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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2815ACE it is the complementary color #0D7EA5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2815ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2815ACE shade: #F78155CE, #FF9368CE, #FFA57BCE, #FFB78ECE and #FFC9A1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2815ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2815ACE shade: #F2815ACE, #E16F47CE, #D05D34CE, #BF4B21CE and #AE390ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2815ACE shade: #F2815A and #F25A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2815ACE shade: #F2815A, #F2AA5A, #F2D35A, #E8F25A and #BFF25A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2815ACE shade matches the following richer shades: #F2815A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2815ACE shade: #F2815A, #E38868, #D58F77, #C69685 and #B89D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2815ACE shade: #F25A85, #F25A5C, #F2805A, #F2A85A and #F2D15A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2815ACE shade: #E64913, #EF6434, #F2815A, #F59E80 and #F8BBA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2815ACE shade: #F2815A, #ADF25A and #5A71F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2815ACE shade: #F2815A, #5AF280 and #805AF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2815ACE shade: #F2815A, #ADF25A, #5ACCF2 and #9E5AF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2815ACE shade: #F2815A, #80F25A, #5ACCF2 and #CC5AF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 51 / 4

HEX #F2815ACE

RGBA 242 129 90 0.81

HSLA 15.39, 0.85%, 0.65%, 0.81

LABA 65.99, 40.03, 40.31, 0.81

 

Complementary color

CMYK 75 / 19 / 0 / 29

HEX #0D7EA5CE

RGBA 13 126 165 0.81

HSLA 195.39, 0.85%, 0.35%, 0.81

LABA 49.16, -14.2, -28.79, 0.81

 

CMYK 0 / 39 / 53 / 3

HEX #F78155CE

RGBA 247 129 85 0.81

HSLA 16.3, 0.91%, 0.65%, 0.81

LABA 66.62, 41.63, 43.85, 0.81

 

CMYK 0 / 34 / 48 / 0

HEX #FF9368CE

RGBA 255 147 104 0.81

HSLA 17.09, 1%, 0.7%, 0.81

LABA 71.64, 36.79, 40.2, 0.81

 

CMYK 0 / 29 / 42 / 0

HEX #FFA57BCE

RGBA 255 165 123 0.81

HSLA 19.09, 1%, 0.74%, 0.81

LABA 75.82, 28.97, 35.45, 0.81

 

CMYK 0 / 23 / 36 / 0

HEX #FFB78ECE

RGBA 255 183 142 0.81

HSLA 21.77, 1%, 0.78%, 0.81

LABA 80.22, 21.32, 31.18, 0.81

 

CMYK 0 / 17 / 30 / 0

HEX #FFC9A1CE

RGBA 255 201 161 0.81

HSLA 25.53, 1%, 0.82%, 0.81

LABA 84.8, 13.95, 27.31, 0.81

 

CMYK 0 / 38 / 51 / 4

HEX #F2815ACE

RGBA 242 129 90 0.81

HSLA 15.39, 0.85%, 0.65%, 0.81

LABA 65.99, 40.03, 40.31, 0.81

 

CMYK 0 / 41 / 55 / 10

HEX #E16F47CE

RGBA 225 111 71 0.81

HSLA 15.58, 0.72%, 0.58%, 0.81

LABA 59.74, 41.48, 42.38, 0.81

 

CMYK 0 / 45 / 61 / 15

HEX #D05D34CE

RGBA 208 93 52 0.81

HSLA 15.77, 0.62%, 0.51%, 0.81

LABA 53.48, 43.01, 44.6, 0.81

 

CMYK 0 / 49 / 67 / 20

HEX #BF4B21CE

RGBA 191 75 33 0.81

HSLA 15.95, 0.71%, 0.44%, 0.81

LABA 47.26, 44.57, 46.78, 0.81

 

CMYK 0 / 54 / 74 / 26

HEX #AE390ECE

RGBA 174 57 14 0.81

HSLA 16.13, 0.85%, 0.37%, 0.81

LABA 41.15, 46.02, 48.33, 0.81

 

CMYK 0 / 47 / 63 / 5

HEX #F2815A

RGB 242 129 90

HSL 15.39, 0.85%, 0.65%

LAB 65.99, 40.03, 40.31

 

CMYK 0 / 63 / 63 / 5

HEX #F25A5A

RGB 242 90 90

HSL 0, 0.85%, 0.65%

LAB 58.91, 58.32, 31.56

 

CMYK 0 / 47 / 63 / 5

HEX #F2815A

RGB 242 129 90

HSL 15.39, 0.85%, 0.65%

LAB 65.99, 40.03, 40.31

 

CMYK 0 / 30 / 63 / 5

HEX #F2AA5A

RGB 242 170 90

HSL 31.58, 0.85%, 0.65%

LAB 75.05, 18.65, 50.96

 

CMYK 0 / 13 / 63 / 5

HEX #F2D35A

RGB 242 211 90

HSL 47.76, 0.85%, 0.65%

LAB 85.1, -2.71, 62.16

 

CMYK 4 / 0 / 63 / 5

HEX #E8F25A

RGB 232 242 90

HSL 63.95, 0.85%, 0.65%

LAB 92.31, -22.13, 69.63

 

CMYK 21 / 0 / 63 / 5

HEX #BFF25A

RGB 191 242 90

HSL 80.13, 0.85%, 0.65%

LAB 89.54, -38.06, 65.85

 

CMYK 0 / 47 / 63 / 5

HEX #F2815A

RGB 242 129 90

HSL 15.39, 0.85%, 0.65%

LAB 65.99, 40.03, 40.31

 

CMYK 0 / 47 / 63 / 5

HEX #F2815A

RGB 242 129 90

HSL 15.39, 0.85%, 0.65%

LAB 65.99, 40.03, 40.31

 

CMYK 0 / 40 / 54 / 11

HEX #E38868

RGB 227 136 104

HSL 15.61, 0.69%, 0.65%

LAB 65.7, 31.62, 31.97

 

CMYK 0 / 33 / 44 / 16

HEX #D58F77

RGB 213 143 119

HSL 15.32, 0.53%, 0.65%

LAB 65.84, 23.76, 23.59

 

CMYK 0 / 24 / 33 / 22

HEX #C69685

RGB 198 150 133

HSL 15.69, 0.36%, 0.65%

LAB 66.15, 15.65, 15.95

 

CMYK 0 / 15 / 20 / 28

HEX #B89D94

RGB 184 157 148

HSL 15, 0.2%, 0.65%

LAB 66.86, 8.5, 8.39

 

CMYK 0 / 63 / 45 / 5

HEX #F25A85

RGB 242 90 133

HSL 343.03, 0.85%, 0.65%

LAB 59.78, 61.62, 7.82

 

CMYK 0 / 63 / 62 / 5

HEX #F25A5C

RGB 242 90 92

HSL 359.21, 0.85%, 0.65%

LAB 58.94, 58.44, 30.46

 

CMYK 0 / 47 / 63 / 5

HEX #F2805A

RGB 242 128 90

HSL 15, 0.85%, 0.65%

LAB 65.79, 40.54, 40.06

 

CMYK 0 / 31 / 63 / 5

HEX #F2A85A

RGB 242 168 90

HSL 30.79, 0.85%, 0.65%

LAB 74.59, 19.7, 50.42

 

CMYK 0 / 14 / 63 / 5

HEX #F2D15A

RGB 242 209 90

HSL 46.97, 0.85%, 0.65%

LAB 84.6, -1.69, 61.62

 

CMYK 0 / 68 / 92 / 10

HEX #E64913

RGB 230 73 19

HSL 15.36, 0.85%, 0.49%

LAB 53.64, 58.67, 60.06

 

CMYK 0 / 58 / 78 / 6

HEX #EF6434

RGB 239 100 52

HSL 15.4, 0.85%, 0.57%

LAB 59.63, 51.11, 52.43

 

CMYK 0 / 47 / 63 / 5

HEX #F2815A

RGB 242 129 90

HSL 15.39, 0.85%, 0.65%

LAB 65.99, 40.03, 40.31

 

CMYK 0 / 36 / 48 / 4

HEX #F59E80

RGB 245 158 128

HSL 15.38, 0.85%, 0.73%

LAB 73.17, 29.19, 29.1

 

CMYK 0 / 25 / 33 / 3

HEX #F8BBA6

RGB 248 187 166

HSL 15.37, 0.85%, 0.81%

LAB 80.88, 19.21, 19.19

 

CMYK 0 / 47 / 63 / 5

HEX #F2815A

RGB 242 129 90

HSL 15.39, 0.85%, 0.65%

LAB 65.99, 40.03, 40.31

 

CMYK 29 / 0 / 63 / 5

HEX #ADF25A

RGB 173 242 90

HSL 87.24, 0.85%, 0.65%

LAB 88.51, -44.61, 64.43

 

CMYK 63 / 53 / 0 / 5

HEX #5A71F2

RGB 90 113 242

HSL 230.92, 0.85%, 0.65%

LAB 52.28, 30.88, -67.55

 

CMYK 0 / 47 / 63 / 5

HEX #F2815A

RGB 242 129 90

HSL 15.39, 0.85%, 0.65%

LAB 65.99, 40.03, 40.31

 

CMYK 63 / 0 / 47 / 5

HEX #5AF280

RGB 90 242 128

HSL 135, 0.85%, 0.65%

LAB 85.62, -63.76, 43.22

 

CMYK 47 / 63 / 0 / 5

HEX #805AF2

RGB 128 90 242

HSL 255, 0.85%, 0.65%

LAB 49.87, 51.06, -71.32

 

CMYK 0 / 47 / 63 / 5

HEX #F2815A

RGB 242 129 90

HSL 15.39, 0.85%, 0.65%

LAB 65.99, 40.03, 40.31

 

CMYK 29 / 0 / 63 / 5

HEX #ADF25A

RGB 173 242 90

HSL 87.24, 0.85%, 0.65%

LAB 88.51, -44.61, 64.43

 

CMYK 63 / 16 / 0 / 5

HEX #5ACCF2

RGB 90 204 242

HSL 195, 0.85%, 0.65%

LAB 77.14, -21.14, -28.34

 

CMYK 35 / 63 / 0 / 5

HEX #9E5AF2

RGB 158 90 242

HSL 266.84, 0.85%, 0.65%

LAB 52.94, 57.02, -66.21

 

CMYK 0 / 47 / 63 / 5

HEX #F2815A

RGB 242 129 90

HSL 15.39, 0.85%, 0.65%

LAB 65.99, 40.03, 40.31

 

CMYK 47 / 0 / 63 / 5

HEX #80F25A

RGB 128 242 90

HSL 105, 0.85%, 0.65%

LAB 86.42, -59.13, 61.55

 

CMYK 63 / 16 / 0 / 5

HEX #5ACCF2

RGB 90 204 242

HSL 195, 0.85%, 0.65%

LAB 77.14, -21.14, -28.34

 

CMYK 16 / 63 / 0 / 5

HEX #CC5AF2

RGB 204 90 242

HSL 285, 0.85%, 0.65%

LAB 58.57, 67.09, -56.87

 

Description

Color code: HEX #F2815ACE | qconv.com Color code: HEX #F2815ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 129 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 129 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 51 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 51% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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