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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F29343CE it is the complementary color #0D6CBCCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F29343CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F29343CE shade: #F7933ECE, #FFA551CE, #FFB764CE, #FFC977CE and #FFDB8ACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F29343CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F29343CE shade: #F29343CE, #E18130CE, #D06F1DCE, #BF5D0ACE and #AE4B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F29343CE shade: #F29445, #F26545 and #F24545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F29343CE shade: #F29445, #F2C345, #F2F145, #C4F245 and #95F245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F29343CE shade matches the following richer shades: #F29445

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F29343CE shade: #F29445, #E29655, #D29765, #C29875 and #B29A85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F29343CE shade: #F24553, #F26545, #F29345, #F2C145 and #F2EF45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F29343CE shade: #D66A0F, #EF7E1E, #F29445, #F5AA6C and #F7C092

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F29343CE shade: #F29343, #82F245 and #4E45F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F29343CE shade: #F29343, #45F293 and #9345F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F29343CE shade: #F29343, #82F245, #45A4F2 and #B645F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F29343CE shade: #F29343, #4EF245, #45A4F2 and #E945F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 59 / 4

HEX #F29343CE

RGBA 242 147 67 0.81

HSLA 27.43, 0.87%, 0.61%, 0.81

LABA 69.58, 29.49, 55.75, 0.81

 

Complementary color

CMYK 75 / 34 / 0 / 21

HEX #0D6CBCCE

RGBA 13 108 188 0.81

HSLA 207.43, 0.87%, 0.39%, 0.81

LABA 44.86, 5.49, -48.95, 0.81

 

CMYK 0 / 33 / 61 / 3

HEX #F7933ECE

RGBA 247 147 62 0.81

HSLA 27.57, 0.92%, 0.61%, 0.81

LABA 70.17, 31.3, 58.78, 0.81

 

CMYK 0 / 29 / 55 / 0

HEX #FFA551CE

RGBA 255 165 81 0.81

HSLA 28.97, 1%, 0.66%, 0.81

LABA 75.3, 26.06, 55.91, 0.81

 

CMYK 0 / 23 / 49 / 0

HEX #FFB764CE

RGBA 255 183 100 0.81

HSLA 32.13, 1%, 0.7%, 0.81

LABA 79.64, 17.8, 51.8, 0.81

 

CMYK 0 / 17 / 43 / 0

HEX #FFC977CE

RGBA 255 201 119 0.81

HSLA 36.18, 1%, 0.73%, 0.81

LABA 84.16, 9.84, 47.93, 0.81

 

CMYK 0 / 11 / 37 / 0

HEX #FFDB8ACE

RGBA 255 219 138 0.81

HSLA 41.54, 1%, 0.77%, 0.81

LABA 88.81, 2.25, 44.31, 0.81

 

CMYK 0 / 32 / 59 / 4

HEX #F29343CE

RGBA 242 147 67 0.81

HSLA 27.43, 0.87%, 0.61%, 0.81

LABA 69.58, 29.49, 55.75, 0.81

 

CMYK 0 / 35 / 64 / 10

HEX #E18130CE

RGBA 225 129 48 0.81

HSLA 27.46, 0.75%, 0.54%, 0.81

LABA 63.28, 31.21, 57.03, 0.81

 

CMYK 0 / 38 / 70 / 15

HEX #D06F1DCE

RGBA 208 111 29 0.81

HSLA 27.49, 0.76%, 0.46%, 0.81

LABA 56.95, 33.12, 57.77, 0.81

 

CMYK 0 / 42 / 77 / 20

HEX #BF5D0ACE

RGBA 191 93 10 0.81

HSLA 27.51, 0.9%, 0.39%, 0.81

LABA 50.6, 35.21, 57.25, 0.81

 

CMYK 0 / 46 / 81 / 26

HEX #AE4B00CE

RGBA 174 75 0 0.81

HSLA 25.86, 1%, 0.34%, 0.81

LABA 44.28, 37.44, 54.38, 0.81

 

CMYK 0 / 39 / 71 / 5

HEX #F29445

RGB 242 148 69

HSL 27.4, 0.87%, 0.61%

LAB 69.81, 29.06, 55.09

 

CMYK 0 / 58 / 71 / 5

HEX #F26545

RGB 242 101 69

HSL 11.1, 0.87%, 0.61%

LAB 60.44, 52.4, 44.93

 

CMYK 0 / 71 / 71 / 5

HEX #F24545

RGB 242 69 69

HSL 0, 0.87%, 0.61%

LAB 55.65, 65.31, 39.49

 

CMYK 0 / 39 / 71 / 5

HEX #F29445

RGB 242 148 69

HSL 27.4, 0.87%, 0.61%

LAB 69.81, 29.06, 55.09

 

CMYK 0 / 19 / 71 / 5

HEX #F2C345

RGB 242 195 69

HSL 43.7, 0.87%, 0.61%

LAB 80.93, 4.37, 66.47

 

CMYK 0 / 0 / 71 / 5

HEX #F2F145

RGB 242 241 69

HSL 59.65, 0.87%, 0.61%

LAB 92.67, -18.72, 77.89

 

CMYK 19 / 0 / 71 / 5

HEX #C4F245

RGB 196 242 69

HSL 75.95, 0.87%, 0.61%

LAB 89.71, -37.48, 73.91

 

CMYK 38 / 0 / 71 / 5

HEX #95F245

RGB 149 242 69

HSL 92.25, 0.87%, 0.61%

LAB 87.16, -54.3, 70.54

 

CMYK 0 / 39 / 71 / 5

HEX #F29445

RGB 242 148 69

HSL 27.4, 0.87%, 0.61%

LAB 69.81, 29.06, 55.09

 

CMYK 0 / 39 / 71 / 5

HEX #F29445

RGB 242 148 69

HSL 27.4, 0.87%, 0.61%

LAB 69.81, 29.06, 55.09

 

CMYK 0 / 34 / 62 / 11

HEX #E29655

RGB 226 150 85

HSL 27.66, 0.71%, 0.61%

LAB 68.49, 22.35, 45.36

 

CMYK 0 / 28 / 52 / 18

HEX #D29765

RGB 210 151 101

HSL 27.52, 0.55%, 0.61%

LAB 67.11, 16.45, 34.96

 

CMYK 0 / 22 / 40 / 24

HEX #C29875

RGB 194 152 117

HSL 27.27, 0.39%, 0.61%

LAB 65.91, 10.98, 24.42

 

CMYK 0 / 13 / 25 / 30

HEX #B29A85

RGB 178 154 133

HSL 28, 0.23%, 0.61%

LAB 65.18, 5.56, 14.3

 

CMYK 0 / 71 / 66 / 5

HEX #F24553

RGB 242 69 83

HSL 355.14, 0.87%, 0.61%

LAB 55.84, 65.98, 31.74

 

CMYK 0 / 58 / 71 / 5

HEX #F26545

RGB 242 101 69

HSL 11.1, 0.87%, 0.61%

LAB 60.44, 52.4, 44.93

 

CMYK 0 / 39 / 71 / 5

HEX #F29345

RGB 242 147 69

HSL 27.05, 0.87%, 0.61%

LAB 69.59, 29.58, 54.86

 

CMYK 0 / 20 / 71 / 5

HEX #F2C145

RGB 242 193 69

HSL 43.01, 0.87%, 0.61%

LAB 80.43, 5.41, 65.97

 

CMYK 0 / 1 / 71 / 5

HEX #F2EF45

RGB 242 239 69

HSL 58.96, 0.87%, 0.61%

LAB 92.15, -17.75, 77.4

 

CMYK 0 / 50 / 93 / 16

HEX #D66A0F

RGB 214 106 15

HSL 27.44, 0.87%, 0.45%

LAB 56.72, 37.87, 61.97

 

CMYK 0 / 47 / 87 / 6

HEX #EF7E1E

RGB 239 126 30

HSL 27.56, 0.87%, 0.53%

LAB 64.46, 37.91, 65.3

 

CMYK 0 / 39 / 71 / 5

HEX #F29445

RGB 242 148 69

HSL 27.4, 0.87%, 0.61%

LAB 69.81, 29.06, 55.09

 

CMYK 0 / 31 / 56 / 4

HEX #F5AA6C

RGB 245 170 108

HSL 27.15, 0.87%, 0.69%

LAB 75.6, 21.15, 42.74

 

CMYK 0 / 22 / 41 / 3

HEX #F7C092

RGB 247 192 146

HSL 27.33, 0.86%, 0.77%

LAB 81.59, 13.9, 30.74

 

CMYK 0 / 39 / 72 / 5

HEX #F29343

RGB 242 147 67

HSL 27.43, 0.87%, 0.61%

LAB 69.58, 29.49, 55.75

 

CMYK 46 / 0 / 71 / 5

HEX #82F245

RGB 130 242 69

HSL 98.84, 0.87%, 0.61%

LAB 86.35, -60.21, 69.46

 

CMYK 68 / 71 / 0 / 5

HEX #4E45F2

RGB 78 69 242

HSL 243.12, 0.87%, 0.61%

LAB 41.67, 55.12, -84.91

 

CMYK 0 / 39 / 72 / 5

HEX #F29343

RGB 242 147 67

HSL 27.43, 0.87%, 0.61%

LAB 69.58, 29.49, 55.75

 

CMYK 71 / 0 / 39 / 5

HEX #45F293

RGB 69 242 147

HSL 147.05, 0.87%, 0.61%

LAB 85.44, -64.21, 33.56

 

CMYK 39 / 71 / 0 / 5

HEX #9345F2

RGB 147 69 242

HSL 267.05, 0.87%, 0.61%

LAB 48.1, 64.87, -74.13

 

CMYK 0 / 39 / 72 / 5

HEX #F29343

RGB 242 147 67

HSL 27.43, 0.87%, 0.61%

LAB 69.58, 29.49, 55.75

 

CMYK 46 / 0 / 71 / 5

HEX #82F245

RGB 130 242 69

HSL 98.84, 0.87%, 0.61%

LAB 86.35, -60.21, 69.46

 

CMYK 71 / 32 / 0 / 5

HEX #45A4F2

RGB 69 164 242

HSL 207.05, 0.87%, 0.61%

LAB 65.14, -2.8, -47.05

 

CMYK 25 / 71 / 0 / 5

HEX #B645F2

RGB 182 69 242

HSL 279.19, 0.87%, 0.61%

LAB 52.52, 71.19, -66.74

 

CMYK 0 / 39 / 72 / 5

HEX #F29343

RGB 242 147 67

HSL 27.43, 0.87%, 0.61%

LAB 69.58, 29.49, 55.75

 

CMYK 68 / 0 / 71 / 5

HEX #4EF245

RGB 78 242 69

HSL 116.88, 0.87%, 0.61%

LAB 84.77, -72.69, 67.35

 

CMYK 71 / 32 / 0 / 5

HEX #45A4F2

RGB 69 164 242

HSL 207.05, 0.87%, 0.61%

LAB 65.14, -2.8, -47.05

 

CMYK 4 / 71 / 0 / 5

HEX #E945F2

RGB 233 69 242

HSL 296.88, 0.87%, 0.61%

LAB 59.88, 81.24, -54.53

 

Description

Color code: HEX #F29343CE | qconv.com Color code: HEX #F29343CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 147 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 147 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 59 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 59% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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