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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F273D6 it is the complementary color #0D8C29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F273D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F273D6 shade: #F773D1, #FF85E4, #FF97F7, #FFA9FF and #FFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F273D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F273D6 shade: #F273D6, #E161C3, #D04FB0, #BF3D9D and #AE2B8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F273D6 shade: #F273D6, #F273B4, #F27392 and #F27373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F273D6 shade: #F273D6, #EC73F2, #CA73F2, #A773F2 and #8573F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F273D6 shade matches the following richer shades: #F273D6 and #FE67DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F273D6 shade: #F273D6, #E67FCF, #D98CC8, #CD98C1 and #C0A5BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F273D6 shade: #CA73F2, #EC73F2, #F273D6, #F273B5 and #F27393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F273D6 shade: #EB28C0, #EE4DCB, #F273D6, #F699E1 and #F9BFEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F273D6 shade: #F273D6, #F2A873 and #73F2DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F273D6 shade: #F273D6, #D6F273 and #73D6F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F273D6 shade: #F273D6, #F2A873, #73F28F and #73BDF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F273D6 shade: #F273D6, #F2CE73, #73F28F and #7397F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

Complementary color

CMYK 91 / 0 / 71 / 45

HEX #0D8C29

RGB 13 140 41

HSL 133.23, 0.83%, 0.3%

LAB 50.69, -51.85, 42.23

 

CMYK 0 / 53 / 15 / 3

HEX #F773D1

RGB 247 115 209

HSL 317.27, 0.89%, 0.71%

LAB 67.01, 61.38, -24.81

 

CMYK 0 / 48 / 11 / 0

HEX #FF85E4

RGB 255 133 228

HSL 313.28, 1%, 0.76%

LAB 71.98, 58.16, -27.61

 

CMYK 0 / 41 / 3 / 0

HEX #FF97F7

RGB 255 151 247

HSL 304.62, 1%, 0.8%

LAB 76.14, 52.44, -31.6

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 0 / 57 / 13 / 12

HEX #E161C3

RGB 225 97 195

HSL 314.06, 0.68%, 0.63%

LAB 60.34, 61.18, -27.43

 

CMYK 0 / 62 / 15 / 18

HEX #D04FB0

RGB 208 79 176

HSL 314.88, 0.58%, 0.56%

LAB 54.17, 61.45, -26.22

 

CMYK 0 / 68 / 18 / 25

HEX #BF3D9D

RGB 191 61 157

HSL 315.69, 0.52%, 0.49%

LAB 48.07, 61.38, -24.7

 

CMYK 0 / 75 / 21 / 32

HEX #AE2B8A

RGB 174 43 138

HSL 316.49, 0.6%, 0.43%

LAB 42.09, 60.75, -22.73

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 0 / 52 / 26 / 5

HEX #F273B4

RGB 242 115 180

HSL 329.29, 0.83%, 0.7%

LAB 65.31, 55.81, -11.12

 

CMYK 0 / 52 / 40 / 5

HEX #F27392

RGB 242 115 146

HSL 345.35, 0.83%, 0.7%

LAB 64.33, 51.73, 6.82

 

CMYK 0 / 52 / 52 / 5

HEX #F27373

RGB 242 115 115

HSL 0, 0.83%, 0.7%

LAB 63.65, 48.79, 23.54

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 2 / 52 / 0 / 5

HEX #EC73F2

RGB 236 115 242

HSL 297.17, 0.83%, 0.7%

LAB 66.9, 63.68, -43.4

 

CMYK 17 / 52 / 0 / 5

HEX #CA73F2

RGB 202 115 242

HSL 281.1, 0.83%, 0.7%

LAB 62.7, 54.8, -50.31

 

CMYK 31 / 52 / 0 / 5

HEX #A773F2

RGB 167 115 242

HSL 264.57, 0.83%, 0.7%

LAB 58.87, 45.93, -56.63

 

CMYK 45 / 52 / 0 / 5

HEX #8573F2

RGB 133 115 242

HSL 248.5, 0.83%, 0.7%

LAB 55.74, 37.98, -61.81

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 0 / 59 / 13 / 0

HEX #FE67DD

RGB 254 103 221

HSL 313.11, 0.99%, 0.7%

LAB 66.51, 70.32, -32.18

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 0 / 45 / 10 / 10

HEX #E67FCF

RGB 230 127 207

HSL 313.4, 0.67%, 0.7%

LAB 66.91, 50.23, -24.04

 

CMYK 0 / 35 / 8 / 15

HEX #D98CC8

RGB 217 140 200

HSL 313.25, 0.5%, 0.7%

LAB 67.78, 38.19, -18.93

 

CMYK 0 / 26 / 6 / 20

HEX #CD98C1

RGB 205 152 193

HSL 313.58, 0.35%, 0.7%

LAB 68.96, 26.45, -13.39

 

CMYK 0 / 14 / 3 / 25

HEX #C0A5BA

RGB 192 165 186

HSL 313.33, 0.18%, 0.7%

LAB 70.64, 13.52, -7.13

 

CMYK 17 / 52 / 0 / 5

HEX #CA73F2

RGB 202 115 242

HSL 281.1, 0.83%, 0.7%

LAB 62.7, 54.8, -50.31

 

CMYK 2 / 52 / 0 / 5

HEX #EC73F2

RGB 236 115 242

HSL 297.17, 0.83%, 0.7%

LAB 66.9, 63.68, -43.4

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 0 / 52 / 25 / 5

HEX #F273B5

RGB 242 115 181

HSL 328.82, 0.83%, 0.7%

LAB 65.34, 55.94, -11.64

 

CMYK 0 / 52 / 39 / 5

HEX #F27393

RGB 242 115 147

HSL 344.88, 0.83%, 0.7%

LAB 64.36, 51.84, 6.29

 

CMYK 0 / 83 / 18 / 8

HEX #EB28C0

RGB 235 40 192

HSL 313.23, 0.83%, 0.54%

LAB 55.06, 82.07, -33.78

 

CMYK 0 / 68 / 15 / 7

HEX #EE4DCB

RGB 238 77 203

HSL 313.04, 0.83%, 0.62%

LAB 59.7, 73.77, -32.8

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 0 / 38 / 9 / 4

HEX #F699E1

RGB 246 153 225

HSL 313.55, 0.84%, 0.78%

LAB 74.71, 44.95, -21.91

 

CMYK 0 / 23 / 5 / 2

HEX #F9BFEC

RGB 249 191 236

HSL 313.45, 0.83%, 0.86%

LAB 83.68, 27.89, -14.26

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 0 / 31 / 52 / 5

HEX #F2A873

RGB 242 168 115

HSL 25.04, 0.83%, 0.7%

LAB 74.9, 21.57, 38.17

 

CMYK 52 / 0 / 10 / 5

HEX #73F2DB

RGB 115 242 219

HSL 169.13, 0.83%, 0.7%

LAB 88.1, -40.78, 0.33

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 12 / 0 / 52 / 5

HEX #D6F273

RGB 214 242 115

HSL 73.23, 0.83%, 0.7%

LAB 91.25, -27.32, 57.47

 

CMYK 52 / 12 / 0 / 5

HEX #73D6F2

RGB 115 214 242

HSL 193.23, 0.83%, 0.7%

LAB 80.82, -21.54, -22.65

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 0 / 31 / 52 / 5

HEX #F2A873

RGB 242 168 115

HSL 25.04, 0.83%, 0.7%

LAB 74.9, 21.57, 38.17

 

CMYK 52 / 0 / 41 / 5

HEX #73F28F

RGB 115 242 143

HSL 133.23, 0.83%, 0.7%

LAB 86.57, -55.97, 37.25

 

CMYK 52 / 22 / 0 / 5

HEX #73BDF2

RGB 115 189 242

HSL 205.04, 0.83%, 0.7%

LAB 73.84, -8.53, -33.36

 

CMYK 0 / 52 / 12 / 5

HEX #F273D6

RGB 242 115 214

HSL 313.23, 0.83%, 0.7%

LAB 66.52, 60.7, -28.41

 

CMYK 0 / 15 / 52 / 5

HEX #F2CE73

RGB 242 206 115

HSL 42.99, 0.83%, 0.7%

LAB 84.1, 1.66, 49.52

 

CMYK 52 / 0 / 41 / 5

HEX #73F28F

RGB 115 242 143

HSL 133.23, 0.83%, 0.7%

LAB 86.57, -55.97, 37.25

 

CMYK 52 / 38 / 0 / 5

HEX #7397F2

RGB 115 151 242

HSL 222.99, 0.83%, 0.7%

LAB 63.5, 12.84, -49.52

 

Description

Color code: HEX #F273D6 | qconv.com Color code: HEX #F273D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 115 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 115 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 12% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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