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Color name
HEX #F27FCA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F27FCA it is the complementary color #0D8035. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F27FCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F27FCA shade: #F77FC5, #FF91D8, #FFA3EB, #FFB5FE and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F27FCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F27FCA shade: #F27FCA, #E16DB7, #D05BA4, #BF4991 and #AE377E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F27FCA shade: #F27DC9, #F27DAA, #F27D8A and #F27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F27FCA shade: #F27DC9, #F27DE9, #DC7DF2, #BC7DF2 and #9D7DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F27FCA shade matches the following richer shades: #F27DC9 and #FE71CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F27FCA shade: #F27DC9, #E789C6, #DB94C2, #CFA0BF and #C4ABBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F27FCA shade: #DB7DF2, #F27DEA, #F27DCB, #F27DAC and #F27D8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F27FCA shade: #EB32AA, #EE58BA, #F27DC9, #F6A3D9 and #FAC8E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F27FCA shade: #F27FCA, #F2BC7D and #7DF2EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F27FCA shade: #F27FCA, #CBF27D and #7DCBF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F27FCA shade: #F27FCA, #F2BC7D, #7DF2A4 and #7DB4F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F27FCA shade: #F27FCA, #F2DF7D, #7DF2A4 and #7D91F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 17 / 5

HEX #F27FCA

RGB 242 127 202

HSL 320.87, 0.82%, 0.72%

LAB 68.26, 53.15, -19.05

 

Complementary color

CMYK 90 / 0 / 59 / 50

HEX #0D8035

RGB 13 128 53

HSL 140.87, 0.82%, 0.28%

LAB 46.69, -46.36, 32.12

 

CMYK 0 / 49 / 20 / 3

HEX #F77FC5

RGB 247 127 197

HSL 325, 0.88%, 0.73%

LAB 68.74, 53.97, -15.46

 

CMYK 0 / 43 / 15 / 0

HEX #FF91D8

RGB 255 145 216

HSL 321.27, 1%, 0.78%

LAB 73.85, 50.42, -18.17

 

CMYK 0 / 36 / 8 / 0

HEX #FFA3EB

RGB 255 163 235

HSL 313.04, 1%, 0.82%

LAB 78.14, 44.31, -22.03

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FE

RGB 255 181 254

HSL 300.81, 1%, 0.85%

LAB 82.63, 38.26, -25.42

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 48 / 17 / 5

HEX #F27FCA

RGB 242 127 202

HSL 320.87, 0.82%, 0.72%

LAB 68.26, 53.15, -19.05

 

CMYK 0 / 52 / 19 / 12

HEX #E16DB7

RGB 225 109 183

HSL 321.72, 0.66%, 0.65%

LAB 61.97, 53.83, -18.09

 

CMYK 0 / 56 / 21 / 18

HEX #D05BA4

RGB 208 91 164

HSL 322.56, 0.55%, 0.59%

LAB 55.66, 54.41, -16.96

 

CMYK 0 / 62 / 24 / 25

HEX #BF4991

RGB 191 73 145

HSL 323.39, 0.48%, 0.52%

LAB 49.36, 54.81, -15.57

 

CMYK 0 / 68 / 28 / 32

HEX #AE377E

RGB 174 55 126

HSL 324.2, 0.52%, 0.45%

LAB 43.12, 54.88, -13.81

 

CMYK 0 / 48 / 17 / 5

HEX #F27DC9

RGB 242 125 201

HSL 321.03, 0.82%, 0.72%

LAB 67.84, 53.98, -19.11

 

CMYK 0 / 48 / 30 / 5

HEX #F27DAA

RGB 242 125 170

HSL 336.92, 0.82%, 0.72%

LAB 66.86, 49.7, -3.15

 

CMYK 0 / 48 / 43 / 5

HEX #F27D8A

RGB 242 125 138

HSL 353.33, 0.82%, 0.72%

LAB 66.04, 46.02, 13.79

 

CMYK 0 / 48 / 48 / 5

HEX #F27D7D

RGB 242 125 125

HSL 0, 0.82%, 0.72%

LAB 65.77, 44.76, 20.76

 

CMYK 0 / 48 / 17 / 5

HEX #F27DC9

RGB 242 125 201

HSL 321.03, 0.82%, 0.72%

LAB 67.84, 53.98, -19.11

 

CMYK 0 / 48 / 4 / 5

HEX #F27DE9

RGB 242 125 233

HSL 304.62, 0.82%, 0.72%

LAB 69.06, 59.06, -35.02

 

CMYK 9 / 48 / 0 / 5

HEX #DC7DF2

RGB 220 125 242

HSL 288.72, 0.82%, 0.72%

LAB 66.74, 54.57, -43.79

 

CMYK 22 / 48 / 0 / 5

HEX #BC7DF2

RGB 188 125 242

HSL 272.31, 0.82%, 0.72%

LAB 63.15, 45.91, -49.69

 

CMYK 35 / 48 / 0 / 5

HEX #9D7DF2

RGB 157 125 242

HSL 256.41, 0.82%, 0.72%

LAB 60.11, 37.89, -54.71

 

CMYK 0 / 48 / 17 / 5

HEX #F27DC9

RGB 242 125 201

HSL 321.03, 0.82%, 0.72%

LAB 67.84, 53.98, -19.11

 

CMYK 0 / 56 / 19 / 0

HEX #FE71CD

RGB 254 113 205

HSL 320.85, 0.99%, 0.72%

LAB 67.49, 63.72, -21.74

 

CMYK 0 / 48 / 17 / 5

HEX #F27DC9

RGB 242 125 201

HSL 321.03, 0.82%, 0.72%

LAB 67.84, 53.98, -19.11

 

CMYK 0 / 41 / 14 / 9

HEX #E789C6

RGB 231 137 198

HSL 321.06, 0.66%, 0.72%

LAB 68.72, 44.01, -16.24

 

CMYK 0 / 32 / 11 / 14

HEX #DB94C2

RGB 219 148 194

HSL 321.13, 0.5%, 0.72%

LAB 69.57, 33.57, -12.88

 

CMYK 0 / 23 / 8 / 19

HEX #CFA0BF

RGB 207 160 191

HSL 320.43, 0.33%, 0.72%

LAB 70.99, 22.42, -9.22

 

CMYK 0 / 13 / 5 / 23

HEX #C4ABBB

RGB 196 171 187

HSL 321.6, 0.17%, 0.72%

LAB 72.53, 11.82, -4.84

 

CMYK 10 / 48 / 0 / 5

HEX #DB7DF2

RGB 219 125 242

HSL 288.21, 0.82%, 0.72%

LAB 66.63, 54.29, -43.99

 

CMYK 0 / 48 / 3 / 5

HEX #F27DEA

RGB 242 125 234

HSL 304.1, 0.82%, 0.72%

LAB 69.1, 59.23, -35.51

 

CMYK 0 / 48 / 16 / 5

HEX #F27DCB

RGB 242 125 203

HSL 320, 0.82%, 0.72%

LAB 67.91, 54.28, -20.12

 

CMYK 0 / 48 / 29 / 5

HEX #F27DAC

RGB 242 125 172

HSL 335.9, 0.82%, 0.72%

LAB 66.92, 49.95, -4.19

 

CMYK 0 / 48 / 42 / 5

HEX #F27D8D

RGB 242 125 141

HSL 351.79, 0.82%, 0.72%

LAB 66.11, 46.33, 12.19

 

CMYK 0 / 79 / 28 / 8

HEX #EB32AA

RGB 235 50 170

HSL 321.08, 0.82%, 0.56%

LAB 54.91, 77.15, -21.2

 

CMYK 0 / 63 / 22 / 7

HEX #EE58BA

RGB 238 88 186

HSL 320.8, 0.82%, 0.64%

LAB 60.52, 67.28, -21.84

 

CMYK 0 / 48 / 17 / 5

HEX #F27DC9

RGB 242 125 201

HSL 321.03, 0.82%, 0.72%

LAB 67.84, 53.98, -19.11

 

CMYK 0 / 34 / 12 / 4

HEX #F6A3D9

RGB 246 163 217

HSL 320.96, 0.82%, 0.8%

LAB 76.56, 38.45, -14.74

 

CMYK 0 / 20 / 7 / 2

HEX #FAC8E8

RGB 250 200 232

HSL 321.6, 0.83%, 0.88%

LAB 85.74, 22.79, -9.06

 

CMYK 0 / 48 / 17 / 5

HEX #F27FCA

RGB 242 127 202

HSL 320.87, 0.82%, 0.72%

LAB 68.26, 53.15, -19.05

 

CMYK 0 / 22 / 48 / 5

HEX #F2BC7D

RGB 242 188 125

HSL 32.31, 0.82%, 0.72%

LAB 79.8, 11.91, 39.21

 

CMYK 48 / 0 / 3 / 5

HEX #7DF2EA

RGB 125 242 234

HSL 175.9, 0.82%, 0.72%

LAB 88.83, -35.04, -6.39

 

CMYK 0 / 48 / 17 / 5

HEX #F27FCA

RGB 242 127 202

HSL 320.87, 0.82%, 0.72%

LAB 68.26, 53.15, -19.05

 

CMYK 16 / 0 / 48 / 5

HEX #CBF27D

RGB 203 242 125

HSL 80, 0.82%, 0.72%

LAB 90.63, -30.52, 51.96

 

CMYK 48 / 16 / 0 / 5

HEX #7DCBF2

RGB 125 203 242

HSL 200, 0.82%, 0.72%

LAB 78.16, -13.75, -26.67

 

CMYK 0 / 48 / 17 / 5

HEX #F27FCA

RGB 242 127 202

HSL 320.87, 0.82%, 0.72%

LAB 68.26, 53.15, -19.05

 

CMYK 0 / 22 / 48 / 5

HEX #F2BC7D

RGB 242 188 125

HSL 32.31, 0.82%, 0.72%

LAB 79.8, 11.91, 39.21

 

CMYK 48 / 0 / 32 / 5

HEX #7DF2A4

RGB 125 242 164

HSL 140, 0.82%, 0.72%

LAB 87.26, -49.96, 27.68

 

CMYK 48 / 26 / 0 / 5

HEX #7DB4F2

RGB 125 180 242

HSL 211.79, 0.82%, 0.72%

LAB 71.83, -1.4, -36.42

 

CMYK 0 / 48 / 17 / 5

HEX #F27FCA

RGB 242 127 202

HSL 320.87, 0.82%, 0.72%

LAB 68.26, 53.15, -19.05

 

CMYK 0 / 8 / 48 / 5

HEX #F2DF7D

RGB 242 223 125

HSL 50.26, 0.82%, 0.72%

LAB 88.51, -6.14, 50.05

 

CMYK 48 / 0 / 32 / 5

HEX #7DF2A4

RGB 125 242 164

HSL 140, 0.82%, 0.72%

LAB 87.26, -49.96, 27.68

 

CMYK 48 / 40 / 0 / 5

HEX #7D91F2

RGB 125 145 242

HSL 229.74, 0.82%, 0.72%

LAB 62.53, 18.57, -51.03

 

Description

Color code: HEX #F27FCA | qconv.com Color code: HEX #F27FCA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 127 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 127 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 17 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 17% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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