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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F28EA84C it is the complementary color #0D71574C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F28EA84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F28EA84C shade: #F78EA34C, #FFA0B64C, #FFB2C94C, #FFC4DC4C and #FFD6EF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F28EA84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F28EA84C shade: #F28EA84C, #E17C954C, #D06A824C, #BF586F4C and #AE465C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F28EA84C shade: #F28DA7 and #F28D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F28EA84C shade: #F28DA7, #F28DC2, #F28DDD, #EB8DF2 and #D08DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F28EA84C shade matches the following richer shades: #F28DA7 and #FC83A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F28EA84C shade: #F28DA7, #E797AC, #DDA2B1, #D3ACB6 and #C8B6BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F28EA84C shade: #F28DDD, #F28DC3, #F28DA8, #F28D8D and #F2A88D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F28EA84C shade: #E9436E, #ED688B, #F28DA7, #F6B2C4 and #FAD7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F28EA84C shade: #F28EA8, #F2EB8D and #8DD0F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F28EA84C shade: #F28EA8, #A8F28D and #8DA8F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F28EA84C shade: #F28EA8, #F2EB8D, #8DF2D7 and #8D94F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F28EA84C shade: #F28EA8, #DAF28D, #8DF2D7 and #A48DF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 9 / 2

HEX #F28EA84C

RGBA 242 142 168 0.3

HSLA 344.4, 0.79%, 0.75%, 0.3

LABA 70.21, 40.87, 2.87, 0.3

 

Complementary color

CMYK 27 / 0 / 7 / 17

HEX #0D71574C

RGBA 13 113 87 0.3

HSLA 164.4, 0.79%, 0.25%, 0.3

LABA 42.13, -33.36, 6.98, 0.3

 

CMYK 0 / 13 / 10 / 1

HEX #F78EA34C

RGBA 247 142 163 0.3

HSLA 348, 0.87%, 0.76%, 0.3

LABA 70.71, 42.01, 6.46, 0.3

 

CMYK 0 / 11 / 9 / 0

HEX #FFA0B64C

RGBA 255 160 182 0.3

HSLA 346.11, 1%, 0.81%, 0.3

LABA 75.93, 37.96, 3.61, 0.3

 

CMYK 0 / 9 / 6 / 0

HEX #FFB2C94C

RGBA 255 178 201 0.3

HSLA 342.08, 1%, 0.85%, 0.3

LABA 80.36, 31.2, -0.3, 0.3

 

CMYK 0 / 7 / 4 / 0

HEX #FFC4DC4C

RGBA 255 196 220 0.3

HSLA 335.59, 1%, 0.88%, 0.3

LABA 84.95, 24.64, -3.78, 0.3

 

CMYK 0 / 5 / 2 / 0

HEX #FFD6EF4C

RGBA 255 214 239 0.3

HSLA 323.41, 1%, 0.92%, 0.3

LABA 89.67, 18.33, -6.89, 0.3

 

CMYK 0 / 12 / 9 / 2

HEX #F28EA84C

RGBA 242 142 168 0.3

HSLA 344.4, 0.79%, 0.75%, 0.3

LABA 70.21, 40.87, 2.87, 0.3

 

CMYK 0 / 13 / 10 / 4

HEX #E17C954C

RGBA 225 124 149 0.3

HSLA 345.15, 0.63%, 0.68%, 0.3

LABA 63.83, 41.77, 4.08, 0.3

 

CMYK 0 / 15 / 11 / 6

HEX #D06A824C

RGBA 208 106 130 0.3

HSLA 345.88, 0.52%, 0.62%, 0.3

LABA 57.4, 42.69, 5.47, 0.3

 

CMYK 0 / 16 / 13 / 8

HEX #BF586F4C

RGBA 191 88 111 0.3

HSLA 346.6, 0.45%, 0.55%, 0.3

LABA 50.92, 43.61, 7.11, 0.3

 

CMYK 0 / 18 / 14 / 10

HEX #AE465C4C

RGBA 174 70 92 0.3

HSLA 347.31, 0.43%, 0.48%, 0.3

LABA 44.45, 44.46, 9.09, 0.3

 

CMYK 0 / 42 / 31 / 5

HEX #F28DA7

RGB 242 141 167

HSL 344.55, 0.8%, 0.75%

LAB 69.98, 41.26, 3.09

 

CMYK 0 / 42 / 42 / 5

HEX #F28D8D

RGB 242 141 141

HSL 0, 0.8%, 0.75%

LAB 69.36, 38.23, 16.74

 

CMYK 0 / 42 / 31 / 5

HEX #F28DA7

RGB 242 141 167

HSL 344.55, 0.8%, 0.75%

LAB 69.98, 41.26, 3.09

 

CMYK 0 / 42 / 20 / 5

HEX #F28DC2

RGB 242 141 194

HSL 328.51, 0.8%, 0.75%

LAB 70.75, 44.95, -10.83

 

CMYK 0 / 42 / 9 / 5

HEX #F28DDD

RGB 242 141 221

HSL 312.48, 0.8%, 0.75%

LAB 71.65, 49.17, -24.41

 

CMYK 3 / 42 / 0 / 5

HEX #EB8DF2

RGB 235 141 242

HSL 295.84, 0.8%, 0.75%

LAB 71.64, 50.72, -36.02

 

CMYK 14 / 42 / 0 / 5

HEX #D08DF2

RGB 208 141 242

HSL 279.8, 0.8%, 0.75%

LAB 68.66, 42.89, -40.89

 

CMYK 0 / 42 / 31 / 5

HEX #F28DA7

RGB 242 141 167

HSL 344.55, 0.8%, 0.75%

LAB 69.98, 41.26, 3.09

 

CMYK 0 / 48 / 36 / 1

HEX #FC83A2

RGB 252 131 162

HSL 344.63, 0.95%, 0.75%

LAB 69.14, 49.13, 4.84

 

CMYK 0 / 42 / 31 / 5

HEX #F28DA7

RGB 242 141 167

HSL 344.55, 0.8%, 0.75%

LAB 69.98, 41.26, 3.09

 

CMYK 0 / 35 / 26 / 9

HEX #E797AC

RGB 231 151 172

HSL 344.25, 0.63%, 0.75%

LAB 70.94, 32.8, 1.54

 

CMYK 0 / 27 / 20 / 13

HEX #DDA2B1

RGB 221 162 177

HSL 344.75, 0.46%, 0.75%

LAB 72.49, 24.03, 0.89

 

CMYK 0 / 18 / 14 / 17

HEX #D3ACB6

RGB 211 172 182

HSL 344.62, 0.31%, 0.75%

LAB 74.02, 15.78, 0.25

 

CMYK 0 / 9 / 7 / 22

HEX #C8B6BB

RGB 200 182 187

HSL 343.33, 0.14%, 0.75%

LAB 75.65, 7.27, -0.22

 

CMYK 0 / 42 / 9 / 5

HEX #F28DDD

RGB 242 141 221

HSL 312.48, 0.8%, 0.75%

LAB 71.65, 49.17, -24.41

 

CMYK 0 / 42 / 19 / 5

HEX #F28DC3

RGB 242 141 195

HSL 327.92, 0.8%, 0.75%

LAB 70.78, 45.1, -11.34

 

CMYK 0 / 42 / 31 / 5

HEX #F28DA8

RGB 242 141 168

HSL 343.96, 0.8%, 0.75%

LAB 70, 41.38, 2.57

 

CMYK 0 / 42 / 42 / 5

HEX #F28D8D

RGB 242 141 141

HSL 0, 0.8%, 0.75%

LAB 69.36, 38.23, 16.74

 

CMYK 0 / 31 / 42 / 5

HEX #F2A88D

RGB 242 168 141

HSL 16.04, 0.8%, 0.75%

LAB 75.33, 24.07, 24.91

 

CMYK 0 / 71 / 53 / 9

HEX #E9436E

RGB 233 67 110

HSL 344.46, 0.79%, 0.59%

LAB 54.52, 65.77, 13.75

 

CMYK 0 / 56 / 41 / 7

HEX #ED688B

RGB 237 104 139

HSL 344.21, 0.79%, 0.67%

LAB 61.45, 54.5, 6.63

 

CMYK 0 / 42 / 31 / 5

HEX #F28DA7

RGB 242 141 167

HSL 344.55, 0.8%, 0.75%

LAB 69.98, 41.26, 3.09

 

CMYK 0 / 28 / 20 / 4

HEX #F6B2C4

RGB 246 178 196

HSL 344.12, 0.79%, 0.83%

LAB 79.28, 27.3, 0.72

 

CMYK 0 / 14 / 10 / 2

HEX #FAD7E0

RGB 250 215 224

HSL 344.57, 0.78%, 0.91%

LAB 89.07, 13.59, 0.08

 

CMYK 0 / 41 / 31 / 5

HEX #F28EA8

RGB 242 142 168

HSL 344.4, 0.79%, 0.75%

LAB 70.21, 40.87, 2.87

 

CMYK 0 / 3 / 42 / 5

HEX #F2EB8D

RGB 242 235 141

HSL 55.84, 0.8%, 0.75%

LAB 91.78, -10.62, 46.35

 

CMYK 42 / 14 / 0 / 5

HEX #8DD0F2

RGB 141 208 242

HSL 200.2, 0.8%, 0.75%

LAB 80.28, -12.56, -23.36

 

CMYK 0 / 41 / 31 / 5

HEX #F28EA8

RGB 242 142 168

HSL 344.4, 0.79%, 0.75%

LAB 70.21, 40.87, 2.87

 

CMYK 31 / 0 / 42 / 5

HEX #A8F28D

RGB 168 242 141

HSL 103.96, 0.8%, 0.75%

LAB 88.81, -40.96, 41.57

 

CMYK 42 / 31 / 0 / 5

HEX #8DA8F2

RGB 141 168 242

HSL 223.96, 0.8%, 0.75%

LAB 69.53, 9.19, -39.95

 

CMYK 0 / 41 / 31 / 5

HEX #F28EA8

RGB 242 142 168

HSL 344.4, 0.79%, 0.75%

LAB 70.21, 40.87, 2.87

 

CMYK 0 / 3 / 42 / 5

HEX #F2EB8D

RGB 242 235 141

HSL 55.84, 0.8%, 0.75%

LAB 91.78, -10.62, 46.35

 

CMYK 42 / 0 / 11 / 5

HEX #8DF2D7

RGB 141 242 215

HSL 163.96, 0.8%, 0.75%

LAB 88.96, -35.74, 3.79

 

CMYK 42 / 39 / 0 / 5

HEX #8D94F2

RGB 141 148 242

HSL 235.84, 0.8%, 0.75%

LAB 64.37, 20.65, -48.05

 

CMYK 0 / 41 / 31 / 5

HEX #F28EA8

RGB 242 142 168

HSL 344.4, 0.79%, 0.75%

LAB 70.21, 40.87, 2.87

 

CMYK 10 / 0 / 42 / 5

HEX #DAF28D

RGB 218 242 141

HSL 74.26, 0.8%, 0.75%

LAB 91.83, -23.22, 46.04

 

CMYK 42 / 0 / 11 / 5

HEX #8DF2D7

RGB 141 242 215

HSL 163.96, 0.8%, 0.75%

LAB 88.96, -35.74, 3.79

 

CMYK 32 / 42 / 0 / 5

HEX #A48DF2

RGB 164 141 242

HSL 253.66, 0.8%, 0.75%

LAB 64.45, 30.62, -47.8

 

Description

Color code: HEX #F28EA84C | qconv.com Color code: HEX #F28EA84C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 142 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 142 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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