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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2703CCE it is the complementary color #0D8FC3CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2703CCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2703CCE shade: #F77037CE, #FF824ACE, #FF945DCE, #FFA670CE and #FFB883CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2703CCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2703CCE shade: #F2703CCE, #E15E29CE, #D04C16CE, #BF3A03CE and #AE2800CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2703CCE shade: #F26F3A, #F23D3A and #F23A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2703CCE shade: #F26F3A, #F2A13A, #F2D23A, #E1F23A and #AFF23A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2703CCE shade matches the following richer shades: #F26F3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2703CCE shade: #F26F3A, #E2764B, #D17E5C, #C0856D and #AF8C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2703CCE shade: #F23A68, #F23E3A, #F26F3A, #F2A03A and #F2D13A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2703CCE shade: #CD440D, #F05314, #F26F3A, #F58B61 and #F7A888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2703CCE shade: #F2703C, #9AF23A and #3A50F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2703CCE shade: #F2703C, #3AF26F and #6F3AF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2703CCE shade: #F2703C, #9AF23A, #3ABEF2 and #933AF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2703CCE shade: #F2703C, #62F23A, #3ABEF2 and #CB3AF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 61 / 4

HEX #F2703CCE

RGBA 242 112 60 0.81

HSLA 17.14, 0.88%, 0.59%, 0.81

LABA 62.33, 46.88, 51.5, 0.81

 

Complementary color

CMYK 76 / 22 / 0 / 19

HEX #0D8FC3CE

RGBA 13 143 195 0.81

HSLA 197.14, 0.88%, 0.41%, 0.81

LABA 55.76, -12.7, -35.71, 0.81

 

CMYK 0 / 44 / 63 / 3

HEX #F77037CE

RGBA 247 112 55 0.81

HSLA 17.81, 0.92%, 0.59%, 0.81

LABA 63.04, 48.54, 54.82, 0.81

 

CMYK 0 / 40 / 57 / 0

HEX #FF824ACE

RGBA 255 130 74 0.81

HSLA 18.56, 1%, 0.65%, 0.81

LABA 67.81, 43.59, 51.08, 0.81

 

CMYK 0 / 34 / 51 / 0

HEX #FF945DCE

RGBA 255 148 93 0.81

HSLA 20.37, 1%, 0.68%, 0.81

LABA 71.71, 35.55, 45.98, 0.81

 

CMYK 0 / 28 / 45 / 0

HEX #FFA670CE

RGBA 255 166 112 0.81

HSLA 22.66, 1%, 0.72%, 0.81

LABA 75.89, 27.55, 41.29, 0.81

 

CMYK 0 / 23 / 39 / 0

HEX #FFB883CE

RGBA 255 184 131 0.81

HSLA 25.65, 1%, 0.76%, 0.81

LABA 80.28, 19.74, 37, 0.81

 

CMYK 0 / 44 / 61 / 4

HEX #F2703CCE

RGBA 242 112 60 0.81

HSLA 17.14, 0.88%, 0.59%, 0.81

LABA 62.33, 46.88, 51.5, 0.81

 

CMYK 0 / 47 / 66 / 10

HEX #E15E29CE

RGBA 225 94 41 0.81

HSLA 17.28, 0.75%, 0.52%, 0.81

LABA 56.26, 48.46, 53.47, 0.81

 

CMYK 0 / 51 / 72 / 15

HEX #D04C16CE

RGBA 208 76 22 0.81

HSLA 17.42, 0.81%, 0.45%, 0.81

LABA 50.26, 50, 54.92, 0.81

 

CMYK 0 / 56 / 80 / 20

HEX #BF3A03CE

RGBA 191 58 3 0.81

HSLA 17.55, 0.97%, 0.38%, 0.81

LABA 44.39, 51.35, 55.17, 0.81

 

CMYK 0 / 62 / 81 / 26

HEX #AE2800CE

RGBA 174 40 0 0.81

HSLA 13.79, 1%, 0.34%, 0.81

LABA 38.75, 52.26, 51.57, 0.81

 

CMYK 0 / 54 / 76 / 5

HEX #F26F3A

RGB 242 111 58

HSL 17.28, 0.88%, 0.59%

LAB 62.13, 47.28, 52.25

 

CMYK 0 / 75 / 76 / 5

HEX #F23D3A

RGB 242 61 58

HSL 0.98, 0.88%, 0.59%

LAB 54.57, 67.5, 44.36

 

CMYK 0 / 76 / 76 / 5

HEX #F23A3A

RGB 242 58 58

HSL 0, 0.88%, 0.59%

LAB 54.25, 68.42, 44.01

 

CMYK 0 / 54 / 76 / 5

HEX #F26F3A

RGB 242 111 58

HSL 17.28, 0.88%, 0.59%

LAB 62.13, 47.28, 52.25

 

CMYK 0 / 33 / 76 / 5

HEX #F2A13A

RGB 242 161 58

HSL 33.59, 0.88%, 0.59%

LAB 72.68, 21.74, 62.7

 

CMYK 0 / 13 / 76 / 5

HEX #F2D23A

RGB 242 210 58

HSL 49.57, 0.88%, 0.59%

LAB 84.63, -3.8, 73.97

 

CMYK 7 / 0 / 76 / 5

HEX #E1F23A

RGB 225 242 58

HSL 65.54, 0.88%, 0.59%

LAB 91.6, -26.55, 79.85

 

CMYK 28 / 0 / 76 / 5

HEX #AFF23A

RGB 175 242 58

HSL 81.85, 0.88%, 0.59%

LAB 88.41, -45.9, 75.74

 

CMYK 0 / 54 / 76 / 5

HEX #F26F3A

RGB 242 111 58

HSL 17.28, 0.88%, 0.59%

LAB 62.13, 47.28, 52.25

 

CMYK 0 / 54 / 76 / 5

HEX #F26F3A

RGB 242 111 58

HSL 17.28, 0.88%, 0.59%

LAB 62.13, 47.28, 52.25

 

CMYK 0 / 48 / 67 / 11

HEX #E2764B

RGB 226 118 75

HSL 17.09, 0.72%, 0.59%

LAB 61.34, 38.55, 42.17

 

CMYK 0 / 40 / 56 / 18

HEX #D17E5C

RGB 209 126 92

HSL 17.44, 0.56%, 0.59%

LAB 61, 28.81, 32.08

 

CMYK 0 / 31 / 43 / 25

HEX #C0856D

RGB 192 133 109

HSL 17.35, 0.4%, 0.59%

LAB 60.86, 19.74, 22.04

 

CMYK 0 / 20 / 28 / 31

HEX #AF8C7E

RGB 175 140 126

HSL 17.14, 0.23%, 0.59%

LAB 61.11, 11.14, 12.5

 

CMYK 0 / 76 / 57 / 5

HEX #F23A68

RGB 242 58 104

HSL 345, 0.88%, 0.59%

LAB 54.97, 70.74, 18.22

 

CMYK 0 / 74 / 76 / 5

HEX #F23E3A

RGB 242 62 58

HSL 1.3, 0.88%, 0.59%

LAB 54.69, 67.19, 44.48

 

CMYK 0 / 54 / 76 / 5

HEX #F26F3A

RGB 242 111 58

HSL 17.28, 0.88%, 0.59%

LAB 62.13, 47.28, 52.25

 

CMYK 0 / 34 / 76 / 5

HEX #F2A03A

RGB 242 160 58

HSL 33.26, 0.88%, 0.59%

LAB 72.44, 22.27, 62.48

 

CMYK 0 / 14 / 76 / 5

HEX #F2D13A

RGB 242 209 58

HSL 49.24, 0.88%, 0.59%

LAB 84.37, -3.29, 73.73

 

CMYK 0 / 67 / 94 / 20

HEX #CD440D

RGB 205 68 13

HSL 17.19, 0.88%, 0.43%

LAB 48.44, 52.21, 56.22

 

CMYK 0 / 65 / 92 / 6

HEX #F05314

RGB 240 83 20

HSL 17.18, 0.88%, 0.51%

LAB 56.84, 58.06, 62.75

 

CMYK 0 / 54 / 76 / 5

HEX #F26F3A

RGB 242 111 58

HSL 17.28, 0.88%, 0.59%

LAB 62.13, 47.28, 52.25

 

CMYK 0 / 43 / 60 / 4

HEX #F58B61

RGB 245 139 97

HSL 17.03, 0.88%, 0.67%

LAB 68.56, 36.55, 39.82

 

CMYK 0 / 32 / 45 / 3

HEX #F7A888

RGB 247 168 136

HSL 17.3, 0.87%, 0.75%

LAB 75.8, 25.49, 28.32

 

CMYK 0 / 54 / 75 / 5

HEX #F2703C

RGB 242 112 60

HSL 17.14, 0.88%, 0.59%

LAB 62.33, 46.88, 51.5

 

CMYK 36 / 0 / 76 / 5

HEX #9AF23A

RGB 154 242 58

HSL 88.7, 0.88%, 0.59%

LAB 87.33, -53.27, 74.34

 

CMYK 76 / 67 / 0 / 5

HEX #3A50F2

RGB 58 80 242

HSL 232.83, 0.88%, 0.59%

LAB 42.83, 46.94, -83.03

 

CMYK 0 / 54 / 75 / 5

HEX #F2703C

RGB 242 112 60

HSL 17.14, 0.88%, 0.59%

LAB 62.33, 46.88, 51.5

 

CMYK 76 / 0 / 54 / 5

HEX #3AF26F

RGB 58 242 111

HSL 137.28, 0.88%, 0.59%

LAB 84.77, -71.35, 50.02

 

CMYK 54 / 76 / 0 / 5

HEX #6F3AF2

RGB 111 58 242

HSL 257.28, 0.88%, 0.59%

LAB 42.49, 64.36, -83.47

 

CMYK 0 / 54 / 75 / 5

HEX #F2703C

RGB 242 112 60

HSL 17.14, 0.88%, 0.59%

LAB 62.33, 46.88, 51.5

 

CMYK 36 / 0 / 76 / 5

HEX #9AF23A

RGB 154 242 58

HSL 88.7, 0.88%, 0.59%

LAB 87.33, -53.27, 74.34

 

CMYK 76 / 21 / 0 / 5

HEX #3ABEF2

RGB 58 190 242

HSL 196.96, 0.88%, 0.59%

LAB 72.32, -18.31, -35.85

 

CMYK 39 / 76 / 0 / 5

HEX #933AF2

RGB 147 58 242

HSL 269.02, 0.88%, 0.59%

LAB 46.5, 69.42, -76.73

 

CMYK 0 / 54 / 75 / 5

HEX #F2703C

RGB 242 112 60

HSL 17.14, 0.88%, 0.59%

LAB 62.33, 46.88, 51.5

 

CMYK 60 / 0 / 76 / 5

HEX #62F23A

RGB 98 242 58

HSL 106.96, 0.88%, 0.59%

LAB 85.2, -69.33, 71.56

 

CMYK 76 / 21 / 0 / 5

HEX #3ABEF2

RGB 58 190 242

HSL 196.96, 0.88%, 0.59%

LAB 72.32, -18.31, -35.85

 

CMYK 16 / 76 / 0 / 5

HEX #CB3AF2

RGB 203 58 242

HSL 287.28, 0.88%, 0.59%

LAB 54.17, 78.9, -63.93

 

Description

Color code: HEX #F2703CCE | qconv.com Color code: HEX #F2703CCE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 112 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 112 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 61% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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