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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2679D it is the complementary color #0D9862. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2679D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2679D shade: #F76798, #FF79AB, #FF8BBE, #FF9DD1 and #FFAFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2679D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2679D shade: #F2679D, #E1558A, #D04377, #BF3164 and #AE1F51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2679D shade: #F2699E, #F26979 and #F26969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2679D shade: #F2699E, #F269C3, #F269E8, #D769F2 and #B269F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2679D shade matches the following richer shades: #F2699E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2679D shade: #F2699E, #E576A1, #D883A4, #CA90A7 and #BD9EAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2679D shade: #F269E9, #F269C4, #F269A0, #F2697B and #F27B69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2679D shade: #EB1D6D, #EF4386, #F2699E, #F58FB7 and #F9B5CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2679D shade: #F2679D, #F2D769 and #69D7F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2679D shade: #F2679D, #A0F269 and #69A0F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2679D shade: #F2679D, #F2D769, #69F2BB and #6984F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2679D shade: #F2679D, #E4F269, #69F2BB and #7769F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 35 / 5

HEX #F2679D

RGB 242 103 157

HSL 336.69, 0.84%, 0.68%

LAB 62.52, 58.5, -2.12

 

Complementary color

CMYK 91 / 0 / 36 / 40

HEX #0D9862

RGB 13 152 98

HSL 156.69, 0.84%, 0.32%

LAB 55.51, -46.71, 19.17

 

CMYK 0 / 58 / 38 / 3

HEX #F76798

RGB 247 103 152

HSL 339.58, 0.9%, 0.69%

LAB 63.13, 59.51, 1.74

 

CMYK 0 / 53 / 33 / 0

HEX #FF79AB

RGB 255 121 171

HSL 337.61, 1%, 0.74%

LAB 67.93, 55.97, -1.94

 

CMYK 0 / 45 / 25 / 0

HEX #FF8BBE

RGB 255 139 190

HSL 333.62, 1%, 0.77%

LAB 71.85, 49.68, -6.79

 

CMYK 0 / 38 / 18 / 0

HEX #FF9DD1

RGB 255 157 209

HSL 328.16, 1%, 0.81%

LAB 76.06, 43.29, -11.02

 

CMYK 0 / 31 / 11 / 0

HEX #FFAFE4

RGB 255 175 228

HSL 320.25, 1%, 0.84%

LAB 80.47, 36.94, -14.73

 

CMYK 0 / 57 / 35 / 5

HEX #F2679D

RGB 242 103 157

HSL 336.69, 0.84%, 0.68%

LAB 62.52, 58.5, -2.12

 

CMYK 0 / 62 / 39 / 12

HEX #E1558A

RGB 225 85 138

HSL 337.29, 0.7%, 0.61%

LAB 56.43, 59.01, -0.3

 

CMYK 0 / 68 / 43 / 18

HEX #D04377

RGB 208 67 119

HSL 337.87, 0.6%, 0.54%

LAB 50.4, 59.25, 1.9

 

CMYK 0 / 74 / 48 / 25

HEX #BF3164

RGB 191 49 100

HSL 338.45, 0.59%, 0.47%

LAB 44.51, 59.05, 4.63

 

CMYK 0 / 82 / 53 / 32

HEX #AE1F51

RGB 174 31 81

HSL 339.02, 0.7%, 0.4%

LAB 38.85, 58.12, 8.1

 

CMYK 0 / 57 / 35 / 5

HEX #F2699E

RGB 242 105 158

HSL 336.79, 0.84%, 0.68%

LAB 62.88, 57.71, -2.16

 

CMYK 0 / 57 / 50 / 5

HEX #F26979

RGB 242 105 121

HSL 352.99, 0.84%, 0.68%

LAB 61.96, 53.99, 17.83

 

CMYK 0 / 57 / 57 / 5

HEX #F26969

RGB 242 105 105

HSL 0, 0.84%, 0.68%

LAB 61.65, 52.71, 26.56

 

CMYK 0 / 57 / 35 / 5

HEX #F2699E

RGB 242 105 158

HSL 336.79, 0.84%, 0.68%

LAB 62.88, 57.71, -2.16

 

CMYK 0 / 57 / 19 / 5

HEX #F269C3

RGB 242 105 195

HSL 320.58, 0.84%, 0.68%

LAB 64.1, 62.43, -21.44

 

CMYK 0 / 57 / 4 / 5

HEX #F269E8

RGB 242 105 232

HSL 304.38, 0.84%, 0.68%

LAB 65.6, 68.04, -39.86

 

CMYK 11 / 57 / 0 / 5

HEX #D769F2

RGB 215 105 242

HSL 288.18, 0.84%, 0.68%

LAB 62.47, 62.95, -50.57

 

CMYK 26 / 57 / 0 / 5

HEX #B269F2

RGB 178 105 242

HSL 271.97, 0.84%, 0.68%

LAB 58.02, 53.89, -57.93

 

CMYK 0 / 57 / 35 / 5

HEX #F2699E

RGB 242 105 158

HSL 336.79, 0.84%, 0.68%

LAB 62.88, 57.71, -2.16

 

CMYK 0 / 57 / 35 / 5

HEX #F2699E

RGB 242 105 158

HSL 336.79, 0.84%, 0.68%

LAB 62.88, 57.71, -2.16

 

CMYK 0 / 48 / 30 / 10

HEX #E576A1

RGB 229 118 161

HSL 336.76, 0.68%, 0.68%

LAB 63.5, 47.68, -3.18

 

CMYK 0 / 39 / 24 / 15

HEX #D883A4

RGB 216 131 164

HSL 336.71, 0.52%, 0.68%

LAB 64.57, 36.94, -3.5

 

CMYK 0 / 29 / 17 / 21

HEX #CA90A7

RGB 202 144 167

HSL 336.21, 0.35%, 0.68%

LAB 65.98, 25.38, -3.31

 

CMYK 0 / 16 / 10 / 26

HEX #BD9EAA

RGB 189 158 170

HSL 336.77, 0.19%, 0.68%

LAB 68.15, 13.44, -1.95

 

CMYK 0 / 57 / 4 / 5

HEX #F269E9

RGB 242 105 233

HSL 303.94, 0.84%, 0.68%

LAB 65.64, 68.2, -40.34

 

CMYK 0 / 57 / 19 / 5

HEX #F269C4

RGB 242 105 196

HSL 320.15, 0.84%, 0.68%

LAB 64.13, 62.57, -21.95

 

CMYK 0 / 57 / 34 / 5

HEX #F269A0

RGB 242 105 160

HSL 335.91, 0.84%, 0.68%

LAB 62.94, 57.94, -3.22

 

CMYK 0 / 57 / 49 / 5

HEX #F2697B

RGB 242 105 123

HSL 352.12, 0.84%, 0.68%

LAB 62.01, 54.17, 16.74

 

CMYK 0 / 49 / 57 / 5

HEX #F27B69

RGB 242 123 105

HSL 7.88, 0.84%, 0.68%

LAB 65.01, 44.08, 30.93

 

CMYK 0 / 88 / 54 / 8

HEX #EB1D6D

RGB 235 29 109

HSL 336.7, 0.84%, 0.52%

LAB 51.43, 75.93, 10.1

 

CMYK 0 / 72 / 44 / 6

HEX #EF4386

RGB 239 67 134

HSL 336.63, 0.84%, 0.6%

LAB 56.17, 69.46, 1.98

 

CMYK 0 / 57 / 35 / 5

HEX #F2699E

RGB 242 105 158

HSL 336.79, 0.84%, 0.68%

LAB 62.88, 57.71, -2.16

 

CMYK 0 / 42 / 25 / 4

HEX #F58FB7

RGB 245 143 183

HSL 336.47, 0.84%, 0.76%

LAB 71.2, 43.38, -4.01

 

CMYK 0 / 27 / 17 / 2

HEX #F9B5CF

RGB 249 181 207

HSL 337.06, 0.85%, 0.84%

LAB 80.57, 28.42, -3.31

 

CMYK 0 / 57 / 35 / 5

HEX #F2679D

RGB 242 103 157

HSL 336.69, 0.84%, 0.68%

LAB 62.52, 58.5, -2.12

 

CMYK 0 / 11 / 57 / 5

HEX #F2D769

RGB 242 215 105

HSL 48.18, 0.84%, 0.68%

LAB 86.25, -3.73, 56.78

 

CMYK 57 / 11 / 0 / 5

HEX #69D7F2

RGB 105 215 242

HSL 191.82, 0.84%, 0.68%

LAB 80.75, -24.01, -22.8

 

CMYK 0 / 57 / 35 / 5

HEX #F2679D

RGB 242 103 157

HSL 336.69, 0.84%, 0.68%

LAB 62.52, 58.5, -2.12

 

CMYK 34 / 0 / 57 / 5

HEX #A0F269

RGB 160 242 105

HSL 95.91, 0.84%, 0.68%

LAB 87.97, -47.77, 57.3

 

CMYK 57 / 34 / 0 / 5

HEX #69A0F2

RGB 105 160 242

HSL 215.91, 0.84%, 0.68%

LAB 65.4, 5.54, -46.55

 

CMYK 0 / 57 / 35 / 5

HEX #F2679D

RGB 242 103 157

HSL 336.69, 0.84%, 0.68%

LAB 62.52, 58.5, -2.12

 

CMYK 0 / 11 / 57 / 5

HEX #F2D769

RGB 242 215 105

HSL 48.18, 0.84%, 0.68%

LAB 86.25, -3.73, 56.78

 

CMYK 57 / 0 / 23 / 5

HEX #69F2BB

RGB 105 242 187

HSL 155.91, 0.84%, 0.68%

LAB 87.04, -50.04, 15.45

 

CMYK 57 / 45 / 0 / 5

HEX #6984F2

RGB 105 132 242

HSL 228.18, 0.84%, 0.68%

LAB 57.96, 22.04, -58.37

 

CMYK 0 / 57 / 35 / 5

HEX #F2679D

RGB 242 103 157

HSL 336.69, 0.84%, 0.68%

LAB 62.52, 58.5, -2.12

 

CMYK 6 / 0 / 57 / 5

HEX #E4F269

RGB 228 242 105

HSL 66.13, 0.84%, 0.68%

LAB 92.14, -22.69, 63.15

 

CMYK 57 / 0 / 23 / 5

HEX #69F2BB

RGB 105 242 187

HSL 155.91, 0.84%, 0.68%

LAB 87.04, -50.04, 15.45

 

CMYK 51 / 57 / 0 / 5

HEX #7769F2

RGB 119 105 242

HSL 246.13, 0.84%, 0.68%

LAB 52.33, 40.88, -67.38

 

Description

Color code: HEX #F2679D | qconv.com Color code: HEX #F2679D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 103 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 103 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 35 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 35% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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