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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F25B9F it is the complementary color #0DA460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F25B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F25B9F shade: #F75B9A, #FF6DAD, #FF7FC0, #FF91D3 and #FFA3E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F25B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F25B9F shade: #F25B9F, #E1498C, #D03779, #BF2566 and #AE1353

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F25B9F shade: #F25A9E, #F25A75 and #F25A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F25B9F shade: #F25A9E, #F25AC7, #F25AF0, #CA5AF2 and #A15AF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F25B9F shade matches the following richer shades: #F25A9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F25B9F shade: #F25A9E, #E368A0, #D577A1, #C685A3 and #B894A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F25B9F shade: #F25AF2, #F25AC9, #F25AA1, #F25A78 and #F2645A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F25B9F shade: #E61372, #EF3488, #F25A9E, #F580B5 and #F8A6CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F25B9F shade: #F25B9F, #F2C95A and #5ADDF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F25B9F shade: #F25B9F, #A1F25A and #5AA1F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F25B9F shade: #F25B9F, #F2C95A, #5AF2AB and #5A82F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F25B9F shade: #F25B9F, #EDF25A, #5AF2AB and #5F5AF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 34 / 5

HEX #F25B9F

RGB 242 91 159

HSL 332.98, 0.85%, 0.65%

LAB 60.66, 63.88, -6.01

 

Complementary color

CMYK 92 / 0 / 41 / 36

HEX #0DA460

RGB 13 164 96

HSL 152.98, 0.85%, 0.35%

LAB 59.42, -51.59, 25.49

 

CMYK 0 / 63 / 38 / 3

HEX #F75B9A

RGB 247 91 154

HSL 335.77, 0.91%, 0.66%

LAB 61.3, 64.8, -2.09

 

CMYK 0 / 57 / 32 / 0

HEX #FF6DAD

RGB 255 109 173

HSL 333.7, 1%, 0.71%

LAB 65.92, 61.67, -6.04

 

CMYK 0 / 50 / 25 / 0

HEX #FF7FC0

RGB 255 127 192

HSL 329.53, 1%, 0.75%

LAB 69.64, 55.78, -11.2

 

CMYK 0 / 43 / 17 / 0

HEX #FF91D3

RGB 255 145 211

HSL 324, 1%, 0.78%

LAB 73.68, 49.67, -15.67

 

CMYK 0 / 36 / 10 / 0

HEX #FFA3E6

RGB 255 163 230

HSL 316.3, 1%, 0.82%

LAB 77.97, 43.49, -19.57

 

CMYK 0 / 62 / 34 / 5

HEX #F25B9F

RGB 242 91 159

HSL 332.98, 0.85%, 0.65%

LAB 60.66, 63.88, -6.01

 

CMYK 0 / 68 / 38 / 12

HEX #E1498C

RGB 225 73 140

HSL 333.55, 0.72%, 0.58%

LAB 54.73, 64.03, -3.98

 

CMYK 0 / 74 / 42 / 18

HEX #D03779

RGB 208 55 121

HSL 334.12, 0.62%, 0.52%

LAB 48.91, 63.75, -1.48

 

CMYK 0 / 81 / 47 / 25

HEX #BF2566

RGB 191 37 102

HSL 334.68, 0.68%, 0.45%

LAB 43.3, 62.81, 1.64

 

CMYK 0 / 89 / 52 / 32

HEX #AE1353

RGB 174 19 83

HSL 335.23, 0.8%, 0.38%

LAB 38, 60.86, 5.61

 

CMYK 0 / 63 / 35 / 5

HEX #F25A9E

RGB 242 90 158

HSL 333.16, 0.85%, 0.65%

LAB 60.48, 64.18, -5.7

 

CMYK 0 / 63 / 52 / 5

HEX #F25A75

RGB 242 90 117

HSL 349.34, 0.85%, 0.65%

LAB 59.41, 60.23, 16.63

 

CMYK 0 / 63 / 63 / 5

HEX #F25A5A

RGB 242 90 90

HSL 0, 0.85%, 0.65%

LAB 58.91, 58.32, 31.56

 

CMYK 0 / 63 / 35 / 5

HEX #F25A9E

RGB 242 90 158

HSL 333.16, 0.85%, 0.65%

LAB 60.48, 64.18, -5.7

 

CMYK 0 / 63 / 18 / 5

HEX #F25AC7

RGB 242 90 199

HSL 316.97, 0.85%, 0.65%

LAB 61.92, 69.31, -27.04

 

CMYK 0 / 63 / 1 / 5

HEX #F25AF0

RGB 242 90 240

HSL 300.79, 0.85%, 0.65%

LAB 63.74, 75.47, -47.22

 

CMYK 17 / 63 / 0 / 5

HEX #CA5AF2

RGB 202 90 242

HSL 284.21, 0.85%, 0.65%

LAB 58.3, 66.64, -57.31

 

CMYK 33 / 63 / 0 / 5

HEX #A15AF2

RGB 161 90 242

HSL 268.03, 0.85%, 0.65%

LAB 53.28, 57.65, -65.65

 

CMYK 0 / 63 / 35 / 5

HEX #F25A9E

RGB 242 90 158

HSL 333.16, 0.85%, 0.65%

LAB 60.48, 64.18, -5.7

 

CMYK 0 / 63 / 35 / 5

HEX #F25A9E

RGB 242 90 158

HSL 333.16, 0.85%, 0.65%

LAB 60.48, 64.18, -5.7

 

CMYK 0 / 54 / 30 / 11

HEX #E368A0

RGB 227 104 160

HSL 332.68, 0.69%, 0.65%

LAB 60.58, 53.68, -6.96

 

CMYK 0 / 44 / 24 / 16

HEX #D577A1

RGB 213 119 161

HSL 333.19, 0.53%, 0.65%

LAB 61.58, 41.76, -6.26

 

CMYK 0 / 33 / 18 / 22

HEX #C685A3

RGB 198 133 163

HSL 332.31, 0.36%, 0.65%

LAB 62.86, 29.33, -5.69

 

CMYK 0 / 20 / 11 / 28

HEX #B894A4

RGB 184 148 164

HSL 333.33, 0.2%, 0.65%

LAB 65, 16.12, -3.27

 

CMYK 0 / 63 / 0 / 5

HEX #F25AF2

RGB 242 90 242

HSL 300, 0.85%, 0.65%

LAB 63.84, 75.8, -48.17

 

CMYK 0 / 63 / 17 / 5

HEX #F25AC9

RGB 242 90 201

HSL 316.18, 0.85%, 0.65%

LAB 62, 69.59, -28.05

 

CMYK 0 / 63 / 33 / 5

HEX #F25AA1

RGB 242 90 161

HSL 331.97, 0.85%, 0.65%

LAB 60.57, 64.51, -7.3

 

CMYK 0 / 63 / 50 / 5

HEX #F25A78

RGB 242 90 120

HSL 348.16, 0.85%, 0.65%

LAB 59.48, 60.48, 14.97

 

CMYK 0 / 59 / 63 / 5

HEX #F2645A

RGB 242 100 90

HSL 3.95, 0.85%, 0.65%

LAB 60.54, 53.97, 33.61

 

CMYK 0 / 92 / 50 / 10

HEX #E61372

RGB 230 19 114

HSL 332.99, 0.85%, 0.49%

LAB 50.1, 76.52, 5.02

 

CMYK 0 / 78 / 43 / 6

HEX #EF3488

RGB 239 52 136

HSL 333.05, 0.85%, 0.57%

LAB 54.64, 74.12, -1.45

 

CMYK 0 / 63 / 35 / 5

HEX #F25A9E

RGB 242 90 158

HSL 333.16, 0.85%, 0.65%

LAB 60.48, 64.18, -5.7

 

CMYK 0 / 48 / 26 / 4

HEX #F580B5

RGB 245 128 181

HSL 332.82, 0.85%, 0.73%

LAB 68.16, 50.64, -7.38

 

CMYK 0 / 33 / 18 / 3

HEX #F8A6CB

RGB 248 166 203

HSL 332.93, 0.85%, 0.81%

LAB 77.01, 35.36, -6.41

 

CMYK 0 / 62 / 34 / 5

HEX #F25B9F

RGB 242 91 159

HSL 332.98, 0.85%, 0.65%

LAB 60.66, 63.88, -6.01

 

CMYK 0 / 17 / 63 / 5

HEX #F2C95A

RGB 242 201 90

HSL 43.82, 0.85%, 0.65%

LAB 82.59, 2.42, 59.42

 

CMYK 63 / 9 / 0 / 5

HEX #5ADDF2

RGB 90 221 242

HSL 188.29, 0.85%, 0.65%

LAB 82, -29.56, -20.94

 

CMYK 0 / 62 / 34 / 5

HEX #F25B9F

RGB 242 91 159

HSL 332.98, 0.85%, 0.65%

LAB 60.66, 63.88, -6.01

 

CMYK 33 / 0 / 63 / 5

HEX #A1F25A

RGB 161 242 90

HSL 91.97, 0.85%, 0.65%

LAB 87.88, -48.78, 63.57

 

CMYK 63 / 33 / 0 / 5

HEX #5AA1F2

RGB 90 161 242

HSL 211.97, 0.85%, 0.65%

LAB 65.02, 2.15, -47.2

 

CMYK 0 / 62 / 34 / 5

HEX #F25B9F

RGB 242 91 159

HSL 332.98, 0.85%, 0.65%

LAB 60.66, 63.88, -6.01

 

CMYK 0 / 17 / 63 / 5

HEX #F2C95A

RGB 242 201 90

HSL 43.82, 0.85%, 0.65%

LAB 82.59, 2.42, 59.42

 

CMYK 63 / 0 / 29 / 5

HEX #5AF2AB

RGB 90 242 171

HSL 151.97, 0.85%, 0.65%

LAB 86.31, -56.23, 22.63

 

CMYK 63 / 46 / 0 / 5

HEX #5A82F2

RGB 90 130 242

HSL 224.21, 0.85%, 0.65%

LAB 56.63, 20.51, -60.54

 

CMYK 0 / 62 / 34 / 5

HEX #F25B9F

RGB 242 91 159

HSL 332.98, 0.85%, 0.65%

LAB 60.66, 63.88, -6.01

 

CMYK 2 / 0 / 63 / 5

HEX #EDF25A

RGB 237 242 90

HSL 61.97, 0.85%, 0.65%

LAB 92.68, -20.13, 70.14

 

CMYK 63 / 0 / 29 / 5

HEX #5AF2AB

RGB 90 242 171

HSL 151.97, 0.85%, 0.65%

LAB 86.31, -56.23, 22.63

 

CMYK 61 / 63 / 0 / 5

HEX #5F5AF2

RGB 95 90 242

HSL 241.97, 0.85%, 0.65%

LAB 47.18, 45.47, -75.83

 

Description

Color code: HEX #F25B9F | qconv.com Color code: HEX #F25B9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 91 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 91 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 34 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 34% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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