RGB 255 208 44

HSL 46.64, 1%, 0.59%

LAB 85.28, 2.27, 79.15

 

CMYK 0 / 11 / 75 / 0

HEX #FFE23F

RGB 255 226 63

HSL 50.94, 1%, 0.62%

LAB 89.86, -6.22, 77.6

 

CMYK 0 / 4 / 68 / 0

HEX #FFF452

RGB 255 244 82

HSL 56.18, 1%, 0.66%

LAB 94.56, -14.26, 75.55

 

CMYK 0 / 29 / 95 / 5

HEX #F2AC0B

RGB 242 172 11

HSL 41.82, 0.91%, 0.5%

LAB 75.08, 14.85, 77.11

 

CMYK 0 / 32 / 100 / 12

HEX #E19A00

RGB 225 154 0

HSL 41.07, 1%, 0.44%

LAB 68.84, 16.99, 73.22

 

CMYK 0 / 35 / 100 / 18

HEX #D08800

RGB 208 136 0

HSL 39.23, 1%, 0.41%

LAB 62.52, 19.29, 68.07

 

CMYK 0 / 38 / 100 / 25

HEX #BF7600

RGB 191 118 0

HSL 37.07, 1%, 0.37%

LAB 56.12, 21.68, 62.85

 

CMYK 0 / 43 / 100 / 32

HEX #AE6400

RGB 174 100 0

HSL 34.48, 1%, 0.34%

LAB 49.63, 24.15, 57.59

 

CMYK 0 / 29 / 95 / 4

HEX #F4AD0B

RGB 244 173 11

HSL 41.72, 0.91%, 0.5%

LAB 75.54, 15.18, 77.54

 

CMYK 0 / 55 / 95 / 4

HEX #F46F0B

RGB 244 111 11

HSL 25.75, 0.91%, 0.5%

LAB 62.19, 46.97, 68.55

 

CMYK 0 / 80 / 95 / 4

HEX #F4300B

RGB 244 48 11

HSL 9.53, 0.91%, 0.5%

LAB 53.35, 70.78, 63.37

 

CMYK 0 / 95 / 95 / 4

HEX #F40B0B

RGB 244 11 11

HSL 0, 0.91%, 0.5%

LAB 51.26, 76.75, 62.3

 

CMYK 0 / 29 / 95 / 4

HEX #F4AD0B

RGB 244 173 11

HSL 41.72, 0.91%, 0.5%

LAB 75.54, 15.18, 77.54

 

CMYK 0 / 3 / 95 / 4

HEX #F4EC0B

RGB 244 236 11

HSL 57.94, 0.91%, 0.5%

LAB 91.35, -16.91, 89.02

 

CMYK 23 / 0 / 95 / 4

HEX #BDF40B

RGB 189 244 11

HSL 74.16, 0.91%, 0.5%

LAB 89.65, -42.81, 86.04

 

CMYK 48 / 0 / 95 / 4

HEX #7EF40B

RGB 126 244 11

HSL 90.39, 0.91%, 0.5%

LAB 86.58, -64.33, 82.32

 

CMYK 74 / 0 / 95 / 4

HEX #40F40B

RGB 64 244 11

HSL 106.35, 0.91%, 0.5%

LAB 84.9, -78.17, 80.26

 

CMYK 0 / 29 / 95 / 4

HEX #F4AD0B

RGB 244 173 11

HSL 41.72, 0.91%, 0.5%

LAB 75.54, 15.18, 77.54

 

CMYK 0 / 29 / 95 / 4

HEX #F4AD0B

RGB 244 173 11

HSL 41.72, 0.91%, 0.5%

LAB 75.54, 15.18, 77.54

 

CMYK 0 / 26 / 86 / 13

HEX #DFA520

RGB 223 165 32

HSL 41.78, 0.75%, 0.5%

LAB 71.35, 10.7, 69.43

 

CMYK 0 / 22 / 74 / 21

HEX #CA9D35

RGB 202 157 53

HSL 41.88, 0.58%, 0.5%

LAB 67.22, 6.55, 57.87

 

CMYK 0 / 18 / 60 / 29

HEX #B69549

RGB 182 149 73

HSL 41.83, 0.43%, 0.5%

LAB 63.28, 3.35, 44.05

 

CMYK 0 / 12 / 42 / 37

HEX #A18D5E

RGB 161 141 94

HSL 42.09, 0.26%, 0.5%

LAB 59.37, 0.69, 27.82

 

CMYK 0 / 81 / 95 / 4

HEX #F42E0B

RGB 244 46 11

HSL 9.01, 0.91%, 0.5%

LAB 53.18, 71.27, 63.28

 

CMYK 0 / 56 / 95 / 4

HEX #F46C0B

RGB 244 108 11

HSL 24.98, 0.91%, 0.5%

LAB 61.64, 48.38, 68.21

 

CMYK 0 / 30 / 95 / 4

HEX #F4AA0B

RGB 244 170 11

HSL 40.94, 0.91%, 0.5%

LAB 74.83, 16.76, 77.04

 

CMYK 0 / 5 / 95 / 4

HEX #F4E80B

RGB 244 232 11

HSL 56.91, 0.91%, 0.5%

LAB 90.31, -14.96, 88.25

 

CMYK 21 / 0 / 95 / 4

HEX #C1F40B

RGB 193 244 11

HSL 73.13, 0.91%, 0.5%

LAB 89.89, -41.27, 86.33

 

CMYK 0 / 29 / 95 / 35

HEX #A57508

RGB 165 117 8

HSL 41.66, 0.91%, 0.34%

LAB 52.66, 10.67, 57.46

 

CMYK 0 / 29 / 95 / 20

HEX #CC910A

RGB 204 145 10

HSL 41.75, 0.91%, 0.42%

LAB 64.25, 12.76, 67.57

 

CMYK 0 / 29 / 95 / 4

HEX #F4AD0B

RGB 244 173 11

HSL 41.72, 0.91%, 0.5%

LAB 75.54, 15.18, 77.54

 

CMYK 0 / 24 / 79 / 4

HEX #F5BA33

RGB 245 186 51

HSL 41.75, 0.91%, 0.58%

LAB 78.91, 9.61, 71.16

 

CMYK 0 / 19 / 64 / 3

HEX #F7C85A

RGB 247 200 90

HSL 42.04, 0.91%, 0.66%

LAB 82.82, 5.01, 59.81

 

CMYK 0 / 29 / 95 / 5

HEX #F2AC0B

RGB 242 172 11

HSL 41.82, 0.91%, 0.5%

LAB 75.08, 14.85, 77.11

 

CMYK 84 / 0 / 95 / 4

HEX #27F40B

RGB 39 244 11

HSL 112.79, 0.91%, 0.5%

LAB 84.56, -81.17, 79.84

 

CMYK 68 / 95 / 0 / 4

HEX #4D0BF4

RGB 77 11 244

HSL 257, 0.91%, 0.5%

LAB 34.7, 76.41, -97.58

 

CMYK 0 / 29 / 95 / 5

HEX #F2AC0B

RGB 242 172 11

HSL 41.82, 0.91%, 0.5%

LAB 75.08, 14.85, 77.11

 

CMYK 95 / 0 / 30 / 4

HEX #0BF4AA

RGB 11 244 170

HSL 160.94, 0.91%, 0.5%

LAB 85.84, -65.09, 22.33

 

CMYK 30 / 95 / 0 / 4

HEX #AA0BF4

RGB 170 11 244

HSL 280.94, 0.91%, 0.5%

LAB 46.07, 83.99, -78.44

 

CMYK 0 / 29 / 95 / 5

HEX #F2AC0B

RGB 242 172 11

HSL 41.82, 0.91%, 0.5%

LAB 75.08, 14.85, 77.11

 

CMYK 84 / 0 / 95 / 4

HEX #27F40B

RGB 39 244 11

HSL 112.79, 0.91%, 0.5%

LAB 84.56, -81.17, 79.84

 

CMYK 95 / 65 / 0 / 4

HEX #0B55F4

RGB 11 85 244

HSL 220.94, 0.91%, 0.5%

LAB 42.91, 42.04, -84.07

 

CMYK 11 / 95 / 0 / 4

HEX #D80BF4

RGB 216 11 244

HSL 292.79, 0.91%, 0.5%

LAB 53.35, 90.1, -66.27

 

CMYK 0 / 29 / 95 / 5

HEX #F2AC0B

RGB 242 172 11

HSL 41.82, 0.91%, 0.5%

LAB 75.08, 14.85, 77.11

 

CMYK 95 / 0 / 78 / 4

HEX #0BF436

RGB 11 244 54

HSL 131.07, 0.91%, 0.5%

LAB 84.5, -81.24, 71.63

 

CMYK 95 / 65 / 0 / 4

HEX #0B55F4

RGB 11 85 244

HSL 220.94, 0.91%, 0.5%

LAB 42.91, 42.04, -84.07

 

CMYK 0 / 95 / 18 / 4

HEX #F40BC9

RGB 244 11 201

HSL 311.07, 0.91%, 0.5%

LAB 55.78, 88.71, -37.72

 

Description

Color code: HEX #F2AC0B | qconv.com Color code: HEX #F2AC0B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 172 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 172 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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