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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2AB923F it is the complementary color #0D546D3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2AB923F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2AB923F shade: #F7AB8D3F, #FFBDA03F, #FFCFB33F, #FFE1C63F and #FFF3D93F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2AB923F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2AB923F shade: #F2AB923F, #E1997F3F, #D0876C3F, #BF75593F and #AE63463F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2AB923F shade: #F2AB91 and #F29191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2AB923F shade: #F2AB91, #F2C591, #F2DF91, #EBF291 and #D1F291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2AB923F shade matches the following richer shades: #F2AB91 and #FCA688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2AB923F shade: #F2AB91, #E8AF9B, #DEB4A5, #D4B9AF and #CBBEB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2AB923F shade: #F291AD, #F29193, #F2AA91, #F2C391 and #F2DD91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2AB923F shade: #E97248, #EE8E6D, #F2AB91, #F6C7B6 and #FBE4DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2AB923F shade: #F2AB92, #C7F291 and #91A0F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2AB923F shade: #F2AB92, #91F2AA and #AA91F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2AB923F shade: #F2AB92, #C7F291, #91DAF2 and #BD91F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2AB923F shade: #F2AB92, #AAF291, #91DAF2 and #DA91F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 10 / 1

HEX #F2AB923F

RGBA 242 171 146 0.25

HSLA 15.63, 0.79%, 0.76%, 0.25

LABA 76.12, 23.03, 23.28, 0.25

 

Complementary color

CMYK 22 / 6 / 0 / 14

HEX #0D546D3F

RGBA 13 84 109 0.25

HSLA 195.63, 0.79%, 0.24%, 0.25

LABA 32.98, -10.99, -20.2, 0.25

 

CMYK 0 / 8 / 11 / 1

HEX #F7AB8D3F

RGBA 247 171 141 0.25

HSLA 16.98, 0.87%, 0.76%, 0.25

LABA 76.57, 24.42, 26.68, 0.25

 

CMYK 0 / 6 / 9 / 0

HEX #FFBDA03F

RGBA 255 189 160 0.25

HSLA 18.32, 1%, 0.81%, 0.25

LABA 81.94, 20.11, 23.97, 0.25

 

CMYK 0 / 5 / 7 / 0

HEX #FFCFB33F

RGBA 255 207 179 0.25

HSLA 22.11, 1%, 0.85%, 0.25

LABA 86.57, 13.01, 20.31, 0.25

 

CMYK 0 / 3 / 6 / 0

HEX #FFE1C63F

RGBA 255 225 198 0.25

HSLA 28.42, 1%, 0.89%, 0.25

LABA 91.32, 6.25, 16.99, 0.25

 

CMYK 0 / 1 / 4 / 0

HEX #FFF3D93F

RGBA 255 243 217 0.25

HSLA 41.05, 1%, 0.93%, 0.25

LABA 96.15, -0.15, 13.98, 0.25

 

CMYK 0 / 7 / 10 / 1

HEX #F2AB923F

RGBA 242 171 146 0.25

HSLA 15.63, 0.79%, 0.76%, 0.25

LABA 76.12, 23.03, 23.28, 0.25

 

CMYK 0 / 8 / 11 / 3

HEX #E1997F3F

RGBA 225 153 127 0.25

HSLA 15.92, 0.62%, 0.69%, 0.25

LABA 69.7, 23.95, 24.6, 0.25

 

CMYK 0 / 9 / 12 / 5

HEX #D0876C3F

RGBA 208 135 108 0.25

HSLA 16.2, 0.52%, 0.62%, 0.25

LABA 63.19, 24.98, 26.05, 0.25

 

CMYK 0 / 10 / 13 / 6

HEX #BF75593F

RGBA 191 117 89 0.25

HSLA 16.47, 0.44%, 0.55%, 0.25

LABA 56.6, 26.15, 27.66, 0.25

 

CMYK 0 / 11 / 15 / 8

HEX #AE63463F

RGBA 174 99 70 0.25

HSLA 16.73, 0.43%, 0.48%, 0.25

LABA 49.94, 27.48, 29.48, 0.25

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB91

RGB 242 171 145

HSL 16.08, 0.79%, 0.76%

LAB 76.1, 22.92, 23.8

 

CMYK 0 / 40 / 40 / 5

HEX #F29191

RGB 242 145 145

HSL 0, 0.79%, 0.76%

LAB 70.3, 36.59, 15.81

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB91

RGB 242 171 145

HSL 16.08, 0.79%, 0.76%

LAB 76.1, 22.92, 23.8

 

CMYK 0 / 19 / 40 / 5

HEX #F2C591

RGB 242 197 145

HSL 32.16, 0.79%, 0.76%

LAB 82.3, 9.21, 32.11

 

CMYK 0 / 8 / 40 / 5

HEX #F2DF91

RGB 242 223 145

HSL 48.25, 0.79%, 0.76%

LAB 88.78, -4.19, 40.56

 

CMYK 3 / 0 / 40 / 5

HEX #EBF291

RGB 235 242 145

HSL 64.33, 0.79%, 0.76%

LAB 93.11, -16.35, 45.96

 

CMYK 14 / 0 / 40 / 5

HEX #D1F291

RGB 209 242 145

HSL 80.41, 0.79%, 0.76%

LAB 91.28, -26.11, 43.26

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB91

RGB 242 171 145

HSL 16.08, 0.79%, 0.76%

LAB 76.1, 22.92, 23.8

 

CMYK 0 / 34 / 46 / 1

HEX #FCA688

RGB 252 166 136

HSL 15.52, 0.95%, 0.76%

LAB 75.91, 28.47, 28.58

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB91

RGB 242 171 145

HSL 16.08, 0.79%, 0.76%

LAB 76.1, 22.92, 23.8

 

CMYK 0 / 25 / 33 / 9

HEX #E8AF9B

RGB 232 175 155

HSL 15.58, 0.63%, 0.76%

LAB 76.18, 18.12, 18.34

 

CMYK 0 / 19 / 26 / 13

HEX #DEB4A5

RGB 222 180 165

HSL 15.79, 0.46%, 0.76%

LAB 76.61, 12.97, 13.38

 

CMYK 0 / 13 / 17 / 17

HEX #D4B9AF

RGB 212 185 175

HSL 16.22, 0.3%, 0.76%

LAB 77.16, 8.03, 8.61

 

CMYK 0 / 6 / 9 / 20

HEX #CBBEB9

RGB 203 190 185

HSL 16.67, 0.15%, 0.76%

LAB 77.89, 3.71, 4.15

 

CMYK 0 / 40 / 29 / 5

HEX #F291AD

RGB 242 145 173

HSL 342.68, 0.79%, 0.76%

LAB 70.97, 39.97, 1.19

 

CMYK 0 / 40 / 39 / 5

HEX #F29193

RGB 242 145 147

HSL 358.76, 0.79%, 0.76%

LAB 70.34, 36.81, 14.76

 

CMYK 0 / 30 / 40 / 5

HEX #F2AA91

RGB 242 170 145

HSL 15.46, 0.79%, 0.76%

LAB 75.87, 23.45, 23.48

 

CMYK 0 / 19 / 40 / 5

HEX #F2C391

RGB 242 195 145

HSL 30.93, 0.79%, 0.76%

LAB 81.81, 10.26, 31.47

 

CMYK 0 / 9 / 40 / 5

HEX #F2DD91

RGB 242 221 145

HSL 47.01, 0.79%, 0.76%

LAB 88.27, -3.17, 39.91

 

CMYK 0 / 51 / 69 / 9

HEX #E97248

RGB 233 114 72

HSL 15.65, 0.79%, 0.6%

LAB 61.5, 43.08, 44.19

 

CMYK 0 / 40 / 54 / 7

HEX #EE8E6D

RGB 238 142 109

HSL 15.35, 0.79%, 0.68%

LAB 68.48, 33.18, 33.1

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB91

RGB 242 171 145

HSL 16.08, 0.79%, 0.76%

LAB 76.1, 22.92, 23.8

 

CMYK 0 / 19 / 26 / 4

HEX #F6C7B6

RGB 246 199 182

HSL 15.94, 0.78%, 0.84%

LAB 83.87, 14.23, 14.82

 

CMYK 0 / 9 / 13 / 2

HEX #FBE4DB

RGB 251 228 219

HSL 16.88, 0.8%, 0.92%

LAB 92.18, 6.4, 7.23

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB92

RGB 242 171 146

HSL 15.63, 0.79%, 0.76%

LAB 76.12, 23.03, 23.28

 

CMYK 18 / 0 / 40 / 5

HEX #C7F291

RGB 199 242 145

HSL 86.6, 0.79%, 0.76%

LAB 90.64, -29.74, 42.31

 

CMYK 40 / 34 / 0 / 5

HEX #91A0F2

RGB 145 160 242

HSL 230.72, 0.79%, 0.76%

LAB 67.7, 14.76, -42.78

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB92

RGB 242 171 146

HSL 15.63, 0.79%, 0.76%

LAB 76.12, 23.03, 23.28

 

CMYK 40 / 0 / 30 / 5

HEX #91F2AA

RGB 145 242 170

HSL 135.46, 0.79%, 0.76%

LAB 88.17, -43.56, 25.99

 

CMYK 30 / 40 / 0 / 5

HEX #AA91F2

RGB 170 145 242

HSL 255.46, 0.79%, 0.76%

LAB 65.91, 29.97, -45.46

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB92

RGB 242 171 146

HSL 15.63, 0.79%, 0.76%

LAB 76.12, 23.03, 23.28

 

CMYK 18 / 0 / 40 / 5

HEX #C7F291

RGB 199 242 145

HSL 86.6, 0.79%, 0.76%

LAB 90.64, -29.74, 42.31

 

CMYK 40 / 10 / 0 / 5

HEX #91DAF2

RGB 145 218 242

HSL 194.85, 0.79%, 0.76%

LAB 83.22, -16.7, -18.9

 

CMYK 22 / 40 / 0 / 5

HEX #BD91F2

RGB 189 145 242

HSL 267.22, 0.79%, 0.76%

LAB 67.64, 35.28, -42.63

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB92

RGB 242 171 146

HSL 15.63, 0.79%, 0.76%

LAB 76.12, 23.03, 23.28

 

CMYK 30 / 0 / 40 / 5

HEX #AAF291

RGB 170 242 145

HSL 104.54, 0.79%, 0.76%

LAB 88.97, -39.76, 39.83

 

CMYK 40 / 10 / 0 / 5

HEX #91DAF2

RGB 145 218 242

HSL 194.85, 0.79%, 0.76%

LAB 83.22, -16.7, -18.9

 

CMYK 10 / 40 / 0 / 5

HEX #DA91F2

RGB 218 145 242

HSL 285.15, 0.79%, 0.76%

LAB 70.57, 43.67, -37.83

 

Description

Color code: HEX #F2AB923F | qconv.com Color code: HEX #F2AB923F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 171 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 171 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 10 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 10% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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