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Color name
HEX #F299AB3F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F299AB3F it is the complementary color #0D66543F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #F299AB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F299AB3F shade: #F799A63F, #FFABB93F, #FFBDCC3F, #FFCFDF3F and #FFE1F23F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #F299AB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F299AB3F shade: #F299AB3F, #E187983F, #D075853F, #BF63723F and #AE515F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F299AB3F shade: #F297A9 and #F29797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F299AB3F shade: #F297A9, #F297C2, #F297DA, #F197F2 and #D897F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F299AB3F shade matches the following richer shades: #F297A9 and #FB8EA4

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F299AB3F shade: #F297A9, #E8A1AF, #DFAAB5, #D5B4BA and #CCBDC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F299AB3F shade: #F297DB, #F297C3, #F297AB, #F29C97 and #F2B497

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F299AB3F shade: #E84E6D, #ED738B, #F297A9, #F6BCC8 and #FBE0E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F299AB3F shade: #F299AB, #F2F097 and #97CFF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F299AB3F shade: #F299AB, #ABF297 and #97ABF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F299AB3F shade: #F299AB, #F2F097, #97F2DE and #9799F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F299AB3F shade: #F299AB, #D8F297, #97F2DE and #B197F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 7 / 1

RGBA 242 153 171 0.25

HSLA 347.87, 0.77%, 0.77%, 0.25

LABA 72.63, 35.55, 4.7, 0.25

Complementary color

CMYK 22 / 0 / 4 / 15

RGBA 13 102 84 0.25

HSLA 167.87, 0.77%, 0.23%, 0.25

LABA 38.25, -29.18, 3.24, 0.25

Lighter colors

CMYK 0 / 10 / 8 / 1

RGBA 247 153 166 0.25

HSLA 351.7, 0.85%, 0.78%, 0.25

LABA 73.1, 36.71, 8.21, 0.25

CMYK 0 / 8 / 7 / 0

RGBA 255 171 185 0.25

HSLA 350, 1%, 0.84%, 0.25

LABA 78.4, 32.64, 5.53, 0.25

CMYK 0 / 6 / 5 / 0

RGBA 255 189 204 0.25

HSLA 346.36, 1%, 0.87%, 0.25

LABA 82.92, 25.87, 1.82, 0.25

CMYK 0 / 5 / 3 / 0

RGBA 255 207 223 0.25

HSLA 340, 1%, 0.91%, 0.25

LABA 87.59, 19.35, -1.5, 0.25

CMYK 0 / 3 / 1 / 0

RGBA 255 225 242 0.25

HSLA 326, 1%, 0.94%, 0.25

LABA 92.36, 13.11, -4.48, 0.25

Darker colors

CMYK 0 / 9 / 7 / 1

RGBA 242 153 171 0.25

HSLA 347.87, 0.77%, 0.77%, 0.25

LABA 72.63, 35.55, 4.7, 0.25

CMYK 0 / 10 / 8 / 3

RGBA 225 135 152 0.25

HSLA 348.67, 0.6%, 0.71%, 0.25

LABA 66.22, 36.42, 5.82, 0.25

CMYK 0 / 11 / 9 / 5

RGBA 208 117 133 0.25

HSLA 349.45, 0.49%, 0.64%, 0.25

LABA 59.73, 37.36, 7.08, 0.25

CMYK 0 / 12 / 10 / 6

RGBA 191 99 114 0.25

HSLA 350.22, 0.42%, 0.57%, 0.25

LABA 53.18, 38.34, 8.54, 0.25

CMYK 0 / 13 / 11 / 8

RGBA 174 81 95 0.25

HSLA 350.97, 0.36%, 0.5%, 0.25

LABA 46.59, 39.35, 10.26, 0.25

Warmer colors

CMYK 0 / 38 / 30 / 5

RGB 242 151 169

HSL 348.13, 0.78%, 0.77%

LAB 72.14, 36.33, 5.11

CMYK 0 / 38 / 38 / 5

RGB 242 151 151

HSL 0, 0.78%, 0.77%

LAB 71.72, 34.14, 14.48

Colder colors

CMYK 0 / 38 / 30 / 5

RGB 242 151 169

HSL 348.13, 0.78%, 0.77%

LAB 72.14, 36.33, 5.11

CMYK 0 / 38 / 20 / 5

RGB 242 151 194

HSL 331.65, 0.78%, 0.77%

LAB 72.83, 39.8, -7.73

CMYK 0 / 38 / 10 / 5

RGB 242 151 218

HSL 315.82, 0.78%, 0.77%

LAB 73.59, 43.55, -19.81

CMYK 0 / 38 / 0 / 5

RGB 241 151 242

HSL 299.34, 0.78%, 0.77%

LAB 74.35, 47.38, -31.78

CMYK 11 / 38 / 0 / 5

RGB 216 151 242

HSL 282.86, 0.78%, 0.77%

LAB 71.65, 39.89, -36.16

Richer colors

CMYK 0 / 38 / 30 / 5

RGB 242 151 169

HSL 348.13, 0.78%, 0.77%

LAB 72.14, 36.33, 5.11

CMYK 0 / 43 / 35 / 2

RGB 251 142 164

HSL 347.89, 0.93%, 0.77%

LAB 71.24, 43.53, 6.73

Paler colors

CMYK 0 / 38 / 30 / 5

RGB 242 151 169

HSL 348.13, 0.78%, 0.77%

LAB 72.14, 36.33, 5.11

CMYK 0 / 31 / 25 / 9

RGB 232 161 175

HSL 348.17, 0.61%, 0.77%

LAB 73.38, 28.26, 3.43

CMYK 0 / 24 / 19 / 13

RGB 223 170 181

HSL 347.55, 0.45%, 0.77%

LAB 74.68, 21.05, 1.91

CMYK 0 / 15 / 13 / 16

RGB 213 180 186

HSL 349.09, 0.28%, 0.77%

LAB 76.27, 12.84, 1.38

CMYK 0 / 7 / 6 / 20

RGB 204 189 192

HSL 348, 0.13%, 0.77%

LAB 77.9, 5.81, 0.39

Analogue colors

CMYK 0 / 38 / 10 / 5

RGB 242 151 219

HSL 315.16, 0.78%, 0.77%

LAB 73.63, 43.72, -20.3

CMYK 0 / 38 / 19 / 5

RGB 242 151 195

HSL 330.99, 0.78%, 0.77%

LAB 72.86, 39.95, -8.24

CMYK 0 / 38 / 29 / 5

RGB 242 151 171

HSL 346.81, 0.78%, 0.77%

LAB 72.2, 36.59, 4.07

CMYK 0 / 36 / 38 / 5

RGB 242 156 151

HSL 3.3, 0.78%, 0.77%

LAB 72.82, 31.51, 16.01

CMYK 0 / 26 / 38 / 5

RGB 242 180 151

HSL 19.12, 0.78%, 0.77%

LAB 78.32, 18.83, 23.6

Monochromatic colors

CMYK 0 / 66 / 53 / 9

HSL 347.92, 0.77%, 0.61%

LAB 55.79, 61.33, 16.09

CMYK 0 / 51 / 41 / 7

RGB 237 115 139

HSL 348.2, 0.77%, 0.69%

LAB 63.45, 49.3, 9.47

CMYK 0 / 38 / 30 / 5

RGB 242 151 169

HSL 348.13, 0.78%, 0.77%

LAB 72.14, 36.33, 5.11

CMYK 0 / 24 / 19 / 4

RGB 246 188 200

HSL 347.59, 0.76%, 0.85%

LAB 81.69, 22.61, 2.07

CMYK 0 / 11 / 8 / 2

RGB 251 224 230

HSL 346.67, 0.77%, 0.93%

LAB 91.48, 10.25, 0.46

Partial complementary colors

CMYK 0 / 37 / 29 / 5

RGB 242 153 171

HSL 347.87, 0.77%, 0.77%

LAB 72.63, 35.55, 4.7

CMYK 0 / 1 / 38 / 5

RGB 242 240 151

HSL 58.68, 0.78%, 0.77%

LAB 93.2, -12.05, 43.26

CMYK 38 / 14 / 0 / 5

RGB 151 207 242

HSL 203.08, 0.78%, 0.77%

LAB 80.52, -9.48, -22.95

Triadic colors

CMYK 0 / 37 / 29 / 5

RGB 242 153 171

HSL 347.87, 0.77%, 0.77%

LAB 72.63, 35.55, 4.7

CMYK 29 / 0 / 38 / 5

RGB 171 242 151

HSL 106.81, 0.78%, 0.77%

LAB 89.11, -38.6, 37.05

CMYK 38 / 29 / 0 / 5

RGB 151 171 242

HSL 226.81, 0.78%, 0.77%

LAB 70.95, 10.09, -37.68

Rectangular (tetradic) colors

CMYK 0 / 37 / 29 / 5

RGB 242 153 171

HSL 347.87, 0.77%, 0.77%

LAB 72.63, 35.55, 4.7

CMYK 0 / 1 / 38 / 5

RGB 242 240 151

HSL 58.68, 0.78%, 0.77%

LAB 93.2, -12.05, 43.26

CMYK 38 / 0 / 8 / 5

RGB 151 242 222

HSL 166.81, 0.78%, 0.77%

LAB 89.56, -31.64, 1.07

CMYK 38 / 37 / 0 / 5

RGB 151 153 242

HSL 238.68, 0.78%, 0.77%

LAB 66.35, 20.32, -44.88

Square colors

CMYK 0 / 37 / 29 / 5

RGB 242 153 171

HSL 347.87, 0.77%, 0.77%

LAB 72.63, 35.55, 4.7

CMYK 11 / 0 / 38 / 5

RGB 216 242 151

HSL 77.14, 0.78%, 0.77%

LAB 91.84, -22.82, 41.12

CMYK 38 / 0 / 8 / 5

RGB 151 242 222

HSL 166.81, 0.78%, 0.77%

LAB 89.56, -31.64, 1.07

CMYK 27 / 38 / 0 / 5

RGB 177 151 242

HSL 257.14, 0.78%, 0.77%

LAB 67.94, 28.53, -42.23

Description

Color code: HEX #F299AB3F | qconv.com

Color code: HEX #F299AB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 153 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 7 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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