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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2AB12 it is the complementary color #0D54ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2AB12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2AB12 shade: #F7AB0D, #FFBD20, #FFCF33, #FFE146 and #FFF359

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2AB12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2AB12 shade: #F2AB12, #E19900, #D08700, #BF7500 and #AE6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2AB12 shade: #F3AB12, #F36F12, #F33212 and #F31212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2AB12 shade: #F3AB12, #F3E812, #C1F312, #84F312 and #47F312

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2AB12 shade matches the following richer shades: #F3AB12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2AB12 shade: #F3AB12, #DEA426, #CA9C3A, #B6954E and #A28E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2AB12 shade: #F33012, #F36C12, #F3A812, #F3E412 and #C6F312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2AB12 shade: #A97609, #D0910B, #F3AB12, #F5B939 and #F7C760

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2AB12 shade: #F2AB12, #30F312 and #4E12F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2AB12 shade: #F2AB12, #12F3A8 and #A812F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2AB12 shade: #F2AB12, #30F312, #125DF3 and #D512F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2AB12 shade: #F2AB12, #12F337, #125DF3 and #F312CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 93 / 5

HEX #F2AB12

RGB 242 171 18

HSL 40.98, 0.9%, 0.51%

LAB 74.85, 15.46, 75.98

 

Complementary color

CMYK 95 / 65 / 0 / 7

HEX #0D54ED

RGB 13 84 237

HSL 220.98, 0.9%, 0.49%

LAB 42.06, 40.13, -81.53

 

CMYK 0 / 31 / 95 / 3

HEX #F7AB0D

RGB 247 171 13

HSL 40.51, 0.94%, 0.51%

LAB 75.41, 17.53, 77.36

 

CMYK 0 / 26 / 87 / 0

HEX #FFBD20

RGB 255 189 32

HSL 42.24, 1%, 0.56%

LAB 80.6, 11.8, 78.26

 

CMYK 0 / 19 / 80 / 0

HEX #FFCF33

RGB 255 207 51

HSL 45.88, 1%, 0.6%

LAB 85.06, 2.98, 77

 

CMYK 0 / 12 / 73 / 0

HEX #FFE146

RGB 255 225 70

HSL 50.27, 1%, 0.64%

LAB 89.65, -5.43, 75.04

 

CMYK 0 / 5 / 65 / 0

HEX #FFF359

RGB 255 243 89

HSL 55.66, 1%, 0.67%

LAB 94.35, -13.41, 72.7

 

CMYK 0 / 29 / 93 / 5

HEX #F2AB12

RGB 242 171 18

HSL 40.98, 0.9%, 0.51%

LAB 74.85, 15.46, 75.98

 

CMYK 0 / 32 / 100 / 12

HEX #E19900

RGB 225 153 0

HSL 40.8, 1%, 0.44%

LAB 68.6, 17.52, 73.06

 

CMYK 0 / 35 / 100 / 18

HEX #D08700

RGB 208 135 0

HSL 38.94, 1%, 0.41%

LAB 62.29, 19.84, 67.91

 

CMYK 0 / 39 / 100 / 25

HEX #BF7500

RGB 191 117 0

HSL 36.75, 1%, 0.37%

LAB 55.89, 22.23, 62.7

 

CMYK 0 / 43 / 100 / 32

HEX #AE6300

RGB 174 99 0

HSL 34.14, 1%, 0.34%

LAB 49.4, 24.71, 57.44

 

CMYK 0 / 30 / 93 / 5

HEX #F3AB12

RGB 243 171 18

HSL 40.8, 0.9%, 0.51%

LAB 74.97, 15.88, 76.12

 

CMYK 0 / 54 / 93 / 5

HEX #F36F12

RGB 243 111 18

HSL 24.8, 0.9%, 0.51%

LAB 62.06, 46.66, 67

 

CMYK 0 / 79 / 93 / 5

HEX #F33212

RGB 243 50 18

HSL 8.53, 0.9%, 0.51%

LAB 53.36, 70.05, 61.38

 

CMYK 0 / 93 / 93 / 5

HEX #F31212

RGB 243 18 18

HSL 0, 0.9%, 0.51%

LAB 51.3, 75.93, 60.14

 

CMYK 0 / 30 / 93 / 5

HEX #F3AB12

RGB 243 171 18

HSL 40.8, 0.9%, 0.51%

LAB 74.97, 15.88, 76.12

 

CMYK 0 / 5 / 93 / 5

HEX #F3E812

RGB 243 232 18

HSL 57.07, 0.9%, 0.51%

LAB 90.23, -15.31, 87.48

 

CMYK 21 / 0 / 93 / 5

HEX #C1F312

RGB 193 243 18

HSL 73.33, 0.9%, 0.51%

LAB 89.62, -40.75, 85.45

 

CMYK 46 / 0 / 93 / 5

HEX #84F312

RGB 132 243 18

HSL 89.6, 0.9%, 0.51%

LAB 86.53, -62.08, 81.68

 

CMYK 71 / 0 / 93 / 5

HEX #47F312

RGB 71 243 18

HSL 105.87, 0.9%, 0.51%

LAB 84.73, -76.64, 79.47

 

CMYK 0 / 30 / 93 / 5

HEX #F3AB12

RGB 243 171 18

HSL 40.8, 0.9%, 0.51%

LAB 74.97, 15.88, 76.12

 

CMYK 0 / 30 / 93 / 5

HEX #F3AB12

RGB 243 171 18

HSL 40.8, 0.9%, 0.51%

LAB 74.97, 15.88, 76.12

 

CMYK 0 / 26 / 83 / 13

HEX #DEA426

RGB 222 164 38

HSL 41.09, 0.74%, 0.51%

LAB 71.02, 10.96, 67.41

 

CMYK 0 / 23 / 71 / 21

HEX #CA9C3A

RGB 202 156 58

HSL 40.83, 0.58%, 0.51%

LAB 67.01, 7.33, 55.59

 

CMYK 0 / 18 / 57 / 29

HEX #B6954E

RGB 182 149 78

HSL 40.96, 0.42%, 0.51%

LAB 63.33, 3.74, 41.63

 

CMYK 0 / 12 / 40 / 36

HEX #A28E62

RGB 162 142 98

HSL 41.25, 0.26%, 0.51%

LAB 59.81, 1.03, 26.2

 

CMYK 0 / 80 / 93 / 5

HEX #F33012

RGB 243 48 18

HSL 8, 0.9%, 0.51%

LAB 53.18, 70.56, 61.27

 

CMYK 0 / 56 / 93 / 5

HEX #F36C12

RGB 243 108 18

HSL 24, 0.9%, 0.51%

LAB 61.5, 48.09, 66.63

 

CMYK 0 / 31 / 93 / 5

HEX #F3A812

RGB 243 168 18

HSL 40, 0.9%, 0.51%

LAB 74.26, 17.46, 75.6

 

CMYK 0 / 6 / 93 / 5

HEX #F3E412

RGB 243 228 18

HSL 56, 0.9%, 0.51%

LAB 89.2, -13.34, 86.69

 

CMYK 19 / 0 / 93 / 5

HEX #C6F312

RGB 198 243 18

HSL 72, 0.9%, 0.51%

LAB 89.93, -38.81, 85.83

 

CMYK 0 / 30 / 95 / 34

HEX #A97609

RGB 169 118 9

HSL 40.88, 0.9%, 0.35%

LAB 53.4, 11.95, 58.03

 

CMYK 0 / 30 / 95 / 18

HEX #D0910B

RGB 208 145 11

HSL 40.81, 0.9%, 0.43%

LAB 64.71, 14.53, 67.97

 

CMYK 0 / 30 / 93 / 5

HEX #F3AB12

RGB 243 171 18

HSL 40.8, 0.9%, 0.51%

LAB 74.97, 15.88, 76.12

 

CMYK 0 / 24 / 77 / 4

HEX #F5B939

RGB 245 185 57

HSL 40.85, 0.9%, 0.59%

LAB 78.7, 10.35, 68.91

 

CMYK 0 / 19 / 61 / 3

HEX #F7C760

RGB 247 199 96

HSL 40.93, 0.9%, 0.67%

LAB 82.63, 5.91, 56.89

 

CMYK 0 / 29 / 93 / 5

HEX #F2AB12

RGB 242 171 18

HSL 40.98, 0.9%, 0.51%

LAB 74.85, 15.46, 75.98

 

CMYK 80 / 0 / 93 / 5

HEX #30F312

RGB 48 243 18

HSL 112, 0.9%, 0.51%

LAB 84.37, -79.85, 79.02

 

CMYK 68 / 93 / 0 / 5

HEX #4E12F3

RGB 78 18 243

HSL 256, 0.9%, 0.51%

LAB 35.05, 75.03, -96.43

 

CMYK 0 / 29 / 93 / 5

HEX #F2AB12

RGB 242 171 18

HSL 40.98, 0.9%, 0.51%

LAB 74.85, 15.46, 75.98

 

CMYK 93 / 0 / 31 / 5

HEX #12F3A8

RGB 18 243 168

HSL 160, 0.9%, 0.51%

LAB 85.53, -64.93, 22.93

 

CMYK 31 / 93 / 0 / 5

HEX #A812F3

RGB 168 18 243

HSL 280, 0.9%, 0.51%

LAB 45.95, 82.78, -78.08

 

CMYK 0 / 29 / 93 / 5

HEX #F2AB12

RGB 242 171 18

HSL 40.98, 0.9%, 0.51%

LAB 74.85, 15.46, 75.98

 

CMYK 80 / 0 / 93 / 5

HEX #30F312

RGB 48 243 18

HSL 112, 0.9%, 0.51%

LAB 84.37, -79.85, 79.02

 

CMYK 93 / 62 / 0 / 5

HEX #125DF3

RGB 18 93 243

HSL 220, 0.9%, 0.51%

LAB 44.84, 36.83, -80.34

 

CMYK 12 / 93 / 0 / 5

HEX #D512F3

RGB 213 18 243

HSL 292, 0.9%, 0.51%

LAB 53, 88.87, -66.29

 

CMYK 0 / 29 / 93 / 5

HEX #F2AB12

RGB 242 171 18

HSL 40.98, 0.9%, 0.51%

LAB 74.85, 15.46, 75.98

 

CMYK 93 / 0 / 77 / 5

HEX #12F337

RGB 18 243 55

HSL 129.87, 0.9%, 0.51%

LAB 84.23, -80.63, 71.08

 

CMYK 93 / 62 / 0 / 5

HEX #125DF3

RGB 18 93 243

HSL 220, 0.9%, 0.51%

LAB 44.84, 36.83, -80.34

 

CMYK 0 / 93 / 16 / 5

HEX #F312CD

RGB 243 18 205

HSL 310.13, 0.9%, 0.51%

LAB 55.98, 88.45, -39.71

 

Description

Color code: HEX #F2AB12 | qconv.com Color code: HEX #F2AB12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 171 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 171 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 93 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 93% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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